Culture

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...
Art Miriam Hussain -

Behind glass: Lighthouse Productions’ ‘The Seagull’

The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
Culture Jas Mauj -

The paradox of uniformity: Who do we dress for?

Walking to chapel on a mid-winter Wednesday morning, you could almost be certain to...
Culture Tilly Stanley -

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.
Culture Amalia Dasgupta -
Latest

Student showcase: Ashley Bond

Ashley Bond on her painting.

Ansel Adams: Photographs

Modern Art Oxford Until 1 June 4 stars out of 5

Encounters: Katie Paterson

Modern Art Oxford Until 1 June 3 stars out of 5

Review: Volpone

OFS Theatre Tuesday-Saturday 1st Week

Words words words

The theatrical art of the translator.

Spanish intellectuals

Theatrical Thrills

Foals – “Antidote”

Monique Davis reviews Foals' new album.

The Kooks – “Konk”

Dan Rolle reviews The Kooks' new album.

Review: Fool’s Gold

Charlie Martin reviews Fool's Gold.

Back to basics: Super 8

Nick Westfield delves into the Super 8 archives.

Review: Persepolis

Greg tate reviews the adaptation of Marjane Satrapi's graphic novels.

A positive sample

Begging, stealing or borrowing? Not so, says Robin Whelan.

Review: In Bruges

Laura Williams reviews Colin Farrell's latest venture.

Chick-on-chick flicks

Rowan Parks visits the 22nd Gay and Lesbian Film Festival.

Neighbourhood Watch: Chris Chan

Thomas Barrett meets Chris Chan, organ scholar supreme.

Great Novels: Gravity’s Rainbow, by Thomas Pynchon

Gravity’s Rainbow, Pynchon’s manic schizophrenic novel, originally titled ‘Mindless Pleasures’, is a quasi-sequel to his previous work V, which had appeared in 1963 to...

Review: Mort

Thank heavens Mort is showing in 8th Week of Hilary: the term of sickness, stress and freak exams for an unlucky few. Well –...

Panel Discussion: The Role of the Art School in the 21st Century, Modern Art Oxford

Richard Wentworth, Master of the Ruskin School of Drawing and Fine Art, initially seemed slightly taken aback to discover that he was the sole...

Concert review: Tomas Gould & John Reid play Schubert, Szymanowski and Schumann

Holywell Music Room, 2nd March 2008Wandering past a posterboard for the Holywell Music Room coffee concerts it is easy to feel a twinge of...

Classical review: Oxford Chamber Orchestra play Copland, Barber and Haydn

Sheldonian Theatre, 8.30pm, February 29th 2008The Oxford Chamber Orchestra, under the direction of Jonathan Williams, gave a programme connecting the 20th century back to...
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