Culture

A comical approach to a classic text: ‘Hedda Gabler’ reviewed

Tiptoe Productions’ Hedda Gabler, co-directed by Ollie Gillam and Gilon Fox, delivered a strong version of the classic text, impressive in its ability to make the differences between characters...

Culture Charlie Bailey -

‘Lux’ by Rosalía review: A breath of fresh air

'The Latin title ‘Lux’ perfectly embodies the concept and overall aesthetic of divine femininity, as well as the multilingual aspects that run throughout the work. With complex and meaningful lyrics written in 13 languages, and split into four movements, the record is a breath of fresh air for the pop scene'.

Culture Imogen Forrest -

Illuminating American conservatism: William F Buckley’s biography, reviewed

The ornate, Latinate vocabulary. The debates peppered with witticisms. The patrician air, the untraceable...

Books Gavriella Epstein-Lightman -

The Magdalene Songs: Giving a singing voice to victims

★★★★★ Trigger warning: abuse Modern slavery, abuse, and human rights violations are not something you would...

Culture Natalie Conboy -

Running on treadmills: Milan Kundera’s meditations on Slowness

Sometimes it takes a new word to express an old feeling. Until the age of around fourteen I spent many of my evenings brokering...

Bonding, identities, and connections through music

The feeling is both shared and unique to that moment

I’m Still Here: An exploration of memories

"I’m Still Here follows a mother and her family as they deal with the disappearance of the father at the hands of a military dictatorship."

What the book you’re reading says about you

In an institution as prestigious as Oxford, every book you pull out in public is transformed into a portable personality test, a hard launch...

Why romance books should be your post-exam read

With finals in full swing, and prelims just around the corner, Oxford’s libraries are full to the brim and SOLO is open at all...

Review: Blood Wedding – ‘A lunar eclipse on the stage’

A trembling bride. A distrustful mother. Two murderous rivals vying for a single, wavering hand. A wedding vow broken, unleashing all the violence of...

Review – The Wykehamist: ‘A Saltburn for the other place’

In the underbelly of Hong Kong, a Goldsmith-Sachs Vice President invites a woman back to his penthouse apartment for sex. Once there, he tortures...

Form, function, and art in the cultural weight of architecture

With roughly 55% of the world’s population living in cities, the urban world – the brainchild of architects – has become what most people...

The cantatas of Bach with New Chamber Opera

Recently, students from the University of Oxford have blessed the city with several performances of cantatas by the great Johann Sebastian Bach. On Wednesday...

Review: Crocodile Tears – ‘Techno-futuristic, but why?’

There is a lot to like about Natascha Norton’s Crocodile Tears. Female lead Elektra Voulgari Cleare is both electric and effortlessly elegant, and male...

Review: ART – ‘Charm, jazz, and friendship at its wittiest’

ART is charming. Centred around long-time friends Yvan (Ronav Jain), Marcus (Rufus Shutter) and Serge (Jem Hunter), the play not only raises pertinent questions...

The Journal of a Chambermaid: The greatest novel you’ve never heard of

It is easy to suppose that the greatest authors of the 19th century have all already been discovered. Especially when it comes to French...

The Oxford Cinema & Café: A profile

"The opening of The Oxford Cinema & Café marks a new chapter in Oxford’s cinema scene: a move further towards independent cinema."

W.H. Auden at the Bus Stop: In Praise of Intellectual Delay

It’s a damp Tuesday afternoon, and W.H. Auden is waiting patiently at the bus stop...

The Case for Reincarnated Romances

"Reincarnation romance films are sometimes silly, mostly melodramatic, but always overlooked as a subgenre."

Review: All My Sons – ‘At the end of the American Dream’

Joe Keller, played by Tristan Hood, represents the American dream. He is a wealthy businessman with a traditional family with a surviving son that...

Review: The Tempest – ‘Power looks good on her’

All the guests arrived and promptly took their seats, as one of the directors (Seb Carrington) announced the play would begin in 5 minutes....

Review: Bush! The Musical – ‘Is our actors singing?’

While the genre of historical musical theatre centred around US politicians may be dominated by Hamilton, Bush! The Musical has earned a place in...

Review: So Far, So Good – ‘Counting down the fall’

Student theatre has always thrived on experimentation, collaboration, and the courage to speak up. So Far, So Good, a new piece of original writing...

The writer behind ‘The Writer’

Tucked away in a room at Worcester College, I sat in on a rehearsal of Ella Hickson’s The Writer (2018), which Fennec Fox Productions...

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