Culture

‘A team of criers’: Behind the scenes of ‘Uncle Vanya’

Nothing makes me more excited about a theatre production than hearing a director talk passionately and intelligently about their chosen text. In a conversation with Cherwell, director Joshua Robey’s...

Culture Lara Machado -

Grappling with ‘grief that’s half formed’: Your Funeral

“Meeting up with a partner so soon after a breakup is an awkward time...

Culture Charlie Bailey -

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

“NEITHER RAIN NOR SNOW NOR GLOM OF NIT CAN STAY THESE MESENGERS ABOT THEIR...

Culture Rhys Ponsford -

On Gravel and Quads: Woolf’s Oxbridge in ‘A Room of One’s Own’

Virginia Woolf’s extended essay A Room of One’s Own is probably the most important...

Books Benjamin Waterer -

Latest

Review: JACK – ‘Gas-lit showstoppers, intrigue, and murder’

Jack The Ripper is arguably the most famous killer of the Victorian era. There is a fanatical fascination with his case. He is a...

September 5: Journalism drama doesn’t question the facts enough

Set during the 1972 Munich Olympics, Tim Fehlbaum’s September 5 tracks the ABC Sports crew’s coverage of the Israeli athlete hostage crisis in the...

Periodisation and the problem of now

Periodisation is the act of dividing literature into eras like Romanticism, Modernism, or Postmodernism – neat, bounded categories based on unifying characteristics, themes, or historical...

Review: Death of a Salesman – ‘The Inside of His Head’

To review Tiptoe Productions’ staging of Death of a Salesman, I must first contextualise my biases as a reviewer. By no means do I...

Oxford’s summer scene: The season of open-air performances

Trinity term at Oxford University is defined by wisteria, wild swimming, and warmth. Students find themselves torn between revelling in weather that is finally...

Easter Eggs

"I’m really sorry I missed your house. Even the Easter Bunny can make mistakes."

Review: An Anthology of Pairs – ‘Two’s a Party’

There’s a particular theatrical magic that comes from two people simply talking in a room. No stage tricks, no elaborate plot devices – just...

‘So Far, So Good’ and redefining the spotlight

So Far, So Good is a student-written, student-performed play that is shaking up the conventions of Oxford’s student theatre. From its ambitious staging (think...

Review: As You Like It – ‘What’s not to like?’

At last, the sun is coming out to play, and the Mansfield Players’ staging of As You Like It has given this summer’s outdoor...

From cloisters to concrete: Oxford’s architectural evolution

As a proud member of one of Oxford’s younger colleges – one that didn’t make it into the set of Saltburn – the magnetic...

Adolescence: Can TV spark radical change in young men?

Adolescence is just another example of art acting as a conversation piece. The recent series has inspired much conversation after it has highlighted how...

Hand over Heart

"So bite the heel that walked you home in the rain"

Oxide Radio is a breath of fresh, musical air

"This free station is worth a listen"

Exhibition 004: Oxford artistry across all mediums

When I first walked into Exhibition 004, my gaze was immediately met with Magda Adamczyk’s Nightmare. A demon, swirling with hellish strokes of red,...

Review: And Then There Were None – ‘Entertaining, suspenseful and very much worth your attention’

Hafeja Khanam’s take on Agatha Christie’s classic murder mystery And Then There Were None for this year’s OUDS BAME showcase was entertaining, suspenseful and...

Review: 113 – ‘An elusive, intangible, and shifting reality’

When I entered the Burton Taylor Studio to the sound of a mildly haunting cover of Tracy Chapman’s ‘Fast Car’, the whispered-yet-screechy vocals verging...

A ‘Closer’ look at intimacy in Labyrinth’s new production

Labyrinth Production’s upcoming production of Patrick Marber’s Closer is a novel step up in the kinds of physical and emotional intensity that the Oxford...

Review: Cyrano de Bergerac – ‘A clever adaptation of a timeless play’

I’m ashamed to admit I almost mistake Cuigy (Kate Burke) and Brissaille (Nancy Gittus) for incredibly dapper audience members before the play begins. The...

Why reading for pleasure still matters at Oxford

The idea of students reading for pleasure during term time has sparked much debate. Simply put though, Oxford’s intensive schedule makes it near-impossible. The...

The Pasts Contained in Preloved Books at the Oxford Premier Book Fair

Although post-collections celebrations usually involve nights out, followed by long, long lie-ins, I spent Saturday morning taking the bus to the Oxford Brookes Headington...

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Culture

‘A team of criers’: Behind the scenes of ‘Uncle Vanya’

Grappling with ‘grief that’s half formed’: Your Funeral

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

On Gravel and Quads: Woolf’s Oxbridge in ‘A Room of One’s Own’

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