Monday 9th June 2025

Culture

Review: So Far, So Good – ‘Counting down the fall’

Student theatre has always thrived on experimentation, collaboration, and the courage to speak up. So Far, So Good, a new piece of original writing by Melissa Chetata-Brooks, undoubtedly embraces...
Theatre Mercedes Haas -

The writer behind ‘The Writer’

Tucked away in a room at Worcester College, I sat in on a rehearsal...
Theatre Phoebe Davies -

Reframing Oxford’s controversial portraits

“All art is quite useless,” declared Oscar Wilde in the preface to The Picture...
Art Saskia Maini -

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece...
Theatre Emma Nihill Alcorta -
Latest

‘Say we want a revolution’: Music, politics, and protest songs

While some may hold the view of music as an absolute art form, the fact is that music is an integral part of human culture, society and our passion for protest

Space Shifters at the Hayward Gallery

The Hayward Gallery’s latest and much-praised exhibition 'Shape Shifters' is quite an experience.

Sequels and Spinoffs: serving commercial or creative interests?

What are the impacts of adding to a fictional universe?

Les Misérables review: BBC adaptation soars, even without the songs

Heaps of narrative are packed into the latest adaptation, but it is a masterful work of character complexity

How Victoria’s Secret Lost Its Sparkle

It’s still the same old fantasy, oozing sex appeal but boring by contemporary standards.

‘A bit of Bah Humbug’: Christmas in Great Expectations

Dickens is the perfect post-Christmas antidote to anyone exhausted by the festive season

Edward Burne-Jones at the Tate: A reminder of greatness

Burne-Jones' exhibition at the Tate is one to not miss.

What cultural blockbusters can we look forward to in 2019?

Margaret Atwood, Pixar and Lana del Rey: Chloe Whitehead puts together her most anticipated cultural events coming up in the new year

The desire to be elsewhere: a look back at some of 2018’s musical highlights

The opening track of George Ezra’s album Staying at Tamara’s moans ‘Why, why, what a terrible time to be alive’, and in 2018 this...

British Library Anglo-Saxon Kingdoms review: Illuminating the Dark Ages

A highlight of the exhibition, The Marvels of the East, details how people in the East were thought to have no heads, with their eyes and mouths instead believed to reside in their chests.

Is West Side Story still relevant today?

West Side Story has stood the test of time not just because of its artistic mastery, but because of its universal message. As the show’s choreographer Jerome Robbins once said, the show is about intolerance all over the world, not just in 1950s New York. In many ways, the show is more relevant today than it ever has been.

Is it still a wonderful life in 2018?

The film may feature angels and an alternate reality, but it is among the most realistic of Christmas films

The Triumph of Death: the Black Death and European Art

"The tomb of François de Sarra, carved around 1400, shows toads eating the man’s eyes and mouth, while worms crawl out of holes in his arms." Olivia Hicks explores the tropes and meanings of 'Black Death Art'

Is Louis C.K. back, and how should the comedy world respond?

Why newer, more innovative comedians deserve more attention than Louis CK's controversial comeback.

Aquaman review: DC’s latest offering fails to marvel

Aquaman makes for pleasant viewing, but proves unable to repeat Wonder Woman’s winning formula.

Why The Nightmare Before Christmas is the most underrated Christmas film

The Nightmare Before Christmas says that it is fine to find a holiday dull, or to question the purpose of repeating it every year.

Beyond Juvenal: “who will guard the guardians?”

One line in Juvenal’s Satire VI finds itself reincarnated in countless modern pop culture references.

Festive flicks: the best films to watch at Christmas

Get into the Christmas spirit with a .. Harry Potter marathon

Christmas adverts: capitalist emotional blackmail or festive escapism?

Although spreading Christmas cheer, making viewers laugh and cry, and even tackling social and environmental issues are all well and good, the ultimate aim of Christmas adverts is to make more money for the company.

The Tragedy of King Richard the Second – ‘stripped-down Shakespeare’

The timing of many lines elicits genuine laughter from the audience; in these interesting times we live in, such a take feels intensely necessary.
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