Culture

Jacob Collier is on scintillating form at Love Supreme

Despite being a seven-time Grammy Award winner, it was only at the 2025 Love Supreme Festival in Glynde that Jacob Collier had his first major festival headline show. Wearing his...

Music Susan Yu -

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent...

The Source Cici Zhang -

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

Art Josie Stern -

Latest

Exploring magic realism

Laura Esquivel provides a female framework to the Latin American genre

Nice Guy Review – ‘hard to believe written by students’

The complexity of Sam Norman and Aaron King’s new musical, which focuses on the inner-workings of an abusive relationship is astounding

A vision of fear, a vision of hope

Exploring higher states of human experience in William Blake’s and Tracey Emin’s early sketches

Breaking down stigma, challenging genre, and facilitating conversation – the new musical, ‘Nice Guy’

A visit to the Oxfordshire charity 'Clean Slate' with the cast of new musical 'Nice Guy'

Top Girls Preview – ‘a vibrant period piece’

This new production of Caryl Churchill's play may be a portrait of a specific time, but is still intensely relevant.

‘Family Friends’ Review: ‘a definite sparkle’

Katie Knight sees potential in this night of improvised comedy, but is let down by pacing and clunky mistakes

“Delightfully creepy”: “Spellbound” at the Ashmolean review

[The exhibition] is delightfully creepy, especially the sections where the artefacts are resting on the glass above you in chimney-like structures, forcing you to walk into dark little alcoves and crane your neck up to see them.

It’s one small step for Damien Chazelle: ‘First Man’ review

The director of 'Whiplash' and 'La La Land' bring his best to this much-anticipated Neil Armstrong biopic

The infamous melodramatics of Kanye West: Ye or nay?

Kanye has had a career riddled with dramatic events – what has this done to his legacy?

22 July: Netflix dramatises Norway’s darkest day

With 22 July, Paul Greengrass has answered the question of how to convert tragedy into film. In handling the harrowing 2011 Norway attacks that...

Living in a material world

Why the 80s and 90s have made a comeback

The Threepenny Opera Review – ‘both unsettling and wildly entertaining’

Faye Heron reviews this term's Playhouse show which she finds serves to bring up important social issues whilst simultaneously being vigorously entertaining

The Oxford Revue: Best of the Fringe Review – ‘these are emerging talents’

The Oxford Revue's desires to experiment creates some hilarious moments, but perhaps lacks through-line to bring the show together

The Threepenny Opera Preview – ‘promises to be exhilarating’

This term's Playhouse show paints a heightened portrait of the inner-city's criminal underworld.

Lessons From Tranquility Base Hotel and Casino

A retrospective look at this controversial project reminds us of the danger and importance of risk-taking in music.

‘A Star Is Born’ as Bradley Cooper makes an impressive directorial debut

"It's the same story told over and over; all an artist can do is say how they see it"

Bringing Doctor Who out of the past

Regeneration, one of Doctor Who’s most iconic plot ideas, bakes the theme of rebirth in the show’s very DNA, yet it is important to...

Interview: OUDS President Francesca Amewudah-Rivers

Cesca Echlin meets this year's OUDS President to discuss post-Medea hype, the need for increased representation in theatre, and what she wants to change about Oxford student drama.

Phenomenally Intricate: Iglooghost

With his recent releases, Iglooghost takes experimental electronic music to the next level

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Culture

Jacob Collier is on scintillating form at Love Supreme

‘Pour summer in a glass’: retracing Dandelion Wine

Reviving the symposium at the Ashmolean Krasis programme

‘This Room Their Lives’ in Magdalen College’s Waynflete building

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