Culture

Review: Sketches from a Curious Mind

In 1962, Edward Anthony wrote: “Writing a book of poetry is like dropping a rose petal down the Grand Canyon and waiting for the echo”. The Oxford-based author Richard...

Books Hannah Becker -

Night School: Oxford’s after-hours curriculum

The first time I saw Nahom and Ethan, it wasn’t on a night out...

Culture Maya Rybin -

‘Delusions and Grandeur’ at the Fringe

★★★⯪☆ If there is one word to describe Karen Hall’s Delusions and Grandeur, it is...

Culture Peter Hardisty -

The Oxford Revue at the Fringe

★★★⯪☆ Returning for their 62nd annual pilgrimage to the Edinburgh Fringe, the Oxford Revue rolled...

Culture Leon Moorhouse -

Latest

There is no place for grief in a house which serves the muse

'The Muse' in Tim Walker's short film and Dante Rosetti's Siddal Portraits

Idle reading: books in praise of laziness

A consideration of two books with different approaches to the same philosophy: the art of laziness.

Feeling comfort while in the uncomfortable

Why are we so drawn to music that puts us on edge?

Collaborators Review – a comedy of Stalinist Russia

Despite its seeming irreverent nature, this play has 'moments of profundity'

How To Save A Rock With A Circle Preview – ‘conveys urgency with a sense of humour’

Cecilia Wang previews Pigfoot Theatre's work-in-progress which focuses on the impact of climate change.

Depraved Genius of Caravaggio

David Alexander on our relationship with morally reprehensible artists

‘It was Beauty killed the Beast’

Monster love tales other marginalised communities

Stephen King’s It: the horror novel that sparked a love affair

The pleasure and terror of reading Stephen King

Characters we love to hate

Sam Millward surveys the rise of the antihero as a problematic but compelling character

Election Review – an ‘interesting and ambitious’ look at politics

Lowenna Ovens finds this student-centric election night depiction to be an 'intriguing concept'

Citizenship Review – ‘witty, thoughtful and true-to-life’

Ami Griffiths is impressed by a direct but deft portrayal of bisexuality.

Drunk Enough to Say I Love You? Review – ‘genre-crossing and well-executed’

Katie Knight is impressed by Klaxon Productions' production which incorporates new forms of media.

Top Girls Review – ‘uncomfortably straddles the experimental and the domestic’

"Adam Radford-Diaper’s adaptation is slick and well-acted, often wonderfully absurd and funny, but ultimately leaves me feeling slightly cold."

Drunk Enough to Say I Love You? Preview: ‘The political becomes personal’

Cesca Echlin previews Caryl Churchill's 2006 play, which she finds entices the human out of the political

The Mountaintop Review – ‘explores the man behind the pulpit’

Katori Hall’s depiction of the Civil Rights icon Martin Luther King in his last hours is bewitching.

‘A zero-carbon-footprint production’: an interview

Unusual theatrical spaces and creating environmentally conscious productions

Citizenship Preview – ‘challenges the binary of sexuality’

Mark Ravenhill's exploration of the nature of bisexuality in this coming-of-age drama is continually relevant

Music, Magic, and Bridging the Gap

The presence of magic in music has shifted and evolved over the years

‘Halloween’ is a bloody good entry in the series

40 years after the original film changed the slasher genre forever, Jamie Lee Curtis and Michael Myers face off once more...

Exploring magic realism

Laura Esquivel provides a female framework to the Latin American genre

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Culture

Review: Sketches from a Curious Mind

Night School: Oxford’s after-hours curriculum

‘Delusions and Grandeur’ at the Fringe

The Oxford Revue at the Fringe

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