When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Ingenious set design, the actors’ spectacular chemistry, and director Lloyd’s brilliant attention to detail make Betrayal a triumphant culmination of the ‘Pinter at the Pinter’ venture
It is ironic that Netflix, the reason for the film’s rapid popularity, might also be the reason why it’s not as memorable a film as it could have been.
Emilie Rapport Munro discusses whether Netflix overdid its latest hit
The convention which now seems part-and-parcel of theatre wasn’t always there – indoor venues and developments in lighting provided new staging opportunities. But what is the theatrical blackout for?