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UrbanObserver
Thursday 13th November 2025
Oxford's oldest independent student newspaper, est. 1920
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Theatre
On the edge of honesty: ‘The Man Who Turned into a Stick’
To rehearse and perform an entire student production before the second week of Michaelmas term is no easy feat - and The Man Who Turned into a Stick struggled...
Culture
Mair Andrews
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Erotic suspense and trickery: ‘Twelfth Night’ at St Hugh’s
Lovers mismatched, siblings detached, and plans of trickery hatched: it is the time of...
Culture
Mary Stillman
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Sin and nectar: Behind the scenes of ‘Women Beware Women’
I arrived at a rehearsal of Women Beware Women and found Hippolito (Kit Parsons)...
Culture
Tomas Overton
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Well-managed complexity: ‘In Praise of Love’
In Praise of Love by Terence Rattigan was a play well-chosen in today’s political...
Culture
Charlie Bailey
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Latest
Search
Review: The Crucible
Francesca German feels the power of Arthur Miller's classic 'The Crucible' at the Pilch.
Review: The Lovely Bones
This adaptation of Alice Sebold's classic novel strikes an emotional chord at Oxford Playhouse.
Review: F*@king Hell
Political satire makes make Brexit the most interesting it has been for years in Tasha Saunders’s biting new comedy.
Review: Radiant Vermin
Something Punchy Productions' take on Philip Ridley's darkly comic satire intrigues audiences at the BT Studio.
Review: Hamlet
Cosmic Arts' present a deeply human production of 'Hamlet' at the Keble O'Reilly.
Dystopia in and amongst trash: Beckett’s Endgame
Beckett symbolically employs trash to reflect physical and philosophical reality of a post-apocalyptic world.
Preview: The Crucible
Miller's classic sees a new lease of life in Rose on a Rail Theatre Company's new adaptation.
Review: Stranger, Baby
Berry's poetry collection on loss, mourning, and the sea is beautifully brought to life at the Burton Taylor studio.
Review: Spring Awakening
The Oxford Playhouse's Michaelmas Musical proves an ambitious, vibrant and exiting feat.
Review: Things I Know to be True
This powerful family drama packs an punch at the Pilch.
Review: Yerma
Lorca's "tragic poem" is brought to life with subtlety and skill by Angel In The House Productions
Do actions speak louder than words?
Daniya Jawwad explores how certain classic plays prioritise physicality.
Review: Section Two
Phoebe Hennell reviews Tom Gould's new play 'Section Two'
Review: Life of Galileo
Didactic elements of Brecht's biographical play are highlighted by Velvet Vest Productions.
Preview: Life Of Galileo
Ben Beese preview's Life of Galileo
Review: Hannah Gadsby’s ‘Douglas’
An utter stand up masterpiece, and showcase of a truly gifted mind.
Review: The Three Sisters
Small Fry Theatre's take on Chekhov's classic impresses at the Burton Taylor Studio.
Review: Sübverse
Disgraced CBBC presenters, slam poetry and 'Take Me Home, Country Roads' all come together in Beef's debut sketch show with surprising results.
Preview: Spring Awakening
Jaya Rana previews Oxford Playhouse's Michaelmas student musical, Spring Awakening.
Review: Crave
GOYA's Crave stays true to the chaotic and disturbing nature of Kane's work.
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