Thursday 22nd January 2026

Theatre

A noble mind o’erthrown: ‘Hamlet’ at the National Theatre

This month, Hamlet returns to the stage in a new production soon to be released on National Theatre Live, following its staging last autumn.  

Lighthouse Productions on ‘Lemons’

The team outlined the vision for their debut production: a political, surrealist piece of contemporary theatre.

‘Songs, skits, and a third thing beginning with S’: Jack McMinn in conversation

If there’s one thing I believe Oxford’s theatre scene is missing, it’s a button-down-shirt-wearing ex-zoology student with a penchant for writing songs about Pret A Manger.

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

Grappling with ‘grief that’s half formed’: Your Funeral

“Meeting up with a partner so soon after a breakup is an awkward time - and she’s dying.” Your Funeral is the debut play of...

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

“NEITHER RAIN NOR SNOW NOR GLOM OF NIT CAN STAY THESE MESENGERS ABOT THEIR DUTY.” It is this (somewhat incomplete) motto of the Post...

Are you listening comfortably? Audio drama and theatre

When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it was this seemingly unlikely convergence between the two forms that...

Over-the-top-vlogging and call centres: Dial 1 for UK

Dial 1 for UK is a one-man show following the journey of Uday Kumar (UK for short), who leaves his job at a call...

Be brave, Oxford: Let’s put creativity back in the creative arts

Welcome back, Oxford. While you were away preparing for the next academic year, or busy attending the Edinburgh Fringe, the facebook Oxford University Drama...

Where Oxford University Drama Society can take you

I loved theatre at school, and, aged 14, told my parents they had to let me go to drama school. In reply, they suggested...

‘Delusions and Grandeur’ at the Fringe

★★★⯪☆ If there is one word to describe Karen Hall’s Delusions and Grandeur, it is anxious. The one-hour solo cello comedy show is filled with...

The Oxford Revue at the Fringe

★★★⯪☆ Returning for their 62nd annual pilgrimage to the Edinburgh Fringe, the Oxford Revue rolled into town with their new sketch comedy hour For Revue...

‘Do Zombies Dream of Undead Sheep?’ at the Fringe

★★★⯪☆ Do Zombies Dream of Undead Sheep? is a one-man, one-puppet musical journey through the apocalypse. After a 'catastrophic' magnitude 1-ish earthquake, the dead are...

‘Timestamp’ at the Fringe: Existing in the ‘now’

★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the Edinburgh Fringe after a successful run in New York City...

‘HOLE IN THE WALL L’HOPITAL’ at Fringe

★★★☆☆ Everything I write ends up being about grief – I suppose this review only proves that point. HOLE IN THE WALL L’HOPITAL, created by...

Review: Wolf Hall: The Mirror and the Light – “A new sensation”

There is a new sensation at Christ Church Drama Society, and it is called Wolf Hall. Adapted from the novel trilogy by Hilary Mantel,...

Review: CRUSH – ‘A classic coming-of-age’

Rumours of drastic script revisions and casting changes meant that I entered The North Wall (a former swimming pool, so I’ve been told), with...

Review: Blood Wedding – ‘A lunar eclipse on the stage’

A trembling bride. A distrustful mother. Two murderous rivals vying for a single, wavering hand. A wedding vow broken, unleashing all the violence of...

Review: Crocodile Tears – ‘Techno-futuristic, but why?’

There is a lot to like about Natascha Norton’s Crocodile Tears. Female lead Elektra Voulgari Cleare is both electric and effortlessly elegant, and male...

Review: ART – ‘Charm, jazz, and friendship at its wittiest’

ART is charming. Centred around long-time friends Yvan (Ronav Jain), Marcus (Rufus Shutter) and Serge (Jem Hunter), the play not only raises pertinent questions...

Review: All My Sons – ‘At the end of the American Dream’

Joe Keller, played by Tristan Hood, represents the American dream. He is a wealthy businessman with a traditional family with a surviving son that...

Review: The Tempest – ‘Power looks good on her’

All the guests arrived and promptly took their seats, as one of the directors (Seb Carrington) announced the play would begin in 5 minutes....

Review: Bush! The Musical – ‘Is our actors singing?’

While the genre of historical musical theatre centred around US politicians may be dominated by Hamilton, Bush! The Musical has earned a place in...

Review: So Far, So Good – ‘Counting down the fall’

Student theatre has always thrived on experimentation, collaboration, and the courage to speak up. So Far, So Good, a new piece of original writing...

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