Theatre

‘Do Zombies Dream of Undead Sheep?’ at the Fringe

★★★⯪☆ Do Zombies Dream of Undead Sheep? is a one-man, one-puppet musical journey through the apocalypse. After a 'catastrophic' magnitude 1-ish earthquake, the dead are reanimated, unleashing a zombie outbreak....

Culture Nicole Palka -

‘Timestamp’ at the Fringe: Existing in the ‘now’

★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the...

Culture Nicole Palka -

‘HOLE IN THE WALL L’HOPITAL’ at Fringe

★★★☆☆ Everything I write ends up being about grief – I suppose this review only...

Culture Rebecca Harper -

Review: Wolf Hall: The Mirror and the Light – “A new sensation”

There is a new sensation at Christ Church Drama Society, and it is called...

Theatre Hassan Akram -

Latest

Review: Waiting for Gary – ‘surpasses the Beckettian classic’

High praise given to Waiting for Gary for its emotional truth underlying the humour

Preview: Made in Dagenham

A cheerful rendition of 'Payday' and some impressive character analysis make for a stunningly professional fifth week production.

Review: The Oxford Revue Newcomers’ Show ‘Scrapped’ – ‘ridiculous, witty, and hilarious’

"No description, no plot summary can do justice to this highly eclectic and wonderfully unpredictable piece of theatre"

Review: Pirandello’s Henry IV – ‘earnest production let down by a dull script’

A Tom Stoppard translation of an Italian play is convincing and confusing in equal measure

Review: How to Make Friends and then Kill Them – ‘brilliantly toes the line between laughing and crying’

Coningsby Productions' three-woman production impresses with its relentless movement and convincing performances

Skin a Cat Review – ‘rethinks simplistic sexual narratives’

Britomart Productions' honest exploration of female sexuality is on at the BT Studio until Saturday.

How To Make Friends and then Kill Them Preview – ‘promises to be entertaining and unsettling’

A preview of Coningsby Productions' play at the Pilch this week.

Numbers Review – commendable but difficult to feel nuance

The play was particularly successful in its exploration of masculinity

Preview – Pirandello’s Henry IV – “a challenging role wonderfully enacted”

Omelette Productions presents an unconventional take on a Tom Stoppard translation

The Pitchfork Disney Review – ‘reality and morality is blown apart to become a nightmare’

"From the moment you step into this play the direct ‘in-yer-face’ nature of the performance is abundantly clear."

Who’s direction is it anyway? An interview with the director of How to Make Friends and then Kill Them

Charlie Rogers talks black-box theatre and responds to recent Oxfess controversy

Review: ENRON – “absolutely captivating”

“Although he and Enron fall, the people who fall with it fall more” – Sour Peach Productions present a compelling and absurd take on the real-life financial scandal

Review: House of Improv presents: I’m an Improviser Get Me Out of Here! – ‘relentlessly silly’

House of Improv presents an improvised hour of moon shoes, jacuzzis, and reckless fun

Review: Gods are Fallen and All Safety Gone – ‘a relationship fraying at the edges’

Rose on a Rail's latest production provides a touching and intimate look into a complex mother-daughter relationship.

The Forgiveness Arc

Here are some of the best musical theatre songs centred around forgiveness

Review: Frog’s Legs – ‘light-hearted façade with a dark core’

Shepherd-Cross' new play treads a fine line between offensiveness and good taste - is it all the better for it?

The Pitchfork Disney Preview – ‘a play of delight and disgust’

The Pitchfork Disney shows at the BT Studio this week

Enron Preview – ‘financial collapse made tangible’

A preview of the Theatre Goose and Sour Peach Productions' play at the Oxford Playhouse this week.

Review: Antony and Cleopatra – a star-studded Shakespeare

Lawrence Li is impressed by the National Theatre’s opulent imagining of a Shakespearean classic

Review: Hadestown – from myth to musical

The National Theatre's musical work-in-progress proves to be a charming retelling of the story of Orpheus and Eurydice

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Theatre

‘Do Zombies Dream of Undead Sheep?’ at the Fringe

‘Timestamp’ at the Fringe: Existing in the ‘now’

‘HOLE IN THE WALL L’HOPITAL’ at Fringe

Review: Wolf Hall: The Mirror and the Light – “A new sensation”

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