Theatre

The Goat Review: ‘raw, absurdist, and honest’

Clarendon Productions brings The Goat, or Who is Sylvia? (Edward Albee) to the Michael Pilch studio, painfully, humorously, and soulfully. Seated in the round, the audience is gifted a...

Culture Michelle Jiang -

The Busy Body Review: ‘Theatre of the Real’

The Busy Body (1709) is one of the many plays written by Susanna Centlivre....

Culture Lara Machado -

In conversation with ‘The Children’

‘If you’re curious as to how and why cows, nuclear reactors, tricycles, peperami, and...

Culture Olivia Sloan -

Sanskrit drama returns to Oxford

Building on a strong recent tradition of plays performed in Sanskrit (with surtitles!) we...

Culture Benjamin Atkinson -

Latest

Twelfth Night preview – ‘a darker version’

Post-Truth Theatre Company's Twelfth Night is a clever and satirical take on modern life, says Nina Crisp

Twelfth Night Review – Shakespeare for the Love Island Generation’

Harry Hatwell is impressed by the mirror of contemporary reality in an ambitious adaptation at the Keble O'Reilly

Five Minutes with Harry Househam

We chat to Harry Househam, producer of Jericho Comedy and Stand-up History, about comedy in Oxford and his brand new show.

The Jungle review- ‘an incredible, heart-wrenching story’

Lucy Miles is left awe-struck and moved by the story of a Refugee camp in the Young Vic's new play, The Jungle

Pinocchio review – “a visual and acoustic marvel”

Charles Britton was impressed with the thoughtful alterations and expansions to Walt Disney’s beloved classic

War Horse – ‘Technically brilliant, but lacks the acting to match’

El Port enjoys a decadent press night for War Horse but is entertained rather than moved

Parliament Square – ‘an assemblage of half-formed thoughts’

The Bush Theatre’s production of James Fritz’s new play fails to live up to its full potential, writes John Livesey

All That Fall review – ‘Powerful and perturbing, with something of the uncanny about it’

Sam Rice immerses himself in a stage adaptation of Beckett's radio play

Five minutes with… Sos Eltis

This week, we chat to Sos Eltis, vice principal of Brasenose College and senior member of OUDS

Confessions of a Drama Queen: The Final Showdown

Our drama queen's term ends, not with a bang but a restraining order.

Preview: ‘Lovesong’ – “one of the best pieces of student theatre this year”

John Livesey is blown away by a preview of the sold-out 'Lovesong'

Review: ‘Yellow’ – “sensitive and complex”

Zad El Bacha is highly impressed with 'Yellow', an adaptation of Charlotte Perkin Gilman's 'The Yellow Wallpaper', at the Pilch

Five Minutes With… Hugh Tappin

In our final interview of term, we chat to Hugh Tappin, of Nitrous Cow Productions

Mountains review – ‘uncomfortable and immersive’

Michael O'Connor is impressed by this unorthodox performance.

As You Like It review – ‘Slightly flat, with a twist of theatrical magic’

Shared Experience’s reinterpretation of As You Like It is surprising and worth a watch, writes Harry Hatwell

Five minutes with: Audrey, the mysterious figurehead of The Oxford Revue

This week, we chat to Audrey, the Oxford Revue’s mysterious icon.

‘Twelfth Night’ review – ‘The Luscombe effect strikes again’

The RSC’s new version of Twelfth Night is an innovative reinterpretation, writes Katie Sayer

‘Volpone’ review – “Overdone accents but an otherwise fantastic production”

Amelia Coen enjoys Seeing Hand Production's witty Blackpool update of Johnson's satire

‘Volpone’ preview – “a very potent type of dramatic humour”

John Livesey is excited by 'Volpone', playing at the Keble O'Reilly in 7th week

‘God of Carnage’ preview – “a disgusting and disquieting play”

Jorge Lopez Llorente previews God of Carnage at the BT Studio

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Theatre

The Goat Review: ‘raw, absurdist, and honest’

The Busy Body Review: ‘Theatre of the Real’

In conversation with ‘The Children’

Sanskrit drama returns to Oxford

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