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UrbanObserver
Tuesday, March 25, 2025
Oxford's oldest independent student newspaper, est. 1920
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Theatre
Persuading the public: The play as propaganda
The play as propaganda has a long history. From the regime-affirming productions of Hieron, tyrant King of Syracuse, to Lucy Prebble’s play The Effect, we can understand that theatre has...
Theatre
Nancy Gittus
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Shakespeare and the ‘Dark Lady’
Shakespeare is undoubtedly the most well renowned English playwright. Thus, the chance that the...
Culture
Cherwell Culture
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Julie review – Free shots, toxic relationships, immersive theatre
My ticket to see Julie resembled an invite to a birthday party, promising a...
Culture
Adam Saxon
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The Goat Review: ‘raw, absurdist, and honest’
Clarendon Productions brings The Goat, or Who is Sylvia? (Edward Albee) to the Michael...
Culture
Michelle Jiang
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“Injections of humour amidst the Beckettian existential angst”
Emily Lawford is impressed by Leveaux’s revival of Tom Stoppard's meta-theatrical tragicomedy Rosencrantz and Guildenstern Are Dead
“Love and humanity scattered amid the horror”
Emily Lawford enjoys a genuinely frightening production of Macbeth
A word from the stalls
Miriam Nemmaoui speaks to a tipsy audience member at Suzy Cripps’ 'The Optimists'
“Even while expecting an hour of postmodernist drama, I couldn’t have been more unprepared”
Katie Sayer recovers from the gripping and disturbing 'Marat/Sade' at the Keble O'Reilly
A disturbing worldview undercut by patchy acting
Olivia Cormack finds that it's not just the costumes in Contractions that need ironing out
“More gentle slap than sucker punch”
Katheryn Thompson finds Made in Dagenham lacking in political grit
“A bold and unapologetic production”
Surya Bowyer is frustrated by a powerful production of 'Suspiria' which comes so close to greatness
Anything but a simple fairy-tale
Ebere Nweze is impressed by this unnerving and sharp new adaptation of Wilde’s short story
“Young, classy and capable of mischief”
Jacob Greenhouse is impressed by the freshness of Consortium Novum’s production of The Marriage of Figaro
A word from the stalls
Miriam Nemmaoui chats to an audience member who is left feeling nostalgic by Anna Karenina
“An enormous array of talent on display”
Jonnie Barrow enjoys a bumpy ride through a musical twist on a classic
‘We’re going to do it better than Braveheart’
If your schooling was anything like Tom Fisher's, who is playing Ross in this new production of Macbeth, you studied the Scottish play in...
Preview: ‘Tender Napalm’
Emily Lawford is stifled and mesmerised by this production of Tender Napalm
“Krapp isn’t quite of this world”
Sian Bayley is finds chills and thrills in this production's take on Beckett's exploration of failure
Both disturbing and utterly engaging: Suddenly Last Summer
With the tagline, “Something unspeakable happened last summer”, you might be forgiven for thinking of Aunt Ada Doom’s (Cold Comfort Farm) cry of “I...
A word from the stalls
Miriam Nemmaoui receives mixed feedback from an audience member after Suddenly Last Summer
Two lonely people, one heartrending production
Bessie Yuill promises an intense evening of Beckett made accessible to all
Review: The Homecoming
After the play finished, a few good friends walked towards me. “Wait, so what happened?” My friend Alex’s facial muscles were contorted. “What the...
Drop dead funny
James Lamming is impressed by the originality and comic maturity of the Oxford Imps’ latest production
“It’s about the ways that hope and faith fill up the cracks in pain”
Hannah Chukwu is moved by the sensitivity of this production of 'Dying Light'
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