Visual Art

An unusual dynamic is consequently captured between the photographer and artist in the photograph of Lucian Freud.

Modern Art Oxford’s exhibit Frieda Toranzo Jaeger: A future in the light of darkness counters the potential for automated vehicles and social media algorithms to...

Freida Toranzo Jaeger names her paintings like items in a manifesto: Extinction is the price we pay for our existence (2023), Open your heart...

The Griffin Catalyst Exhibition, The Charcoal Heads, shows the early career of Frank Auerbach and the creation of his portraits in the 1950s and...

"It was a pleasure to return to Oxford during the vacation to visit the Ashmolean’s new exhibition, which showcases some of the best drawings of the great Flemish artists of the 16th and 17th centuries."

"The gallery space itself did not provide an atmosphere of silence, but rather upon observation, isolated moments of contemplation and quietness were evident amongst the bustling scene in the room."

"Based on the Modern Art Oxford posters, Monica Sjöö’s activism appeared to be a driving force for social change."

"A standardised visual vocabulary of royal ideology represented by statues and coinage"

"Moser, like all other newly appointed Wardens, had full choice and control of patronage over his college portrait"

"Upon entering a darkened room, we were immediately struck by an intense, almost bewildering soundscape, and before us were strange, industrial sculptures."

I think I have always wondered how the first kiss came about. A quick Google search produces a very provisional 2500BC as an answer...

Art has been employed throughout history as a political tool to propagate ideas of power and ideology and challenge them. However, art is a...

“Portrait photography without women would be a sorry business.” (Yevonde Middleton, 1921) I walked into the Yevonde: Life and Colour exhibition at the National Portrait...

The ‘Long Vac’ is called ‘long’ for a reason and I did not want to waste a second of it. When I saw...

I did not know what to expect when I arrived at the Ashmolean to preview their newest exhibition, Colour Revolution: Victorian Art, Fashion &...

At the meeting point of the Austrian, Swiss, and German borders lies the historic old German town of Lindau. The entirety of the old...

There are a million better ways to spend an afternoon than moping around a largely windowless building with a complete stranger and an inability...

Thursday, November 11, 2:00 pm, picture this: bustling isles, shuttering cameras, and sales of thousands of dollars happening on the spot. A promising opening...

"What you are, is complicated. And I love you for that, Because you are complicated, Because you are raw, and soft, and broken."

It would be hard to think of another set of myths that are so present in contemporary culture as those surrounding the fall of Troy and its aftermath, immortalised most notably by Homer and Virgil. Stories such as the judgment of Paris, which sets the war in motion, the deception of the ‘Trojan Horse’ and Odysseus’ encounter with the Cyclops during his decade-long journey home are many people’s first introduction to the classical past as children, and the past few years have seen a resurgence of the Trojan cycle in popular culture. Novels such as Madeline Miller’s The Song of Achilles and Pat Barker’s The Silence of the Girls have reconsidered the war and its characters from different angles, and the BBC’s Troy: Fall of a City adaptation brought the saga to a generation raised on Game of Thrones. Therefore, the British Museum chose an opportune time for this year’s BP exhibition, Troy: myth and reality, which aims ambitiously to exhibit artistic depictions of the well-known myths and their various post-classical reinterpretations alongside the archaeological evidence that Troy and the war actually existed.