As frosty winter winds swept through Oxford at the start of term, you would imagine that we’d spot more students nestling their necks into fluffy scarves and fending off...
'The Devil, complete with a set of black wings, is sat at the end of the row having a chat with an audience member as we arrive for the opening night of Oliver Lansley’s ‘Immaculate’ '
'The charm of the production was in the idea that the titular house had been witness to all sorts of burgeoning relationships throughout its tenure, and this was sweetly conveyed through Nott and Bruton’s writing.'
Andrew Raynes’ production of Macbeth is a successful exploration of the play’s tension and comedy, and the cast and crew should be congratulated on bringing that out. The production succeeds in creating the world of Macbeth, and is blessed with some very talented actors which help bring it to life.
'The line of reporters and photographers asking the same questions to uncomfortable-looking celebrities, who try to recollect why Lagerfeld was in fact their personal hero, makes for tortuous watching.'
'When the pandemic hit Ontario, William Faulkner was a cadet in the Canadian Royal Air Force. Writing home to his parents, he would bemoan the lengthiness of his base’s lockdown, and the protracted sense of time it engendered.'
'If you’ve been sitting at home with your cork board and red string, becoming the next Hercule Poirot trying to work out how on earth the MCU fits together nowadays, give this intergalactic film a try.'
'I spoke to some of the Fashion Gala designers, who told me about their background in the world of fashion and design, their pieces for this year’s gala, and where they find their inspiration.'
'It is okay to deliberately buy fast-fashion second-hand since it is already in circulation and will not constitute to financially supporting unethical practices. Honestly, the longer it avoids landfill the better.'
'US-based pop-rock band The Strokes have encountered just about all of rock’s common killers. And yet, 22 years on from their first album, they are still here – and reportedly working on a seventh.'
'Increasingly, then, the heritage bequeathed to us in these museums is not just trapped in glass, but also in a host of moralising, ‘problematising’ and, ultimately, infantilising, narratives that are in their nature more political than educational.'