Monday 27th April 2026
Blog Page 1053

The media must approach discussions about Haiti with more nuance

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At the end of last week, Haiti began three days of national mourning to honour the near 900 people who died as a result of Hurricane Matthew. Its effects within Haiti have been immense, with tens of thousands of homes obliterated and over 350 000 people in need of aid.

Mainstream media outlets took two varying approaches in covering the disaster. Unsurprisingly, the news within the US focused on the effects upon the citizens of the east coast of their own country, whilst appearing indifferent to the high number of Haitian fatalities.

On the other hand, UK Media outlets did recognise the devastation caused in Haiti, yet it fundamentally lacked nuance. They carelessly juxta-positioned Florida’s hasty and organised response to the disaster, involving millions of citizens being encouraged to evacuate their homes in cars full of essential supplies with the Haitian response, blaming its mass devastation on its poor infrastructure, ineffective government, and lack of a coherent plan if such a disaster should strike. It also drew attention to Haiti’s vulnerability to natural disasters due to over half of the population dwelling in shantytowns in a nation still recovering from the aftershocks of the 2010 earthquake and the subsequent cholera outbreak.

As illustrated above, Haiti is portrayed in a very negative light. It is often forgotten that Haiti was the first independent nation of Latin America after the first successful transatlantic slave revolt during the Haitian revolution of 1791-1804. It is this dismissal of history which leads to the wretched portrayal of the country by foreign news media.

It is not by lack of luck that Haiti is so poor. After becoming an independent, slave-free nation, Haiti was coerced into signing a treaty with France which involved paying 90 million Francs, 40 billion US dollars today with the consideration of inflation, as a form of reparations for the loss of “property” of slaves by the French plantation owners, having only finally paid off this unjust debt by 1947. Yes, unstable and corrupt governments, such as the Duvalier rule have played their part over the years. However, how much could the country have developed and progressed without this crippling debit?

International NGOs such as the Red Cross, Oxfam or UNICEF, though benevolent in their intentions, cannot continue the “rinse and repeat” cycle of shoe-horning aid into Haiti whenever a natural disaster strikes. This is mere short term solution which fails to address the historical legacy left behind by French colonialism. It is no use highlighting the lack of response in the poorest country in the western hemisphere without acknowledging the historical framework and role of France’s colonial legacy in doing so.

It is not enough for France to send 32 tonnes of humanitarian aid to appease its own moral conscience, while failing to attempt to reconcile its own damaging colonial legacy within Haiti. It is this historical background, which has lead to Haiti’s fragility and its consistent reliance on international aid. This is something several news outlets should bare in mind in their ignorant portrayal of Haiti.

University reviews policy on social events

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Guidelines on how to make international students more comfortable within the university have been issued to Oxford teaching staff.

The new recommendations, entitled ‘Making the most of cultural diversity’ touch upon a variety of topics such as ‘Cultural Self-Awareness’ whilst also providing practical advice on how best to approach social events in colleges.

International students make up around 40 per cent of Oxford’s overall student body, with up to 56 per cent at graduate level. There are currently students from 140 countries studying at Oxford.

It is stated that social situations may be difficult for international students due to difference in custom and thus advised that non-alcoholic drinks should always be offered and food options “carefully considered”.

The report states, “A British cultural phenomenon is to provide food, such as snacks or canapes, as a form of welcome to newcomers or visitors. However, this practice may disregard the preferences of other cultures.”

The guidance added that while academics should attend social occasions, they should be conscious that some students might find them “awkward”, and it recommends ensuring soft drinks and other food options, such as canapés, are also provided.

Ioana Burtea, Merton College’s JCR International Students’ representative claims that the guidelines may be problematic as they make clear distinction between British culture and the culture specific to a foreign nation.

She told Cherwell, “Not only is British culture itself not homogeneous (just think of all the times your Scottish friends have been teased about eating haggis), but a significant portion of international students have a diverse background, especially if they’ve attended an international school pre-Oxford. The attempt to classify students into different “dominant value groups” is a superficial approach to say the least.”

David Palfreyman, the bursar of New College, recently told the Daily Mail, “I am bemused as to what a culturally neutral canapé would be. That could be quite a challenge.

“I think this advice might be a little bit oversensitive to very minor comments.”

Alongside advice on social situations, the guidelines also touch upon pastoral care, stating that international students may be more likely to take a “failure is not an option” approach to their studies, which could affect their emotional wellbeing and thus require different support to UK students.

The report also warns of the different approaches to essay writing which international students may have been taught to students coming from abroad. It offers resources entitled ‘Learning to write at Oxford’ in order to help them to adapt to a new way of working.

The guide also states that “promoting understanding must outweigh other concerns” and thus “jargon, idioms and colloquialisms” should be avoided whenever it is possible to do so.

A spokesperson for the Oxford University said “We make no apology for doing all we can to make all feel welcome.”

Backstage dialogue with Sarah Wright

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How long have you been involved in drama?

I’ve been acting and writing since I was a kid, but the first show I directed was two and a half years ago. It was La Leçon by Ionesco and I directed it as part of my Extended Project Qualification at sixth form, I knew absolutely nothing about being a director so I had to ask my friend Claudia for tips.

And do you have any tips for aspiring directors in a similar position? What was Claudia’s advice?

The one thing I never forgot, which Claudia told me, is never to just show an actor how to do a line by doing it yourself. There are certain things, like blocking, where a character definitely has to be standing in a specific place, and of course that’s fine. But if you’re too stringent with your idea of how a line or gesture should be delivered, it gets stiff . You need to help the actor find their character, not present them with a ready-made one. Also, you need to have a strong idea of where you want to go with your production. In the rehearsal room actors will look to you for answers, and you have to be able to give them that. Even if you don’t know what you’re doing you have to pretend to. Directing is kind of a weird form of acting.

So it’s a big commitment?

Yes, it’s definitely a big time commitment. Over my last two years at Oxford I’ve been involved in nineteen productions – I think – in different capacities, and you definitely have to work out where to pour your energy. Sometimes I don’t get the balance right; with The Phantom of the Opera, which I directed in Hilary 2016, there was one day during the tech rehearsals when we were in the theatre from 9am until about three in the morning—which is not good. I’ve had some very stressful moments because of theatre, but it’s also given me things to be proud of—I mean, I’d genuinely say that Phantom is what I’m proudest of. So much hard work from so many brilliant people went into that show, and I’m honoured to have worked with them.

Is it difficult to assign roles?

It really depends. I’ve had some shows where I’ve dithered for ages about who to cast, but with some it was easier. With Phantom, for example, we knew who we wanted for the principal roles pretty much immediately. Myself and Callum Spiller, the musical director, started referring to people by their character names instead of their real names before we’d even officially cast them. But I think we had nearly a hundred people audition—it was ridiculous! And amazing that so many people wanted to be involved, of course.

Are you working on anything we should look out for?

Something in which another hundred people might want to be involved… (Laughs) I’ve got a couple of writing projects on the go. Myself and Katrin Padel are in the early stages of planning a musical version of The Book Thief, John Paul and I are writing a musical loosely based on the story of Doctor Faustus, and I’m writing an adaptation of Medea. We’re hoping to take them to the Edinburgh Fringe!

Letter from abroad: Amman

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Around a month ago I took the plunge and moved to Amman with 14 other students from Oxford. Unlike most linguists at the university, Arabists embark on their year abroad in their second year, armed with lengthy lists of unnecessary vocabulary from Al-Kitaab but no clue how to place an order in a restaurant.

The purpose of this, I suppose, is to encourage total immersion, a technique that has proved to be effective in the long run but is somewhat bewildering when, having just arrived in Amman, you realise that the speech you memorised about your hobbies is of no use when trying to negotiate a deal with your soon-to-be landlord.

Having said this, four hours of classes each day covering both colloquial and Modern Standard Arabic have helped me find my feet. Colloquial Arabic, known as ‘ammiyah’, varies from region to region, but is extraordinarily useful in giving you a key insight into the culture. In Jordan, for example, Arabic is a language of extremes: things are “very beautiful” rather than  good or great, and when asked how you are, a response of “fine” or “okay” will often provoke the question “what’s wrong?”.

This language reflects the culture of polar opposites that is prevalent in Amman. Downtown Amman, for example, is home to an Umayyad mosque and a Roman amphitheatre, whilst in the nearby neighbourhood of Shmeisani, the skyscrapers under construction grow taller and taller each day. The population of Amman, estimated at 4 million documented inhabitants, is expected to double in size by the year 2025 as a result of the Syrian refugee crisis, emphasising the drastic gulf between the rich and poor in Jordan.

Abdoun Street in Amman divides the city into two parts—East and West—and thereby two extremes. You need less than 15 minutes in a famous Ammani yellow cab to experience both. West Amman, the wealthier and more westernised part of the city, is heavily populated with expatriates, embassies, vast hotels catering for businessmen and tourists, as well as Amman’s most coveted bars, clubs, and restaurants.

Moving just a few kilometres from this will take you to East Amman. Despite 30 years of urban development programmes focusing on its poorest areas and informal settlements, the social disparities between the eastern and western parts of the city are still striking.

This division is emphasised by the unbalanced income distribution in an economically thriving kingdom. Amman is attracting the attention of multi-national corporations and investors as a city whose growing economy will be competing with the Gulf boomtowns such as Dubai and Doha in the near future, but only the wealthy Ammanis with assets and investments benefit from Jordan’s economic growth. Whilst changes to the infrastructure of the eastern part of the city are being carried out by the government, these changes simply cannot keep up with the number of undocumented refugees who turn to this area of the city.

These two sections of society dominate Amman, each having their own customs, attitudes and behaviours. Both, however, are extremely welcoming to tourists and students, like myself, who are guests in their city, and regardless of whether you are on the east or west side of Abdoun Street, the greeting is always the same—”welcome to Jordan!”

Brexit: Saviour of European federalism?

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Like every European federalist, I was devastated by Brexit. Here was the third largest country by population in the European Union rejecting a watered down version of a shadow of a United States of Europe. For someone coming to the UK hoping to find a liberal and rational environment, it seemed horrifying.

But after the initial shock of the referendum result wore off, reflection came, and with it optimism. In many ways, Britain leaving the EU is the end of an awkward relationship which prevented the continent from becoming more unified, and could help shock a movement back into existence.

Britain has never felt at home in Europe. Britons tend to insist that their island is different, that their history and institutions make it impossible for them to join a pan-European state. That is of course false—regardless of what Britons may like to think, they are Europeans, and geography fates them to be forever Europeans.

Britain was excluded from the founding of what would become the European Union, the European Steel and Coal Community, and didn’t join the European project until two decades after it began. Even then, it joined reluctantly, over the howls of politicians on the left and right. Since joining, Britain has been one of the greatest causes of the watering down of pan-European institutional power. Carving itself out of the euro and Schengen, Britain also pushed for a weak European parliament.

The consequences of this pro-individualism has led to the current E.U., which everyone knows and no one loves. It is undemocratic, ineffective, and costly—but not because the Europhiles have made it that way. It is that way because it is a compromise, and like all compromises it disappoints all parties. But while some compromises manage to combine what is best from either side, the EU has managed to do the exact opposite, creating a lugubrious bureaucracy, while remaining ineffective in dealing with continent-wide issues, such as the migrant crisis, allowing itself to be held hostage by individual member states.

This is where Brexit comes in. People chose between a tedious status quo and an inspiring message of change and freedom. No matter how disingenuous that latter message was, it won hearts and votes. But the victory of illiberal sentiment with Brexit also offers hope for us who support a United States of Europe.

Brexit means that Britain will no longer be able to stymie the efforts of greater centralisation of power into pan-European institutions.

Brexit has also shocked the European Federalist movement back into action. What was recently the sleepy preserve of eccentrics has revived a vigorous new movement. Brexit has created a generation whose support for a United States of Europe is forged in opposition to the illiberal sentiment of Brexit, and may yet save the European project.

One thing I’d change about Oxford… Homeless people

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“Any change please?” he whispered. I glanced and scurried along. For a few seconds I was aware of the chasm separating our two lives. My 18 years of relative peace, and his, if I had to guess, life punctuated by a combination of drug addiction, domestic violence, and nasty separations from loved ones.

The gnawing guilt as you pass homeless people can make them an unwelcome presence. Outside central London, Oxford has the UK’s highest number of homeless people. Just 15 metres separates the stand selling VitaCoco Coconut Water in Tesco Metro on Magdalen St. and the squalid square metre where this man is sat; our society is able to siphon luxurious nectar for drinking but is unable to shelter all of its citizens each night.

There is no silver bullet for this problem. A combination of action by local government, charities, and major stakeholders in the area could manage the situation. Camden, for example, has a homelessness rate much lower than the London average because of this holistic approach. People are given a bed, treatment for the issues that put them on the street, and are helped to find jobs. Oxford Council, by contrast, cut the housing support budget by 39 per cent in 2014, and considered cutting the 2016 budget by a further 65 per cent. As a result, Lesley Dewhurst, Chief Executive of Oxford Homeless Pathways, remarked recently “there is never a spare bed”.

The pressure on housing is another reason too many people sleep rough in Oxford. Our wealthy university thus has a duty to off er help. Commendably, OUSU successfully campaigned against the council’s plan which would have made the lives of those on the street even harder, whilst Just Love (a student-run Christian outreach group) meets, talks to, and buys food for the local homeless population. The university itself is less active. A suggestion: off er up the handful of bedrooms needed by the local homeless out of the several thousand that make up the campus.

Alternative, but not Right

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The Ku Klux Klan’s burning cross, the Nazi Swastika, and now Pepe the cartoon frog—as of now all are, according to the prominent civil rights agency, the Anti Defamation League, symbols of hate. The strange demise of this internet meme, while difficult to comprehend, is a testament to the disturbingly swift rise of the alt-right movement and to the absurdity of the current presidential race. In particular, Pepe’s capitulation to the dark side highlights some home truths about the alt-right’s racist appropriation of internet humour in the form of memes.

The alt-right’s sudden emergence onto the political scene in mid-2016 is only now starting to be fully understood. What started as an obscure group of white nationalists and self-proclaimed “anti-feminazis” who lurked among the nastier fringes of anonymous internet fora (specifically 4chan and 8chan) swiftly morphed into a loosely-grouped, internet-based movement with real influence on the American political scene, fighting what it saw as the incoming tide of “cuckservatism” (traditional republicanism), “feminazism” (feminism), “SJWs” (social justice warriors) and, of course, “Crooked Hillary”. The catalyst? Donald Trump’s candidacy. Although not a self-proclaimed alt-righter himself, Trump’s flirtation with authoritarianism, xenophobia and misogyny has made him an pseudo-idol in the eyes of many of the alt-right.

In many aspects then the alt-right movement is merely another example of the populist farright backlash to progressive liberalism and establishment politics in the 21st century seen all across Europe and beyond. America, of course, has its own flourishing tradition of far-right lunacy (consider the Ku Klux Klan, McCarthyism, and the John Birch Society, to name but a few). Why, then, has the alt-right gained traction in the mainstream political sphere whilst other far-right groups have seen their popularity fall, and how has it managed to attract such a young membership base? The unlikely answer to these questions lies in its use and abuse of internet memes.

Why memes? The alt-right is almost wholly an online phenomenon; you cannot join your local alt-right society, vote for an alt-right candidate as your president or attend an alt- right national convention. It eschews both traditional print media and the established political parties in favour of quick to create, easy to propagate internet content with a focus on deriding establishment politicians and lionising their own members (notably Donald Trump and Milo Yiannopoulos).

Paradoxically, memes, recognisable bites of pseudo-humour, offer the alt-right’s toxic dogmata a thin veneer of credibility through what one might call the sanctity of humour. By this I mean the widespread belief that all humour, no matter how offensive, should be inherently safe from moral judgement. It is the exploitation of this flawed, yet amazingly widespread, credo which has led to the terrifying legitimisation of the alt-right as a real force in American politics.

As a society we treat offensive jokes, regardless of their intent, with far more lenience than we treat offensive statements. Consider, for example, the last time you heard a racist joke. Maybe you laughed; maybe you didn’t. Maybe you were shocked; maybe you weren’t. However, compare this with the last time you heard somebody make a racist statement. First, the odds are that you’ve heard far more racist jokes than straightfaced racist statements. Now, consider what your reaction was the last time you heard someone seriously espouse racist doctrine. You probably did not laugh, or even willingly keep the conversation going.

The alt-right understand that it is easier for us to shut our ears to people who make racist statements, but that many of us, perhaps grudgingly, perhaps willingly, allow racist sentiments to linger in our conversations and online, principally in the form of jokes. Since the alt-right recognised this tendency, it seems they have gone about clothing their racist, misogynist, and nationalist ideologies in the thin coating of “meme humour”, in the hope we might unwittingly allow their Trojan horse of toxic doctrines onto the mainstream political landscape.

Pepe the Frog’s shocking racist transformation is but one example of this disturbing trend. Designed and released in 2005 by the graphic designer Matt Furie as a completely benevolent cartoon character, Pepe the Frog gained immediate notoriety. As time passed, Pepe became an in-joke among edgier sections of the online community, and it wasn’t long until people worked out how to personalise and edit Pepe. Pepe-editing became an unlikely craze and various redesigns saw the unfortunate frog sporting Chelsea kit, lingerie, and a magical robe (though thankfully not all at once). This, then, is exactly the kind of opportunity which the alt-right seizes upon; a distinctive, but easily distorted, piece of internet humour, which, when abused, could easily be passed off as “just some tasteless humour” or “a dark joke”.

Before long, Pepe was making the rounds on seedy fringes of the internet, sporting the altright’s garments of choice: a Swastika jumper, a Yarmulke, and a white hood and not long after that, the alt-right adopted Pepe as their unofficial symbol.

Our unwillingness to condemn offensive humour has had far-reaching negative effects in American politics; is there anything we can do to repair the situation, or are the alt-right here to stay? There seems no ready and simple strategy to combat such a diffuse and uncoordinated opponent. We would do well, though, to remind ourselves that many offensive jokes, especially on the internet, are nothing but aggressive intentions dressed, barely, in sheep’s clothing. On the same front, we ought to resist the easy and populist move to deride political correctness; both Trump and the alt-right have been vocal in their abuse of “PC culture”. To tolerate the alt-right’s retaliation against political correctness would be to disarm ourselves at a vital moment: just when we must resist their barely-veiled attempts to propagate racist and misogynist dogma.

If Donald Trump and his alt-right fan-base are vindicated this November, life for minorities, not just in America, but worldwide. Many will feel helpless to resist this. Yet, the war of ideas, fought online, is one we are all involved in.

Letter from abroad: Paris

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It’s been almost one month since I swapped cobbled streets and late night library sessions for the treelined avenues and post-work apéritifs of Paris, and so far I have learnt a few lessons whilst settling into the city:

  1. You don’t actually speak better French when you’re drunk, but you think you do and sometimes that’s just as effective.
  2. As stereotypical as it is to admit, catching a glimpse of the Eiffel tower from the window of your flat never gets old.
  3. French people don’t really care to talk about Brexit, because they have far more important things on their mind.

I always knew that working full time as an intern in a big city was going to be a completely different experience to studying in Oxford, but one of the biggest cultural differences I have experienced was first presented to me in the most unexpected way: an unassuming booklet of vouchers that was handed to me on my first day at the office. I was told that these were my Ticket Restaurant:  a booklet of vouchers, entitling me to seven Euros worth of food every work day at any restaurant, café or supermarket. At the time, I saw this as a fortunate perk of the job, but I soon realised how such a seemingly inconsequential thing is reflective of the French mind-set and attitude to food.

In Oxford, lunch usually involved crossing the corridor between my college library and hall, grabbing something to eat and staying seated for the absolute minimum time necessary; until I finish my food, or until the guilt, for abandoning my essay becomes too overwhelming. Lunch is usually spent with students in a similar position to me, who all have something important to be getting back to. Often, lunch is wolfed down in hurried bites between pages read or sentences typed, and scrambled together out of a mismatched leftovers to save the time and money needed for a trip to Tesco.

This attitude to food is by no means something exclusive to Oxford. It is reflected around the country, as eating “al desko” is increasingly common around the UK. But in France, the fact that every full-time employee is given access to a free lunch outside the office places an importance on taking time out of your day to eat, and to eat well. Even though I’ve gone from attending a few contact hours a day at university to working 9 to 5, my lunchtimes have never felt so relaxed. The culture of eating a proper meal (usually two courses), and physically being away from work, turns lunch breaks into a real retreat away from the stresses of the office. It’s even reflected in the language: the English “break” implies a break away from work, a brief distraction. The French “pause” reflects the idea of putting everything on hold for that one hour in the middle of the day.

My new-found love for lunch breaks has been one of the biggest and most pleasantly surprising cultural differences of my year abroad so far, and I haven’t even started talking about the food. On that front, all I can say is that French cuisine does live up to the hype, I’ve eaten bread with every meal and have yet to go a day without eating some sort of pastry from one of the many patisseries that can be found on every street corner of the city. Now I just need to discover the French secret to eating well without putting on weight; although I’d happily accept an expanding waistline as collateral damage.

Fiction: “Alone it is far harder to imagine”

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You are queen, a small determined queen thrashing through the undergrowth after your big brother, showing him you can keep up. Queen of all the fields around, that’s what Mum tells you. When you trip over you get up, brush grass seeds from your fleece, and you don’t stop till he does. He smiles at you, says, “This is going to be our new secret base, ok?”, pointing to a tree he’s about to turn into a castle. You nod. “Now listen,” he says, “This is the turret…”.

Alone it is far harder to imagine. Your brother has his friend round, and you are sat trying to make turrets for yourself. It’s impossible. You wanted to join in with the big kids but your brother told you no, you’re not old enough, you just won’t understand. “This is the turret,” you tell yourself determinedly, uselessly, “and this is the moat—”.

Later on you move house into town so that your brother can walk to school, and he does, without Mum or Dad, with other big friends of his. Mum still walks you to school and most of the time you’re happy to play in the little-kid playground, but sometimes you go to the fence and stare out at the older ones. Your brother’s friend has a sister in the little playground as well, and sometimes he’ll come up to the fence and chat to her. Your brother doesn’t do that. He doesn’t even wave.

At home you don’t speak to him for the whole evening, and he furrows his brows and says what’s the matter, why are you mad? You say, aren’t we friends anymore? He frowns. “You’re my sister, not my friend. Plus, you’re like two years old.” He’s got it wrong on purpose and you’re so indignant, so outraged at the unfairness of it all, that you feel hot tears sting your cheeks. He throws his arms up and says, there, you’ve made his point for him. You’re obviously still just a baby.

So you make new friends, and he yells at you for bringing them home and hogging the trampoline, for scaring the hamster by letting them all look at her, for finishing the bourbons. You hate him, a fact which you scream at him repeatedly. He’s so annoying! You wish you had a sister instead, like Ayesha does. She’s cool and friendly; she plaits Ayesha’s hair and she taught you all the rules of football. All your brother does is yell at his friends on Xbox, and ignore you, and smell.

Then this one time Mum makes him help you with some homework and he’s grumpy, at first, asks why can’t you do this yourself, I did it myself when I was your age—but then he sees what it’s on—it’s biology, the heart, and you watch as his expression turns animated. You tell him this fact that your teacher told you, that the heart has its own electrical supply and will keep beating even outside the body. And he says, that’s pretty cool, not sarcastically or anything, and you feel on top of the world.

After that you start thinking that maybe he’s as good as Ayesha’s sister after all—in fact, just maybe, he’s better. You walk the dog with him, and he tells you all the stories from Year 7. He tells you which teachers are alright, and which ones to avoid. When you go for your induction day he comes over to see you at lunch, asks how it’s going, shows you where the toilets are. The nervousness in you unwinds a little and you’re even more relieved when term starts and you’re on the same bus as him, and he tells the other, more intimidating big kids to piss off , leave my sister and her friends alone. On the bus your new best friend Nikita whispers, your brother’s pretty cool, and for the first time in ages, you agree. (It doesn’t stop you coming to blows over the last bourbon).

You’re fourteen when your brother starts to disappear, slowly like the Cheshire cat. First, he’s quieter during mealtimes. Then he’s quieter all the time. Mum gets a phone call from his school, and finds she doesn’t have any answers. You try to talk to him, but he only gets frustrated and yells at you, and it makes you cry in your room alone and it makes Mum cry, next to you in the car, and it makes Dad shout and it makes them tell you ashamedly, Talia, your brother’s not well. Talia, have you seen your brother? Do you know where your brother is? Talia, is your brother doing drugs? He comes in late, later every day, and Dad shouts at him and he shouts back. And then he doesn’t. The silence is worse.

Later on he stays in bed for days on end, never opening the curtains, until Dad goes in and gets him up roughly and tears open the room to let the sun in, too bright, and yells what’s happened to you, what are you doing?

After dinner you knock on his door and slip in quietly, and there was a time where he’d have got up and yelled at you to get out, loser! But he’s silent now, sat hunched over on the side of his bed. You sit down beside him and pick at the hem of your school skirt for a moment before swallowing and taking his hand in yours. You squeeze it, tightly, fiercely. Terrified. He doesn’t squeeze back but you keep holding on anyway. You say, determinedly, “Now listen. This is the turret—”.

Peace in Colombia not a one-man show

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In certain fringes of the press, there has been opposition to awarding the Nobel Peace Prize to President Juan Manuel Santos of Colombia. He is accused of being soft on the FARC rebels. Others have remarked on the irony of him being awarded the prestigious prize just days after the Colombian electorate (it would be disingenuous to say the Colombian people, given less than a third voted) rejected the peace deal which would have ended a 52 year old war.

My objection to who won the prize isn’t that the deal was too lenient to the FARC (for the record, I am a Colombian citizen who favoured the peace agreement) or that it was ironical (after all, nearly a century of Nobel peace prizes haven’t ended war, so past laureate’s effort’s efficacy are open to doubt), but to the fact that only President Santos won the prize.

Usually, when the Nobel Peace Prize is awarded for ending a war, the award is shared between the two sides, often with the inclusion of a mediator. In 1998, when the peace in Northern Ireland was celebrated, Catholic John Hume and Protestant Jonathan Trimble won the prize. In 1978, when the Camp David Accords were celebrated, Israeli Prime Minister Menachem Begin and Egyptian President Mohammed Sadat shared the prize. Yet now, in 2016, when the longest running war in the New World is nearly ended by a landmark peace deal, only one side won the award.

Ending a war is like dancing: you need two parties. In this case, the two parties would be the Colombian government and the FARC, a Marxist-Leninist guerilla group inspired by the exploits of Che Guevara and Fidel Castro which has been fighting the Colombian government since 1964. For the past several years, the government and the FARC have been negotiating in hopes of ending the civil war with the help of Raul Castro, the President of Cuba, who has served as an honest broker between the two sides of the conflict.

Santos was a pivotal partner in this dance of peace. But his own partner was the FARC’s leader, Timoleon Jimenez, better known as Timoshenko. Timoshenko has been the supreme commander of the FARC since 2011. In his term, he has pledged to ensure that the FARC stopped kidnapping and ended its involvement with the drug trade, and has pledged to continue working for peace even after the failed plebiscite.

Raul Castro may not be a Colombian, but he too played a pivotal role in the peace negotiations. Although both Santos and Timoshenko favoured peace, neither could have worked with the other had they not had a mediator. Castro worked handsomely in that role, ensuring that both sides met and not allowing them to leave until they had a workable peace deal.

Of course many more than these three men worked for peace in Colombia, but Nobel rules sadly limit the prize to be shared, at maximum, between three people. And if anyone should’ve won the Nobel for Peace in Colombia, it should be Santos, Timoshenko, and Castro—not Santos alone.