Wednesday 18th June 2025
Blog Page 1114

America’s id?

0

It’s a shocking thing to wake up to: A New York Times mobile alert that a presidential contender, in fact the frontrunner for the Republican nomination, “has called for the United States to bar all Muslims from entering the country for the time being.”

At least Donald Trump, billionaire and racist-extraordinaire, did not refer to Muslims seeking entry to the United States, as either refugees or tourists, as those Muslims. No, that was the president of Liberty University, who on December 4th said, “I always thought that if more good people had concealed-carry permits, then we could end those Muslims before they walk in and kill.”

Do you hear that? We could end them. With our semi-automatic rifles and Glock pistols. Or if that doesn’t work, maybe we should tag them all and create a database for monitoring the nation’s Muslims, as Trump has yet to rule out. Don’t worry though; if this sounds dangerously racist to you and seems to raise parallels to the actions of a certain fascist regime that rose to power in 1930’s Germany, it shouldn’t. Trump was really just demonstrating his grasp of Islamic theology, according to which everyone is a Muslim at birth. I mean, I assume so, at least.

Worst of all, Trump’s comments only seem to increase his poll numbers: between a quarter and a third of self-identified Republicans profess to support him. He has been ahead in the polls for all but a few days since the middle of July, and data since Trump’s comment about banning Muslim entry on December 7 shows no drop for the real estate mogul. Rather, one in eight Americans more or less agree with him, or at the very least do not consider his views on immigration, on Muslims, etc. to be a deal breaker when it comes to their endorsement.

Of course, it is not necessarily the case that Trump, or Ben Carson (polling at 13%), who has said that America could never have a Muslim president, or Ted Cruz (polling at 17%), who seems to have found success on the back of a campaign strategy that involves being as extreme but not quite as nasty as Trump, will win the Republican nomination. After all, past precedents suggest that candidates who have as little support from the establishment as Trump, Carson and Cruz do will end up fading long before the nominating convention in July.

Rather, the problem is that, as Jon Stewart once said, Donald Trump represents America’s id. He brings out the nation’s instinctive impulses: to xenophobia, to isolationism, to hate. He draws to the surface that, under any normal circumstances, would remain repressed. Take just his slogan, “Make America great again!”, or some of his other catchphrases: “I am the best!”, “I am very rich”, “I win”. These claims to greatness are inherent to the American identity – think manifest destiny and American exceptionalism – but when unrestrained, are disastrous. Manifest destiny, after all, led to the genocide of the country’s Native Americans.

There is very little that can be said in the way of rational discourse that can persuade Trump supporters to cease being Trump supporters. That is the nature of the id: it can be restrained by reason, but never defeated by it. Hence, in a way, all the vitriolic think pieces and worried newspaper screeds about how Mr. Trump’s rise must be stopped are column space good and wasted.

The message that should be expressed instead is that even as Mr. Trump’s commentary becomes more Islamophobic and vituperative, so too must the political will of those supporting other candidates increase. That could mean action, like volunteering to work for Hillary Clinton or Bernie Sanders or Jeb Bush or Chris Christie. It could mean donation, to allow them to run a better, stronger campaign. None of the candidates is perfect, certainly – but handwringing about the sad state of affairs only allows Trump and Cruz, and their ready, enthusiastic supporters, to dominate for longer.

We cannot wave away Trump’s supporters or pretend that op-eds in the New York Times about how egregious Trump’s beliefs are do more than garner page hits for the Times and fuel self-righteousness. What we can do, however, is turn that self-righteousness, now the fire has been stoked, to productive end. America’s id is rearing its ugly head; it’s time to fight back.

Christmas Beauty Essentials & Stocking Fillers

0

Once you reach the age of around 14 unfortunately it becomes no longer acceptable to scream “FATHER CHRISTMAS CAME” while skipping down the stairs on christmas morning, but we all can’t help feeling a bit excited. There are a lot of choices when it comes to beauty gifts that are substantially more exiting than Terry’s Chocolate Orange or socks, so whether you are looking for ideas for yourself or someone else hopefully these products will give you some brownie points with your girlfriend, sister, mother or best friend on christmas day! 

[mm-hide-text]%%IMG_ORIGINAL%%12517%%[/mm-hide-text] 

1. Elizabeth Arden Eight Hour Cream (£26.00)
This miracle worker is a multi purpose skin protectant, for dry skin, lips, and even minor burns. This winter essential soothes dry skin within hours of using it giving skin a healthy glow. Works perfectly under foundation to add shine to your cheeks and under your eyebrows if you have dry skin, along with under lipstick to give a glossy long lasting finish while nourishing your lips. It’s also great for shaping and defining eyebrows that will stay in place all day.

2. Lancome Teint Idole Ultra 24H Foundation (£29.50)
Although on the pricier side, I first tried this foundation 2 years ago and have never used another one since. After years of finding foundations too cakey, too drying, not having the right colour, lasting about 2h or going off in the bottle after a month, this foundation has been a life saver. Using a sponge or your fingers this foundation gives buildable coverage with a flawless, comfortable, barely-there appearance with no powdery effect.

3. Chanel Les 4 Ombres Eye Shadow Palette – variation 37 (£40.00)
Most certainly on the expensive side but very very easy to fall in love with. These eyeshadows have an velvety texture, are incredibly soft to apply (due to the presence of purified oils) but look metallic on with amazing pigmentation. The colours compliment eachother for a more smokey look, or the lighter ones can be used for a natural every day sparkle.

4. Lush Mint Julips Lip Scrub (£5.50)
This lip scrub not only tastes amazing but the sugar crystals help exfoliate chapped lips and stops your lipstick clumping in places where your lips are drier. The mint is my fave favour but it also comes in bubblegum and popcorn. It is the perfect bit of TLC your lips need in the cold and is essential if you plan on finding yourself under any mistletoe… 

5. Sally Hansen Miracle Gel Nail Polish – Spice Age – colour 560 (£9.99)
Every year I buy myself a new christmas nail polish, and this has hands-down been my favourite of far. Although it is glittery, the sparkles are extremely fine, making it more sophisticated that your average fun nail polish. Online the colour looks very red, but in real life it applies as a dark brown colour. It is also extremely long lasting when two coats are applied, much more than Chanel, NARS, ESSIE and other high street brands. 

6. The Body Shop Honey Bronze Bronzing Powder (£13.50)
After deciding that my student budget didn’t quite stretch as far as spending £27 on a NARS bronzer I tried the Body Shop Honey Bronze Bronzing Powder and was pleasantly surprised. I use a angled bronzing brush with this product in order to add warmth to the face and highlight cheekbones, and to reduce the extent of the – I haven’t seen any sun in half a year I look like a snowman – look. The packaging is also extremely nice for a high street brand and includes a mirror. 

7. Loreal Volume Million Lashes Mascara (£10.99)
For clump-free, fanned-out, long eyelashes this mascara is the one. The brown is great for a more natural every day look and the black great for evenings and those christmas/new year parties. I have found it to be just as good as any designer brand mascara, with about the same lifetime. 

8. Soap & Glory SUPERCAT Carbon Black Extreme Eyeliner Pen (£6.00)
The applicator is similar to a felt tip pen but extremely thin giving a natural, barely there look. The formula is highly pigmented and glides on with no clumps or lumps and does not transfer if you rub your eyes. Best stored upside-down. 

9. Tweezerman Tweezers (£12.00)
After using £2.99 tweezers for a few years and refusing to spend £12.00 on tweezers my friend brought me a pair. You need them, your boyfriend needs them, and so does the rest of your family. Just buy them! 

10. Yves Saint Laurent Rouge Pur Couture – 13 Le Orange (£25.00)
Something a bit different from your average red lipstick. This lipstick has a hint of orange in it giving that extra pop of colour without being too OTT. Contains hydrospheres so it is moisturising and easy to apply while staying put all day. Also contains SPF15.

11. KaplanMD Lip Moisture Therapy – Sheer Berry Shine (£22.50)
This lip plumper is a mix between a lipstick and lip balm, giving a sheer tint but with enough pigmentation to visibly see the colour. It contains anti-ageing ingredients and Hyaluronic Acid in oder to retain moister, protect your lips, reduce the appearance of lines and giving the appearance of fuller lips.

12. Sally Hansen Diamond Strength Instant Nail Hardener (£8.99)
I always find that during winter my nails start splitting, cracking and peeling. Sally Hansen’s Diamond Strength Instant Nail Hardener has real diamond particles which add strength and durability to your nails, plus it gives a brilliant lustrous shine.The quick drying formula is easy to apply and can be used as a base or top coat with any other nail varnish.

[mm-hide-text]%%IMG_ORIGINAL%%12522%%[/mm-hide-text] 

Female country singers: The voices we need to hear

0

Once asked what initially drew her to country music, Taylor Swift replied: “I was infatuated with the sound, with the storytelling”. Even if the acoustic guitars and pedal steel are long gone in her latest album 1989, Swift’s ability to weave a compelling narrative remains the last vestige of her country roots.

This is the main reason why country music fascinates me: look past the Southern small-town clichés, and country songs are, at heart, all about real life experiences. Often what makes the lyrics so powerful are their autobiographical undertones – Miranda Lambert’s despairing plea “Dear Sobriety/Please come back to me” becomes more vivid in the light of her publicised drinking problems. Gretchen Peters’ latest album, Blackbirds, is a heart-breaking muse on death as the celebrated singer-songwriter approaches her 60s. Even mundanities can have autobiographical purpose, as Angaleena Presley captures the oft-dashed but still fragile hope of the queue in the grocery store – the “aisles of the American dream” – from her own observations as a Walmart cashier.

These female songwriters tell the stories of ordinary girls and women. The kind of girls in the Pistol Annies’ paean to womanhood: “Girls like us/We don’t mess around/We don’t tie you up/Just to let you down/Don’t girls like us make the world go round and round?” This same band, who until their “indefinite break” featured the astonishingly talented line-up of Lambert, Presley and Ashley Monroe, also confronted the bitter reality of a wife stuck in a loveless marriage in their song ‘Unhappily Married’. The lines “We’ll both play our part in this disaster/I’ll be the bitch and you’ll be the bastard” perfectly convey an atmosphere of resigned acrimony. Another talent to watch is Brandy Clark, who, on her debut album 12 Stories, records the struggles of domestic life, from infidelity (‘What’ll Keep Me Out of Heaven’), prescription drug addiction (‘Take a Little Pill’) and alcoholic husbands (‘Hungover’).

The women that emerge from these accounts are far from the passive objects of so many recent “bro-country” songs. (Bro country: a phrase coined by music journalist Jody Rosen to describe the hit single ‘Cruise’ by Florida-Georgia Line. Stereotypically, the songs feature country boys driving big trucks with obliging females in tow. See also Luke Bryan, Jason Aldean and Sam Hunt.) Recently, female duo Maddie & Tae ridiculed these stereotypes in their hit single ‘Girl in a Country Song’. But their light-hearted satire hides a more insidious reality.

The broadcaster Keith Hill provoked outrage this year when he told a country magazine that country radio needed to “take women out”. He continued “they’re just not the lettuce in our salad. The lettuce is Luke Bryan and Blake Shelton, Keith Urban and artists like that. The tomatoes of our salad are the females.”

Female singers have long spoken out about gender discrimination on the country music airwaves, which is evident from any cursory glance at the Billboard charts. A track by a solo female or written by female songwriters was on top of the Billboard chart for only 17 weeks this year. This is all despite the fact that the talent of female singers and songwriters is at an incredible high: eminent artist, producer and Nashville grandee Vince Gill has praised female singer-songwriters for “making much more… interesting records… saying more things I’d prefer to hear, lyrically and song-wise”. 

Right through country music history, female artists have written songs about ordinary life – witness Dolly Parton’s classic ‘9 to 5’ or Loretta Lynn’s ‘Coal Miner’s Daughter’. Perhaps it’s now time for female artists to take country back to its roots. 

Rhodes House unveils portrait of Lucy Banda Sichone

Rhodes House, home of the Rhodes Trust, last week unveiled a portrait of Lucy Banda Sichone. Rhodes House hosts a significant collection of paintings, including the portraits of a number of prominent Rhodes Scholars.

The Rhodes Scholarship has been open to women since 1977. Sichone is the first female Rhodes Scholar to be depicted in Milner Hall in Rhodes House.

Described by contemporaries as “a voice of conscience” and “a great daughter of the nation,” Sichone was regarded as one of the most influential human rights activists in Zambia. Sichone was born in Kitwe in the North of Zambia, and was accepted to read Law at the University of Zambia in 1978, before winning a Rhodes Scholarship to study Politics and Economics at Oxford.

After completing her degree, Sichone returned to Zambia and ran for a position in UNIP, Zambia’s then ruling party, and held several positions in government; however, after leaving the party, she decided to write a regular column in The Post, Zambia’s only independent newspaper at the time. There she incisively criticised the government which she had previously served. After a particularly inflammatory article condemning the government and particularly the then Vice President, Godfrey Miyanda, Sichone was sued by the government and forced into hiding in 1996. Sichone later founded the Zambian Association for Civic Education to promote awareness of citizenship and provide access to legal aid, and she continued to provide pro-bono representation to Zambians throughout her life.

Ann Olivarius, a friend of Sichone and Chair of the Rhodes Project, said that “the (Rhodes) scholarship showed Lucy that life could be different”, encouraging Sichone “to feel that she had a responsibility to make the world better, that she was worthy and could make a difference.”

When contacted about their decision, Rhodes House said they were “delighted” to have unveiled Sichone’s portrait. Aliyyah Ahad, co-Convenor of the Black Association of Rhodes scholars, said that Lucy Banda Sichone was an “excellent choice”.

She added, “As a non-head of state, activist, black, African woman, born in Northern Rhodesia, Lucy Banda’s smiling face is reaffirmation not only that women and black women’s lives matter, but also that leadership and courage take many forms.

“When she came to Oxford as the first female Zambian Rhodes Scholar, she was one of few women in her course. While things may have improved since then, we are still living in a time where there are less than 100 black professors in the entire UK–and only 17 black female professors according to one study. I therefore encourage everyone to view this unveiling as progress but not as the end goal…Nevertheless, as a black woman and a Rhodes Scholar, I am grateful to the Rhodes Trust and Rhodes Project for working towards creating an inclusive and diverse environment where those fights – whether they be forward-looking or seeking to redress the past – can take form.”

On Speaking Together

0

The Oxford University Poetry Society has a long history of hosting open mics: dynamic spaces where both written- and spoken-word artists can share their work and, often, their lives. This term, in an attempt to broaden our thematic and aesthetic bounds, we held both our open mics as collaborative efforts, seeing these sessions not only as fundamentally co-operative but also co-creative.

Our first open mic was co-hosted with the Experimental Theatre Club and the production team of DART, a dramatization of Alice Oswald’s poem which ran at the Burton Taylor Studio in mid-November. 18 poets and a sizeable audience of friends, colleagues, and passers-by filled the ground floor of Jericho Coffee Traders, swapping its regular brew of coffee and conversation for the headier air of wine and verse.

The second, held on Advent Sunday in Turl Street Kitchen, was hosted by the Oxford Book Club, and jointly run by the Oxford Students’ Oxfam Group and Oxford Student PEN in support of Flight, an upcoming anthology responding to the refugee crisis, will be released in Hilary, and features writing from Oxford alongside translations of Arabic poetry, led by Yousif Qasmiyeh. Both open mics saw a truly impressive display of linguistic skills and styles, from the well-loved to the experimental. At the same time, both saw a range of true and vulnerable voices that filled their venues at once with the restless, almost implacable sense of the real.

I found myself remembering the first Michaelmas in Oxford when, numbed by cold and lengthening nights, I discovered that I was unable to write. I was acutely conscious of my voice: how my flat, Singaporean consonants sat uneasily alongside the Scots, Scouse, and Somerset of my first friends in College. Though we spoke the same language, I always felt less readily comprehensible, an accent from elsewhere. I began describing things twice, slowly, in other words; became used to explaining how English, a colonial tongue, had come to be Singapore’s first language. But writing, which requires bending and breathing into a language as if it is one’s own, continued to elude me.

It was through the Society’s open mics that I found my voice again. The community I found at these events was accepting, quirky, and friendly, disarmingly so. We talked about our music, politics, new tutors. And when the time came for us to share our poems (I read, fitfully, a piece I had written before leaving for Oxford, half-expecting blank stares at all my Singaporean references), there was nothing but the most genuine laughter and applause.

I like to think of the open mic – the improvised soapbox, the unfilled spotlight – as a place of warmth, community, and respect: a truly open space. Opening the stage, after all, is a gesture of welcome that says your voice belongs hereyou belong here. In this embrace, the audience plays an equal role to each reader. Let us gather around the fire of your words.

Writing now in the afterglow of the term, several voices from our open mics remain particularly vivid. From the DART open mic, Rosalind Peters’ tender evocation of the Welsh landscape came alive in the mind’s eye despite my upbringing on a densely-built island, hemmed by two oceans. Jemma Silvert delivered an electrifying love-poem that was as powerful in its imagery as it was in delivery, while first-time reader Stephen Durkan’s brutally funny piece on the conundrums of modern life swiftly established him to be a natural.

The Flight open mic kicked off with a set by Oxford-based poet Dan Holloway which included ‘Dead Poets’ Society’, his searing attack on the ‘classics’ and set-texts of the English canon. The mood quickly shifted as poets began to focus more closely on experiences of migration, with Miriam Gordis’ haunting meditation on “a list of things that fly”, in particular: “the sky is full of thousands of birds / caged ones can still feel the tremor in their wings”. Nikolaos Erinakis’ piece brimmed with the undercurrent of his native Athens, while April Elisabeth Pierce’s evaluation of ‘whiteness’ provided a fitting, hard-hitting conclusion.

This year, the Poetry Society turns 70. It is a difficult time for poetry in this country: a shrinking market and funding cuts have meant that even well-structured organizations like the Poetry Trust are facing indefinite closure. Such setbacks mean fewer opportunities for poets and their audiences to hold each other close, fewer occasions for honesty and welcome. As far as we can, our Society – established in 1946 amidst post-war uncertainty – will endeavour to promote poetry as a way to find, and reimagine, community. We ask only for you to join us: to listen to, and participate in, something that’s older than Oxford, on a stage we all share.

Theophilus Kwek reads History and Politics at Merton College, and is President of the Oxford University Poetry Society. Submissions for ‘Flight’, an anthology responding to Europe’s refugee crisis, are currently open. Please send no more than 3 poems, of no more than 40 lines each, to [email protected] with ‘Flight’ in the subject line.

Christmas Jumpers – the festive must-have

0

Love them, hate them, everyone’s got one. This season welcomes the beloved Christmas jumper, biting back with more sparkle and shine as designers get creative with the merry must-have. From Fair Isle to festive puns, this year’s selection caters for all Christmas-lovers and will spoil you for choice when it comes to picking out your favourite.

Of course Christmas would not be complete without the reappearance of the infamous Fair Isle pattern which ensures a festive look that can double up as everyday wear; flexible and flattering for both men and women. Using one or two warming colours, these jumpers are able to capture this season’s levity with simple patterns depicting grazing reindeers or falling snowflakes. Although denoting a slightly more conservative approach to Christmas dress these jumpers will never fail to win us over with their versatility and modest charm.

For siblings wishing to make a statement this season, Rad.com have continued to promote their matching Christmas jumpers that can bring joy into the home with festive symmetricity. With plain backgrounds of block colours and sporting humorous greetings divided between the two jumpers, this modern take on the basic design is the perfect accessory for any sibling’s Christmas. This new approach to a family Christmas will be sure to put a smile on any parent’s face and temporarily remedy any sibling rivalry.

Other brands have gone for a more experimental approach, as championed by tipsyelves.co.uk, demonstrating both wit and satirical humour in their designs, employing puns and loud colours to popularise the uglier sweater. Tinsel and padding have been used to adorn these more sarcastic designs that poke fun at the seasonal buzz, adding a humorous touch to the classic jumper for the more extroverted joker. Although confined to the Christmas period, these jumpers are the perfect accessory for anyone looking to have fun with a Christmas classic.

This year has seen the encouragement of more adventurous jumpers that promote individuality and eccentricity as a complement to any successful outfit. Jumpers that contain electrical wiring have increased in popularity, exhibiting bright flashing lights that can change rhythm at the push of a button. Some jumpers have even been fitted with speakers that are able to play Christmas tunes on demand taking this seasonal essential to new heights. Reasonably priced, these jumpers are easy to get your hands on and are the ideal solution for those wanting to draw attention to their involvement in the festive frenzy.

Taylor Swift transforms taste buds

0

A study at Oxford University has suggested particular genres of music can enhance the taste of certain dishes. The research argued that Taylor Swift could soon prove to be a popular ingredient for Chinese takeaways and Justin Bieber could help your diet.

The project was coordinated by Professor Charles Spence, Professor of Experimental Psychology at Somerville College, building upon his previous work in analysing “multisensory illusions” and “multisensory perception.” Professor Spence has previously concluded that the material of a spoon changes how one perceives the taste of a meal, as does plate colour.

The ‘gastrophysics’ study was carried out via 700 volunteers listening to songs from a variety of genres while eating takeaway cuisine; they then rated the dishes’ quality on a scale of one to ten. Spence told The Times, “Nobody has looked at spiciness and music before…if there is music that is more alerting, more arousing, then people appreciate spicier food more.” Amongst other findings, the study concluded Bruce Springsteen renders food spicier whilst Nina Simone reduces it – but she’s the ideal audial side-dish for sushi. Prokofiev turns out to be great for pasta.

“It is an exciting area,” says Professor Spence. “How soundscapes and music come together with taste to make the whole experience more stimulating, more enjoyable and possibly even more memorable.” Spence has collaborated with the similarly innovative Heston Blumenthal, and was instrumental in preparing a seafood dish at the Fat Duck restaurant – one served to diners complete with iPod, emitting the sound of crashing waves.

Spence’s discovery of what he terms “a kind of digital seasoning” also has commercial implications. The study was commissioned by Just Eat, an Internet-based takeaway-ordering company; Spence revealed that they are considering providing music with their meals. Graham Corfield, managing director of Just Eat, commented: “We wanted to discover why music has such an impact on the enjoyment of takeaways. Playing some pop might just enhance your pad thai.” More food for thought is the conclusion that classical music improves customer satisfaction; one St John’s student suggested to Cherwell, “Maybe Professor Spence can advise our chefs on how to make formal hall taste any better.”

The study was also concerned to look at how music use could manipulate consumers to make healthier food choices.  Professor Spence found, “salty is the hardest one to get musically.” He did, however, suggest one possible route for reducing junk-food consumption. Spence advises, “Don’t play Justin Bieber when you order a takeaway”– his music is bad for one’s appetite.

 

At Oxford, you’re probably part of the elite

0

92 years since Britain’s first socialist government, social class continues to divide our society. Even as the old distinctions of the working, middle and upper classes have faded away, new conceptions of class remain as critical to the British sense of self as in 1924. The Great British Class Survey, undertaken recently by the BBC and the LSE, split society into seven classes: the precariat, emerging service workers, the traditional working class, new affluent workers, the technical middle class, the established middle class and the elite.

Predictably and lamentably, Oxford University remains a hotbed of the elite. It can be seen openly in the abundance of Old Etonians and Received Pronunciation accents. Though seven per cent of the UK population attends independent or public schools, 43.7 per cent of places at Oxford last year went to such applicants. Where one in twenty Year 13 students from private schools go on to Oxford and Cambridge, just one in a hundred do so from state schools. The difference is even starker when you consider the public schools: just seven of them, those mentioned in the Public Schools Act 1868, constitute almost five per cent of Oxford’s admissions, often sending half of their students to Oxbridge.

To many Oxford students, this ubiquitous percentage of Etonians, Harrovians and Carthusians may seem like the real elite. After all, though many of our parents paid for our school, relatively few boarded or wore tails. Sadly, this is a delusion. The survey showed clearly that paid education almost certainly places you in the elite. Bursaries and scholarships are still worrying close to being exceptions.

Even if you didn’t pay for school, you may well be part of the elite. Of the remaining 55.4 per cent of Oxonians from state school backgrounds, a remarkable quantity attended selective schools. Of the 884 successful applicants in 2013 from domestic maintained schools, 137 attended grammar schools, representing 15 per cent of Oxford’s state intake. According to the House of Commons Library, under five per cent of state school students attended grammar schools. This would not in itself be a problem if it weren’t for the fact that just 2.6 per cent of grammar students received free school meals, compared with 14.9 per cent in comprehensives. The class-skewed nature of grammar school admissions can be seen further in their intake: on average, between 10 per cent and 15 per cent of successful applicants attended independent primary schools.

This leaves a core of about 35 per cent of students who came from a comprehensive, state-funded background. It’s difficult to determine how many of these students are from the ‘elite’ class; given the disproportionately great ability of the wealthy to choose a ‘good’ comprehensive over a ‘bad’ one, it is unlikely to be a negligible amount. Even assuming no member of this 35 per cent is from the ‘elite’, the picture of class representation that emerges is appalling. Just six per cent of the British population surveyed belonged to the ‘elite,’ and yet at least 65 per cent of Oxonians fit within this socioeconomic class.

It should be noted though that the university has been trying to make Oxford more representative of society in socioeconomic terms. In agreement with the Office for Fair Access, it spent over £5.2 million on access and outreach last year, including programmes such as the UNIQ summer schools. These target the socioeconomically disadvantaged, aim to provide them with the tools needed to make a successful application.

Akshay Bilolikar:

Oxford prides itself on producing the next generation of world leaders, and so it is particularly shocking that admissions remain so far skewed in favour of the middle and upper classes. This country has paid lip service to the idea that class and background should not determine one’s future for decades, yet Oxford’s record on equality of opportunity today is not much better than in the 1970s.

In addition to the essential moral case against inequality, there is much evidence that fair access would be to Oxford’s benefit as well. A more diverse and competitive admissions system will simply lead to better students and the creation of a richer place of study. Our lopsided origins cloud our judgements and research interests, and our teaching struggles to show the whole picture. A more inclusive Oxford University could shape the world positively for decades to come.

Alexander Curtis:

The relative lack of Oxford students from non-elite socioeconomic classes is definitely a significant issue in Oxford and the country more widely. If there is such poor social mobility that young people from the poorest backgrounds are unable to access the best universities, is there really sufficient opportunity in our society for all? This dilemma may be caused by wider attitudes within the state education system, however, rather than solely the nature of the Oxford admissions process itself. In 2014, 37.2 per cent of Oxford undergraduate applicants came from independent schools. Is it any surprise, then, that a similar percentage of accepted students come from the same educational backgrounds?

To allow the most disadvantaged in our society access to an Oxford education, we must focus on encouraging students from the poorest backgrounds to apply. To achieve this, we must first and foremost develop a culture of ambition and realisation of opportunity within British state schools. Through the use of education to enhance social mobility in Britain, we can work towards creating greater opportunity for all; allowing all people to fulfil their potential through hard work, irrespective of the circumstances in which they started their lives.

A vigil for the Iraqi and Syrian people

0

On Thursday 3rd December, I joined around one hundred others on Cornmarket Street in a candlelit vigil of solidarity with the Syrian and Iraqi peoples. Groups across the university and city had called it together in reaction to the previous night’s Parliamentary decision to launch air strikes on the Syrian region.

A few hours before, I told a friend about the vigil. She asked why it was happening, considering that the vote was over. Well-meaning though this was, it made me think about how poorly equipped we are to express resistance and solidarity outside of parliamentary votes and debates.

Solidarity with the Syrian people does not stop now that some of the bombs come with our Parliament’s stamp of approval. Rather instead, it is now more than ever that these horrors ought to remain at the forefront of our minds. That evening Barnaby Raine, on behalf of the Oxford Students’ Palestine Society, spoke of the perversion of telling the Syrian people that our bombs are better than their bombs.

Still those against the strikes are told that the interventionists see a complexity in these bombs, a complexity lost on us. The groups present in force that evening gave an entirely different story. The Arab Cultural Society named those otherwise nameless towns and cities which will be visited with British bombs. The OUSU Campaign for Racial Awareness and Equality reminded us how much easier it is to see bodies as collateral damage when those bodies are black and brown. Rhodes Must Fall Oxford addressed the colonialism to which the Middle East has long been subject, and how this follows through to this very moment. All emphasised the imperative to open our borders.

Interventionists have failed to show how airstrikes would defeat ISIS, instead exploiting the kneejerk urgency to do ‘something’ – but note that this ‘something’ is never a radical rethink of how Britain welcomes refugees. It is because of this mindless urgency that Hilary Benn can receive rapturous applause when he makes a statesmanlike yet spurious case for bombing. It all speaks of how this debate has centred on British feelings of faraway impotence in a brutal situation.

Yet those feelings are nothing compared to living in that brutal situation. That was why we must stand with this vigil and cause: to centre the voiceless, the homeless, and the stateless. Bombs will fall on their homes long after their victims have fallen off our front pages. Any hope for change rests – as far as we outside their world are concerned – on continuing our efforts to remember them.

“Discriminatory” bank shuts Palestine Society’s account

0
    • Co-op bank closes Palestine Society’s bank account

    • Society to join Palestine Solidarity Campaign in legal action against the bank

    • 19 clubs and societies co-release press statement condemning the “discriminatory action”, including five OUSU liberation campaigns and Wadham SU


Oxford University’s Students’ Palestine Society (Pal Soc) has revealed that its bank account had been closed by the Co-operative Bank.

A statement released today claimed that there was “no reasonable justification for this action,” and that the bank’s stated reason for the account closure was that the society is “high risk” and “no longer fits within [the bank’s] risk appetite.”

A spokesperson for Pal Soc wrote, “The closure of Pal Soc’s account is part of a recent broader attack on solidarity organisations advancing Palestinian human rights across the UK. The Palestine Solidarity Campaign (PSC), together with a further 20 grassroots organisations working for Palestine have also had their accounts closed by the Co-operative Bank. Pal Soc has therefore resolved to join the legal case launched by PSC against the Co-operative Bank on the grounds of discrimination. PSC and its legal team believe the Bank’s actions are discriminatory and contravene the Equality Act 2010.”

They further called for “all Oxford University student societies, JCRs, MCRs, individual faculty, staff, and students, as well as all College and University bodies to show their solidarity by withdrawing their bank accounts from Co-op, and until such time as the bank accounts of all those grassroots and civic rights associations working for Palestine in the UK are reopened.”

PSC has filed legal action under sections 13 and 29 of the Equality Act 2010 and has similarly called for members and supporters to move their funds away from Co-operative Bank accounts.

They have said, “It appears that the decision was taken because of PSC’s support for Palestine. A decision based on active support of Palestinian causes – or on the nationality or religion of the Palestinian people – would be discriminatory. It is in the wider public interest to ensure that banks are held to account for their decision making processes; a bank cannot be above the law by virtue of its status.”

A group of more than 15 Oxford student clubs and societies have condemned the bank’s actions. These include Rhodes Must Fall Oxford, the Oxford University Labour Club, the OUSU Women’s Campaign, the Oxford Students’ Jews for Justice for Palestinians and the Wadham College Student Union.

A statement co-released by the groups reads, “We, the undersigned student clubs and societies at the University of Oxford, condemn in the strongest possible terms the discriminatory action taken by the Co-operative Bank against the Oxford Students’ Palestine Society, in closing their account. The bank has offered no transparent explanation, asserting that the Palestine Society, a university registered society, is ‘high risk’ and ‘no longer fit[s]’ within the Co-op’s ‘risk appetite’.

“We view this as part of a process undertaken by the Co-operative Bank in the context of racist and discriminatory ‘counter-extremism’ measures, which has involved closing down the accounts of the Palestine Solidarity Campaign and over 20 Palestine Solidarity Campaign branches and Palestinian human rights groups across the UK.”

But a representative for The Co-operative Bank explained that the closure was entirely a reflection of its legal obligations.

She told Cherwell, “I would like to reassure you that this is not a reflection on the work carried out by many of our customers throughout the world, or a statement about the causes they support. We remain a committed supporter of many charities which can meet the industry level requirements.

“In common with all banks, we have to perform due diligence on our customers, their accounts and the payments they make to ensure the Bank complies with anti-money laundering obligations and to manage the Bank’s risk. This is part of our normal banking processes and is an area where the Bank has made some changes recently to bring it into line with the industry generally. You may have seen in the press recently that there can be significant financial penalties when banks do not have adequate controls in place so these changes are timely and appropriate.

“For customers who operate in, or send money to, high risk locations throughout the world, advanced due diligence checks are required by all banks to ensure the funds do not inadvertently fund alleged or proscribed activities. Depending on the particular circumstances it may not be possible for us to complete these checks to our satisfaction and the decision to close a number of accounts (including the PSC and some of its affiliates) is an inevitable result of this process. Unfortunately, after quite extensive research, the charities involved did not meet our requirements or, in our view, allow us to fulfil our obligations.

“I would emphasise this is not a political or discriminatory decision but one based on our obligations. Clearly we have to meet our legal and regulatory requirements and we believe in the round our decision is consistent with our ethical policy. Our position has been discussed with and has the support of the Values and Ethics Committee which noted this is primarily a matter of adhering to banking regulations. I would also like to emphasise that these decisions have been made by the Bank’s management and have not been influenced by external agencies or our shareholders.

“This does not mean that we cannot or will not facilitate humanitarian, educational, medical and human rights donations to the Gaza region. Many well known, national, registered charities do excellent work in these fields in Gaza and elsewhere and we make regular donations to some of these organisations through our current account and credit cards.”