Thursday 26th June 2025
Blog Page 1154

Formula 1: Mortal engines

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From early doubts about the sound of the new turbocharged V6s to the dominance of the Mercedes power unit, the 2015 season has been dominated by engines. We untangle the soap opera that is the Formula 1 engine supply story.

Mercedes AMG have again enjoyed near total dominance, running away with both world titles with their engine having started the season an estimated 100 bhp up on rival engines produced by Renault and Honda. Williams, also running the Mercedes power unit, have had the edge on Red Bull throughout the year owing to their strength on high-speed tracks like Canada and Italy. Mercedes have also just signed a deal to supply Marussia with engines which should give F1’s perennial minnows hope of beating next year’s rookies Haas F1 in the battle at the bottom.

Thankfully for fans, Ferrari do seem to have closed the gap from 2014, although Singapore remains the only race where Ferrari appeared to have the stronger package – with wins in Malaysia and Hungary more due to team and driver error at Mercedes respectively. The rate of improvement has perhaps been most encouraging for the Tifosi, given that in-season testing will be banned from next year barring renegotiation.

The rift between Renault and Red Bull has been covered by the media like a celebrity divorce. The partnership that, less than two years ago, brought home a 4th consecutive world championship began to deteriorate when both Team Principal Christian Horner made public the team’s frustration at the lack of progress Renault had made with the new breed of engine. Tired of being the scapegoat, Renault threatened to quit F1 before deciding to instead buy back the Lotus team that has struggled since being sold by Renault in 2009. Having burnt their bridges, Red Bull turned first to Mercedes to negotiate a deal for engines in 2016 but were rebuffed by Mercedes team principal (and Arzoo regular) Toto Wolf – presumably fearing being beaten by a car with not just a top engine but also a chassis designed by Adrian Newey. Red Bull now must make a deal with Ferrari or risk leaving F1 altogether, or worse, getting engines from Honda! With the cards firmly in their hands, Ferrari agreed to sell engines to Red Bull but only their current 2015 engines rather than the developed 2016 version being sold to Toro Rosso and Sauber. Recent rumours suggest Ferrari would be willing to do a deal including the mercurial Max Verstappen, with Kimi Raikonnen’s seat up-for-grabs in the near future. With Red Bull ‘serious’ about their threat to quit F1 if they do not have a competitive engine, it’s going to be a case of who blinks first. Bernie Ecclestone has also now entered the engine politics, with coverage of Mercedes and Ferrari cars conspicuously absent during the Japanese Grand Prix in a bid to pressure them into a deal.

If Red Bull-Renault has been the perfect marriage gone wrong, then McLaren-Honda has been the story of a failing marriage that everyone is pretending is OK. Everyone except the drivers.

‘This is embarrassing. Very embarrassing.’ said Alonso over team radio in Japan with all the frustration of a man for whom this team and engine is his last roll of the dice to find an elusive 3rd championship winning car. With the current state of the Honda engine this might turn out to be an impossible dream.

McLaren ended their partnership with Mercedes this year knowing that they had to try something different in order to be able to fight Mercedes own works team for the championship. Harking back to the early 1990s and one of the best partnerships in F1 history and an Ayrton Senna in his prime, the deal generated a great amount of interest… and an even greater disappointment. Perhaps limited by the rules regarding engine development, Honda have produced an engine that has left one of F1’s great constructors wallowing 2nd from bottom in the constructors championship. It is set to be a long winter for Honda.

We can cross our fingers that the competition will be tighter for 2016 but at least be safe in the knowledge that there is only another year till the 2017 rule changes and the deck is shuffled once more.

 

Drama needs video

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In medias res: realism is why drama needs video today. Drama’s very raison d’eÌ‚tre rests on the idea that a realistic imitation of human life presents its viewers with a critical mirror. This is true whether it’s about the individual or the collective, whether it’s about crisis or success. The theatre is a laboratory, designed for our self-examination. For this examination to yield results, we need to identify with what happens on stage.

So the challenge for playwrights is to find ways in which today’s world can be put on stage. So far so good. But the challenge of every director dealing with plays written in a former time is to make the work relevant. In one way, this is easy, because the great thing about theatre is its continuity through transcendence. In another way, it is extremely difficult, because the transcendent themes that are relevant to all ages need to be isolated from the play first. This is an incredibly difficult task and accordingly no method – video among them – should be forbidden. Because of the difficulty of realising this relevance, I believe that video will in fact

be an inevitable part of the theatre’s future. Allow yourself to cringe at this analogy. We have smartphones, but if someone gave us a good old Nokia brick we might be tempted to switch back to its vintage charms. We would use it just the same, to write messages, make phone calls, set our alarms and doodle around with it while in the lunch queue. Overlooking the loss of internet access everywhere (try for a second), we might even adopt it as a retro trend. But, let’s face it, we would all eventually return to the temptations of the modern world.

So if the old is so cherished and we so naturally lean towards nostalgia, why do we persist in pursuing the new? It is the same reason why Apple is so keen it reinvent the mobile phone over and over and over again. We just get bored easily. The vicious (or not so vicious?) cycle of boredom and reinvention naturally casts its shadow over the arts most of all. Just consider the recipe for any action movie sequel: higher death count, greater dangers and a deeper level at which the roots of evil are unravelled.

Going back to theatre, what does this mean? It means that we have to admit something to ourselves: we don’t care what happens on the stage, unless it feels like our world. That world is digital and fast; it creates entertainment, which stimulates us, with a frequency and extremity that is unparalleled in our history. Overexposure to these diversions means our sensitivity to them is being gradually eroded; theatre must therefore respond in kind. It would be a pointless nostalgia to deny drama the use of video – it is as ridiculous as using a Nokia brick to take a selfie. Video is integral to navigating this hyper stimulated world of entertainment. Indeed it is pointless to hark back to an era when theatre was unpolluted, for this ultimately prevents theatre from serving its real purpose. 

A view from the cheap seat

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Here at Cherwell Stage we love to encourage brilliant new critics. Recently, a keen fresher off ered to review a play for us before term. Naturally we were delighted. But we were reckless; our would-be critic was far too overwhelmed by the whole experience. The damage from the shock maybe irreversible; below we publish his impressions of the ‘play’.

“The cast is huge, I have never seen such a massive immersive theatre project. I can’t imagine how much money was spent making everybody on the entirety of Turl Street look so ridiculous – how could they have bought so many brightly coloured trousers in order to be so tastelessly combined with so many gratuitously patterned jumpers?

“I don’t understand who these characters are or what their motivation is, but it is clear this play is a tragedy. For example, there is the unparalleled dramatic meta-irony of the characters on the Cowley Road scenes: they think that there is no irony in the fact all they do is ironic. Truly this production is audacious in even considering to present something so sad.

“Nevertheless, the most horrifi c spectacle was no doubt that at the Oxford Union. Shakespearean delusions of grandeur were set in a funny red brick building just off Cornmarket. I still can’t believe that such a respectable institution as the Oxford Union could play host to such debased proceedings. Truly not even the most provocative productions plumb the depths of depravity I saw in the ‘chamber’. Still, in spite of these genre references I can’t piece it all together, what is the overriding story behind the façade of pretension, poor dress sense and Machiavellian politics? I don’t even know what the play is called, someone mentioned it might be ‘-1st week’?”

The reader will be reassured to know that the author of this extract is now being contained at the Cherwell offices until he recovers from shock

Remembrance of theatre past

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Stephen Fry, Hugh Laurie, Emma Thompson, Tom Hiddlestone, Eric Idle, Simon Russell Beale; the list could go on… at Cambridge anyway. Don’t panic, like our inferior cousins, we too have a succession of illustrious dramatic predecessors. At Oxford you could be the next Hugh Grant or Rowan Atkinson: a choice between a bumbling middle English nobody and… the point is that the sky is the limit, whether you’re an actor, producer director or indeed a humble critic, the Oxford theatre could be your big shot. First, a confession. I, dear fresher, also came to the dreaming spires with dewy eyes and baited breath. Sitting over an extortionately priced pint, I too dared to compare the thespian bums that had graced my bar stool with my own, surely destined to greatness posterior.

Alas, dear freshers, this nostalgic episode is also a sad one. Looking back I feel like that older sibling, looking on with amusement and condescension as their naïve younger sister/brother tries to buy booze without ID at the off license. A regrettable combination of deluded optimism and woeful ridiculousness.

But I will not judge you by my own low standards, let us for a moment glimpse at the pantheon and your destiny within it. The journey will be long and fraught with difficulty. The first thing you must do is sign up to the Cherwell stage mailing list – email [email protected]. This beacon in the darkness will guide you through the murky waters of the week’s drama. Cherwell will not only tell you what’s good but can also get you in for free. Our weekly mailing list will offer you the mildly Faustian pact of writing a review in exchange for tickets. Your next stop will be Cuppers. The Cuppers drama festival is an opportunity to laugh with (but mostly at) your new dramatically minded friends. It’s like freshers’ week all over again, but cheaper. Each college is given a twenty-minute slot in which to perform a play worthy of the university Drama Society committee’s understandably low expectations. Yours truly for example, was nominated for a best supporting actor award after his luminary rendition of a questionable Catholic priest.

After Cuppers you will hopefully have made a small name for yourself at college, or at any rate as someone who found use for their theology degree. Next, you should audition for a play. Bring along Camus in this time of existential doubt. Yes darling, you really are good enough – brave it. If asked to prepare a piece, remember that the most original thing a student actor can do is wildly oscillate their delivery from really loud, to really quiet. If you are a budding director, remember any small studio production will benefit from throbbing dance music in between scenes: truly a declaration of originality. Imitation of the 90s, not only in music but also in dress, will cement the edifice of ‘edge’ that is your dramatic reputation. From there, who knows – more auditions, more plays and more ridicule from the rest of the world. But worry not: Cherwell will be with you every step of the way; like an indulgent uncle who instead of sweets and trips to the zoo offers you mildly sarcastic reviews and semi free tickets. Make no mistake though, the road will be long and arduous. But if you want a short cut straight to bumbling idiot status, you can always write for The OxStu.

An open letter to British freshers

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On Tuesday 29th September, Oxford University’s Student Union (OUSU) banned the distribution of a new political magazine, No Offence, at its freshers’ fair. Citing the magazine’s inclusion of content such as “a graphic description of abortion” and “a celebration of colonialism”, OUSU announced that they “do not wish to be associated with the offensive views in this magazine.”

The battle lines in this issue ought to be clear. It is not a question of the legitimacy of offensive or obscene satire. Explicitly, the magazine was banned from the fair because it gave an airing to views –to opinions – that OUSU found offensive. Concerns about the allegedly edgy satire were secondary in their statement. Whilst it is obviously within a student union’s rights to run its own events however it wishes, we can and should be seriously concerned about the wisdom of this decision and what it represents.

The restriction of No Offence is just the tip of an immense iceberg. The sad truth is that British universities are no longer places where ideas can be judged on their merits in a climate of mutual respect. In the 1960s students gained the right to campaign for political causes without pastoral regulation, but this has become a poisoned chalice for students who do not share the very specific brand of socially left-wing politics advocated by OUSU and other students’ unions.

At many a modern British university, you simply cannot criticise the student unions’ version of feminism, or their views on racial or sexual politics, without unpleasant consequences. Last year, here at Oxford a pro-life society tried to organise a debate on the ethics of abortion. Within days a huge protest was planned, with feminist campaigners, supported by OUSU, threatening to disrupt the debate as much as they possibly could. Unsurprisingly, the college hosting the event, unable to secure the attendees’ safety, felt forced to cancel it.

Nearly four in ten students’ unions in the UK now enforce a ‘no platform’ policy, whereby offensive speakers are officially barred from addressing students on campus, as do almost a third of universities themselves. According to an anti-campus censorship campaign run by online magazine Spiked, 60% of universities and 70% of student unions restrict free speech in some way.

The real costs of all this, though, go far beyond the headline statistics. Every day, students with different worldviews to their supposed leaders find themselves feeling intimidated and unwelcome at their own universities. At Oxford, I have spoken to Conservative-voting fellow students who were terrified of social ostracism if their friends found out about their political views. Others feel the need to conceal even the newspapers they read from public knowledge.

All this adds up to an enormous stifling of free discussion. Ideas that fall outside appropriate bounds – be they traditional religious or conservative ones, or branches of radical feminism with unorthodox views of transgender liberation or sex work – simply cannot safely be aired in most public forums at universities.

Of course, challenges to our deeply held beliefs can seem offensive, and bigoted attitudes can reinforce the oppression of marginalised groups. But if our tolerance towards those different from us depends on artificial protection from ideas that might challenge our specific views on social questions, it is a tolerance unworthy of the name. Rather it is a degraded, cowardly ignorance, and an ignorance that defeats the entire purpose of a university.

If this continues an entire generation of Britain’s finest minds will never have been taught to learn from challenges to their opinions, and instead to view them as personal attacks. They will have been educated in ‘safe spaces’ – universities where the whole idea of ‘free speech’ is mocked and vilified.

“But what about our freeze peach!” screamed the OUSU acolytes when met with complaints of censorship over forcing the cancellation of the abortion debate. Anywhere else in Britain, this rank contempt for a fundamental principle of liberal democracy would be met with the horror it deserves. Not so at Oxford University.

We owe it to each other, and to Britain’s future as a free country, to do things differently. It’s about time the real world realised what our universities have become and a serious national debate was had about how to fix them.

And to the new freshers just arriving, or recently arrived, at universities across the country, I say this. The best argument against censorship is always that the view being censored might be true. By preventing others from expressing it we risk a huge loss for a paltry gain and make ourselves stupid and dogmatic into the process. So if you hold controversial opinions, ones your student union might not like – if people tell you you’re a bigot, an oppressor, that you have a ‘phobia’ of some description – don’t be disheartened but excited, because you have the chance to make a difference.

The real bigots on campus are those who hound and vilify people who respectfully disagree with them. Expose them to the fresh air of reason and shout your controversial views from the rooftops. Once they realise you won’t be intimidated they’ll be forced to listen, and listening is the first step towards the mutual understanding that underlies any true democracy. Britain is still a free country but at many universities you’d be forgiven for no longer thinking so. It’s time this changed: time we all came together and smashed this censorious sect of secular zealots once and for all. 

Jacob Williams is the co-founder and editor of No Offence, and co-founder of the Facebook discussion group Open Oxford.

A response to Williams’ letter from the Cherwell Comment editors can be found here.

The responsibility of free speech

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In his open letter published in Cherwell, Jacob Williams, editor of the ‘No Offence’ magazine, claims to be a champion of ‘Britain’s future as a free country’. Despite its ban from next week’s Freshers’ Fair, Williams upholds the magazine against the ‘stupid and dogmatic’ Oxford University Student Union (OUSU). In his words, OUSU are ‘the real bigots on campus… who hound and vilify people.’

‘No Offence’, however, is not a neutral publication. Through articles justifying colonial rule and graphically describing the abortion of 12 week foetuses, Williams and his writers use the veil of the struggle for free speech to voice abhorrence. In his immature publication of all the extremes of free speech, Williams has forgotten that ‘Britain’s future as a free country’ depends on everyone’s right to express their views free from intimidation.  We should be free from the frankly disgusting content of ‘No Offence’.

Why, then, has Cherwell decided to publish Williams’ letter? Here at Cherwell, we do support open debate, and this means the open demolition of the arguments voiced in ‘No Offence’. We feel that OUSU has made a mistake by failing to let the magazine be shown up for the nonsense it contains at the Freshers’ Fair. By banning ‘No Offence’, OUSU has given students like Williams the biggest coup they could have hoped for: a chance to be the heroes of free speech, without the scrutiny of public debate. Such scrutiny would surely expose the magazine’s flawed principles.

You might ask, what is so bad about ‘No Offence’? Cherwell has received a preview of the magazine and its contents, as expected, are disappointing. So long as this debate rages without public exposure of this extremely low quality publication, Williams can pretend that he is the victim of a great injustice. Instead, publishing horrifically unbalanced articles that describe ‘Rhodesia: The End of a Great Country’, without mention of the appalling racism of the regime, the magazine is exposed as the fraud it is. The bullying tone of the magazine’s articles is made worse by the terrible quality of its writing. Why on earth should we take ‘No Offence’ seriously when it climaxes with an article entitled ‘Finger Me Like One of your French Fries’?

Williams’ argument ultimately falls down when we consider the responsibilities of freedom of speech. Yes, Williams can exaggeratedly call for an escape from the ‘censorious sect of secular zealots’, but no, we should not let him and his writers go unchallenged. With freedoms of speech we have a responsibility to make sure that good ideas are developed and bad ideas demolished. We have a responsibility to make sure that no one is intimidated by someone else’s free speech to the point that they are scared to paricipate in debate. Most of all, we have a responsibility to see that articles designed only to offend and intimidate are shown up for what they really are.

OUSU bans ‘No Offence’ materials from Freshers’ Fair

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OUSU has banned ‘No Offence’ magazine from distributing its materials at this year’s Fresher’s fair after deeming it’s views “offensive”.

OUSU released a statement, explaining, “The editor-in-chief of ‘No Offence’, Jacob Williams, asked Oxford University Student Union (OUSU) to review his magazine for distribution at OUSU’s Freshers’ Fair. The magazine included a graphic description of an abortion, the use of an ableist slur, a celebration of colonialism, and a transphobic article. In an attempt at satire, another article suggested organising a ‘rape swagger’ – in the style of a ‘slut walk’ – in order to make rape ‘socially acceptable.’

“OUSU do not want to be associated with the views in this magazine, therefore do not want it to be distributed at our event. The offensive views exhibited in this magazine do not in any way represent the majority of Oxford students, or OUSU.”

OUSU did however emphasise that the editors “are, of course, completely free to publish the document online, in the exact form in which it was sent to us” to enable students to read it if they wish.

Becky Howe, OUSU President, explained to Cherwell that, “We have told ‘No Offence’ they cannot distribute their material at an OUSU event, but have not in any sense ‘banned’ it on a wider scale. Open Oxford will still have a stall at Freshers’ Fair. Given they want their messages to reach as many students as possible, we assume the editors will publish ‘No Offence’ online imminently, in the form in which they sent it to us.” 

Under ‘Regulation 13’, OUSU is entitled to remove any material at any time from any stall.

The new magazine, founded by Jacob Williams and Lulie Tanett, was formed to “promote debate and publicise ideas people are afraid to express”. According to its Facebook page, ” ‘No Offence’ is a new Oxford-based magazine devoted to controversy, contention, and all things freeze peach. We aim to broaden the spectrum of opinion at Oxford, and create a climate where people are more comfortable expressing ideas some see as offensive. Our purpose is to publicise ideas and arguments that people otherwise may never encounter.

Jacob Williams told Cherwell, “When our students’ union can restrict publications that express views they deem offensive, there is no hope of Oxford ever having a climate of free expression. You can have safe spaces if you want but the university must always be safe for the exchange of ideas.

“NO is a magazine devoted to publicising viewpoints people are usually afraid to discuss, to try to widen the terms of debate at Oxford.

“We will indeed be publishing online but we can’t reveal all of our distribution plans just yet.”

 

Getting a fair deal for junior doctors

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Doctors don’t usually go on strike. In the last 40 years they have taken to the streets only twice to voice their dissatisfaction about working conditions. Given the BMA’s decision on Saturday to ballot its junior doctor members on industrial action over their proposed new contract, this statistic more than anything shows just how angry people are with the government’s plans.

As a second-year medic, it’s hard not to worry about what the proposed changes will mean for me. For current junior doctors, this anxiety can only become more pressing, as the contract is set to be introduced as early as August 2016.

One of the BMA’s biggest issues with the contract is the extension of routine working hours (or ‘plain time’) from 7am to 7pm on Monday to Friday to 7am to 10pm on every day except Sunday. This will inevitably lead to pay cuts for junior doctors who currently work evening and weekend shifts, as routine working hours are rewarded with the most basic rate of pay. In specialties involving a lot of out-of-hours work such as A&E and acute medicine, existing staff shortages will only be exacerbated if inconvenient working hours are no longer properly compensated with overtime rates.

The job of a trainee doctor is that much harder outside of the current routine working hours, as they are often left with huge responsibilities when fewer consultants are present. The new contract could lead to trainee doctors working longer shifts just to make ends meet, potentially risking the safety of the many patients under their supervision.

The extension of routine working hours for junior doctors could also have larger implications for the whole NHS. If this precedent is set, other professions within healthcare such as nursing (many nurses currently rely on overtime rates as a main source of their income) could fall victim to sudden contract changes.

The new contract has also been accused of being discriminatory against women, as junior doctors who work full-time will see their annual pay increase more quickly than those working part-time, many of whom are women returning from maternity leave.

The idea of rewarding those who progress through training rapidly may well be a good one, and could potentially lead to a larger number of highly-trained doctors in a shorter period of time. This point has a link, albeit a tenuous one, with the idea that staff within the NHS should be rewarded mainly on the outcomes of their patients, with less emphasis on the number of years they have been working, or the number of procedures they carry out.

Having said that, an inflexible contract that penalises women for having children is not fair, and efforts must be made to ensure that people who progress through training more slowly due to genuine, unavoidable reasons are not punished.

Since the new contract has been proposed, the GMC has received huge numbers of requests from junior doctors for certificates to work overseas. When combined with the very real threat of industrial action, it is no wonder that leading figures at the BMA are warning of impending disaster.

Few can argue that we need to see real change in how the NHS operates in order to cope with the huge challenges that it now faces. Some of this responsibility may well fall onto the shoulders of junior doctors. Despite this, the sudden and unfair proposed contract will not help the cause. Not only will it drive junior doctors away from the NHS altogether, but it might just put off prospective medical students and medical students alike from following a medical career. And that would be a disaster. 

Why social media doesn’t promote social justice

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Recently, Emmeline Skinner Cassidy published a moving and eye-opening piece detailing her relationship with a Syrian family exiled in Jordan. It was an account that described the generosity and humanity that flourished in a terrible situation. Like her, I agree that we should give a voice to individual suffering and hardship; tragedies comfortably forgotten as anonymous statistics on the 10 o’clock news.

Her account gave me pause for thought. Putting a face to the events behind the headlines is undoubtedly important. This task has been facilitated on an unprecedented scale by social media, allowing otherwise neglected stories to be recorded and disseminated. Intuitively, you might think that this is a good thing. Sadly, the intervention of social media is a development heralding bad as well as good.

Celebrated theorist John Berger once made the provocative comment that Vietnam War photography did not desensitize the public to suffering, rather it duped them. Rather than eliciting meaningful change, these photos forced the spectator to reconcile his/her guilt with the horror of the tragedies before them. Confrontation with arresting imagery therefore shifted the attention of the public from ending the photographed atrocities, to dealing with their guilt. By forcing the public to swallow the horror in these photos made the public complicit in the continuation of this horror.

In relation to social media, such a theory fails to account for the many positive and meaningful changes that the online dissemination of injustice has facilitated. Yet Berger’s fundamental point bears consideration, namely that emotions of guilt, indignation and anger are no substitute for making a real difference to the situation that has provoked such sentiment. In short the stories that move us aren’t about how we feel, but about the situation of those in need.

This distinction is crucial in light of the effect social media has had in defining the relationship between our empathy and those with whom we empathize. A paradigmatic case study is the ‘Humans of New York’ stream. The comments on posts that detail hardship fall into two tellingly distinct types. The first type complains about the more general structural, social or political factors that have created the suffering of the subject. The authors see the tragedy as representative of a problem beyond its incarnation in one human. The other half makes the opposite observation. Their comments lament the particular circumstances of the people or person in need. These are the sorts of posts that demand to know the detailed circumstances of the subject in order to help.

It is easier and seemingly more effective to donate to the plight of one family or person than to change the circumstances that led to their difficulties. This in part explains why the latter reaction is so widespread. But this is not simply a case of shortsighted charity; it can do more harm than good. Having helped the family in whose narrative the donor has invested himself or herself, they can now feel good about themselves. They have purged themselves of their guilt with an emotional pay-off: follow-up pictures of the happy family, reports of how they are now on their feet with jobs and safety. Meanwhile, thousands if not millions continue to suffer conditions similar those of the family that was helped.

The impetus behind campaigns to change the lives of individuals is no doubt well-intentioned, but Berger’s comment seems relevant.  If Vietnam war photos forced the public to reconcile themselves with atrocity, so too does the internet. It purges the guilt of spectators by allowing them to participate in facile short-term solutions that pacify their horror in lieu of creating real, long-lasting solutions. Indeed, the case-by-case solution that social media offers becomes more about making you feel good than about meaningfully helping people. This shortsightedness is not innocent; it ultimately results in a handful of people being generously assisted and the rest often forgotten.

The ineffectuality of distributing charity on a case-by-case basis is in addition perverse in what good it can do. It may reasonably be asked how it is people can still feel good about creating a solution that will ultimately change little. The answer is that we have been taught to understand tragedy precisely through the sort of exception that social media allows. In Hollywood, the dramatization of real life tragedies never tells the story of those who died. United 93 is about the foiled 9/11 hijacking , Captain Phillips is about the captain who was recued from pirates, The Impossible is about the family who survives the Indian Tsunami. Is it not worrying that the way in which social media encourages charity is by telling a tragic narrative, and then allowing you to pay for it to finish like a film? This is not only ineffectual, it is insulting to those in need that they should be helped not as humans deserving of fundamental rights, but as cathartic pay-offs for the delusional sentimentality of the first world.

This further begs a question. How, and by what criteria, does a stream like HONY decide whose story will receive the salvation of online exposure? Indeed, how does the public decide whose story will be shared enough to change someone’s life? It is almost as if the distribution of the first world’s best intentions is a lottery. This is perhaps the most disturbing point, that the people the internet ends up helping are not helped because of their fundamental, intrinsic human right to be saved from the injustices they suffer. Rather, they are helped because of the pity of self-appointed internet crusaders. This is why we should be wary of how social media has changed the process of putting a face to the suffering: the salvation it offers is shortsighted, unjust and frankly humiliating as a response to the problems of the world.

What about those who comment about the wider problems of which tragic stories are a symptom? While their appraisal is perhaps more appropriate, they, too, are guilty of doing nothing to change the situation. They see that a larger solution is necessary, but provide none. They therefore have two problems. The first is that unlike the other group, this first group has no consensus either about the nature of the problem or how it can be tackled. Their second problem is that unlike the solutions to the problems of individuals, resolving these deeper underlying problems requires resources far beyond haphazard kick-starters and Facebook groups.

The shortsightedness of the first group and the impotence of the second are both symptoms of the same situation. Both are apolitical attempts at finding solutions. The appeal to humanity of the first group avoids ideology, while the lack of unity and organization of the second avoids collective action. Collective action and ideology: surely the hallmarks of politics?

If a political solution is needed, then perhaps this explains why there is currently no solution. It will have been noted that for all the mention of authentic change and action, this article has given no suggestion of what that might be. Truthfully, I do not know. From aid to intervention, the action of political entities (by which I mean democratically mandated governments) will have to find a solution. But first, the deadlock that has characterized the politics of recent years will have to be broken. Not for the sake of the guilt-stricken, but for that of the suffering. 

Sell Us the Truth

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‘In my German words, we have totally screwed up.’ Speaking in New York on Monday to the assembled American press, Michael Horn, Head of Volkswagen America, could only be apologetic for the scale of the scandal that his company had presided over. As of Tuesday, Volkswagen has admitted to selling as many as 11 million diesel vehicles fitted with so-called ‘defeat devices’ designed to mislead US emissions testers. The American Environment Protection Agency (EPA) has found that this technology has been used to hide pollution levels released by certain Volkswagens as much as 40 times the American legal limit. As the British transport secretary, Patrick McLoughlin has called for an EU wide investigation into whether similar technology has been used in Europe to mislead the testers, Volkswagen faces fines of more than $18 billion in the US alone. When the scandal broke on Monday, Volkswagen shares lost as much as 17.1 per cent of their value. Europe’s largest automobile manufacturer faces a possibly fatal crisis and consumer confidence in the motor industry has been severely dented across the world.

Speaking on Tuesday in an emergency press statement, VW’s chief executive, Martin Winterkorn, put it bluntly that ‘manipulation at Volkswagen must never happen again’. Winterkorn reiterated the opinion that ‘the irregularities in diesel engines of our group contradict everything which Volkswagen stands for’. Yet, the fact that such a large manufacturer could integrate premeditated mechanisms for misrepresentation on so massive a scale suggests otherwise. For so large a programme of what Winterkorn describes as ‘manipulation’ to have taken effect, people very high up the command structure must have been complicit. Whatever Volkswagen has told the public it stands for in the past, this scandal has demonstrated a profound disrespect for its customer base deeply ingrained within the company.

When Horn told the American press that the scandal was ‘completely inconsistent with our core values’, he highlighted the gap that had developed between the ‘core values’ the company presented to its public and its shareholders. The rigging of emissions tests for certain diesel engines meant that Volkswagen could continue its narrative of being a producer of clean diesels for a clean future. By designing engines that could at times be economic with the truth about emissions, Volkswagen secured the lucrative position of one of the largest diesel manufacturer in the United States. At the expense of those people who were envisaged to be using and living around their products, Volkswagen secured a profit for its shareholders. The company’s rigging of the emissions tests meant that it could continue to supply a sub-standard engine to the American people. Beyond the ‘core values’ advertised in its showrooms, Volkswagen’s main motivation for this technology was greed. It was a misrepresentation that could save millions of dollars in expense developing less pollutant engines.

The wider problem is that this priority of profit over people, practice over ethos, is not confined to this company alone. Nobody yet knows how far this scandal will extend and how many other car manufacturers may or may not be found to have committed the same crimes. The share price of other European car makers has taken a battering in the last few days and, until further tests have been carried out, the market remains unsure as to whether Volkswagen is an isolated case. Recently, the public has been misled and, at times, cheated in scandals as variant as the 2013 horsemeat fiasco and the fixing of the London Interbank Offered Rate (LIBOR). Customers are beginning to realise that they are no longer making transactions in a market designed to cater for their needs, but rather the markets are selling customers ideas of the truth that are remote from reality. Misrepresentation has, in other words, become a symptom of how we do business in the twenty-first century.

Now that this has all happened, we need to ask ourselves how we should go forward from this. This scandal will, no doubt, rumble on for months, if not years, after this. The reputation of the EU’s biggest car manufacturer has been seriously, if not terminally, damaged, and the whole diesel motor industry has been thrown into ill-repute. As consumers, however, this fiasco should be seen as a chance to call for a re-conception of our relationships with manufacturers. We need to make sure that car manufacturers, like Volkswagen, are never again confident enough to deliberately cheat the public and expect to get away with it. We need to expose the widening gulfs between what companies describe as their ‘core values’ and the realities of their practice. Ultimately, we need to demand basic respect from the people that sell things for their clients: the general public.