Sunday, May 11, 2025
Blog Page 1193

Oxford inched out of victory at Henley Boat races

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It is somewhat fitting that the year many feared the Henley Boat Races would fade into irrelevance with the departure of the openweight women brought its most spectacular set of races to date. Sadly despite strong indicators from the early season Oxford were pipped, quite literally, at the post by marginally faster Cambridge crews.

The racing started with the collegiate womens race pitting Green Templeton against Christ’s (Cambridge). The sun was shining and the wind was calm leading to near perfect racing conditions. Green Templeton lead off the start getting out to a lead of half a length by Upper Thames where the Oxford supporters were based to hear cheers from the Dark Blue supporters’ crowd. Sadly they were overcome by a very strong crew from Christ’s who went on to win by just over half a length, around two seconds. In the face of such strong opposition this was a good result for our girls who will undoubtedly move on from their performance in Torpids to another strong showing in Eights.

Then Oriel raced Jesus College, Cambridge in the intercollegiate men’s race. Oriel had been strong favourites to win but an impressive Jesus crew pushed them the whole way down the course. The Oriel boat characteristically pulled out to a lead off the start and slowly extended it over the course, fighting through a series of strong pushes from Jesus. The race ended somewhat bizarrely with Jesus stopping before the finish after they heard a horn from the bank that they interpreted as the finishing gun. At this stage Oriel had opened a clear water lead. Cherwell is yet to comprehend why a crew would stop before they themselves crossed the line and if any readers know why please let us know. The final verdict was three lengths to Oriel.

This capped off a remarkable season for the Tortoises. They appear to be the most successful Torpids crew since records began, achieving the highest ever blades when they bumped from sixth to second in Division One. Soon afterwards Oriel triumphed in a four length win at Eton Dorney over the headship crew in the battle for qualification to compete in the HBR. The win against Jesus saw Oriel claim the mantle of the first male Oxford college team to beat Tab collegiate oarsmen at HBR. After such domination will there be any stopping them coming into Summer VIIIs?

The lightweight fixtures featured the most agonisingly close set of races I have ever witnessed. Cambridge lead off the start of both races by a small margin but at no point in either of the 2000 metre races was there clear water between the crews. Oxford pushed hard the whole way down the course in an attempt to make up the distance and in both races started drawing back up on Cambridge in the closing stages of the race. The tension on the bank was unbelievable in both instances but particularly in the men’s race where the commentator closed off by saying “…Oxford are charging…. and both crews cross the line at the same time”.

Sadly Oxford ran out of course to catch Cambridge with. The final verdict was three feet in the women’s race and four feet in the men’s race. The lightweight men’s appeal following a clash was not upheld leaving the crews in a sombre mood.

Congratulations to Cambridge for a fantastic set of races and winning the Victor Ludorum. I would like to take this moment to recognise the incredible dedication and sacrifice of the lightweight squads who have trained week in week out for over 12 sessions a week leading up to Henley just to do battle for this university. Whilst they were unfortunate to come up against very strong opposition they can hold their heads high knowing they pushed themselves to the very limit and that at the end of the day there was  really no difference between the two crews, given the variation in speed during the stroke cycle.

I hope the crews are not deterred and will continue from strength to strength to BUCS and beyond.

Cherwell will continue its coverage of rowing over the vac with live coverage of the Boat Races this Saturday where OUBC are going for their third consecutive win after the calamity of 2012 and OUWBC look to continue their dominance and be the first women’s crew to win on the Tideway.

Minimalist Minestrone

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A staple of any British-Italian restaurant’s starter list, this easy-pleaser appeals to anyone and can only be improved by experimentation.  Consider adding whatever’s approaching its best-by date in your fridge (or subtracting whatever you’re too lazy to go to Tesco for).

What You Need:
120g red split lentils
1 large onion, chopped
2 cloves fresh garlic, crushed
1 courgette, thinly sliced
1 carrot, thinly sliced
1 red pepper, thinly sliced
1 tablespoon tomato purée
1 tin plum tomatoes, roughly chopped
50g spaghetti
850ml vegetable stock
1 teaspoon of dried basil
1 teaspoon of dried oregano
fresh parsley
salt

Method:

1. Put a little bit of water in the bottom of a saucepan and cook the onion and garlic till soft on a low heat, then add the plum tomatoes and roughly crush them up.

2. Add the courgette, carrot, red pepper, herbs, lentils, and purée.  Mix thoroughly.

3. Turn the heat up till the mixture bubbles, then add the stock and leave to simmer for half an hour.

4.  Break the spaghetti up into inch long pieces and add to the soup.  Leave to cook for another quarter hour then serve with bread and parmesan, after adding the parsley and salt.

Recipe of the Week: Posh Pepper Pancakes

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This stress-free dish combines the childish novelty of pancakes as a real meal with at least two of your five a day, and both the quick and lazy cooking process and soft, tasty product are easy on hungover stomachs.  

What You Need:
180g courgette, roughly grated
1 large red pepper, diced
100g feta cheese, diced
3 eggs
50g flour
Fresh parsley and mint, finely sliced
8 tablespoons oil
Salt and pepper

Method:

1. Prepare the grated courgette by tossing it in a colander with a teaspoon of salt and leave it over a large bowl or sink for about ten minutes, until the juice starts to leak out.  Press the courgette against the sides of the colander with a large spoon until it stops leaking.

2. Beat the eggs, flour, and courgette in a bowl, adding a handful of equal parts parsley and mint and a pinch of salt, to make your batter.

3.  Heat one tablespoon of oil in a frying pan and fry your pancakes, using a few tablespoons of batter per pancake.  Flip them when the edges get crispy and the top is bubbling.  Add a tablespoon of oil before each time you add batter.  I’d recommend keeping them warm by putting them in the oven or on a hot plate covered with foil as you go.

4.  Once your pancakes are done, heat two tablespoons of oil in the frying pan and sauté the pepper for a couple of minutes.  Transfer them to a bowl and mix in the feta and some mint, salt and pepper to taste.

5.  Spoon the filling into the pancakes, fold, and serve.  Consider adding a sprig of that fresh mint to your plate to impress your Snapchat friends.

Review: Cinderella

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★★★☆☆
Three Stars

“You shall not go to the ball!” Cate Blanchett’s evil stepmother wags her pointed finger in Cinderella’s disheartened face, and for a moment all seems hopeless. Except, of course, that we know that she will go to the ball. It’s a tale as old as time. Ever since Charles Perrault penned his definitive version of the tale in the late seventeenth century, and since Disney first immortalised the tale back in 1950, modern audiences can’t escape from the simple, universally-acknowledged truth, that Cinderella does go to the ball; that her wicked stepmother and stepsisters get their just deserts; and that she lives happily ever after. This is the hurdle Kenneth Branagh’s live action version constantly tries to stumble over: how to re-vamp the action and keep his audience guessing in a story everybody knows like the back of their hand.

Jumping on the bandwagon of Disney’s quasi-feminist movement following the unparalleled success of Frozen last year, Cinderella isn’t so much going for an action heroine of the likes of Elsa, or even Merida in Brave; it’s not about a woman capable of fighting like a man, it’s about a woman capable of holding her own – of not succumbing to the will of men or women, of carving her own destiny by way of her own qualities and achievements. In many ways, Cinderella is not remarkably fussed with reshaping or unraveling the classic fairytale to appeal to a modern audience – it’s often proudly old-fashioned and fiercely admirable of its animated predecessor. It takes Disney back to its centuries-old folklore origins, steeped in a semi-medieval and semi-fantastical world that has its own set of rules and regulations.

Downton Abbey’s Lily James is Ella, whose habit of sleeping by the dying embers of the fireplace for warmth prompts her dastardly stepfamily to coin her eponymous nickname. James is effortlessly amiable and vulnerable as the sugary centre of this fairytale, and she carries the weight of the picture quite spectacularly. Against brutal odds, Cinderella’s “kind and courageous” mantra is saved from becoming at times too sickeningly sweet by James’ grounded performance. Though her scenes are often exploited for sentimentality, she never patronises the material; she extrapolates its emotional core and manages to forget that she’s in a fairytale.

Of course, in the spiciest scene-stealing role, Cate Blanchett as wicked stepmother Lady Tremaine does threaten at times to sweep the film from beneath Cinderella’s feet, but Miss James is more than capable of rising to the challenge, and their final scene together is a terrific showdown of acting chops. Screenwriter Chris Weitz is wise to unpick Lady Tremaine beyond the point of two-dimensional villainy. As Helena Bonham Carter’s narrator tells us, “she too had known grief”, and we see flashes of a woman broken and dispirited in her own tragic way. Does it justify the way she treats her stepdaughter? No. But it does add a layered sense of motivation for her: namely her growing concern for securing the futures of her ugly (on the inside) stepdaughters, emphatically played with great comic effect by Holliday Grainger and Sophie McShera.

From the moment she meets her dashing prince (Richard Madden) in the forest, we know that Cinderella is just a headstrong “country girl” looking for her happily ever after. Prince Kit, who is anxiously “apprenticing” his father’s role as King, is suitably charming, and the filmmakers have wisely sprinkled him with more than a handful of modesty to make up for the character’s inherently handsome exterior, though he’s still a little dull. Thankfully, Branagh-regular Derek Jacobi is on fine form as the dying King who learns to bestow upon his son the greatest gift he possibly can: the ability to choose a bride for himself – for love, and not for power – and Stellan Skarsgård is a welcome addition to the tale as a scheming and conniving duke.

Academy Award winner Sandy Powell graces the film with lavish costume design so vivid that the colours almost burst through the screen and strangle us. Every ball gown, corset and royal robe (including Richard Madden’s ludicrously tight trousers) has been stunningly stitched to perfection. The stepsisters’ nauseatingly flowery garments are a particular highlight, and one can’t forget Cinderella’s famous ball dress, pimped and furnished by the Fairy Godmother from something you might have found on Strictly Come Dancing into a luxuriously prim piece of princess-wear. The ball scene itself is a marvel of cinematic splendor. No expenses have been spared on recreating a flamboyantly regal palace, with meandering camerawork and elegant ball-dancing choreography to boot.

Cinderella is without a doubt a visually rewarding film. The famous transformation from plump pumpkin to golden carriage is fantastically creative, with the actors playing the metamorphosed anthropomorphic goose and lizards providing ample comic fun. The CGI mice test audience patience with their incessant squeaking, but their transfiguration into big-eared horses is equally wonderfully inventive. All this of course is owed to Helena Bonham Carter’s wonderfully brief Fairy Godmother – something of a cross between the sweet simplicity of Glinda in The Wizard of Oz and a tipsy Julia Child – who oversees Ella’s evolution from dirty servant girl to the most beautiful maiden in the land.

The final act is where the film feels a little deflated and rushed, in what should have been the point at which Weitz and Branagh chose to expand the story the most. We know how the search for the owner of the glass slipper will pan out, so a few more surprises would not have passed unwelcome. It would have been satisfying to see the stepmother and her daughters receive their comeuppance, but the family-friendly Disney motto prevails, and perhaps they need no greater punishment than to witness the ultimate futility and failing of their ill-intended labours. That is justice enough. What’s important to Disney is not that their antagonists are bound for hell, but that their good-hearted heroines and heroes are bound for prosperity.

The biggest problem is the disappointing deficiency of ambition and originality here. What happened to that classic Disney magic and flare? Branagh stays a little too safe. He’d have benefitted from listening to Ella’s empowering words, “just because it’s what’s done, doesn’t mean it’s what should be done”. The original – and quite literal – rags to riches story makes for a feel-good live action romp with visually resplendent set pieces, but it lacks the kick of more ironic and self-conscious endeavours at the fairytale genre demonstrated so aptly by Enchanted. It’s certainly never uncomfortable viewing, but the glass slipper is by no means a perfect fit here.

Madrid Streetstyle – Buen Retiro Park

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One of the many perks of spending a year abroad is the fabulous weather that happens to come your way just when everyone in Oxford is shivering and trying to hide from the rain on their way to Sainsbury’s. The springtime weather in Madrid has already surpassed what we in Britain tend to hope for in summer, with highs of 29° and cloudless blue skies. In central Madrid, there’s only one place to be when it’s this gorgeous, and that’s the Buen Retiro Park, possibly the city’s most famous green space.

With such a diverse and vibrant mix of people, the fashion on display is a truly fascinating sight. I decided to photograph a few of the outfits that caught my eye.

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I’m not sure whether the co-ordination was intentional or simply the coincidental result of BFF bonding, but this duo stood out from the crowd for me. It was not just due to the stylistic simplicity of their clothes but also the effortless confidence with which they wore them. Both girls favoured a retro silhouette, with button-up blouses tucked neatly into high-waisted jeans. Minimalism was the key as white plimsolls complemented the white elements in the main outfit, and the girls’ nails were subtly painted so as not to distract from the overall look. The finishing touch is a pop of pink lip-gloss adds a summery touch!

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On my way towards the beautiful Cibeles Palace, I spotted this incredibly cute pair, who also graciously agreed to have their photo taken. Again, I love how their warm-toned outfits totally complement each other!

Marcos is definitely sending out a preppy vibe here, but his cuffed skinny jeans stop the outfit from being too Ivy League and give it a fun, fashionable feel instead. I absolutely love the yellow polo shirt in this glorious weather, and the light grey sets it off perfectly. The simple white Converse add a retro touch and also keeps it casual.

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Marta looks just as put-together, albeit with a darker colour palette. I love the way her shoes work with her bag without being too matchy-matchy, and her gold jewellery pulls the whole outfit together by working with the buckles on her bag and the zip on her jacket. I saw this type of big link necklace on several different women in Madrid, but I particularly like the way Marta’s sunglasses and her personalised name chain complement her statement piece.

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The last pair I spotted seemed to be pretty big denim fans, as well as experts at choosing pieces that made their whole looks effortless yet stylish. Arturo is the epitome of cool in these pictures, with an entirely blue-toned outfit perfected by the cardigan thrown nonchalantly over his shoulder. I love the rose print on the slim-fit shirt, and the form-fitting jeans and grey Converse keep the casual-yet-collected air consistent all the way down.

Garbiñe looks super stylish too – and just look at that hair! I am loving the tucked-in denim shirt with the rolled up sleeves, and the print on the flowy skirt is adorable! It adds a pop of colour to the outfit, as does the pink watch, which lends a preppy edge to her overall look. The battered satchel is both quirky and practical, an interesting change from the other handbags I’d seen carried around.

Of course, every district within the city is different, and in future I’m looking forward to checking out trendy Malasaña, hipster Chueca and refined Salamanca, but for now it was fun to walk around the beautiful Retiro and meet some great people in the process!

Milking it: why dairy production matters

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Undoubtedly, some time during this month’s election campaign someone will ask one of the party leaders the infamous question, “What’s the price of a pint of milk?” It’s a convenient test to see if our politicians are in touch with the ‘real world’. Perhaps it has become too easy a question now that every politician has learnt that, if they pop down the road to Tesco, a pint of semi-skimmed milk will cost around 50p. The problem is that we rarely ask how much the dairy farmers get paid for it.

In the year from January, the average price for milk on the farm gate fell from 34p to 20p a litre. Facing such a dramatic fall in income, UK dairy farmers are really struggling. As of today, the EU dairy quota system that has been in place since 1984 no longer exists. The planners of the Common Agricultural Policy (CAP) see this change as a great opportunity for the development of a more market-orientated, efficient, and export-driven European dairy industry. The European Commissioner for Agriculture and Rural Development, Phil Hogan, sees the change as “an opportunity in terms of growth and jobs”, as producers can now meet growing demand from Asian and African markets. The question is, will this reform be of long term benefit for our rural communities, or will it simply force the price of milk down even further, bankrupting smaller farmers and ensuring the monopoly of a few large-scale producers?

The Irish and the Germans in particular are in favour of this move, planned since 2003. It has been estimated that by 2020 the Germans will have increased production by twenty per cent, whilst in Ireland it may have grown by as much as by fifty per cent. The fear is that once again Europe will return to the era of massive dairy surpluses that preceded the 1984 quotas. A return to the milk-lakes and butter-mountains of the late 1970s and early 1980s would have a crippling effect on British farming. Already, the number of UK dairy farmers has fallen from 36,000 in 1995 to less than 10,000 now. Facing further price drops, there is a real danger that dairy farming as we know it will disappear from the British countryside for good.

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On Tuesday Belgian farmers led a convoy of European tractors to the centre of Brussels to protest against the change. While not the crème de la crème of the dairy industry, by burning the flags of major food processing companies, the farmers expressed genuine fears that small dairy farmers would be driven out of the market. All over Europe, small producers will be under pressure like never before to economise to survive.

With the right government support, the removal of EU quotas on dairy production should be seen as an opportunity for British dairy farmers, not a threat. The reform will undoubtedly reshape the dairy market, but that doesn’t necessarily mean that change will be a bad thing. Under the recent quota system EU exports of dairy products to growing markets in the developing world were hamstrung. New Zealand’s milk production rose from 7.6 billion litres to nineteen billion litres per annum over the course of the quota period, on the back of growing international demand for dairy products. But the EU’s stagnated. The quota system, fining countries for over-production, seriously limited the potential for increasing EU exports and rebalancing the trade deficit.

Already in Germany investment in the dairy industry means that efficient, technology-minded farmers are well prepared for the market’s revolution. Reiss, Europe’s biggest milk producer, has invested €8 million since 2012 in preparing for the uplift in production. Investment in milking carousels that can achieve three milking sessions each day instead of the usual two, or methane capturing systems to cost-effectively heat cattle sheds, means that they are ready to adapt to the change. If British dairy farmers want to not only survive, but prosper in the light of market reform, they too need to invest in technology and the export industry.

With the removal of quotas, European agricultural policy is finally looking outwards to an export led future. The removal of quotas means that smaller British dairy farmers will be forced to compete on a much more open market. If whichever government emerges out of the election wants to see a thriving agricultural economy, it needs to help dairy farmers invest in more efficient means of production. We need the government to support our farmers as they come to terms with new technologies and new export markets, producing cheaper and more profitable milk. Only if we support modernisation in the dairy industry will we be able to have our milk, and drink it.

The Sound and the Fury

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He was right up in my face, so close I could smell the booze on his breath. “You’re a paedophile lover!” he shouted. “You like rape do you?” The man reeked of violence. They all did, him and the crowd behind him chanting “you ain’t English anymore!” at the four of us, defiantly stood, thumbs down as the hate march passed.

This is my defining memory of the day the English Defence League (EDL) came to Oxford. They were scheduled to march from the train station at 2:00pm, up past the council offices, behind the Westgate centre and on to the St Aldate’s police station where they would rally and listen to their speakers.

The counter-demo had been organised by UAF and the SWP on Bonn Square. Most of the demonstrators were middle-aged, probably seasoned veterans of protests. They were interspersed with perhaps 20 young people dressed in black, their faces obscured by hoods and scarves, with the odd anarchist flag on display. A few students were present. I have no doubt that had this rally been in term time, there would have been thousands.

Unfortunately the EDL are not that stupid. Easter weekend was the ideal time to stage a visit to Oxford, outside the term times of both universities, with the revision-swamped finalists home for Easter.  The clearest presence (helped by the high-vis jackets, horses and riot gear) were the police who had flooded into Oxford from as far afield as Kent to ‘keep the peace’. The old lefties muttered that when they marched the police never seemed to have peace on their minds.

Their prophecies were proved right as we drew closer to the march. We were separated from the route by 25 meters of ‘no-man’s-land’ between two walls of helmet clad officers, and a barricade of riot vans. How was our message of condemnation going to hit home if only the police were there to witness it? I hadn’t come all the way from Catz to watch the tops of flag poles march past!

Me and my friends had checked out the march route on the EDL Facebook page, and slipped away to work our way round. We made our way down St Ebbes Street and cut back up behind the Westgate centre towards Castle Street. It seemed the police had not done their homework on Oxford’s back alleys, as we quickly slipped under the cordon. By the demolished multi-storey carpark we were stopped by some workmen. “Only members of the public can go further, no protestors allowed,” we were told by a workman gesturing to our placards. We put them down, and with that we found ourselves on the march route.

We hurried up the road quickly, passing EDL members waiting outside of Baby Love, and placed ourselves in front of some bleary-eyed daytime drinkers who had spilled out of the Swan and Castle to watch.  The EDL (the association of English Drinkers of Lager by the looks of them) came down the street. Muffled shouting could be heard from the hidden demonstrators but, apart from noise, the protest was obscured.

It seemed we would have to do it for them. The first rows had passed us when one of my mates’ friends raised her hands thumbs down. Seconds later the rest of our hands rose showing the marchers what we thought of them. Abuse came our way, the march faltered as demonstrators slowed to scream idiotic remarks at us. We stayed silent; with no wall of police in front of us, a silent protest was as far as we could go. The EDL quickly surrounded us and made their feelings very clear. The police reacted just in time, pushing between us. Within seconds 20 officers and a horse separated us and the march. We stepped back, our hands still, firmly raised and staring down the enemy. It was terrifying.

After the confrontation we followed the march and joined up with the rest of the demo. The remainder of the afternoon was spent marching and chanting, playing cat-and-mouse with the police as we tried to get as close to the EDL as possible. One memorable moment came when a lone EDL man appeared from round the corner shouting “EDL, EDL!” The scarf-clad crowd from earlier saw him and, to shouts of “get him!”, charged with a roar of support from the rest of us.

At the end of the protest I felt relieved. Relief that that was all the EDL had. A ‘national demonstration’, but maybe only 100-strong and most incapable of stringing a coherent sentence together. If that is all the fascists have got we have nothing to fear. There were no brains, no numbers, only self-isolating violence. If only UKIP were so toothless.

One injured and three arrested during EDL march in Oxford

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Three arrests were made and a policeman was injured during the English Defence League (EDL) march through Oxford city centre on Saturday afternoon.

Two men, a 24-year old from Bristol and a 49-year old from Kidlington, were detained on suspicion of affray, whilst a third man, a 44-year old from Summertown, was arrested on suspicion of a public order offence. 


The police officer sustained minor head injuries as a result of a bottle being thrown. Five hundred policemen, including officers from five neighbouring forces and a mounted unit, assisted Thames Valley Police in policing the demonstrations.

About 150 people marched as part of the EDL demonstration, whilst around 300 people took part in a Unite Against Fascism (UAF) counter-demonstration in Bonn Square. Before the march began minor scuffles were reported between the different groups.

The EDL said that they were “protesting against the appalling revelations of another case of Muslim Grooming Gangs prying [sic] on vulnerable English children and the lack of protection given to them by those intrusted [sic] to do so; the local council and Police.”

A UAF open letter said, “We condemn the decision by the EDL to come to Oxford on Saturday 4th April to exploit the suffering of Oxfordshire victims of child sexual exploitation to further its own selfish ends.  This is not the first time that the EDL have tried to take advantage of the suffering of exploited children.”











Superintendent Christian Bunt, LPA Commander for Oxford, commented, “Disruption was kept to a minimum and we are grateful for the support we received from local businesses and communities.
The success of the operation is, in no small part, down to the excellent work before and during the event between the police, our partner agencies, representatives of our communities and the protest organisers.


“There were a few arrests made over the course of the day, however, the majority of those taking part were well behaved. I would like to take this opportunity to thank our communities, some of whom understandably had concerns about the demonstrations, for their tolerance, cooperation and patience today.
”

In the Oxford City Council’s statement on the Protests, Councillor Bob Price said, “The EDL is a racist organisation, and is not welcome in our city. We regret that the Thames Valley Police declined to ban this march and that it will cause substantial disruption for visitors, shoppers and bus travellers on a popular and busy holiday weekend.

“We also regret the massive cost that it will impose on the budget of the Thames Valley Police which is already under severe strain because of the cuts imposed by the Government.

“We strongly endorse the right to demonstrate and to assembly, but these rights must be qualified in respect of organisations which explicitly seek to promote the criminal offence of racial hatred or to instil division in our communities.

“Oxford is a diverse city with excellent relations between people of widely varied national and ethnic backgrounds. This is a crude attempt to attack the good name of a whole community on the basis of crimes committed by a group of vile individuals, from a variety of backgrounds.”

OUSU condemned the march in a statement realeased earlier in the week stating, “OUSU condemns the EDL and its views. Muslims are a valued part of our community and the lies and violence with which the EDL target them and their faith are unacceptable. We stand in solidarity with Muslim students and residents of Oxford who may be adversely affected by the march.

“We recognise the risk posed by the march to the welfare of students who are in Oxford. People of all faiths and ethnicities should be welcome in Oxford, and the presence of the EDL is a barrier to this. As far as OUSU is concerned, the EDL is not welcome in Oxford.”

The Oxford Islamic Society likewise condemned the march in their statement, commenting, “Islam is the faith of almost three million Britons and the EDL’s rhetoric of hate and division flies in the face of Islam as understood by the almost three million Britons.

“There are up to 500 people who are expected to attend the March so we would just like to ask anyone who will be in Oxford on Saturday to be cautious, sensible and try to stay away from the town centre if possible. Most importantly, remember to place your trust in Allah (SWT) and seek His protection. A perfect Muslim is one from whose tongue and hands mankind is safe, and a true emigrant is one who flees from what God has forbidden.

“For those who want to take a more active stance, there will be an interfaith circle organized as a counter to the EDL. This will be at midday, outside the shop ‘Lush’ on Saturday.”

The EDL march began at Oxford train station at about 2pm on Saturday and ended up outside St. Aldate’s police station.
 Police temporarily closed Queen’s Street and St. Aldate’s as the march passed through, causing some traffic problems. The EDL demonstrators left the city at about 5pm.

The Stranglers reviewed: no more heroes anymore?

★★★★☆
Four Stars

The sweat drips from the low ceiling of the O2 Academy Oxford. Somehow on a damp March evening, the Oxonian audience find themselves in a humid atmosphere of discomfort unknown this side of the equator. In the midst of the increasing mist of evaporating perspiration, enter The Stranglers- pursued by an impressive setlist spanning forty years of creativity.

Emerging onto the musical scene through the supposed anarchy of the punk movement, the band describe themselves as being “punk plus and then some”- a musical genre made clear within the first two songs. Walking in on their traditional entrance music, ‘Waltzinblack’, the audience is worked into a frenzy of sinister fairground accordions. The sound brings leering clowns to the forefront of the mind: as well refreshing childhood memories of my dad playing the song as we drove down the equalling chilling sight of Southend seafront to my own.  As the instrumental comes to a close, the plodding bass and whizzing synth of 1979’s ‘The Raven’ welcomes them to the main body of the band’s live performance.  The transition is seamless, the band’s playing seemingly flawless.

The only drawback? The lack of looming founding member Jet Black behind the drums.  At seventy-six, the crashing presence has had to reduce his live performances to limited and fleeting glimpses. Don’t get me wrong, Replacement drummer Jim MacAulay does an impressive job. But no one can truly replace such a charismatic figure as Jet casting his eye out across the crowd from his stool/throne behind the drums.

A brief look around reveals a motley crew of a crowd. Like eclectic surroundings of the fairground that their accordion sounds emerge from, their gig is a “come one, come all!” affair. Aging punks stand alongside youths in a mass of sweat and dreadlocks. Both groups are eagerly jumping along to the thudding bass of ‘Peaches’ or the infectious synth of ‘Baroque Bordello’ in strangely beautiful unison.  Parents do not seem to have dragged their kids to this event. They seem to have come of their own accord to experience the same youthful joy their parents must have felt before them.

Playing a near two and a half hour set, said audience is treated to hits galore. The bizarre timing of ‘Golden Brown’ sets heads of all ages bopping along. As ever, keyboardist Dave Greenfield’s fingers seem to move effortlessly. They glide over the keys as the audience is welcomed to ‘planet Greenfield’, as lead singer Baz Warne jokes as he plays a particularly surreal note more home in the voice-box of a dalek . Controversy is skimmed with the inclusion of the anti-racist  and  clearly ironic ‘I Feel Like A Wog’: whilst ‘Duchess’ reminds a somewhat heart-wrenching lament to the disillusioned lower middle classes day-dreaming of riches sat in desolation of a run-down terrace.

But the height light of the night is by far the extended closing track ‘No More Heroes’. Bassist  Jean-Jaques Burnel begins by teasing the crowd. Thwacking the fretboard to letting out almighty cracks, he launches into the infamous introductory solo to a mesmerised crowd. Playing in beautiful union, the band remain tight and unified to the final notes. In 2014, Jet Black said of the band that “This is the best band in the world — and we’ll carry on until we can’t any more. Though we are not thinking about that”. And after tonight, his statement is proved right. 

Sex, Drugs, and Taboo

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For a number of Oxbridge students Hilary Term was rounded off with a weekend in Amsterdam. Hoards of Oxford’s worn out and overworked students, hungover from essay and/or alcohol-induced all-nighters, piled into coaches bound for the Netherlands, enticed by the quirky architecture, the world-class museums…the drugs, the sex, the debauchery – because out in Dam all that’s legal. 

From the demographic on the trip, it’s fairly likely that plenty were in search of the latter; a weekend of intoxicated hedonism, a reward for surviving Hilary.  And fair enough, who isn’t partial to relaxation and enjoyment, in whatever form it comes? I myself was looking forward to passing my weekend in such a way. However, the reality of Amsterdam did not quite meet my expectations. 

Everything was far too overt, far too crude and out in the open. I wanted some impropriety that was, in fact, illegal. That’s not to say I have a predilection for breaking the law – far from it – but isn’t part of the thrill the possibility of getting caught? Maybe I am just painfully British, the stiff upper lip unwilling to loosen up a bit, but all that legalized debauchery just felt too seedy. Is there a place for taboo in our society?

The convenience of having soft drugs legalized is undeniable. You can walk into a coffee shop knowing that the next however many hours of haziness won’t get you a criminal record. Cannabis is easy to buy and you can ask for advice – people are there to make sure everything is safe. So far, so good. You’ve gone from sneaking around the streets to lounging in a legal, licensed establishment. Simple, convenient, safe. But didn’t you quite like the thrill of keeping it clandestine? And if you’re game for that, who needs Amsterdam?

This leads me onto the subject of prostitution. While exploring the Red Light District I got a strong sense that some things really should be kept behind closed doors. Out in the open it makes for a very uncomfortable evening stroll. Am I a prude? Sexually ‘vanilla’? No – I just have some respect for the female body. Passing by the empty windows, curtains drawn a few metres back from the glass, it really hit home what those women are there for. Even if the women are there by choice, it made me feel that no society should condone women objectifying themselves as an acceptable means of employment. Yes, models, actresses, in fact most celebrities – male and female – are selling themselves. But actually selling your body for sex? This seemed a step too far. Whatever sex means to you, it remains one of the most intimate and personal acts. Intercourse should never cross the line from intimacy to commodity.   

However, one cannot deny that it is a human right of these women to do with their body what they will. While much of it is about the earning potential, money is not the exclusive motivation for sex workers. There are many women who work in the industry because they enjoy having sex. Hell, if everyone had a job they actually enjoyed the world would be a merrier place! Yet these women still suffer from the stigma of prostitution. Even with its legalized status in one of the most tolerant cities in the world, some people who walk past and watch project lewd and misguided ideas onto the women in the windows.

Those passersby cannot comprehend what would compel someone to make a conscious choice to earn a living through prostitution. I for one find it difficult. Yet most of these women are there through their own will. There’s a call for more respect. The stigma comes from a misunderstanding; for sex workers are actually in control of what they do. They are by no means obligated to open the door to anyone, and they more or less decide which sexual favours to impart and at what price.

All in all, I came away from Amsterdam disillusioned with the idea of legalizing sex work and drugs. It may be safer over there, but I did not feel at ease with everything being so shamelessly public. Some taboos are there for a reason: to deter people from engaging in sordid and degrading behavior. In my view, something is either illegal for a good reason (i.e. prostitution) or, lacking that reason, its illegality just makes for a more thrilling high.