Wednesday, May 21, 2025
Blog Page 1273

RAG’s "Firewalk" a success despite shaky start

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AROUND 25 STUDENTS took part in RAG’s first ever “Firewalk” event on Thursday evening, clambering over six metres of fire to raise money for charity.

RAG described the event, which took place on Bonn Square, as “mentally demanding and spiritually awakening”, but as organisers found out, coordinating the event has been equally mentally demanding.

Plagued with difficulties since its conception, organisers had to battle with resistance from Oxford Council, health and safety hazards, insurance issues, and a lukewarm reception from Oxford students.

William Tilston, the event organiser, admitted to Cherwell, “It has not been the simplest thing in the world to organise. The event is taking place on Council land so seeking Council permission for it has been an eye-opening journey into the world of admin and forms.”

The need to submit a detailed six-page application for the event, risk assessments, insurance certificates and an in-depth site plan of the area took the organising team by surprise.

However, getting Council permission was only one of the difficulties facing the organisers — with the event initially struggling to attract interest, organisers were forced to halve the overall fundraising target from £10,000 to £5,000.

Tilston told Cherwell, “I can confirm that the fundraising target was indeed halved, through a series of connected reasons. The original event leader for the “Firewalk” unfortunately pulled out over the summer, and I filled in the vacancy. However, this reshuffle sadly left us behind what would have been the ideal schedule, and subsequently our ability to publicise the event was also pushed back; understandably, the council does not allow publicity for an event that it has not yet approved.”

He added, “All things considered, I would say that this slightly late publicity push did lead to a lower than expected turnout in participants.”

Responding to queries about their expected turnout, Tilston explained, “Certainly with its established events, such as Jailbreak and the RAG Ball, it is far easier to calculate an ‘expected turnout’, but with new events, especially potentially intimidating ones such as the “Firewalk”, this is far harder. Furthermore, it is easier to scale back grand plans but from RAG’s point of view, to under-commit to and limit an event that turned out to have a really popular uptake would be a massive shame.”

There were suggestions that due to low turnout, the RAG com- mittee themselves were forced to sign up, but Tilston insisted that such accusations were “unfair”. He explained, “A quarter of particiants have some affiliation with RAG, but I’m not sure it is controversial that some people who give up their free time in Oxford to organise charitable events are participating themselves in a charitable event! There was a suggestion to some of the committee, who were interested in the event but thought they might have to act as stewards, to participate instead, but not so much as a fundraising measure as a means of publicity.

“It turns out it is rather hard to plug a firewalk and say it is safe when you yourself are not doing it, and so the move was an effective tool to increase numbers more than simply a mat- ter of fundraising.”

One student who decided not to get involved with the project told Cherwell, “It’s not surprising really they’ve had no interest — you have to raise £125 to get involved, and that’s a pretty big barrier to entry.”

Another anonymous student complained, “Organisers have been a bit complacent — they’ve told us to raise money from our JCRs when they don’t seem to realise we’ve got limit- ed resources.” The event’s website states, “Most college JCRs/MCRs have money set aside just for charity events. Just raise a JCR motion and it’s likely to be accepted.”

Immediately prior to the event, 25 participants had signed up with the total raised standing at just over £3,500 – £1,500 short of the reduced total target. With donations remaining open for another month, the total money raised will be split equally between RAG’s four charities this year: Oxford Homeless Pathways, KEEN Oxford, Against Malaria Foundation and 28 Too Many.

Tilston added, “I am incredibly thankful to our fundraisers for their guts in signing up and for all their hard work in raising money!” 

Oxide radio suspended for forseeable future

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Student Radio Station Oxide has suspended all shows for the “foreseeable future” due to “sporadic technical difficulties” with the office’s computer. OUSU IT staff are reportedly trying to fix the problems, and despite hopes that the hiatus will be short-lived, the problems have upset students and presenters.

Apologising for problems with the studio’s computer, Oxide Pro-gramme Controller Tom Brookes told contributors on Monday, “I’m really sorry about this […] in the last few days the state of the Mac has deteriorated significantly. It is with great frustration, therefore, that we are forced to suspend all shows for the foreseeable future, while the OUSU IT staff try to sort it out.

“Although this is a situation that none of us wanted, however, I am confident that it won’t be long before it is resolved. We’ve had good news on that front today [Monday], and once the problems are sorted we can get on with some great radio for the remainder of term. It shouldn’t be too long before we’re back on air.”

Meanwhile, an anonymous ‘inside-source’ told Cherwell, “Oxide has the capacity to be one of the most vibrant and engaging student media outlets within the University. The problem is that it’s never been given the proper support or funding it deserves. None of the technology in the studio is designed for a radio station — it’s a patch-work job that was stitched together several years ago and therefore keeps falling apart.

“It’s a total anomaly that such a vibrant student community has such a poorly resourced student radio station, particularly when the only other major student broadcasting outlets are simply off-shoots of The Oxford Student and Cherwell.”

Magdalen student Max Long echoed the need for better investment, telling Cherwell, “As a former presenter on Oxide, it’s a real shame to hear that the station will have to cancel their broadcasts for the time being due to a wonky computer. The fact that Oxide’s equipment is so sub-par is very telling with regards to the regard with which the station is held. An investment in proper radio equipment, rather than what is essentially a bedroom broadcast could result in the odd person actually listening to Oxide. Maybe their neighbouring and well-endowed union-run newspaper could spare them a Mac.”

Eleanor Sharman, a Philosophy and Theology student at Oriel, found the news hard to stomach commenting, “I co-host the best breakfast show around, ‘Full English Deckfast’, and the faulty computer’s bacon me really sad. I want Oxide to ketchup to the needs of the student body soon, as I’m not sure our three listeners can last much longer. Still, we’ve used up all our comedic talent for the week on this quote, so it’s probably for the best that we don’t have to broadcast for a while.”

Responding to frustrated presenters and listeners, Oxide Radio tweeted on Wednesday, “There are widespread concerns at the Oxide offices that there’ll be rioting in the streets if our computer is not fixed soon!”

Creaming Spires: 4th Week MT

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The relationship with your favourite bartender at the local pub inevitably changes after you visit him in a sex shop he works at. Yes, there’s a story here. In short, if I wanted to keep the ‘regular’ status in my chosen Oxford drinking hole, I had to pay a courtesy visit to one of them shady places where you never see anybody come in and, more importantly, you never see anyone come out. So off to Cowley I went to look at some dildos.

Don’t get me wrong; I love sex shops. The internet is great, but only in a shop can you poke and stroke before you buy. I mean, if it’s going to be inside me/on me/tying me/whatever else your filthy minds can come up with, I like to see it first. But usually I do that in classier London establishments and not in a part of town famed for public nudity and frequent arrests. Was I sceptical? Yep. Did I end up loving it? Oh hell yes.

The first thing that caught my attention was the sheer amount of pink and purple. Some toys even had flower patterns. The aim, my sex shop bartender explained, is to make them more approachable to women. Apparently a purple dildo the size of a wine bottle (seriously) is less terrifying in this colour. Personally I don’t like my vibrators pink and my handcuffs fluffy, but whatever floats your boat, ladies. The 50 Shades of Grey range didn’t appeal either, but expert opinion says that their after-spanking cream works wonders. Take note.

Just as I was exploring the penis pumps in morbid fascination, a young male walked in, shifted around, muttered something unintelligible about protein, and left. Clearly, the clientele ranges from the absolutely fabulous (me) to the weird. But I didn’t let that deter me; I just discovered the leather section and was too busy playing with collars. Leather ruler, anyone? I hear they’re brilliant for tutor-student role play. I also had to remind myself that if I want to eat for the next few weeks I really can’t spend £100 on a (beautiful, perfectly silent) vibrator.

Having a personal guide was great after all. Insider info was priceless — I never knew about the popularity of perfect ass replicas. And I never dreamt just how adventurous you are, naughty Oxonians. Only later I realised that now a man who regularly serves me pints knows all about my kinks. But if I had a penny for every person who learnt about them first hand, maybe I would be able to afford that vibrator… 

Bexistentialism: MT14 Week 4

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With Saturday night’s Halloween bop gossip still lingering in the air, I could, with ease, collect the dew and weave outrage into this column. However, in light of previous alcohol-orientated pieces, I feel it is time for a detox. Because, of course, on the side of being a caricatured mess, I do have a degree at least to pretend to do. And so this week I turn to discussing that other friendly familiarity:

Essay crises. Now, this may seem a mile away from the realm of inebria- tion. But really I would say it were mere footfalls. As you know, essay hysteria has quite the punch. My essay crises are never faced alone. A friend shares my course, and also shares my “little problem”. So, it seems perfectly normal, with time tick-a-tick-ticking on a midnight deadline, and the essays untouched, to head with her and some other friends to a 10pm compline. A candlelit service? What an exquisite idea. And that’s why we find ourselves in the kitchen at 1am, eating crumpets. Fumes of hysteria suffocate us. Ten minutes alone are dedicated to assessing why crumpets are so great (is it the air hole things? The integration of the butter?) 1.30am. We return to our bedrooms. With doors propped open, we begin. Well. We don’t.

I type momentarily before I hear Essay-M8 cry “have you ever checked your typing speed?” “What?” “Your typing always sounds manic”. Half an hour later we are both rapidly repeating word/per/minute tests (99wpm in case you were wondering). Can I get money for this? Would the Guinness World Records listen? As I follow your thoughts and shut up, I settle down to start the reading. But temptation rears its metaphorically apple-shaped head. Essay-M8 raises her voice once more:

“What would you do if I told you that I was God?” I roll my eyes. “Tell you to fuck off.” “You’d tell God to fuck off?”

I’m going to have to close my door I decide. I don’t. I’m going to have to start writing my essay I decide. I don’t. My screen is illuminated by a photo of Hitler without a moustache, the other tabs displaying Facebook and a lonely JStor.

Type. Type type type — a group break to see what happens if you microwave a grape (try it) — type type — delete type. Pretension and pseudo-philosophy usurping knowledge, I am done.

I say I will never leave it this late again. But just like post-Park End’s drunken amnesia, by the morning all hysteria will have dissolved in a foreign fog (until next week.) 

 

Shining the light on this year’s TedxOxford speakers

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page1image2512Following the success of last year’s Tedx event here in Oxford,the conference is back and braver than ever. Striving to give its audience the best exposure to a wide arena of revolutionary thinkers, TedxOxford are hosting people from all over the globe to share their experiences and worldviews for one day only — Sunday 18th January 2015.

Undoubtedly one of the most thrilling speakers will be the “honorary granddaughter” of the late Nelson Mandela, Ms Zelda la Grange. Having been lucky enough to speak to her over the last couple of months it has been clear how excited she is to share her experiences under the former South African President. As someone who was brought up during apartheid, Zelda was taught to hate and fear the man she would eventually spend the next formative years of her life with — learning and growing under his charge.

This evolving mindset from one political extreme to the other end of the spectrum is something very few have experienced, let alone are willing to articulate to a 1,800 strong audience. Her most recent publication — Good Morning, Mr Mandela — does what so many have wanted to be able to do and that is to catch a glimpse of Nelson Mandela in his many forms; the teacher, the leader, the dreamer, the healer, the disciplinarian and the elder. Articulated in her raw and honest commentary, Zelda does just that. 

If you were to think of women in the Middle East at this moment, what images would you pull up? For the vast majority it would be some branch of oppression or cultural enforcement. Take, for example, the niqab. It is often seen as a restrictive barrier, limiting human interaction and communication. There is the belief that the rights of women are often compromised or non-existent and in Middle Eastern countries such as Iraq, there is a strong patriarchy enforcing oppression. While there is of course merit to some of these views, perhaps we should consider the possibility of a woman pioneering her way through Iraqi journalism to be front and centre for current reporting on ISIS issues. Yet, this wouldn’t naturally spring to mind.

Indeed, this last profile depicts that of Sama Dizayee who is one of the most courageous and inspirational individuals I have ever come across. Growing up in Iraq and surviving three wars in her lifetime, she challenges the media stereotype. Her talk will attempt to unearth where these prejudices originate. By overcoming obstacles, Sama is living proof that there is an alternate outcome for women in Iraq. She challenges the perpetual vicious circle, the self-fulfilling outcome of constantly assuming that women in the Middle East won’t be able to achieve their ambitions and thus solidifying this glass ceiling. It will also be interesting to hear her point of view on the changing landscape for women journalists in the Middle East. Sama will question the roÌ‚le of reporters in Iraq today; this is especially topical given ISIS’ recent actions against journalists.

Finally, TedxOxford are delighted to welcome Simone Barillari, creator of the Global Hamlet Project, to speak on the inspiration behind this worldwide project to translate Shakespeare’s Hamlet into several languages. This unique project began in 2014 to mark 450 years from Shakespeare’s birth and will be completed in 2016 to coincide with the 400th anniversary of his death. Such an undertaking will obviously spark some points of discussion. With this collective translation, how will readers and potential students of the work discuss points on editorship? While Simone is at the helm of this project, it is very much an international collaboration that pulls on a variety of resources — from recordings in different languages, to translations and illustrations. What is most exciting is the fact that this is a new edition of a clas- sic text, composed in the most postmodern fashion possible. It embraces the technology age and encourages anyone to participate in the construction of this project, all under the watchful eye of chief editor Barillari.

This already poses issues of authority and interpretation. On the one hand, we have the masses stating their take on these classical works and on the other we have an editor sifting through and choosing what is to be published in this online manifesto. Some would argue that in this surplus there are too many interpretations that usurp the readers’ right to primary experience.

This debate is one of many that will arise from Simone’s talk and is a testament to the critical conversation around Shakespeare’s writing that still prevails today. The event promises an exciting and inspiring aray of speakers.

 

Travel: 4th Week MT

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Faced with the reality of working in a small town pub for the better part of three months of my gap year, I decided that I needed to get out of England. I had a few friends who had already visited Morocco, and I was fascinated by their descriptions of the maze of markets in Marrakech, and camel rides in the Sahara, so this ended up being my chosen destination. Travelling alone was a terrifying prospect, especially as a woman, but I decided that I would not let my fear, or gender, get in the way of my doing something I wanted to do.

I started in Marrakech, which was a bit over-whelming. Nothing had prepared me for the onslaught of people desperately trying to sell me anything from their stalls, or even trying to buy my hand in marriage (I lost count of the amount of times I was asked how many camels my father would accept as a dowry). The hostel I ended up staying in was a haven away from the main square — it had explosions of colourful murals all over the walls of the entry room, couches with embroidered cushions, shisha pipes on each table and fairy lights strung everywhere.

I arrived at the hostel at the same time as two Dutch travellers — Annika, a PhD student, and her brother Robin. Within five minutes of chatting we had decided to take a hostel-run trip to the Sahara together. It was at that point that I decided travelling alone had actually been one of the best decisions I could have made.

We left the next morning and arrived at the camp at sunset, taking a camel ride through the desert to our tents. This sounds like a fantastic experience, but to anyone remotely considering ever riding a camel — don’t do it. It was the most uncomfortable experience of my life. Watching the sun set over the Sahara, however, was pretty special. It turned out that my friend Annika had a beautiful voice, and she picked up a guitar in the evening and serenaded us in Dutch — definitely a highlight for me.

Essaouira ended up being my favourite place in Morocco. A tiny town on the coast, popular with windsurfers, it has a mellow vibe about it which I really liked. It was the only place I visited in Morocco where I felt like I could fully relax; the locals were so laid back. You could climb the old castle walls and sit watching the sea—I did this for hours at a time. I also had the opportunity of travelling to one of the nearby villages and riding an Arabian horse on the beach, which was incredible. Essaouira was the place which I found hardest to leave, and which I would definitely return to. Put it on your list of places to visit if you plan on travelling to Morocco.

My advice to anyone planning on travelling anywhere alone — don’t let fear hold you back. I had some of the best experiences of my life, and met fantastic people from all over the world, but I was able to do that because I was careful. Take the leap and travel alone, but remember not to be naïve. 

Where Are They Now: Los Del Rio

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Everyone alive in 1996 could not escape the craze that was the Macarena. From clubbers to kids, the world was hooked by the annoyingly catchy track.

But, eighteen years on can anyone actually remember who wrote it?

Los del Rio’s one mainstream hit has a bizarre history. Inspired by a frisky flamenco dancer that reminded the duo of the saucy past of Mary Magdalene, the track was initially a folksy number when first released in 1994. It was not until the Bayside Boys released a bilingual remix and threw together a hypnotic set of dance moves that the song became, according to one 2002 survey, the “greatest one hit wonder” of all time.

Their follow-up single was a bizarre Christmas sequel of the track. By sequel, I mean that they occasionally shouted “joy to the world” and added a couple of bizarre cat sound effects.

Los del Rio have released eight albums since 1996, and although none have been particularly successful, who needs success when the Macarena earned the duo $250,000 in 2003 alone?

Picks of the Week MT14 Wk4

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Kate Tempest, Friday, 6pm O2 Academy Oxford

Touring after the release of her wildly successful album, Everybody Down, rapper-cum-poet-cum-spoken word artist Kate Tempest comes to Oxford’s O2 with her own brand of politically charged, anger-driven hip hop. From open mic nights on Carnaby Street to collaborations with Scroobius Pip, Tempest has finally cemented her niche in the public’s consciousness.

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The Five & The Prophecy of Prana, Friday – Saturday, 7pm Oxford Playhouse

This award winning dance show fuses hip-hop, martial arts and Japanese Manga. Set in modern Tokyo, The Five & The Prophecy of Prana follows five troublemakers sent to a rehabilitation camp for young offenders run by the Grand Master of a secret group of warriors.

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Reggae Night @ Cellar, Friday – Saturday, 10pm The Cellar

Reggae night takes over Oxford’s most underground nightclub as DJ Bunjy and MC Joe Peng join Count Skylarkin on the decks, spinning big and bouncy reggae, dancehall, hip hop and drum & bass till the small hours.

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Urban Playground Workshop, Saturday, 10.30am Pegasus Theatre

What better way to spend a Saturday morning than learning how to walk on walls. Urban Playground give you the chance to try out some exciting parkour techniques under their guidance on the set of their production Run This Town. Niche, but fun.

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Drama Cuppers, All week, 12-9pm Burton Taylor Theatre

Come and watch the freshers try their hand at drama in this week of competitive intercollegiate theatre. These 30 minute performances are sure to range from the pretentious to the downright wacky.

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Hermitage Revealed, Tuesday, 6.30pm Phoenix Picturehouse

Two hundred and fifty years old this year, the State Hermitage Museum in St Petersburg is one of the largest and most visited museums in the world, holding more than three million extraordinary artefacts and exquisite masterpieces in stunning architectural settings. This film takes a closer look inside at some of the most expensive and best guarded artworks in Russian history.

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Why Film Matters, Tuesday, 6pm Ashmolean

As part of the Why Philosophy Matters series, New College’s Professor Stephen Mulhall talks about the hot topics in contemporary culture and philosophical thought. Free, no booking required, seats allocated on a first-come first-served basis, drinks from 5.45pm.

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Pitcairn, Tuesday – Saturday, 7.30pm Oxford Playhouse

1789. The year of the French Revolution and the infamous mutiny on the HMS Bounty. Rebellion and new ideas of democracy are in the air. With salty humour and growing horror, multi award-winning writer Richard Bean (One Man, Two Guvnors) charts the colony’s descent from a new Eden to brutal dystopia.

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Interview: Neil Cowley

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It has been said that Neil Cowley is the most listened-to pianist on the planet. This is a hard claim to argue with: In 2011 he was invited to play piano for Adele’s album 21, which went on to sell millions of copies across the globe. “Adele is one of life’s one-takewonders,” Neil reminisces. “She nails it pretty much every time, which is one of the reasons she deserves the success she has enjoyed.”

Clearly, then, Neil is a highly accomplished studio musician. Where he has really made his mark, however, is in the world of Jazz and Funk. His band, the Neil Cowley Trio, have an up-beat, jazz-meets-rock vibe that has earned them impressive album sales and a hectic European touring schedule.

Yet such success didn’t come easily. An early duo effort called Fragile State ended in disaster in the early 2000s when their record label went bust, taking Neil’s money with it. “It was time to make a change,” he says. “I gave Evan a ring, [the trio’s drummer] and along with an old flat mate of mine on double bass we recorded our debut record in about two days.” The result was the band’s debut album Displaced, which went on to win Best Album at the BBC Jazz Awards. “It was at that point that we realised we might be on to something,” he confesses wryly.

The trio’s sound is difficult to categorize. The combination of catchy melodies and driving, rhythmic chords lends the music a rocky, lean edge: “ It’s a band that looks like a Jazz Trio [piano, double bass and drums] but sounds more like it has absorbed every genre of music it can get it’s hungry little hands on”, enthuses Cowley.

While the band is best known for it’s “rifftastic, hooky” melodies, as he puts it, they also have a more intimate side. Their slower numbers have a touching poignancy and thoughtfulness — explored to the full in their latest release Touch and Flee. Cowley says, “One of the things we had started to enjoy at our concert hall gigs were the longer passages of melody and development. The consensus was that we wanted to create truly contemporary concert hall music.”

‘Kneel Down’, the first track on the album, has a dark, nostalgic feel. Neil’s piano improvisations, drenched in reverb, soar over the minimal bassline. The music is suspended in time and space, the only hint of forward movement provided by Evan Jenkins’ sensitive drum-work. Building to an emotional climax about four minutes in, the music dies away, leaving the piano line to fade slowly into the distance.

“I heard it said that as a musician you always end up returning to your roots,” muses Neil, as I ask him about his early life as a musician. In his case these roots were classical ones. Having performed a Shostakovich piano concerto at the age of 10, he abandoned a potential career as a classical pianist to focus on R&B and funk. “I had no intention of becoming a professional musician… I found parts of my musical education gruelling as a child” he explains.

“Aged 14, a soul/RnB band appeared in my world. All the guys in the band were in their mid twenties and they gave me my first gig, introduced me to James Brown and everything beyond. The addiction was immediate and it was a world of music that I chose, rather than something being forced down my throat.” He is keen to stress, however, that his early training as a classical pianist has been a helpful influence on his Jazz career. “I love the sense of space and drama that my classical training continues to inject into my compositions… that definitely comes through in my music”.

So what plans does Neil have for the trio over the coming weeks and months? “A new album for sure” he says. “Also we’re going to be touring Touch and Flee extensively throughout 2015: we’re currently looking at an Australian tour for early next year!”.

It looks like we might be hearing a lot more of the world’s most listened to pianist. It’s alright for some.