Sunday 6th July 2025
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Top 3… Cliffhangers

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Twin Peaks

David Lynch (1990-91)

A surreal soap opera cum murder-mystery, Twin Peaks follows an investigation headed by Special Agent Dale Cooper into the death of the homecoming queen of a fictional town in Washington. The show was a critical success and has since developed a cult fan base, perhaps because of its mixture of genuine creepiness and the surreal humour of its range of weird characters. Cancelled after its second series, it ends on an unresolved cliffhanger – will we ever really know ‘Who killed Laura Palmer?’

The Handmaid’s Tale

Margaret Atwood (1986)

The Handmaid’s Tale is set in the near future in the Republic of Gilead, a totalitarian and theocratic state that has replaced the United States of America. Offred, the protagonist and narrator, is a handmaid – a woman assigned to bear children for elite couples; reproduction rates are dangerously low due to sterility from pollution and STDs. The story slips from tales of her daily life to flashbacks. The novel ends with Offred on her way either to prison or to freedom—she does not know which.

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Martha Marcy May Marlene (2011)

Featuring a truly mesmerizing debut from Elizabeth Olsen, this is an understated, deeply disquieting psychological thriller. Protagonist Martha goes to stay with her sister and wealthy husband; it becomes clear through a series of flashbacks that she has escaped from a terrifying cult. Shot and acted more like a drama than a thriller, the film’s wilful ambiguity is its genius. Our expectations are confounded as the film ends not in Martha’s suicide, but in complete, terrifying obscurity.

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Milestones: The Berlin Wall

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We’ve all seen the iconic photos of jubilant crowds bringing down the Berlin Wall. But Sven Regener’s novel Berlin Blues, which ends on the evening of 9 November 1989, captures quite the opposite reaction. When someone runs into a West Berlin bar to announce that the Wall’s coming down, the news is greeted unspectacularly: “Well, I’ll be…”

25 years later, it’s easy to look back on that night as a momentous occasion. But after nearly five decades of a tense, divided Berlin, life beyond the Wall seemed to many like an impossible abstract rather than a history-altering reality.

Berlin was the closest thing the Cold War had to a front line – and therefore became a microcosm of that standoff. Flattened by bombs during the Second World War and divided into Soviet, British, American, and French sectors, the city that survived the physical deconstructions of war remade itself along occupying forces’ terms.

When it went up on 13 August 1961, the Wall was a hostile, militaristic installation – first as threatening coils of barbed wire, then as an impossible, nearly 12-foot-high grey concrete barrier buffered by a ‘death strip’. Over 200 people would die attempting to cross this physical symbol of the East-West divide.

The Wall pervades how we speak and think about modern Europe and beyond. Putin’s reign has got some commentators muttering about a new Cold War; terms like ‘Iron Curtain’ conjure up literal images in discussions of East-West relations; walls like the Israel West Bank barrier and Northern Irish ‘peace lines’ will always carry loaded connotations.

Berlin may be a unified city again, but the socio-economic makeup of the German capital remains influenced by the former divide. Physical sites along the former Wall like the Brandenburg Gate are still international political platforms. For many, tearing down the Wall was a reclamation of German identity – but the Wall remains an unresolved historical presence in a city self-consciously reshaping itself as a European powerhouse.

This autumn’s 25th anniversary Berlin Wall commemorations won’t be as straightforward as last week’s D-Day anniversary. Jackhammers on graffitied concrete have come to symbolise the end of the Cold War. But the system that came down with the Berlin Wall has left more uncertainty than happy endings in its wake.

Interview: Sir Roderic Lyne

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East-West relations are at their lowest ebb since the collapse of the USSR. Talking to the Oxford University International Relations Society, and then in an exclusive interview with Cherwell, Sir Roderic Lyne explained why. Lyne is the former British ambassador to Russia, having served during the period covering 9/11 and the Chechnyan war, and is currently Vice-Chairman of Chatham House, one of Britain’s most respected policy institutes. These positions have given him a unique insight the minds behind Russian high politics.

Russia, Lyne tells me, has an identity problem.

“Unlike the UK, which has been able to divest itself of empire over 30 years and come to accept its role as a middle power, for Russians, the collapse of the USSR came overnight. As such, despite having neither the economy nor military to justify it, they continue to perceive themselves as a truly global power and act accordingly.”

Russia thus considers former Soviet states as their “near abroad”, effectively part of the Russian motherland, and wishes to have a strong influence in these countries’ affairs. Such states have ongoing post-Cold War economic stability and national identity problems that Russia is able to exploit to enforce their subservience. As Lyne states, they were “simply not ready for independence”, and unresolved independence issues are a powerful tool in Putin’s arsenal.

Ukraine has been the latest example of this intervention. After the ex-Soviet republic slipped through Putin’s fingers with the forced departure of Victor Yanukovych, he exchanged carrots for sticks, invading Crimea and fostering ethnic conflict in Ukraine’s eastern regions to prevent Ukraine from maintaining autonomy.

Lyne discussed Putin’s approach to international affairs in depth. Putin, in Lyne’s view, is “an opportunist, not a strategist. Putin does not think like a chess player, several moves ahead, but as a Judoka. He pushes to sense where his opponent is weak and exploits every weakness he finds to score a victory.” Thus, on Ukraine, he sensed an opportunity, and acted.

Russia, however, is far from alone in bearing the blame for the current crisis. Lyne describes the decision to offer NATO membership action plans to Georgia and Ukraine as “simply mad”, and bound to threaten the Russians. Sadly, he says, in reference to former Soviet NATO members, “Given we did not have any good reason to say no, we couldn’t really justify saying no to their membership at the time.” While Russia could do little to prevent Poland or the Baltic states turning west, when Georgia and Ukraine threatened to do the same, Russia acted.

So what’s next for Ukraine? For Lyne, a Ukraine “linked with the West but not threatening to Moscow, and with real Russian influence in Kiev” seems the most likely and stable outcome. Ukrainian NATO or EU membership is certainly not likely.

And Russia? Russia itself is likely to suffer economically, despite the rather superficial nature of Western sanctions. “Russian solvency depends on a high oil price, due to an extremely undifferentiated economy,” Lyne explained. Thus capital flight, a collapse in the rouble, and a relegation of Russian debt to near junk status has hit the Russian economy badly. Russian foreign reserve holdings have “taken a battering”, pushing it into predicted recession this year. Many foreign firms now see Russia as just too risky for investment.

Thus, while it might seem that Putin is riding high on popularity from reasserting Russian dominance, in the longer term, this crisis could threaten his vertical of power. He cannot simply continue to pay off the public without the capital to do so. For example, he cannot continue to increase Russian pension payments: “Once they go up, they are impossible to bring down without creating massive unpopularity.”

Overall, Lyne argues “we are not in a new Cold War”, but that steps need to be taken to resolve the issues on Russia’s border “to which Rus- sia has genuine claims”. I asked him whether he felt the EU’s failure to co- ordinate effectively on the issue of Ukraine threatened its ability to provide a coherent foreign policy in future.

“Actually, the policy coordination within the EU over Ukraine has been better than I expect- ed, led by Germany, and I think it has been re- ally interesting that the Germans under Angela Merkel’s leadership have taken a pretty strong line on Ukraine,” Lyne mused. “I don’t think the EU has done badly within the limits of its ability, but it’s never developed the ability to act as a single actor in foreign policy.” I quizzed him
on whether Russia’s declining power explained its lash out in Crimea.

“Russia is a declining power,” Lyne stressed. “It is not rapidly declining, but it is on an incremental decline because its economy is going downhill. It is now, as Obama said the other day, effectively a regional power, not a global power. I think the driver of the Ukraine crisis was that not just Putin, but generally all policy makers, need more voters in Russia. They think of Ukraine as part of the Russian motherland and therefore as an area while they do not believe should join Western blocs. They effectively want Ukraine to be subservient. That is the driver of the crisis.”

Speaking about the extent of British power, Lyne admitted, “There’s not a huge amount we can do. If we wish to exert influence on the situation, we have to throw our efforts together with those of our European partners, the United States and indeed more widely in the United Nations. We have a global network, and we should use that network to make sure that Russia knows that around the world, no serious country is ever going to endorse its annexation of Crimea. The Russians actually care about how the world thinks of them; they want to be respected in the world, they want to be part of the international status quo, and they know they have breached international law, and that is something that we can have a role in influencing.”

Finally, Lyne is pessimistic about future crises.“I think there is a very high likelihood that we will see further instalments, as this wasn’t the first, we have seen it in Georgia, and we have seen it in Moldova. Questions will arise at some point in the future on the orientation of Belarus. Belarus is a country that was, perhaps, even closer to Russia in some ways than Ukraine. It has a much less strong sense of nationhood than Ukraine, it is a weaker country economically, it is not a country which the West has ever shown much interest. But when the current dictator of Belarus, Lukashenko, loses power through one means or another, Belarus will come into play. Whoever is in power in Moscow at this stage will definitely want Belarus not to float off in the direction of the European Union.”

Further conflict with Russia is a risk in the international system, not because of its military might or aggressive foreign policy, but because Russia has failed to reconstruct its perception of itself as a global power. Rather, that idea has been renewed by united Russian nationalism. The challenge, it seems, for British foreign policy is to accommodate this self-perception, allowing for meaningful engagement without giving in to Russia’s aims.

Should the academic calendar be reorganised?

YES

Like a number of my contemporaries, I’m currently ill. Like a number of my contemporaries, I’m currently behind on work. Never mind, most students around the country would say, just take a few days off, get better and then catch up. Not so at Oxford.

The term begins in a whirl of extraordinary excitement, and for a few brief moments you’re too happy about being back in Oxford to worry about work. You think of all the things you are going to do this term. Then your deadlines hit you like a simile you’d be able to think of if you had any time left in the day. The next eight weeks consist of essay crisis after essay crisis, without even the promise of sleep as a respite since you have to head to Bridge once you’ve sent this off.

And sure, one might argue that after eight weeks of this madness, you’ll need a rest. But this kind of stop-start, all-go then all-stop is a disastrous one. It’s not how the world works outside Oxford, and it’s not a healthy way to conduct one’s life.

In a recent survey of students conducted by Times Higher Education, Oxford placed bottom for ‘fair workload’, a clear indicator that the students at this university are not happy with the structure of the term. The love for their subject which most Oxford students brought here is carefully and systematically eroded by a rigorous programme designed to turn a labour of love into an onerous chore. It is difficult to feel passionate about the poetry of Catullus when you’ve had to stay up all night throwing together an essay with the semblance of a structure and a vaguely coherent argument.

This brings me on nicely to my next point. Why, when most students at other universities have exams throughout their degrees, do we insist (for the most part) on having only two exam periods, and only one that counts towards our final qualification?

An argument often used is that having all your exams at the end of your final year means that you must have a comprehensive understanding by the time you leave. It is not possible for students to spend a term cramming one module, do the exam and then forget it all.

This would be OK, if our teaching was actually geared towards gaining a comprehensive understanding of the subject. However, moving so swiftly between topics (for example, a student might ‘do’ Keats in a week and then move on), it is impossible to obtain a deeper knowledge of said topic until the vacation, by which time the average student will have forgotten whatever she wrote in a caffeine-addled haze at 2am on Thursday of 5th week and, more importantly, will be too tired to do any work anyway.

For many students, the hasty revision period for prelims often consists of actually learning the damn stuff for the first time. We need more time and more teaching to understand what we are learning, and we need an exam timetable that actually relates to the way in which we study.

NO

Summer in Oxford has an unquestionably idyllic image – punting and Pimm’s, croquet and cricket, to May Day and May Balls, and walking home through cobbled streets in the early morning light in ball gowns and dinner jackets. Yet the phrase ‘Trinity Term’ doesn’t always invoke such Waugh-esque nostalgia. Unfortunately for most, it is also ‘exam term’, bringing endless revision in stuffy libraries as the sun shines outside.

This isn’t the only indication that Oxford’s academic calendar might not be the most beneficial to its students. Oxford and Cambridge follow their own traditional academic format with three terms comprising eight weeks each. This format is notable – many universities in the United States and Canada follow a semester-based calendar, with two academic sessions of around 15 weeks. Much of Europe also follows the semester system, as do several high-profile UK universities. Even amongst universities following the three term model, most institutions operate in terms of ten weeks or more.

But would Oxford be better off reorganising its academic year? I don’t think so. If the structure of three eight-week terms remained only for tradition, I would argue against its preservation. However, I genuinely believe that the format is the best for students here.

Yes, eight weeks is short and, combined with the added intensity of an Oxford degree, this makes our workload per week consistently higher than many other universities. Yes, the amount of work is stressful and, if you do any extracurricular activities at all, you are going to end up tired (at the end of last term I slept for 17 hours straight, which is a personal record). It is also the best preparation for working life, which is ruled by strict deadlines, fast turnover of projects and working hard five days a week, every horrible week, until you are a husk.

One essay every fortnight isn’t preparation for the daily grind, but desperately trying to make a deadline when you are still literally brined in gin from the night before just might be. If nothing else, the structure of our academic calendar makes it an exercise in getting shit done.

Fortunately, unlike in the real world, our workload also allows us impressively long holidays. I strongly believe that there is more work-life balance to be found in periods of truly hard work punctuated by significant periods in which to relax and pursue purely non academic pursuits than in the drudgery of a 15 week semester with a lighter workload.

This argument can also be extended into keeping exams in the summer term. All academic calendars are designed logically so that the longest recess falls over the summer months. Whilst some courses do have exams that fall in January or February, the movement of all yearly exams to this period would either require the movement of the academic year or an increase in the need to revise at least some course material over the summer months. Our current system is the one that allows the largest portion of summer to be enjoyed most fully, even if it requires some sacrifices in Trinity Term.

Lisa Wehden wins Union presidency

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Lisa Wehden has been elected President of the Oxford Union for Hilary 2015, after beating rivals Sunny Jain and Christ Frost.

Wehden, who started term as Secretary but became Treasurer following the resignation of Charles Malton, won by 82 votes with 442 first preferences.

All positions were contested. Charlie Vaughan was elected Librarian with 506 first preferences, defeating Nathan Akehurst by 182 votes; NamPhuong Dinh was elected Treasurer with 469; while Dom Merchant beat Annie Teriba to the position of Secretary by only three votes, gaining 397 first preferences.

A printing error on the ballot paper meant that some boxes on the ballot for the position of Treasurer were black and therefore difficult to mark clearly.

Total voter turnout was low, with only 1035 votes cast for the position of President, over 300 fewer than last time. The low turnout meant that there were narrow margins in the elections for Secretary’s Committee: Joe Fowles, elected eleventh, received the same number of first preference votes as runner-up John Chan.

 

Tignes announced as destination for Varsity Ski Trip 2014

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In an excellent geese-ridden launch video, the Varsity Ski Trip committee has announced that the 2014 trip will be hosted by Tignes ski resort for the second year in a row.

Sam Burnell, president of the committee, comments: “Although lots of people (myself included) like to mix it up resort-wise from year to year, we felt that Tignes still had a hell of a lot to offer. It was so successful despite having been relatively uncharted territory in 2013.”

Part of this year’s decision is owed to this resort’s high ‘snow reliability’, which the Telegraph Ski Resort Guide describes as ‘difficult to beat… the resort height of 2100m generally means good snow-cover right back to base for most of the long winter season.’ Anywhere else, points out Burnell, the snow-cover may have been too much of a “gamble”.

Previous experience in Tignes has also allowed the committee to identify areas for improvement, suggesting a slicker trip this year. Accommodation in Tignes Le Lac will be used alongside that in last year’s Tignes Val Claret, providing ample opportunity for highly-sought after accommodation upgrades. The addition of Le Lac, promises the committee, will also serve to lift the quality of all rooms as they are chosen from a wider selection of accommodation options.

“Rest assured that the change will not restrict anyone’s involvement in events and activities,” says Burnell. There will be plenty of easily accessible shuttles between the two areas for the duration of the trip. Having people already based in Le Lac will significantly improve the logistics of getting people to and from the Opening and Final night parties.

Other eagerly-awaited entertainment highlights include a fresh take on the long-standing comedy night. The hugely successful funiculaire and pool parties will also be enjoying a celebrated return, but with a sizeable increase in ticket availability in anticipation of last year’s immediate sell-out. The committee is currently grappling with the idea of hosting pool parties on two separate nights in order to accommodate as many guests as possible.

The base price for the 2014 trip is £333, including only a £4 increase on last year’s price. Burnell explains that this comparatively small rise represents a significant and very useful increase in the trip’s overall budget. Should the trip’s proposed improvements prove forthcoming, this may seem well worth it. 

Failed Novelists: the epitome of unselfconscious cool

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You’ve probably, at some point in your Oxford life, heard of the Failed Novelists Society, whether it’s through the occasional review in one of the student papers, or finding yourself signed up to their Freshers’ Fair mailing list. If you haven’t come across them before, they are an open creative writing group in Oxford. Welcoming anyone from undergraduates to tutors to townies, every Sunday at 2 o’clock, the group gather in Teddy Hall welfare room and show their work. Pieces are read and discussed, and feedback is offered.

We met with Dòmhnall Iain Dòmhnallach, their President, to find out more about a group of people who, it emerges, are completely unselfconscious and just love writing. Dòmhnall puts three small books on the table, admitting that they look hilariously self-published, but that’s just how it has to be. It’s hard to disagree, but it’s part of the charm. Two of the books are anthologies. “Every year we do an anthology, which is partly a celebration of, I’d like to say, the best writing in Oxford. We have prose, poetry, sometimes drama, everything. I think it’s the only Oxford-only creative writing anthology that takes everything.” It allows people to celebrate their work and to “see it in print in a way that you can have a party and celebrate it with your friends, because sometimes you submit to a magazine, you get the magazine in your pidge, and then that’s it”.

The group has just published a new work, The Failed Novel, a book which was produced collaboratively. We wonder about the drive behind this. “We are, of course, failed novelists, and degrees and things get in the way of writing your own full novel, so you can always say you’ve written a novel if you’ve written it with other people.”

It’s been done before by the group, in various, hilarious, ways. Once they did a ‘choose your own adventure’ type story, the “turn to page 63 as the monster attacks you” kind of thing. “I’m told,” says Dòmhnall, “that someone nearly failed their degree trying to edit that one!” Another time, they tried handing chapters on, so you would read the previous one and then write the next yourself.

How does the newest collaborative effort work? “This year we realized that the problem with writing a collaborative novel in term time is people have so much else on, so we tried to make the easiest, well, most encouraging, way of making a novel. We’ve done a sort of Arthurian quest narrative like the Holy Grail. It’s completely ridiculous, but great fun. The idea is that every character can hear a noise, but they don’t know the source of the noise, so the quest is to find the source, and you get a wonderful array of variations on that.” It does sound a lot of fun, but there is still the lingering question of how they managed to keep it a unified work. Dòmhnall explains, “The idea is that characters from some chapters will reappear in others – the books has involved a lot of talking to each other, trying to get things together. It’s not really much of a novel, in that there isn’t much of a central plot driving it – it’s the central theme and characters that unify it. The big gimmick is there’s one character who appears in every chapter who’s on his own quest in search of a yoghurt where you take the lid off and there’s no clod on the bottom of it – completely ridiculous!

This is primarily just a bit of fun!” This is what really comes across about the group: it’s a place where anyone can come, share their writing, not take themselves too seriously, and just do it for fun. “We’re quite evangelical about trying not to make it cool.” A lot of these things tend to be self-consciously hip – the Failed Novelists successfully avoid this, and in doing so actually sound incredibly cool and unselfconscious. Sometimes they have ‘juvenilia nights’ – sessions reading out their angsty teenage poetry, or awful childhood epics. Sometimes they get experimental – once a guy took Kubla Khan and entered it into Google Translate, putting it through every language until it finally came back to English. “It’s really strange – you do get this weird echo of Kubla Khan, you can tell it’s that, but it also sounds incredibly weird.”

And yet, this environment is also a great place to get real feedback on work. “Some creative writing groups in Oxford – not naming names – ask you to submit applications and things, which I just feel is almost a defence mechanism. The good thing about letting anybody turn up is complete strangers can criticize you and there’s none of that pressure which comes with being a cliquey tight-knit group of people sitting in an independent bookshop.”

The Failed Novelists sounds like a wonderfully relaxed, open place to share work and receive comments. In all, a really great idea – we’re definitely going along to the next meeting.

Houmous Girl: 8th week Trinity

Rower Lad sat alone in his room.

There was a knock at the door. Hastily, he pulled on a pair of joggers, primarily to prevent his sturdy knees from knocking together at 20,000 hertz. “Coming!” he called in the confident, booming tones of a 4-year-old schoolgirl.

As he shuffled to the door, visions flashed through his head of his previous encounters with Houmous Girl. Glimpsed from afar in the library, elaborately miming a botched vasectomy to illustrate a point about female reproductive rights to Obnoxiously Opinionated Guy. Haloed with light in the freezer section at Tesco, tucking her hair behind her ear. Turning away in sorrow from their abortive date. With a last ember of hope burning in his heart he reached out and opened the door.

“Rugby Lad.” He said. “What a pleasant surprise.” His tone dripped with sarcasm, but Rugby Lad was still mastering the finer nuances of joined-up-writing, and in no position to notice.

“You left your phone at mine last night,” said Rugby Lad, proffering a greasy Samsung to his lovelorn friend. Rower Lad took the phone with a grunt of thanks and shut the door on the date-wrecking prop forward. As he trudged back to the solace of his bed he glanced through his notifications, deleting shrill parental texts and wondering if anyone would ever favourite any of his tweets. With a broad thumb he flicked open a Tinder notification he had no interest in pursuing- and stopped.

The message was from a girl he had matched with in the hazy bygone aeons of fresher’s week. At the time, high on the lethal fumes of a UV paint party, he had given his 8th match of the week no more thought. But as he looked, he recognised those actually from-Primark vintage shorts, that seemingly-from-paradise smile, that look-how-wacky-I-am-as-well-as-basically-just-being-quite-hot fourth photo where the girl in question was pretending to dive into a bumper-size tub of…Houmous.

So how about that drink?

Rower Lad grinned as he typed out a joyous response, and his heart swiped right and right and right again.

Interview: Lucy Watson

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After only joining E4’s popular structured reality show Made in Chelsea in the fourth season of the show, Lucy Watson quickly became a firm fan favourite thanks to her withering put-downs.

She tells me it was intially a love of drama that drove her to sign up. “I studied acting when I was younger and I actually got into drama school in London. I decided to quit soon into the course, as it was very theoretical and I wanted to perform. When I was approached about Made in Chelsea, I thought about the pros and the cons, and for me at that time, there were more pros.”

After four seasons of the show, has being in a structured reality show lived up to her expectations? “I’m not really sure what I expected. It’s become a real family – we spend so much time with the crew and the team off camera, that is just feels really natural now. I was never nervous or worried, but obviously at the beginning it’s strange seeing yourself on television.”

Lucy’s time on the show has had no shortage of emotional drama. Having fi nally succumbed to the charms of fellow cast-member Jamie Laing and riding off into the sunset with him at the end of season six, viewers were stunned to discover at the beginning of this season that Laing had cheated on her only days afterwards.

Lucy recognises, however, that going through such emotional experiences in front of the cameras is par for the course on a reality TV show, “I knew that if I was going to do the show, I had to do it with integrity. I couldn’t predict what was going to happen, but my reactions to things are real. It’s hard to watch something back that’s emotional or difficult, but it’s the nature of the beast.”

What in particular has she learned about love and dating from her time on the show? “To not trust anyone? Haha. No, I think there are some valuable lessons, and that’s why the show is so popular, because it’s relatable.

“It’s really hard to walk away from someone in a relationship if they have cheated or behaved badly, because you can’t just turn off your feelings. But you have to set a standard and stick to that. If you make exceptions, you compromise your integrity. You have to know that you can do better.”

Watson pulls no punches on camera and few cast-members have been spared her no-nonsense attitude, particularly some of the more bitchy residents of Kensington and Chelsea. However, she wasn’t always so comfortable with speaking her mind.

“I was bullied when I was younger and at some point I decided to take responsibility for the way I was being made to feel. I have high standards morally and I judge other people on those. I don’t think in any given situation there is any choice other than right and wrong.

“I like to stay on the side of right, and I’ll make sure that my opinions are heard if I feel strongly about something.”

This season has also seen the shocking revelations that Alex Mytton had cheated on girlfriend and fellow cast-member Binky Felstead. Speaking from her own experience, Lucy firmly believes that cheaters don’t deserve second chances. “The relationship will never be the same and the person who cheats will fundamentally never change as they have got away with it.”

That was certainly Lucy’s approach to ex-boyfriend and resident MIC lothario Spencer Matthews, whom she ditched after discovery his infi delity. She admits that it is quite strange to work with both her exes, Spencer and Jamie.

“I would never have spoken to Spencer again had we not been on the show. It does force you to be in situations that aren’t always completely comfortable because we are both inevitably going to film together at some point.

“That being said, Spencer and I have managed to have an amicable relationship now, so I suppose it was a good thing that we had the time together on the show.”

In 2012 Matthews also appeared on The Bachelor, another reality TV show in which he had his pick of beautiful women vying for his affection. Lucy is suitably diplomatic regarding his decision to take part. “I think he was clever to take advantage of a commercial opportunity, although I’m not sure that he was necessarily realistic about fi nding ‘the one’ on a television show like that.”

Matthews is just one of the MIC cast-members to appear on another reality show, with Hugo Taylor also appearing on I’m a Celebrity Get Me Out of Here!, and it’s not a career move Watson would rule out. “I have been able to achieve so many wonderful things, and meet some amazing people, so I’d never say never.”

The pressures of parading one’s private life in front of the cameras can make real-life romance diffi cult and Lucy is not certain whether, if she were to date someone not in the cast, she would want them to appear on the show. “I’m not sure. Ultimately, if I dated someone they would be a part of my life. The show is supposed to follow my life, so for authenticity I think it would be important to cover any relationship. Although, perhaps not in the early stages. There seems to be a disappointing pattern of couples on the show!”