Saturday 11th April 2026
Blog Page 1392

Review: Kasabian – 48:13

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The Leicester band’s last effort Velociraptor! showed that they still hadn’t managed to escape the shadow of West Ryder Pauper Lunatic Asylum, so 48:13 (both the name and running time of the album) is out to settle scores, and shake off the ‘lad-rock album’. the opening ‘(Shiva)’ is one in a series of synth instrumentals, before descending straight into the headbang-worthy ‘Bumblebee’ and its chorus “When we’re together I’m in ecstasy”. ‘Stevie’, descends from its promising double bass intro to yet another lad anthem, while ‘Doomsday’ aims for ska and settles for circus music, despite some fun guitar riffs.

The old Kasabian comes out in ‘Treat’, which is perhaps a welcome regression, before a cameo from Suli Breaks on ‘Glass’ tries to branch out from the formulaic into new territory. Shame about the lyrics. The most pleasant surprise on the album is ‘Eez-eh’. With slapdash lyrics, it seemed to be a portent for worse to come when it was released as the lead single. Strangely enough, it seems to work better within the album.

While it isn’t earth-shaking, Kasabian’s 5th studio album deserves credit for being broad and entertaining. It’s cringeworthy, but worth a chance.

Oxford University societies win national awards

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Both the Oxford University Business Guild and the Oxford Ice Hockey Trust have won awards at the annual Enterprising Student Society Accreditation (ESSA) competition, going up against 200 other societies from across the country.

The ESSA is sponsored by the Royal Bank of Scotland (RBS) and describes itself as “a unique programme that is designed to recognise and reward the enterprising work being done by students who are members of societies.” The awards were judged by an independent panel of entrepreneurs, journalists and representatives from RBS.

The Ice Hockey Trust was awarded runner-up in the ‘Most Innovative Event’ category after having hosted a special charity event for Breast Cancer, run a successful 94th Varsity match, and established an annual alumni Varsity match which altogether raised over £7,500.

The Trust is currently a registered charity that became independent of the University in 2012.

Meanwhile the Oxford Guild was awarded runner-up for ‘Best Professional Development Programme.’ Commenting to Cherwell, Stratis Limnios, Co-President of the Oxford Guild, stated that, “Our successes are the direct result of the committee’s innovation, initiative and fact that they care the most and work the hardest.”

Co-President Abbas Kazmi also praised the Guild’s Committe’s effort, saying, “It has been a truly amazing year and we look forward to continuing our success and work! We look set for another exciting year ahead so watch this space.”

Over 300 students from 30 universities attended the awards. They were hosted by former Radio 1 controller Andy Parfitt and the award presenters included the original Stig from Top Gear and Winter Olympic medallist Jenny Jones.

Review: Mametz

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It is hard to imagine, sometimes, if there can be anything new to be said about the First World War. It has become a cipher in our literature, and our society; for war as senseless destruction and meaningless loss of life; for young working class men used as cannon fodder in a war conducted by upper class generals. Despite this, with the centenary of the war’s outbreak now upon us, the familiar events are being re-examined through a number of media, one of these being Mametz, a new play written by Owen Sheers and directed by Matthew Dunster.

Mametz mediates elegantly between the familiar and the fresh. We are accustomed to associate the Great War with its poets, and whilst Mametz focuses partly on two writers embroiled in the conflict, they are Llewellyn Wyn Griffith, author of the memoir Up to Mametz, and David Jones, a modernist poet, whose writing exploits the later movement’s potential for fragmentation to evoke the shattering effect of war on the places and people it impacts. Though its subject matter is now a century old, Mametz feels absolutely and immediately contemporary, thanks to both the innovative staging and intelligent, affecting writing.

One of the play’s thematic strands deals with the wartime obstacles to the dissemination of Einstein’s theory of relativity, and this ingenious choice aids in the piece’s flattening of the distinction between past, present and future as discrete categories. It disrupts and re-evaluates the idea of remembrance, and of the war as an atrocity isolated in an unrepeatable historical moment.

This much-needed shift in perspective is careful, however, never to eclipse the significance of the ordinary lives that are so tragically and irreparably marred by the conflict. We are reminded of the importance of individuals in the form of the men of the Welsh battalions, movingly brought to life by the young actors, and of each unique existence that is in some way permanently scarred by war.

The play is long; perhaps necessarily so, as the extended time brings with it a deeper involvement and understanding on the part of the audience. This length is only really noticeable as the play draws to a close, where there are several possible end-points before the actual conclusion. This is, however, never really a problem, as the action does not cease to touch and compel. We are reminded that always in history we are witnessing a birth as well as a death. Mametz Wood is a site of destruction and of creation, it is a mass grave, but in both literary and scientific terms it is the cradle of the modern world, a birth taking place amid blood and mindless destruction, but a birth nonetheless.

Oxford second in adult toys league table

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Oxford students have spent £8,800 on sex toys over the past year, placing the university second in a league table of students’ spending on adult toys.

The figure, roughly equivalent to 41p per student, represents a slight decrease on last year’s sum of £9,689 – yet Oxford and Cambridge students still spend more on sex toys than any other university.

The survey, released by adult toy seller Lovehoney, showed that while spending by Oxford students decreased by 10%, Cambridge students spent 25% more on sex toys than last year, placing it top in terms of student kink, with Tab students spending £12,400 on erotic items.

While Cambridge students’ most popular items were erotic lingerie with fetish catsuits and crotchless knickers, Oxford students favoured G-spot vibrators and butt plugs.

According to Lovehoney, these latest figures go some way to supporting the idea that students with high IQs may also have high sex drives.

Lovehoney co-founder Richard Longhurst claimed, “All our research shows a big interest in sexual experimentation amongst high-fliers, so it is no surprise that Cambridge University comes so far ahead on sex toy spending, with Oxford University in second.

“We’ve found that everyone in the UK is becoming a lot more relaxed about sex and lot more interested in trying new things.

“A big factor in this has been Fifty Shades of Grey which has completely changed the sexual landscape in the UK and made millions far more prepared to try new things. With the movie out next year, we are expecting customers to become even more risqué.”

Commenting on the findings, second year mathematician Koen Rijks told Cherwell, “I’m not surprised at all – most people I’ve met at Oxford seem far more open to sexual experimentation.”

However, Jesus student Lucy Steeds suggested otherwise, “I’m not sure if these figures suggest Oxford students are having more sex – if anything, they could just be more lonely.” 

Live Review: Schola Cantorum

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The undertaking of György Ligeti’s Lux Aeterna by any choir is no mean feat. With complex rhythms, dense, clashing chords, and using the extremes of vocal range, it is no wonder that this piece is so rarely performed. It was therefore a pleasant surprise to see it in the programme for Schola Cantorum of Oxford’s most recent concert in Keble College Chapel.

The chapel’s incredibly resonant acoustic posed a challenge for the 30-strong choir, making it difficult to convey the subtleties and intricacies of Ligeti’s music. However, the performance had impressive clarity, and the high, sustained soprano vocal lines were executed confidently – the audience were left in stunned silence before their extended applause.

The rest of the program was characterised by alternations between Renaissance music and more recent works. This cleverly outlined their similarities whilst emphasising the more modernist features of pieces such as Michael Tippett’s Plebs Angelica, which featured some stunning tenor moments from Will Anderson and Oliver Kelham.

Lassus’ Aurora Lucis Rutilat was a strong opening to the concert, with the choir handling the delicacies of music effectively, without being too overpowering as a result of the doubling of parts.

The middle of the concert explored themes of tragedy and hardship. James MacMillan’s A Child’s Prayer, composed as a tribute to the victims of the 1996 Dunblane School Massacre, provided a striking moment of poinancy and stillness at the heart of the concert, while Weelkes’ When David Heard, and Howells’ Take Him, Earth, For Cherishing were directed expressively by Ed Whitehead, Schola’s conducting scholar.

Following the Ligeti, the concert closed with Martin’s Mass for Double Choir, another incredibly difficult work. The performance demonstrated Schola Cantorum’s technical accomplishment as well as that of their conductor, James Burton. It was the perfect conclusion to an enjoyable and professional concert.

WomCam officer condemns Balliol bop DJ

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OUSU’s Women’s Campaigns Officer, Lucy Delaney of Wadham, has joined several Balliol students in expressing distaste after the song ‘Blurred Lines’ by Robin Thicke was played at Balliol bop on Friday.

The controversial song, banned by the college’s JCR last October, was played at the end of the evening, during which students were given free reign over song choice. The song was stopped halfway through when a second year student disconnected the cables, but not in time to prevent the distress of several students.

The individual responsible was reportedly led away by porters, and is being punished.

Delaney described the lyrics of the song as suggesting “a general disregard for sexual consent, which is very damaging. It contributes to the idea often perpetuated in the media that women are objects who can be coerced into sexual activity if harangued for long enough, and that any rejection, explicit or implicit, can be overturned with perseverance.

“In short, the song suggests that ‘no’ doesn’t necessarily mean ‘no’, and therefore, this song is not suitable for any environment, regardless of whether the song has been banned by the institution or not.”

The song, she explained, “almost definitely caused some people to be triggered, and made everyone extremely angry.”

However, Delaney praised the way in which the situation was handled by the Balliol JCR. Ex-Balliol Women’s Officer Emily Troup subsequently decided that there would be an “afterbop” party at 2am, to which everyone returned and the song ‘Respect’ by Aretha Franklin was played.

JCR President Dan Turner told Cherwell, “The vast majority of people in Balliol were horrified by what happened at the bop.  At the very least, it left a bitter taste in the mouth of many Finalists as they said farewell to Balliol.”

He remained upbeat, however, about the spirit shown by the JCR, saying, “Perhaps the best thing to come of it, though, is how our community has responded firmly in opposition to this sort of offensive behaviour. Many of those leaving have commented that what they’ll miss most is belonging to the sort of community that takes such a clear stand against this sort of action.”

Delaney further commented, “I would say that I am extremely impressed by the way the situation was dealt with, however, this does not remove the fact that a lot of damage was caused when the song was played. This song is extremely triggering for some individuals, which is simply not acceptable.

“A bop should be a safe space and so to have that violated is an extremely harrowing experience for any possible survivors. Anyone who violates this safe space should face serious consequences.”

Best of Cherwell etc. TT14

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Well by Andrew McLean

This snappy poem from Andrew McLean, a second-year English student at Somerville, makes clever use of rhyme and form to sustain its swift, dashing motion. Named Well in a beautiful piece of understatement, the verse skips effortlessly from line to line. With injections of drama and a thoughtful attitude towards attraction, this is a fine poem.

Click here to read it!

The Beachcomber by Dòmhnall Iain Dòmhnallach

From the head of the Failed Novelists Society, a Neuroscientist whose first language is Gàidhlig, comes this tale of a mysterious arrival on a distant island somewhere far from here. The wonderful interweaving of the Gaelic language into Dòmhnallach’s prose creates a beautiful but rather mournful atmosphere, and as the flotsam and jetsam of the Atlantic washes up on the beach, the future is uncertain for the islanders.

Click here to read it!

The Dream-Catcher by Catherine O’Leary

This extravagantly ethereal depiction of an otherworldly spiritual being is the product of the imagination of Catherine O’Leary, a French and Linguistics student. As we near the top of the figure’s head, it loses all structure, becoming little more than shapes floating in the air. Paired with the similarly magnificent and even stranger image The Zenith, this piece of art goes some way towards capturing the bizarre transience of a dream.

Click here to see it!

Photos from the Democratic People’s Republic of Korea by Mack Grenfell

These photos, also featured in this term’s Cherwell Review, were taken in North Korea by Mack Grenfell, who is studying Physics and Philosophy. From the wide shot of a city square, large tenement blocks rising in the distance, to towering golden statues and an otherworldly bar, these images take a look behind the propaganda and the country’s image, depicting the realities of the DPRK.

Green and Golden by Heman Sheman

This song, sent in by Heman Sheman, a band made up of Edan Tal, Jake Lancaster, Bill Wright and John Morgan, along with the rest of their eponymous EP, oozes bluesy rock. Northern-tinted, drawled vocals meander across guitar work which is at times dynamic, at times thoughtful as the song moves effortlessly from barked chorus to hazy bridge.

Click here to listen!

Check out the rest of the collection at cherwelletc.tumblr.com

Archers shoot for the stars

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Last weekend Oxford University Company of Archers won the BUCS Outdoors National Championships, beating opposition from a full 35 other unis to secure the title. The team of Alex Smith, Matthew Langton, Ciprian Zahan and Charlie Birch clocked an impressive score of 4661 between them, finishing ahead of Warwick on 4608 and Nottingham on 4430 with a decisive margin of victory. Success was especially sweet this time around, as in the last three BUCS tournaments in which the team competed, they had finished in silver medal position behind Nottingham, in one case by an agonising 14 points! The tables were turned this time however, and there was no denying that Oxford had brought the strongest team by far.

There was individual success too for OUCofA. Charlie Birch’s score of 1170 won her the silver medal in the women’s recurve category, while Alex Smith and Matthew Langton came 6th and 7th respectively in the challenging men’s recurve competition. These achievements were all the more impressive considering both were injured entering the tournament! Among the novices – those who had been shooting for less than a year – Kayla Haffley put in a powerful score of 1026 to come 5th in women’s recurve, with Sarah Arifi close behind in 9th and Jack Cane finishing 11th among the male novices. The novice team as a whole came 5th overall, suggesting the future of the club is in safe hands.

Two of the most prestigious titles in student archery – BUCS Outdoors and BUTC – are now held by Oxford, along with the Varsity Rose Bowl and Novice Plate, which were won in May for the third time running with two record-breaking scores. OUCofA has cemented its reputation as a hard-working, dedicated but also friendly and open team, and looks set to build on this success in the years to come.

Interview: Julian Huppert

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In the face of the recent Liberal Democrat wipe-out in the European and local elections, Julian Huppert seems to have lost no optimism or spark. Originally a Cambridge don, having read natural sciences at Trinity College Cambridge, he became an MP in 2010 after eight years on the Cambridgeshire County Council. I ask him how his experience in government had changed his views on the nature of politics. “It’s really interesting to see how it works while you are actually there, especially being in government. I was leader of the opposition on Cambridgeshire county council, and opposition is much easier as all you have to do is say is ‘I wouldn’t have done it like this. Here is how I would have done it, and better.’ The challenge of being in government is you have to make decisions. Compromises are necessary because you are in government. There is a limited pool of money, if you are responsible in government you can’t just promise to spend it on everything.”

However, he does not hold Westminster in high esteem, saying, “the way that our parliamentary system works is not very good. We have this idea of collective ministerial responsibility where every minister has to say that they agree with everything. It’s a silly idea; it wasn’t true when Blair and Brown were having massive disagreements over everything, it isn’t true now that we have a coalition of two different parties. The other thing that is really bizarre at the moment is the fact that to change your mind is considered a really bad thing.” 

“We have these famous moments; Thatcher’s ‘the lady’s not for turning’, Tony Blair’s ‘I have no reverse gear’ and so on. Well you wouldn’t buy a car that didn’t have a reverse gear or couldn’t U-turn. Instead you have politicians who will never ever change their minds. Instead you get things like Tony Blair being unwilling to change course when a million people march against invading Iraq. I’d love to see a system where ministers are able to say ‘we thought this policy would work; it didn’t, we were mistaken so we are going to try a different approach.’ We all make mistakes. I trained as a scientist, so to me, the idea of proposing a hypothesis, testing it and then rejecting isn’t something to be ashamed of; it’s something to be positive about.”

As Huppert had been speaking in a recent Union debate in favour of ending the War on Drugs, I ask him how this stance squares with his resentment towards David Cameron’s U-turn on drugs policy; from being a lukewarm supporter of drug policy reform to becoming much more hard-line, recently ruling out a royal inquiry into reform of drug policy or of decriminalising any currently scheduled substances, “Cameron is a really interesting character, and part of this is that he really doesn’t have much of an ideology at all. He’s got some views; he thinks he’s the kind of person who should be Prime Minister, he’s pro ‘marriage’, he likes the English countryside but isn’t very ideological unlike, say, Michael Gove or Margaret Thatcher. While he was persuaded to do something different with drugs policy in 2002, I think he was happier not to have to worry about it or spend political capital on it; he didn’t take the issue particularly seriously.”

The real obstacle to sensible drugs reform, he tells me, actually comes from the left. “The thing that frustrates me most about drugs reform is that the Labour leadership is so adamantly against doing anything sensible and are always authoritarian, time and time and time again. We saw this plenty of times when they were in power. But even recently, we had a discussion quite recently around issues to do with child sexual abuse and the Labour shadow spokesperson said ‘well why are we requiring proof to the criminal standard to convict someone of such a heinous crime!’” He tells me of an amendment Labour proposed to ban all psychoactive substances other than alcohol and tobacco, which would have criminalised coffee, tea and nutmeg amongst other things.

I was slightly sceptical at first, but decided to look it up, and there it was, an amendment to the Anti-Social Behaviour, Crime and Policing Bill from July 2013, proposed by Labour MP’s Mr David Hanson, Gloria De Piero and Phil Wilson. “It is an offence for a person to supply, or offer to supply, a psychoactive substance, which… is likely to be consumed by a person for the purpose of causing intoxication.” He goes on to tell me more about his problems with the Labour Party, including the potential difficulties of forming a coalition with them. “Some of Labour’s authoritarianism comes from a decades-long fear of never wanting to be seen as soft on anything. It was Labour who locked up thousands of children for immigration purposes for months on end in order to look tough. We do see far too much of this posturing, tabling and arguing things just to show how tough they really are, which is very disconnected from what we are trying to achieve.”

“Regarding a coalition, we did go into talks with them, and amusingly one of the things they wanted was us to agree to increase tuition fees with them, which is a small historical issue I’m sure they’re quite glad to forget about now. I voted against tuition fees; when they first came in there was a Labour MP for Cambridge who promised she was against fees, and then voted for them, so I’m quite proud to be the first MP for Cambridge to ever vote against tuition fees.”

The tuition fees issue seems to have sunken the Liberal Democrat election prospects for the near future, and so I ask to what extent he thinks this issue has overshadowed their achievements in government. “There are plenty of things the Tories want to do that we would never let them away with. The Tories want to absolutely savage welfare benefits, for instance. One of the things I’m proud to have had a big hand in killing off was the idea of scrapping a housing benefit to people under twenty-five. I love the idea that every single under twenty-five year-old has a loving stable family they can go and live with. I like that world, but we don’t live in that world.”

“Tuition fees are a fascinating case, and I think it’s because of a fundamental issue people associate with trust. But I don’t see why they don’t associate the policy with Labour. It was Labour who swore not to introduce tuition fees, and then did, while tripling them. It was Labour who supported the Browne review, which recommended unlimited fees. It’s clear from Mandelson’s account that if Labour had won the last election, they would have massively increased tuition fees.” 

Rather, his regret is not expressing Liberal Democrat discontent with their Conservative partners strongly enough, with them instead trying to present a united face in order to preserve the idea that a coalition could be a viable form of government. “In the very early days of the coalition, we were much worse about explaining where there had been rows. But we kept these entire row in private. So what people saw was ‘oh look, there’s a complete about face.’ That was a huge error. I think people expect us to fight for what we believe in. But they don’t expect us to win every fight.”