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Things can only get… worse? Why 2024 is no 1997 for the Labour Party

Blair Image credit: Chatham House via Flickr CC BY 2.0 DEED Starmer Image Credit: Rwendland via Wikimedia Commons CC BY-SA 4.0

One of the characteristic features of the 1997 Labour Party general election campaign was their use of D:Ream’s song “Things Can Only Get Better” in their campaign video. This song was selected to conjure optimism following what many saw as eighteen years of Conservative failure which had left the country at an all-time low. Labour had been far ahead in the polls since as far back as 1992, following the failures of “Black Wednesday’, when the Tories shed their reputation as reliable managers of the economy. Unemployment, despite being lower than certain peaks under Thatcher, had also spiked at 10.7%, since the previous general election in 1992. All of this while a civil war over the European Union rendered the Conservative party divided.

Sound familiar? 

Over the last few months, there has been growing speculation about the similarities between the general election of 1997 and the one to be held in a month and a half’s time. Ostensibly, such comparisons appear warranted: we, too, have a floundering conservative government whose long stretch in power has left them without ideas. They have had to deal with crisis after crisis, are nearing the end of their term, and are marred with a mounting number of accusations of corruption and mismanagement that have led to economic despair, not least the paragon of economic incompetence that was Liz Truss’ mini budget. Ever since that disaster struck, the Conservatives have been unable to make up a vast gap in the polls with a Labour party who claim to offer ‘change’ in an attempt to give hope to a country that appears to be pinballing between crises with little sense of a long-term plan. 

However, the pundits are wrong to project the results of the 1997 election onto this year’s contest. It will be of little surprise that the tempting comparison is overly simplistic, and leaves a number of fundamental differences in the politics of today compared with that of 27 years ago unconfronted. 

The first glaring difference concerns the ideologies of the two major parties. A lot has been made in recent times of the seeming dearth of ideas among politicians, with particular focus on voters not really knowing what Labour’s platform will be going into the general election. While they have been vehemently opposed to almost everything the current government does, there seems to have been little in the way of a clear plan as to what they would do differently to solve the numerous crises running riot through the country. Indeed, during Hilary, the Oxford Union held a debate in which members voted at a ratio of almost 3:1 in favour of the motion: “This house does not know what Labour stands for”.

Those who back Labour’s vacant policy platform highlight that when Starmer has introduced potential flagship policies, they have been vulnerable to theft by the Conservatives, who then make sly U-turns. Take, for example, Labour’s long-standing aim to abolish non-dom tax status, a move which it was recently announced that the Conservatives were also exploring despite having previously strongly opposed it.

Again, however, this example demonstrates precisely one of the reasons why 1997 is so different from 2024. The fact that the policy platforms of the two parties are similar enough for the Conservatives to poach the ideas of Labour says a lot about the dearth of ideas in British politics. In 1996, New Labour published New Labour, New Life for Britain, which set out, in detail, the party’s centrist vision for the future of the country. Included in the ‘pre-manifesto’ were promises to cut infant class sizes to 30, reduce backlogs in the NHS and the justice system, and get more young people into work. 

They were able to own these policies because they knew their justifications would be ideologically distinct enough from anything the Conservatives would be able to support. Indeed, when New Labour, New Life for Britain was released, it was met with horror by the Conservatives, who responded with their own tagline: “New Labour, New Danger”. Contrastingly, both parties being unwilling or unable to make any significant promises this close to an election because they fear their opposition appropriating them indicates a severe lack of integrity and ideology in politics. This bodes badly: “more of the same” will not be enough to get the UK out of its current slump. 

Of course, from Labour’s point of view, it might be argued that this fear of ‘policy theft’ does not represent a lack of ideas in their own party, but purely from their opposite numbers in the Conservative party. After all, being the party in government, the Conservatives have the means to ‘steal policies’ by enacting them through parliament, while Labour, currently, do not.

However, even where Labour have made promises they have been forced into several u-turns. For example, when Keir Starmer ran for leadership of his party, he promised renationalisation of major public services such as mail, energy, and water, promises he has since largely abandoned.  Even where they have not fully cast aside core pledges, a number of promises have been heavily watered down, including in pledged green investment, which was reduced from £28 billion a year to just £4.7 billion a year

Major pledges for constitutional reform have also fallen victim to U-turns. In 1997, when coming to power, the Labour Party promised and delivered major constitutional reform through its devolution settlements for Scotland and Wales. Under Starmer, the reform ‘promised’ by Labour was the abolition and replacement of the House of Lords. Once again, however, this pledge has been shelved, under the argument that constitutional reform is a drain on both time and energy for governments.

Another potential reason for Labour’s weakness on these core promises is the UK’s current bleak economic forecast. Growth in the UK has essentially flatlined, the national debt is at 98% of GDP, and the tax burden has hit record post-war highs. The economic dire straits the country faces hint at another crucial difference between the incoming Labour government and that of 1997: spending. Indeed, any incoming government will be very limited in how it can increase spending. As of now, the only way to do so would be to either raise taxes – which is politically unpopular – or to borrow more – which has longer-term negative implications. By contrast, despite the chaos of Conservative rule, when the Labour party came to power in 1997 economic growth was strong and unemployment and inflation were both falling, which gave a much stronger fiscal base for the incoming government.This outlook allowed the New Labour government to increase public spending by 4.4% per year between 1997-2010, which was largely directed towards the NHS, education, and transport.

As I write, Labour have announced that they would plan to effectively renationalise all rail services within five years of coming to office. This significant statement suggests that we might get a reasonable platform of policies announced before the general election, but regardless, the party has a long way to go for voters to truly gain an understanding of what the party stands for. The party has also gone on to announce its six core ‘pledges’ that they would enact once in power. One of these pledges is to provide 40,000 more NHS appointments and operations per week, which is to be funded through closing tax loopholes. Eyebrows will be raised, however, at the fact that earlier this year Starmer and his Shadow Health Secretary, Wes Streeting, said Labour would hold the door ‘wide open’ for the private sector in the NHS. Such a move marks another significant U-turn from Labour policy as recent as 2021, which pledged to end outsourcing to the private sector entirely.  

Regarding election campaigns, it is crucial to note that the UK is today a very different cultural landscape from where it was in 1997. New Labour’s use of “Things Can Only Get Better” to reinforce their image as the ‘cool party’ capitalised on a trend that swept the country in the latter half of the 90s. “Cool Britannia”, typified by developments like Britpop, Euro 96, and a new wave of British cinema, represented a revival of national pride following two decades of division. “Things Can Only Get Better” succeeded in typifying this pride, capturing a popular and persistent desire to feel, as Blair often said, like Britain was a ‘young country’ again. Set against John Major’s sleepy vision of Britain as the eternal land of “warm beer, green suburbs” and “old maids bicycling to holy communion through the morning midst,” Blair did a fine job of claiming this newfound British “coolness” for the Labour party’s own core values. He morphed Labour into the ‘hip’ party which embraced a modern Britain which had become significantly more diverse in the preceding twenty years. Through this leadership, he also won the support of major, traditionally Conservative, newspapers like The Sun, which allowed the party more room to announce policy without the threat of significant criticism. 

By contrast, the Labour party under Starmer appears significantly less dynamic, weighed down by a deflated national spirit. Not for want of trying, that is: Starmer has also attempted to bring to the fore ideas of British identity and its place on the world stage, vying relentlessly to reignite a sense of national pride. However crass his adoption of British national symbols might seem, Starmer’s incessant plastering of the Union Jack all over his campaign videos and speech platforms doubtless speaks to a real desire to claim for Labour a patriotism which consists in serving the interests and welfare of Britain’s people, rather than in anachronisms about our ‘glorious’ past. However, Labour cannot alone drive a wider cultural revival: today, Britain’s structural economic woes, its lingering divisions over the political taboo of Brexit and its crumbling public services could not be a further cry from the rose-tinted optimism of youth that Blair captured in his campaign. National pride is declining, and is being replaced by widespread confusion about what it should mean to be British, and why we ought to continue being proud of our country. 

One important question to ask is whether an emulation of Labour’s 1997 administration would be so desirable. While Blair’s New Labour provided hope to many during their election campaign and did indeed deliver on many promises, his governance had its failings. 

The Blair administration can be credited with the birth of a modern era of spin doctoring which aimed to nullify every blunder or failing and avoid political accountability. While politicians have always been seen as relatively untrustworthy, faith in our representatives is at an all time low, and at a minimum New Labour contributed to the development of the conditions to make that possible. They also, of course, had major failings such as the 2003 invasion of Iraq, and the fact that income inequality grew during their thirteen years of power – not a very ‘Labour’ development. 

With a general election now set for July 4th, the campaign circus has begun. It was much cause for amusement that Sunak’s bizarre rain-soaked statement announcing the election was drowned out by protesters blasting “Things Can Only Get Better”. Given that they are over twenty points behind in the polls, it seems like a strange time for the Conservatives to call an election. Not that it was a unanimous decision of course: for many Conservative MPs, Sunak’s announcement comes as a shock, and a concerning one at the very least. But, as Martin Rowson so aptly represented in last month’s cartoon on the Rwanda bill, the survivor’s game is an exhausting one. And then there is the consideration that the longer Sunak leaves the election, the weaker he makes the Conservative party look. 

Image Credit: UK Prime Minister CC BY 2.0 via Wikimedia Commons

On the prime minister’s logic, it really does seem like things can only get worse for the Conservatives. Where does this leave Labour? 

If current polling is correct, then Keir Starmer will take the premiership in July with a comfortable majority. Nonetheless, Labour cannot be complacent. As demonstrated in 2017, when incumbent Theresa May was forced unexpectedly into coalition with the DUP after a disastrous campaign, polls can be misleading. What is guaranteed is that the outlook for whoever ends the year in charge will be significantly bleaker than it looked in 1997, even if inflation is under control and everyday goods are – slowly – becoming more affordable again. Rachel Reeves recently said that Labour will not be able to “turn things around straight away” – possibly a slightly less optimistic catchline than “Things Can Only Get Better”. Whatever happens come July 4th, what the people of the United Kingdom need is hope, and it is in the hands of politicians to give it to them.  

Calling on all Cherwell readers to REGISTER TO VOTE! In the 2019 general election, under half of young people aged 18-24 made their voices heard. Let’s get those figures up.

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How to fund a university

Image credit: Oliver Sandall

If you’re a humanities student, like me, then you’ll probably be quite excited about the new Stephen A. Schwarzman Centre for the Humanities. It’s a brand-new, interdisciplinary space in the Radcliffe Observatory Quarter and a beautiful building to boot. I hope it will put pride back into the humanities at Oxford. It’s an expensive building too. 

The issues surrounding college funding are all too painfully clear. Older colleges have large endowments and the wealthiest alumni. This means they can splurge on swanky new accommodation buildings, sports facilities, and study centres. But this article is about the faculties, institutes, and research groups that sit above the college level and belong to the University itself. In particular, it’s about the people and organisations that seem so keen to invest in the UK’s educational capital. And where better to start than with the man who gave this University its largest donation since the Renaissance? 

Mr Schwarzman is a well-known American billionaire philanthropist. He has previously donated to the New York Public Library (now housed principally in the Stephen A. Schwarzman Building). He has also bankrolled MIT (the Schwarzman College of Computing). In 2016, he launched a scholarship for Chinese masters students (the Schwarzman Scholars). See a pattern? 

Schwarzman gives such large donations that his recipients are obliged to take his name – establishing an inextricable link between the man himself and his donees. Accepting Schwarzman’s money amounts to a tacit endorsement (or at least a happy tolerance) of his personal history. This would probably be fine if Schwarzman was like Japanese social educator and writer Eiji Uehiro who gave us the Uehiro Centre for Practical Ethics. It would probably be fine if he was like IT consultant James Martin who gave us the Martin School in the Social Sciences Division. 

Unfortunately, the man behind Oxford’s new humanities space is more controversial. He is the CEO and founder of private equity group Blackstone, which was singled out by a UN Special Rapporteur as having created the global housing crisis. He described Obama’s proposals to make hedge fund managers pay more taxes as “like when Hitler invaded Poland”. Donald Trump considers him a close friend. He put his financial might behind rabid right-wingers who went on to refuse to certify the 2020 Election results. 

And all this is before we consider the ethics of whether anyone should be as rich as Schwarzman is. His 40 billion dollars comes with a social, political, and (obviously) economic power that should really be the preserve of banks, charities, and government. Instead, he can wield such huge influence that the University of Oxford – whose previous plans for a humanities centre were a decade behind schedule – is left with little choice but to accept. The world’s number one ranked university in thrall to one man. 

Schwarzman is not the only one. The Saïd Business School, Dickson Poon China Centre, Ertegun House – even the Ashmolean (Elias Ashmole) and the Radcliffe Camera (John Radcliffe) – all testify to the power of one individual, many of whom have attracted controversies. At least these donors are transparent. More opaque arrangements include the subtle hand of Elon Musk behind the now-defunct Future of Humanity Institute, that of Exxon Mobil in the Nuffield Department, and mining group Rio Tinto’s role in the Blavatnik Centre – yet another eponymous institute!  

Some will argue that this criticism is highly impractical. After all, universities need funding. This is especially true of those like Oxford which belong to the global elite of institutions that do ground-breaking work every day. Nobody would begrudge Cancer Research UK helping fund new clinicians or even AstraZeneca in delivering the Covid-19 vaccine. Oxford cannot be picky with funding, the argument goes, in an age where government support waxes and wanes

But surely we can do better. The University must be more than a collection of ever grander institutes massaging the egos of various (usually male) billionaires. The future of funding doesn’t mean cutting all ties with rich philanthropists – that isn’t possible. However, universities can at least be aware of the ethical and reputational risks they take when relying so obviously on individuals and their commercial ventures. 

A better future would be one where Oxford drew more astutely on the wealth its colleges have in reserve. One where innovation was promoted by paying tutors a decent wage rather than launching more architectural vanity projects. Where the University worked in smaller collaborations with charities, other universities, and groups of benefactors. Where an incoming Labour government sees the value of Oxbridge to the British economy and keeps funding flows stable. So of course I’m excited about the Schwarzman Centre – but there is undoubtedly a future where Oxford can hold its head much higher.

Sunak sets the date

Image credits: Lauren Hurley, No 10 Downing Street / Open Government Licence v3.0 via Wikimedia Commons

The optics couldn’t have been worse. Seemingly drowned by the rain and drowned out by the New Labour anthem of 1997, Rishi Sunak finally answered the question – he finally set the date. In turn, he has united his MPs more effectively than at any point during his tenure in Number 10. They are almost universally asking: Why now, why today?

The shock of this announcement should not be overestimated. For a political class that has been gripped by this question for months, no one other than eight or so trusted advisors had any idea what was to come until Wednesday morning. That was when rumours started to build and by the time ministers had been summoned at 16:15, the world’s press were already reporting the date.

So, onto that question of why. It seems that Sunak and his team (particularly Deputy PM Oliver Dowden) believe that they do have a story to tell. The previously held consensus that something might come up to disrupt Labour’s vast 20-point polling lead before the autumn seems to have run out of road.  

It is no coincidence that this announcement came the day that inflation numbers dropped to 2.3%, their lowest levels in two years. As of this month, the energy price cap is also starting to come down. Likewise, legal migration is falling with visa applications across key routes falling 25% from the start of the year. Most importantly perhaps, there is no longer any fiscal headroom for a potential pre-election tax cut come the autumn. On the surface then, Sunak might not be totally wrong. The real question is whether he, having just hit a personal low in favourability polling, is the person to tell that story.

In a similar vein, just a little digging into those numbers gives a much fuller picture of where the country is at. Economically, yesterday’s numbers were actually a disappointment to many economists as inflation fell slightly less than expected. Underlying numbers, not taking into account falls in energy prices, show that services inflation is still at 5.9%. By all accounts, this makes any June inflation rate cuts by the Bank of England unlikely. Chancellor Jeremy Hunt conceded himself yesterday on the Today Programme that British people felt “battered and bruised”.

Potentially worse for Sunak is that Thursday, the first day of campaigning, is set to be marked by figures on illegal migration. So far this year, small boat crossings in the Channel are up by nearly a quarter on last year and that is expected to get worse going into the summer. Even if you do believe that ‘stopping the boats’ is a viable policy on which to fight an election, it is another point on which Sunak is currently failing. If he wants to run this election on security, as he has intimated in recent days, his opponent simply isn’t as daunting as Jeremy Corbyn.

These signs point towards another line of reasoning from the Prime Minister. As opposed to waiting for things to get better, he has clearly made the calculation that they can only get worse.

To his credit, Sunak has made a somewhat bold decision and it would be foolish to claim at this point that any result was certain. There is almost no doubt that the current poll lead for Labour will narrow, possibly significantly come July. The challenge for Starmer to overcome the result of 2017 should not be underestimated. Labour still has policy to sort out, and there is little excitement so far from the electorate, despite its “First Steps” event last week.

Unfortunately for Sunak, though, if he had wanted to look bold and in control, his team let him down. From speaking in the briefing room inside Number 10 to the simple use of an umbrella, there were countless ways to avoid the catastrophic optics of his announcement on Wednesday afternoon. Instead, he stepped out to announce an election looking like a man already defeated, cutting and running.

The Conservative Party will tell you until they’re blue in the face that there is “no enthusiasm for Keir Starmer” and that he is “no Tony Blair”. That might be true – the Labour leader is polling nowhere near to his 1997 comparison. The reality, though, is that Starmer doesn’t need to beat Tony Blair: he needs to beat Rishi Sunak.

Students arrested during OA4P sit-in at University offices

Image Credit: Selina Chen


16 students were arrested during a sit-in staged by Oxford Action for Palestine (OA4P) at the University Offices in Wellington square. Protesters aimed to remain until they could speak to the Vice-Chancellor. The arrests were made after police arrived and locked down the building with 16 students still inside according to OA4P’s head of press. 

According to the version of events provided by protesters, the participants of the sit-in agreed to leave after police arrived but they were not allowed to when the building was locked-down. Police officers could not confirm the events or numbers when approached by Cherwell on multiple occasions.

As soon as police arrived at Wellington Square, OA4P began to mobilise wider support from the community and crowds outside demonstrated loudly and provided a human barrier for the protesters inside.

Around 150 protesters gathered outside the offices trying to block the main entrance to the building and stop police vans from getting through. The crowd chanted “let them go” on a loudspeaker and began to bang cutlery and pans to further disrupt police action. 

Police created their own line right outside the gate to stop any more protesters entering. Some police officers were also seen recording videos of the people chanting and showing support for those participating in the sit-in inside. Dozens of police cars and vans lined the nearby blocks.

OA4P expressed that the sit-in comes with a “renewed sense of urgency”, as they shared that “late last night, our encampment in front of the Pitt Rivers Museum was attacked yet again by a hostile actor armed with a knife.” The attack was attributed to the “Prime Minister, irresponsible media, and the University Administration” for making them targets through their “fear mongering.”

OA4P also stated that “the Administration has preemptively classified acts of nonviolent protest within the University sphere as threats equivalent to terrorist actions,” punishing protesters rather than negotiating with them. 

In a subsequent update this afternoon, OA4P said that 16 student demonstrators have been arrested. They also stated that the Vice-Chancellor was inside the University building and spoke with the student-protesters. The police also removed protesters blocking the police van.

Around 2pm, the protest advanced to outside of Keble College, where a meeting of the Conference of Colleges, attended by all heads of Oxford colleges, took place. The students occupied the reception area and security evacuated the café. Police arrived at Keble College and filmed protesters

A student from Keble College told Cherwell the protesters in the H.B. Allen Centre (HBAC) were attempting to force doors open and pull the fire alarm, while police evacuated residents of the building through a back door. Other protesters outside were chanting “stay outside” to the inside protesters.

Keble College sent an email to students warning those inside the H. B. Allen Centre to “not move from your rooms or any area inside.”

The 2025 Grid: F1’s biggest shakeup yet?

Image credit: Rubin16/CC BY-SA 4.0 DEED via Wikimedia Commons

With over half of the seats still left unclaimed, the 2025 Formula 1 season is looking like it could provide one of the biggest grid shakeups yet. There are potentially new rookies on the scene, drivers who have already lost their current seats, and one or two who unfortunately still haven’t found their feet. So without further ado I present to you my 2025 grid predictions albeit sprinkled with some wishful thinking (because a girl can dream…)! 

Red Bull

  1. Max Verstappen 
  2. Daniel Ricciardo – I know what you’re thinking… But Riccardo has showed signs of improvement in the past couple of races, and it is undeniable that he would respect team orders regarding a prioritisation of Verstappen. He also has plenty of experience under his belt and has worked closely with the team in the past. However, if I were to give Ricciardo the Red Bull seat, I would likely attach a performance-based quota to the deal stating that should he underperform in the early parts of the 2025 season he will be swapped with one of the two RB drivers (most likely Tsunoda, who has been on top form this season, but potentially lacks the experience to go straight up). 

Ferrari 

  1. Charles Leclerc 
  2. Lewis Hamilton 

Mercedes

  1. George Russell 
  2. Carlos Sainz – Sainz has already been offered an Audi deal but is holding out in the hopes of a Red Bull or Mercedes offer. He has been impressive in the Ferrari so far this season, so he is likely to have caught the attention of Toto Wolff. Other options for Mercedes include F2 protégé Kimi Antonelli, however rookies are expensive as they are more likely to cause damage and so Wolff might opt for a more experienced driver in Sainz. 

McLaren 

  1. Lando Norris
  2. Oscar Piastri 

Aston Martin 

  1. Fernando Alonso 
  2. Lance Stroll – While Stroll isn’t officially confirmed for 2025, he has a rolling contract with the team and is pretty much guaranteed his seat for as long as Lawrence Stroll remains in charge.

Williams 

  1. Alex Albon 
  2. Kimi Antonelli – Antonelli’s performance in F2 has been promising, and he is a favourite to gain a seat in 2025. He is currently part of Mercedes’ feeder programme; however he is likely to start off in Williams first (much like George Russell). In addition, Williams have put in requests to the FIA for Antonelli to drive in a couple of FP1 sessions, thus increasing the likelihood of him signing a contract with them. 

Alpine 

  1. Pierre Gasly – Alpine have struggled with driver dynamics over the past couple of years and are therefore unlikely to keep both of their French drivers. However, Gasly has frequently performed better than Ocon and is generally considered to be more popular with fans meaning that he is more likely to hold on to his seat. 
  2. Valtteri Bottas – Bottas is openly talking to other teams, suggesting that he is looking to leave the Sauber team. He is a strong racer and given he has already been linked to Alpine there is a good chance he could be racing for them in 2025. 

RB 

  1. Yuki Tsunoda – Tsunoda has been particularly impressive so far this season, regularly scoring points and placing in the top 10. He definitely deserves to keep his seat in RB and could potentially drive for Red Bull as well depending on if Horner elects for experience or boldness. 
  2. Liam Lawson – On Lawson’s F1 debut in 2023 he outperformed all Red Bull and RB drivers, proving he is absolutely worthy of a seat on the grid. Whilst there is a possibility for Horner to take Lawson straight to Red Bull, as previously discussed rookies can be expensive and I would argue that Lawson would need to prove himself on a larger scale before he could be promoted above both Ricciardo and Tsunoda. 

Haas 

  1. Ollie Bearman – Bearman’s debut for Ferrari earlier this year was incredibly impressive, and certainly marked him as one to watch in the coming years. Haas is generally considered to be an unofficial feeder team for Ferrari and so he is likely to be offered a seat here for his rookie season, with the potential for driving for Ferrari in the coming years. 
  2. Sergio Perez – Perez has proved time and time again that he is an experienced, reliable driver. However, his current pace is not matching that of Verstappen and so he will likely lose his seat at Red Bull. Nonetheless he is a strong talent which will undoubtedly be snapped up by the likes of Haas. 

Kick Sauber (Audi in 2025)

  1. Nico Hulkenberg 
  2. Esteban Ocon – Ocon taking this seat would mean Zhou loses his position on the grid. However, Ocon has frequently outperformed Zhou and with Audi taking over the team for 2025 it could be that they are after a complete fresh start. 

A note on drivers who would not be racing in 2025 under my predictions: 

  1. Kevin Magnussen – Magnussen has acquired ten penalty points in the opening races of 2024, meaning he is only two away from receiving a race ban. A race ban hasn’t been given out since Grosjean in 2012, suggesting that Magnussen is a potentially unreliable driver who is therefore unlikely to be offered a seat next year. 
  2. Zhou Guanyu – Whilst it is very unlikely that he will stay at Sauber, Zhou has reportedly been in talks with Haas, so in the event that Perez keeps his Red Bull seat, or is offered one elsewhere, we could see Zhou racing for the American team in 2025. 
  3. Logan Sargeant – Unfortunately I don’t think Sargeant has performed at the level required to keep a seat in F1. Having only ever scored one point in the Drivers’ Championship he has already been outperformed by the likes of Lawson and Bearman and therefore there is good reason to suspect he will lose his seat to the new generation of rookies. 

The competition of new rookies could certainly present a dilemma for drivers currently out of contract, however all we can do is speculate as we wait for news of driver transfers. F1 is unique in that its fans are often split between supporting a driver no matter where they drive, or a team no matter who drives for them. This adds an extra dimension to the driver market, and I for one am looking forward to watching it all unfold. 

Broadway, besties and Brian Cox: A conversation with J. Smith-Cameron

Image Credit: Roger Askew via the Oxford Union

J. Smith-Cameron would like you to know that she is not Succession’s Gerri Kellman. She gently corrects me when I slip up by describing her performance as the Roy family’s legal counsel and cut-throat consigliere as her ‘biggest’ role, and she is right to do so. The broadway-mainstay turned Succession scene stealer has had a fascinating career on both stage and screen, but recently she has been making time for one particular city that has become close to her heart: Oxford. 

Having first set foot in OX1 on a daytrip when filming the first season of Succession, Smith-Cameron was back in town for a talk at the Oxford Union to follow up on her headline appearance at Brasenose Arts Week last May. Her husband, Academy Award winning director and screenwriter Kenneth Lonergan “just loves it here. This is his idea of having a great time.” 

The two of them make up a certified showbiz power-couple, and have collaborated on screen multiple times, most notably in the 2011 epic movie Margaret, in which Smith-Cameron plays Joan, a veteran off-broadway actress. Smith-Cameron chuckles as she admits that “there’s a lot of similarities between the Joan character and me”. She maintains that Lonergan, or just Kenny to her, “tends to cast a lot of the same actors, but he doesn’t really write the parts for them.” She tells me that working with her spouse has its unique challenges: “he kind of took me for granted, but in a good way, you know?” The familiarity between the husband and wife duo meant that once the part was written, Lonergan put full trust in Smith-Cameron to take control of and develop the character, resulting in an incredible and highly acclaimed performance. 

J. Smith-Cameron’s ability to own her roles and flesh them out was pivotal to crafting Gerri Kellman into a fan-favourite character. “I don’t feel like I’m anything like [Gerri], but I did kind of make her up.” It’s impossible to think of Gerri without her iconically sharp glasses or the even sharper shoulder-pads of her power suits, both elements that Smith-Cameron personally brought to the role. Gerri’s no-nonsense personality was inspired by “two friends, both mothers of kids that went to school with my daughter, both in finance. They just have this very sarcastic and also very steely demeanour, and I just thought it was refreshing to see middle-aged women brooking no-one ever.” 

In real life, Smith-Cameron is far from the stone-cold killer she portrays on screen, but she has thought out the psyche of Gerri Kellman to the tiniest nuance. “There’s a quality that Gerri has that any confidence man has. I have to do two pitches: be saying one thing and rapidly thinking two steps ahead the whole time, and also trying to do that with a veneer of harmlessness.” When I ask her about Gerri’s role as godmother to Shiv Roy, Smith-Cameron replies that she “always found that as an interesting little aside, that [Gerri] is sort of actually part of the Roy family. It’s a family drama.” Reflecting on the series as a whole though, she reminds me that this fact“was sort of in the very first season and then forgotten, but that seems suitable, because it was as if none of those kids would care who the godparents were, or really even knew.I had sort of created that backstory that linked it all together”. 

However, Smith-Cameron was not the sole arbiter of what Gerri could and would do. When asked about her initial thoughts on the ill-fated love affair with Roman Roy, the actress told showrunner Jesse Armstrong that she believed that Gerri would “run a hundred miles an hour in the other direction”. Few viewers can forget Gerri calling the sleaziest Roy sibling a “slime puppy”, and Smith-Cameron offers me another damning assessment by saying that she “just can’t imagine anyone with [Gerri’s] gravitas being so swept off her feet by the likes of Roman Roy. He’s such a flibbertigibbet.” Fortunately for fans, she chose to put her trust in the writers who had  proven their ability to create  grippingly toxic and pyschosexual dynamics by enshrining TomGreg in the halls of Western canon. Smith-Cameron’s aversion to the idea was further reduced by the palpable on-screen chemistry she shared with co-star Kieran Culkin. She is almost indistinguishable from any other Succession fan, as she gleefully picks apart their relationship: “I don’t think she thinks of him as a sexual creature at all. But as time passed, I felt that Roman kind of got under her skin a little bit in spite of everything.” 

It comes as no surprise, then, that Smith-Cameron’s favourite scene to shoot was the last big interaction between her and Culkin’s characters. Roman’s attempted firing of Gerri finally allowed Smith-Cameron to let loose from Gerri’s typically reserved and measured temperament: “the thing I remember was being very dangerous and very very angry.” In one take, she even threw a bottle at Culkin, a creative liberty only afforded by the yearslong rapport she had built with the actor, having first met him on the set of her husband’s 2003 play This is Our Youth. 

Over the course of filming four award-winning seasons, Smith-Cameron tells me the whole cast and crew became “very attached to each other”. She describes Sarah Snook’s recent one-woman West End debut in The Picture of Dorian Gray as “dazzling, a real tour de force”, and tells me that she also has plans to see Jeremy Strong’s Tony-nominated performance in An Enemy of the People, but only after she catches Brian Cox in a Long Day’s Journey Into Night. Aside from the original cast, Smith-Cameron has grown particularly close to Zoe Winters, who plays Kerry in the final two seasons of the show, describing Winters as her “Succession bestie”.

Beyond her fellow actors, Smith-Cameron has heaps of praise for the showrunners. She agrees that the writing of Succession landed somewhere between stage and screen, with “language [that] was so heightened in scenes with real back and forth, whereas oftentimes in film and TV, you just have these little snippets, or sometimes there’s no words at all. People really had scenes and debates and they really used words, which is kind of refreshing.” Given the challenging task of mastering such fast-paced, quick-witted dialogue, Smith-Cameron notes that “it’s not by accident that a lot of the cast, really all the cast, had their roots in theatre.” 

Her favourite line in the show? The effortlessly chilling “but it doesn’t serve my interests” she delivers in the season 3 finale as she crushes the Roy siblings’ plans. Credit for that piece of dialogue goes, of course, to Jesse Armstrong, but the show’s creator isn’t entirely in Smith-Cameron’s good books: “that son of a bitch is never going to write a sequel to Succession.”

With my personal dreams of a Gerri-centred spin-off left in tatters, the question remains just what is next for J. Smith-Cameron. The answer is that she has no time for resting on her laurels, preferring to move on to the next project, as is the way of her industry. “You kind of have to keep starting over, you don’t get a job and stay there for years and decades. You have to keep going out and hunting for food: that’s perseverance.”

Up next on the agenda is to complete her conquest of the stage on both sides of the Atlantic, as she makes her West End debut as the eponymous Juno in Juno and the Paycock opposite Mark Rylance this coming October. Smith-Cameron’s excitement to take on the role is palpable, and the broad press coverage that her casting has received is testament to how much her profile has grown in recent years. Looking at a longer-term picture, Smith-Cameron tells me that she and her “Succession bestie”, Zoe Winters, are looking at getting behind the camera by writing their own project together. Smith-Cameron is tight-lipped when probed for any further detail. “I don’t think I should reveal,” she demurs, with the enigmatic rationale that “if we talk about it too much it evaporates.”


Evaporating screenplays aside, you immediately get an impression of total normalcy when talking to J. Smith-Cameron. She name drops Matthew Broderick and Mark Ruffalo in such a way that it makes it feel as if you too could be their friend. She is not one to lavish in her celebrity status; she comes across simply as someone who loves their craft, and does it exceptionally well. The ice-cold coyness of Gerri Kellman is a million miles away from Smith-Cameron’s natural affability, but the actress’ understanding of the character is down to a precise science. She can clearly be counted as one of Gerri’s biggest fans: she tells me that one of the friends who inspired the character is currently looking for a job. Her advice? “Oh, just tell them that the person who played Gerri based the character on you.”

The Art of Being Bored

L'ennui, Gaston La Touche Image Credit: Public Domain

Today, every corner of our lives seems to be filled with never-ending streams of information and vibrant entertainment. The concept of being bored has become almost extinct. Thanks to constant access to the internet and social media, fleeting moments of boredom are swiftly replaced with scrolling endlessly through feeds, binge-watching TikToks, or engaging in mindless meme sending. Amidst this abundance of stimulation, have we forgotten the art of being bored?

When I was younger, I used to spend every summer at my grandma’s house in Japan. I remember idly rolling around the mountains with no internet or anything to do other than watch dull daytime TV or dust off a comic from the 1970’s. When that got too boring, I had to get creative: toss a ball outside or rummage through my grandma’s watercolour paints, butchering a portrait of the family dog. But in all those exhausting hours that I spent stuck on the sofa, counting corners of chipped paint on the ceiling and recounting riveting scenarios in my head, I felt that I had truly understood what boredom meant. 

In fact, I must have invited boredom at times, tossing my phone to the side knowing that there was nothing that I could do with it. Even just a decade ago, we had little to do on phones, particularly when your phone plan only included limited texting and no data. Feeling disconnected from the internet was certainly the norm when I was younger, making me autonomously reach for other activities such as writing ludicrous BTS fanfiction or listening to my pirated Fall Out Boy album on my iPhone 4S. It did the job of letting time pass by. I had somehow allowed myself to be entirely unstimulated. Being “offline” didn’t mean temporarily deactivating your Instagram while bingeing Netflix, it meant quite literally having no way to get back to digital civilization.

The case is starkly different now; there is simply too much to do on your phone. When I feel even a slight wave of disinterest with my current activity, I reach for my phone on autopilot. Without even realising, I’m suddenly scrolling through wholesome cat memes on Instagram or finding out about the various species of dinosaur on TikTok, letting myself rot away. Finding external sources of entertainment, especially from such a pocket-sized object, is easier than ever thanks to the development of short-form content on social media. 

Enter “doomscrolling”. We’ve all done it. You open your phone and, as if by magic, your finger starts swiping down on one video after another. Doomscrolling is the idea of seeking out negative information online. Like watching a car crash, know that you could (and should) stop at any time but still somehow choose not to. I’ve certainly fallen prey to doomscrolling myself, which always started with an upsetting news article that led me down the dangerous rabbithole of true crime. When such information can be presented in bite-sized pieces, it’s easy to see how “just one more video” can easily escalate to a ten-part documentary. 

Doomscrolling (even in the most harmless sense) often makes me go into a trance of viewing one video after another, oblivious to the amount of time actually passed. After several hours, I watch the vibrant flashy colours swirl around me, the same pitched-up TikTok song haunting me in all crevices of my eardrums. It is only when I suddenly look up at my laptop and realise I only have two hours left to finish my essay, I ask myself why I just wasted so much time. Was looking at all those sad edits of One Day really worth it? I don’t think so. But at least it itched the scratch of needing to watch them. 

Dopamine, often referred to as the “feel-good” neurotransmitter, plays a crucial role in giving you motivation and satisfaction, controlling memory, mood, sleep, learning, and concentration, among other functions. Every notification, like, or share on social media makes us feel good and fulfilled, reinforcing the behaviour and fostering a cycle of constant engagement. It’s due to dopamine that many of us obsessively check the number of likes or comments a recent post has received. 

It certainly feels rewarding to enjoy the dopamine from social media, but the relentless pursuit for more stimulation feels vapid and unhelpful. Anna Lembke, Professor of psychiatry at Stanford University of School of Medicine, states that social media has revolutionised the way in which we access dopamine. It hits the four key criteria for being dopamine gold: it’s easily accessible; there is unlimited content; content is often combined with other stimulating elements like sex, gaming, or music; and novelty, as dopamine triggers are especially sensitive to new things. Over time, our brains become desensitised to smaller rewards leading to a need for more frequent and intense stimulation to achieve the same level of satisfaction.  Social media addiction is akin to other dopamine-centred addictions like drugs, sex, or gambling. Those with dopamine-related addictions suffer from restlessness and agitation, and their symptoms are associated with poor mental health, sleep issues, and in the case of social media, a decrease in attention span. Yet, while “with cocaine you run out of money, […] TikTok is indefatigable”, meaning that unless you really want to throw your phone into the sea, resisting the urge to go online is too painful. 

To combat social media addiction, some have attempted a “dopamine detox”, cutting off all forms of social media in search of a simpler, less stimulating life. Some may do a dopamine “fast”, turning their phone off for a short amount of time, whereas others may commit completely to removing social media from their daily routines. By restricting addictive activities, you find a way to resist the urge to feed those impulses, opting for less overstimulating ways like reading or physical exercise. 

But is there a sense in which – the compelling nature of social media stimulation aside – we are normatively averse to boredom? Boredom has long been stigmatised as a negative state of mind, heavily associated with feelings of restlessness, dissatisfaction, and unproductivity. In a society that values productivity above all else, the idea of being bored is often seen as a waste of time. 

On the contrary, we probably ought to spend more time being bored. Boredom provides the necessary space for creativity, mindfulness, and self-discovery. When we allow ourselves to be bored, we open the door to new ideas, perspectives, and experiences that might otherwise pass us by in the flurry of constant stimulation. In The Burnout Society, Byung-Chul Han writes that “boredom to the mind is like sleep to the body”. We often forget to decompress and appreciate that a clear, unstimulated mind can be beneficial in sprouting our creativity, although it seems paradoxical to think so. 

So how can we reclaim the art of being bored in a world that constantly bombards us with distractions? Instead of viewing boredom as something to be avoided, we can learn to embrace it and invite it as an opportunity for growth and self-exploration. Setting boundaries around our use of technology and even carving out dedicated time to just let ourselves be bored might be helpful, implementing small yet effective dopamine detoxes in our lives where we disconnect from the digital world and allow ourselves to simply be. 

By ‘dopamine detoxing’, we can also allow ourselves to find activities that truly cultivate a sense of flow and engagement without the need for external stimulation. As fun (and equally embarrassing) as it might be for me to be on level 6333 on Candy Crush, I can’t say that it makes me feel truly fulfilled. Whether it’s reading a book, going for a walk in nature, or pursuing a creative hobby, these moments of unstructured time can nourish our minds and souls in ways that digital overstimulation cannot. 

When we become overwhelmed with social media and the internet, rediscovering the art of being bored might just be the antidote to the pitfalls of constant stimulation. By embracing moments of stillness and allowing ourselves the freedom to be unstimulated, we can tap into inner reserves of creativity and inspiration. So maybe the next time you find yourself bored, you should just lean into it, wait a while, and see what exciting things it brings.

(Un)real beauty: Is AI the supermodel of our time?

Image credit: Kris Atomic / CC0 via Wikimedia Commons

In a world where images of AI-generated people are becoming indistinguishable from ones of real humans, Dove’s ‘Real Beauty Pledge’ was recently launched in a bid to keep beauty real, relatable, and removed from technology, upholding it “as a source of pleasure and self-expression” for women. However, with comparison culture forever rampant, to what extent can Dove’s marketing code bridge the gap between ‘real beauty’ and, problematically, real beauty standards? 

Launched in 2004, Dove’s original “Real Beauty” campaign aimed to redefine traditional beauty standards. In the aftermath of the 90’s ‘heroin chic’, their approach pioneered an important redirection that showcased a true range of body types, ages, and ethnicities. Cleverly conflating their brand’s image of clean and pared-back skincare with natural skin and nourishing ingredients, Dove proposed a commitment to care. It is an important position to have taken in a saturated skincare market that all too often overtly targets a customer’s insecurity and dissatisfaction. Recognising that consumers, especially young ones, have become increasingly desensitised to airbrushed and altered images of models and skin, Dove’s latest project “No Digital Distortion” Mark, and their decision never to use AI images, serve to be important marketing commitments that set a healthy boundary when it comes to the growing use of AI. 

Dove’s 2024 campaign, “The Code”, looks towards the future of “Real Beauty” by questioning what ‘realness’ means to us in a time where AI is being constantly filtered into our consumption of the media. Their awareness of the negative impact of narrow beauty standards is demonstrated through their most recent proposition to alter the delivery of beauty marketing campaigns by completely removing the use of AI. 

However, there is a risk that this proposition is short-lived given that their advert begins by showing AI-generated images of beautiful women. Despite Dove seeking to convert this narrative as part of their campaign, asking the public to “imagine a gorgeous woman according to Dove’s Real Beauty Ad”, there is still an implicit suggestion that people perceive conventional and clear-skinned digital women attractive. It is this perpetual desire for beauty, fuelled by discontent, that upholds consumerism. As such, there is also an approach to sales that must be acknowledged. According to a recent report from Unilever, Dove successfully achieved “its highest underlying sales growth in more than a decade in 2023, delivering €6 billion for Unilever”, revealing that Dove’s campaigns were highly influential in converting potential buyers into customers. 

Regardless of these caveats, an important discourse still underlies the campaign – reminding us that beauty standards are taught, spread, and learnt. Just as Dove’s campaign seeks to re-teach the diversity of real beauty, so too is it aiming to encourage its consumers to re-think how beauty standards are embedded in our daily discourse and experience.  

Yet, pressing further still, Dove’s “Self-Esteem Project”, a movement designed to instil body confidence in young people across the world by 2030, inadvertently recognises another factor at play when it comes to the cost of beauty: comparison culture. 

Speaking to students about their response to Dove’s campaign suggests that, whilst beauty campaigns may be vehicles to incite important discussions on the nature of beauty norms, their efficacy relies on comparison and dissatisfaction:

“The entire system of beauty and makeup brands is based on comparison to prettier people, so you’d have to dismantle the entire business model to stop it being based on comparison.” 

Comparison culture sneakily divides our true wants from our musts, enacting internal cycles of self-deprecation and a loss of clarity on what we actually desire, even before we realise it’s happening. Subliminally, beauty campaigns often enable a solidification of beauty norms and unrealistic standards. Yet, that whispering voice which sets out to undermine our experiences of social media and popular culture, seamlessly embedded into our daily interactions, is likely always to linger, regardless of whether marketing images are AI or real. In the last ten years, the constant array of articles aimed at understanding theories of social comparison testify to its underlying place in our daily lives and experiences. 

So, you ask, what is the solution to this blatant problem? Radical acceptance. This is the most effective means in which to pave the way towards self-growth and satisfaction. Yet, we must be cautious as the temptation to literalise Dove’s condition of ‘real’ beauty might also provoke the desire to reach an unattainable aesthetic and ineffable expression of realness in the first place. 

Today, an understanding and expression of beauty is heavily distorted by cosmetic surgery, photo-editing, beauty filters, and AI. It is a product of technological advancement that is likely to continue blurring our understanding of ‘realness’ unless images are explicitly labelled to reveal how they have been altered. With this in mind, Dove’s direct commitment never to use AI images offers both an important social commentary on the use of AI in beauty (and how it is marketed), as well as highlighting an increased need for brand transparency to distinguish AI-generated ‘skin’ from the norm. 

Whilst there is no doubt that Dove’s campaign is also a highly convincing commercial creation that supports their vision for obtaining natural, clean and nourished skin, it is also claiming a stance on the challenge of the impact of AI on social change. Importantly, Dove is exposing and recognising how AI is at risk of occluding our relationship to reality.   

Thousands line High Street to celebrate Oxford United’s promotion to the Championship

Image Credit: Tom Gardner

Thousands of supporters gathered on the High Street on Monday evening to celebrate Oxford United’s promotion to the Championship, confirmed after their Saturday win against Bolton Wanderers. An open-top bus parade, carrying the Oxford team and support staff, arrived at the Town Hall just before 7pm and was greeted by thousands of supporters blowing horns and waving flags in support of the team.

Supporters of all ages lined the high street from as early as 5.30pm, waving yellow and blue flags in support of the team. Excited fans let off several flares. Oxford City Council also flew the Oxford United flag over the Town Hall to celebrate the club’s promotion.

The buses set off from the Plain at 5.55pm and were expected to arrive at the Town Hall at around 6.30pm but were slightly delayed. They were accompanied by support vehicles from Thames Valley police and officers from the County Council.

Attendees included the Lord Mayor of Oxford, the leader of Oxford City Council and other invited guests and dignitaries. At the end of the parade, the players and club representatives were invited to attend a civic ceremony at the Town Hall.

There were no public speeches at the event but players engaged with the crowd, lifting the Trophy several times to great applause.

Councillor Susan Brown, leader of Oxford City Council, wrote on the Council website: “We’re delighted to welcome Oxford United to the Town Hall to celebrate their promotion to the Championship. It’s been 25 years since they last played in the second tier and there have been some very dark days along the way, which makes the victory all the sweeter,” she said.

Jim Goddard, Head of Safety and Operations at Oxford United FC wrote in advance of the parade: “We are all now looking forward to celebrating with the city of Oxford as we honour Des Buckingham and his team for their efforts. My thanks in particular go to Oxford City Council and Thames Valley police for being so supportive at such short notice.”

The event follows Oxford United’s 2-0 win over Bolton in the League One play-off final at Wembley to secure promotion into the Championship. During the parade, chants of: ‘Come on you Yellows’, ‘We are going up, we are going up’, and ‘Bolton get battered everywhere they go’ could be heard.

LIVE: OA4P encampment

24.06.24: 17:51
Update:
University fences off first OA4P encampment site

Oxford University fenced off the Natural History Museum lawn, where Oxford Action for Palestine (OA4P) built their first encampment, on Sunday morning. The University stated plans to reopen the lawn for public use and claimed to be in communication with the encampment, although this was denied by OA4P. 

13.06.24: 09.25
Update:
Exam Schools occupied: Exams in East School cancelled

Pro-Palestine protesters from an autonomous group have occupied a hall in the East School in Exam Schools before the start of some examinations. The exams, which were meant to take place this morning in the East School, have been cancelled.

Read the full story here.

06.06.24: 15.45
OA4P protest outside Oxford University Endowment Management offices

Oxford Action for Palestine (OA4P) has gathered outside the Oxford University Endowment Management (OUEM) offices to continue to press their demands to disclose and divest University funds. This demonstration follows today’s announcement that the University Administration has agreed to meet with students to discuss the demands of the OA4P encampment.

Demonstrators arranged bloodied shirts and fake bills outside the entrance of the OUEM building. These bills carried messages such as: “OUEM and Oxford University endorsers of murder”, “Oxford stop scholasticide” and “end complicity in genocide.” Similar bills were also stuffed inside the mailbox of the OUEM building. 

A spokesperson at the rally addressed demonstrators and said: “While we stand here, the money in this building is flowing towards arms manufacturing companies globally that are contributing to the genocide of Palestine people in Gaza.” We are here today as members of the Oxford Action for Palestine movement to demand that the University disclose its finances.”
One participant at the protest told Cherwell: “We’re here because after more than a month of protest, the University of Oxford and its subsidiary OUEM have shown no indication of actual, concrete movement towards our chief demands of the disclosure of their finances and their divestment.”


06.06.24: 09.30
Oxford University to meet with students from OA4P

Image Credit: Selina Chen

A month after the Oxford Action for Palestine encampment began, students announced that yesterday night Oxford University’s Vice-Chancellor, Irene Tracey, and other senior members of administration have responded to their email request for a meeting, and students are in the process of arranging a discussion.

Read the full story here.


01.06.24: 13.30
OA4P march through Oxford City Centre

Oxford Action for Palestine (O4AP) have organised a march from Oxford Brookes into Oxford City Centre. They have prevented the flow of the traffic and police are lining the street.

Over 400 protesters are participating in the march and chanting “Irene Tracey / Rishi Sunak / Keir Starmer / the Oxford Union you can’t hide, we’re charging you with genocide.” There were also shouts of “ceasefire now”.


30.05.24: 14:14
OA4P removes the encampment in Wellington Square as the rally ends.

After setting up camp outside University offices, protesters packed up their tents and walked to the encampment outside the Radcliffe Camera.


30.05.24: 13.35
Update: OA4P sets up encampment outside Oxford University offices in Wellington Square

Oxford Action for Palestine (OA4P) is protesting outside of Oxford University offices in Wellington Square. Surrounded by a growing crowd of 300 chanting protesters, OA4P has set up five tents on the doorsteps of the offices. This comes a week after police arrests of 17 students who entered the offices.

Heavy police presence watches the protesters. An officer told Cherwell that they’re here to “facilitate peaceful protests” and another officer said that the protesters have a right to be there and set up tents. Currently, police are not intervening but are ready in case anything escalates.


28.05.24: 14.40
OA4P hold a silent protest in front of the Sheldonian Theatre

A group of around 50 gathered outside the Sheldonian Theatre this afternoon to protest the destruction of schools in the Gaza strip. The protest, organised by Oxford Action for Palestine (OA4P), involved individuals surrounding multiple entrances to the Sheldonian Theatre, where a University meeting was taking place. Protesters held up signs which said: “Israel has damaged or destroyed 429 schools in Gaza” and displayed images of the destroyed schools. The protest was a silent protest and members of Oxford University Security Services were also present.


27.05.24: 09.30
Somerville College JCR passes motion calling for Vice-Chancellor’s resignation

Somerville College Junior Common Room (JCR) passed a motion on Sunday evening to release a statement, which included a demand for the resignation of Vice-Chancellor, Professor Irene Tracey, over her response to recent pro-Palestine protests in Oxford.

Read the full story here.


23.05.24: 19.58
All seventeen arrested protesters have been released on conditional bail.

OA4P told Cherwell this was evidence “refuting the narrative that anyone was violent.” They also denied the claim that their protest included a “forcible overpowering” of a receptionist during protests, a phrase used by Oxford University in their recent statement on the protests.

Read the full story here.


23.05.24: 19.55
Update: Oxford University condemns ‘criminal’ and ‘violent action’ of OA4P in new University response

Oxford University has released a statement about the recent protests organised by Oxford Action for Palestine (OA4P) and the arrest of 16 students that took place this morning during their sit-in protest in the University’s administrative offices in Wellington square. The statement describes the “direct action tactics” used by the protestors as “violent and criminal”, instructing them that “this is not how to do it.”

Read the full story here.


23.05.24: 15.00
Protests continue outside Conference of College meeting at H. B. Allen Centre

Around 2pm, protests gathered outside of Keble College, where all heads of colleges are attending the Conference of Colleges. The students briefly occupied the reception area, and security have evacuated the café. Police have arrived at Keble College and are filming protesters.

Read the full story here.


23.05.24: 13.30
Thames Valley Police launch drone from Somerville College quad

Thames Valley Police entered Somerville College to launch a drone from one of the Quads. Police told the College this was “to maintain the safety of individuals in the nearby protests.” Somerville College told Cherwell that “police had no business to be on Somerville College grounds” and once this was decisions as reached, they were asked to leave by Principal Jan Royall. The College asserted that: “we support and respect the right of all our students to protest peacefully.”


23.05.24: 11.55
Protesters block police van leaving Little Clarendon Street

A police van van trying to leave the sit-in down Little Clarendon Street is being blocked by protesters sitting on the ground holding up peace signs.

Read the full story here.


23.05.24: 11.15
Students arrested during OA4P sit-in at University offices

OA4P protesters staged a sit-in at the University Administration offices in Wellington square with the aim to remain until they could speak to the Vice-Chancellor. Some of the protesters have since been arrested after the police arrived at the scene and locked down the building.

Read the full story here.


19.05.24
Rally breaks out at the second OA4P encampment at the Radcliffe Camera

Following the expansion of the Oxford Action for Palestine (OA4P) encampment to the Radcliffe Camera lawn this morning, over 500 people turned out to a rally in Radcliffe Square. 

Read the full story here.


19.05.24
OA4P encampment expands to Radcliffe Camera lawn

Oxford Action for Palestine set up a second encampment of ten tents on the lawn of Oxford University’s iconic Radcliffe Camera library in the early morning of 19th May. Calling it “Liberated Zone #2.” The campers “will not leave until the negotiation process begins,” according to a statement.

Read the full story here.


18.05.24
Oxford graduates step over protesters during pro-Palestine ‘die-in’

Around 30 protesters staged a ‘die-in’ outside the Sheldonian Theatre and Bodleian Library Saturday morning during graduations. The demonstration comes after the University released an official statement which one activist described as “long and so incredibly empty.”

Read full story here.


17.05.24
Oxford College JCRs pass motions in support of pro-Palestine encampment

Several Oxford University junior common rooms (JCRs) have passed motions expressing solidarity with the recently established pro-Palestine encampment.

Read the full story here.


16.05.24
Pro-Palestine protests continue after Vice Chancellor’s statement

Over 600 gathered in front of the Clarendon Building on 16th May for a rally organised by healthcare workers and Oxford Action for Palestine students. Speakers discussed media co-optation of the ongoing encampment’s narratives and encouraged focusing attention on Gaza.

Read the full story here.


14.05.24
University statement on Palestine Solidarity encampment affirms right to protest, outlines investment policy 

The University today released an official response to the pro-Palestine encampment organised by Oxford Action for Palestine (OA4P) in an email sent to all students and staff from Vice-Chancellor Irene Tracey. 

Read the full story here.


09.05.24
Oxford Israel Society and Jewish Students For Justice release statements addressing pro-Palestine encampment

Oxford Israel Society issued a statement on Wednesday condemning the pro-Palestine encampment organised by Oxford Action for Palestine (OA4P), which was set up on Monday 6th May in front of the Pitt Rivers Museum. The Society condemned OA4P’s “failure” to mention Hamas’ role in the war in the Gaza strip and called on the University to reject the protesters’ demands.

Read the full story here.


08.05.24
24 hours inside the OA4P encampment

Mud swamps over grass where disintegrating cardboard and puddled tarp trace a crude footpath; wooden pallets provide the only solid ground. Upon this foundation lies Oxford’s Gaza Solidarity Encampment, a community supported by donations where students learn from teach-in lectures and look after one another. As a Cherwell journalist embedded in the camp for the first night, I didn’t scrounge for polished statements but documented the mundane details of life in the “Liberated Zone.” Here’s what I observed.

Read the full story here.


08.05.24
Pro-Palestine protesters rally in attempt to present demands to Vice-Chancellor

A group of around 150, organised by Oxford Action for Palestine (OA4P), rallied outside the Sheldonian Theatre during Vice-Chancellor’s awards on 8th May, aiming to hand their demands to Oxford University’s leaders.

Read the full story here.


07.05.24
Over 170 Oxford faculty and staff sign statement of support for students’ pro-Palestine encampment

Over 170 faculty and staff at Oxford University have signed an open letter expressing their support for the ongoing pro-Palestine encampment. The statement calls for divestment from Israeli actions in Gaza and for support for Palestinian scholars, following the destruction of all universities in Gaza. 

Read the full story here.


06.05.24
Pro-Palestine protesters establish encampment demanding University action

An encampment has been constructed in Oxford in protest of Israeli action in Palestine and calling for the University to “end complicity with genocide”. Students, faculty, and staff have gathered to demand that the University reveal and divest funding into Israel and arms companies, as well as boycott all institutional connections with Israeli universities. 

Read the full story here.