Wednesday 25th June 2025
Blog Page 1433

Our approach to abortion and disability is contradictory

0

In 6th week, Oxford held a Disability Awareness Week to help students find out about what disabilities mean to students in Oxford. It is an important thing: 9.8% of Oxford students currently have a declared disability, and it is encouraging to see more being done to raise awareness and support. On a national scale, the NUS has campaigned against discrimination, highlighting the fact that one third of disabled people between the ages of16-24 feel they have been discouraged because of their disabilities. But, I wonder, are our valuable efforts to tackle this feeling of discrimination being undermined by this country’s attitudes to abortion?

In 1990, the UK Parliament amended the 1967 Abortion Act so that abortion can now be performed at any stage in pregnancy, up to and including term, if ‘there is a substantial risk that if the child was born it would suffer from such physical or mental abnormalities as to be seriously handicapped’. The wording is deliberately vague, allowing considerable latitude for interpretation by doctors and lawyers of what constitutes a ‘serious handicap’. In 2003, Joanna Jepson, after researching government abortion statistics, highlighted a case of late feticide carried out at twenty-eight weeks in a foetus with cleft lip and palate, which is a gap in the lip and upper mouth. This condition is easily treatable with surgery, leading to no complications and normal speech. She asked the High Court to declare that this did not constitute a serious handicap in the context of the Abortion Act, but the Crown Prosecution Service declined to continue the case. I have friends with congenital amputations (parts of an arm missing) and mental illnesses, and I wonder how they must feel about this.

It was wonderful to see, even though my little brother was born dangerously prematurely after 26 weeks of pregnancy, that he was kept alive and well by a fantastic neonatal team. But our attitudes to abortion have led to surreal situations in major NHS hospitals like Oxford’s John Radcliffe. In one operating theatre a group of highly trained professionals are engaged in a sophisticated medical procedure, the sole aim of which is to salvage an unborn baby whose life is seen as precious and uniquely valuable. Yet in the adjacent operating theatre a group of highly trained professionals are engaged in a sophisticated medical procedure with the sole aim of destroying an identical unborn baby who is seen as disposable, and whose life has been rejected by both parents and society. The two operating theatres are functioning under two mutually contradictory ethical traditions. One worldview has been held by much of the world throughout history: by the Greeks, Romans, and much of the East. It has recently been revived in the West, with Professor Peter Singer of Princeton University a leading proponent. He says we should recognise that the worth of human life varies. Singer argues that “we should treat humans in accordance with their ethically relevant characteristics”, including the capacity for physical, social and mental interaction.

The inevitable conclusion from this argument is that society consists of a hierarchy –the Scholar and Blue’s Player, then the ordinary adult students, then the non-persons: babies, the brain-damaged, the mentally disabled, Alzheimer’s sufferers. All of us fit somewhere in the pecking order, and the value of life goes up or down according to the passage of events. I am deeply uncomfortable with this world view, yet it is prevalent in our society. Following this materialistic worldview to its conclusion, Singer concludes that ultimately both abortion and infanticide are acceptable options. To Singer, it is inexplicable that we are prepared to abort a foetus with Down’s Syndrome, but are not prepared to kill a new-born baby with the same condition.

In vivid contrast to this is the understanding of human rights explicitly founded upon the Judeo-Christian worldview: that humans are made in God’s image, and thus have a unique dignity and an incalculable value. Therefore we are all equal. Males are equal to females, adults equal to children, the disabled equal to the healthy. God himself has placed his image within each of us and so it follows that we respect and care for one another as fellow image-bearers.

But what of the mother’s right to choose what she wants? Shouldn’t people be free to make their own decisions? This autonomy is the basis of the ethics that I am taught as a medical student. I respond, are we really autonomous? Do the decisions we make based on our understanding of the value of life really make no practical difference to other people? Is society just a collection of private individuals doing their own thing? The fact that disabled individuals have protested against the abortion of affected foetuses is evidence that this is an inadequate view of both society and of the value of human life. And yet until we recover the Judeo-Christian understanding of human value and dignity, which flows from a theistic world view, we will be living a contradiction: saying that we support the rights of disabled students, yet undermining that support with our attitude to disabled foetuses.

The arrogance of L J Trup’s victory should be condemned

0

You’ve got to admire LJ Trup. He landed a speculated £20,000 salary, as well as the CV points that come with being president of the student union of one of the best universities in the world. And he managed it all without giving a single thought to a policy that could improve the lives of Oxford students.

The result shocked many, but will have consequences beyond the student community. OUSU serves as our only direct method of negotiation with the University, and it will now be rendered ineffectual by Trup’s leadership.

The Vice Chancellor, who recently recommended increasing tuition fees to £16,000, must feel a greater degree of freedom to speak against students’ wishes in the knowledge that students care less now about representation than ever before.

Yet the effect of the election has even wider scale consequences. We’re all aware of the influence the University has – the Daily Mail, Independent and BBC all reported on the result – and Trup’s victory sends a clear message about students’ growing apathy towards decisions which affect their lives.

It seems clear that students are more eager to witness a joke election than be properly represented. Considering this, is it really a surprise that the government is so happy to break promises on tuition fees and go ahead with the privatisation of student loans? If we care so little about voicing our concerns, we cannot expect them to be considered in government policy on higher education funding.

However this isn’t just about university and national policy. OUSU does some excellent work, it’s just that a lot of this is aimed at the most vulnerable. Consider a few of OUSU’s campaigns; ‘It Happens Here’ raising awareness of sexual assault, ‘Mind Your Head’ supporting students with mental health problems, WomCam, the Campaign for Racial Awareness and Equality, the Disabled Students campaign and the LGBTQ campaign. Instead of working on raising awareness on these real and serious issues we’re left with a president who has promised us a collection of crayon scribbled joke policies.

I’m shocked at the arrogance of students who, just because they are free of mental health problems or financial difficulties, are happy to undermine our entire student union. One student’s tweet summarised it perfectly; “I can’t help but feel that Trup’s victory is a spit in the face of people who genuinely need OUSU’s help by those who don’t.” Perhaps if we had the empathy to realise that OUSU’s work is important to students in positions that are different to ourselves, then maybe we would’ve taken the election more seriously.

Of course, the election wasn’t a complete disaster. The humour added some much needed relief to the elections, and Trup’s stunts meant that voter turnout increased.

It is also promising to see an unorthodox candidate win, especially since candidates are so frequently written off – hopefully in future elections students will no longer need backing by OULC or Prescom before being considered a contender. It seemed Trup even surprised himself with his popularity, with a confused article in The Oxford Student to try and justify his campaign. He wrote of how he was fed up of student politicians dominating OUSU, which allegedly overshadowed progressive ideas that could improve students’ lives.

A bizarre claim, given that he ran a campaign which was fixated with charisma, extroversion and personality, without a single achievable policy on his manifesto. He also criticised slates for being “undemocratic.” However we are now in a situation where our OUSU president is free to choose whatever serious policy he decides on after winning the election, since he was busy planning cheap attention-seeking stunts beforehand.

We lack any policies to hold Trup accountable to – is this not the most undemocratic option of them all? As the joke wears off, students must feel a little deceived. “Read what candidates are saying and interrogate them” he suggested, whilst conveniently immunising himself from such interrogation by suggesting policies as ludicrous as building monorails.

It seems that LJ Trup is the quintessential student politician, with neither policies nor proposals of how to improve OUSU. Trup wants OUSU to be run by “fun students”, but we must remember what OUSU is for. There is nothing comical about mental health problems, sexual assault or homophobia; OUSU’s purpose is not to make students laugh. It is there to represent our views and to work on issues which affect students.

Maybe you’re lucky enough to not need a lot of the support it provides. But that’s not a reason to render it useless for those who do rely on its services. Turning OUSU into a joke is arrogant and immature; it deprives vulnerable students of essential support and leaves the entire student body without a voice.

Are Oxford terms too short?

0

Will Railton: No

Bridge, Wahoo, Camera, Camera, Park-End, Bridge. As you gaze back on all you’ve achieved this term, you are confronted with the realisation that time in Oxford congeals into one homogenous headache. Still, you refuse to acknowledge that the anguish of your interminable essay has been punctuated only by Varsity’s torturously formulaic reprieves.

You’ve run out of different ways to ask that guy you once spoke to in Fresher’s week what he did with his weekend or how the Orienteering society he set up is faring. As with most other people in college, after eight weeks, you’ve scraped the barrel for things to say. You know it and they know it. Having reached the point when the small talk can’t get any smaller, all either of you can do is smile aggressively, and nod, safe in the knowledge the vacation is long enough for a silent floor-stare to be socially acceptable — after all, neither of you will remember how horrifically awkward this conversation was by the time you get back.

Park-End, Camera, Wahoo, Bridge. The carousel has started to make you nauseous, but you still don’t get off. You could go and see a play, a debate or a talk, but you don’t. Like victims of Stockholm syndrome; you’ve become grateful for your shit sandwich. You tell yourself that you and your sandwich want the same things, or something like that. You bemoan your philistinism, acknowledging that your cultural curiosity extends no further than Daft Punk (but they’re French, actually, so that’s okay) and a fascination with Katie Hopkins, Tindr and the sidebar of shame. Meanwhile, you find your discussion is limited to the contents of BBC Sport Gossip. And criticising Katie Hopkins, Tinder and the sidebar of shame.

You really ought to go home; the real world has been falling apart without you. If you were relieved that your parents had managed to keep their mid-life crisis hidden before you left, they will have become symptomatic in your absence. Armed with the disposable income they’d been wasting on you the last 18 years, they’ll have e-smoked and Bikram’d their way into ridiculousness inside the mobile-home they once told you was being kept for a rainy day.

Camera, Bridge, Camera, Camera. 8th week is certainly the worst of them all. We get that inevitable, temporary euphoria during the last days of term because we are finally free to appreciate our time here on the tail-end of essays and tute sheets. Buoyed on by the notion that we might always have it this good, we tell ourselves that next term, things will be different. Why? Because we’ll have done all our reading before 0th week. Because, like a nightmare dramatised by Samuel Beckett, we can’t leave Oxford. What’s worse is that we don’t want to.

 

Robert Walmsley: Yes

When I first came to Oxford, I was told I would only have time for two of three things. These three things were sleep, work or a social life. The reason why it resonates, with Oxford students, is there is a high degree of accuracy to this idea. Oxford terms are famously intense, so much so that when they end Oxford students enter a state rather similar to hibernation. The truth is all those late nights and early essay deadlines really do take their toll.

It does not take long, even for the most unobservant fresher, to realise Oxford terms really are not long at all. By the time term ends, you experience the entirely contradictory sensation of both feeling you have just arrived, but that an infinite amount of time has passed. Oxford students are the last to start their terms and the first to finish them.

The intensity of Oxford terms, it is argued, allows students to make a lot of progress in a small period of time, but would Oxford students really do less well if terms were longer? The long gaps between terms arguably lead to students falling out of practise and forgetting much of what they learnt the previous term. Furthermore, students are paying £3,000 for 8 weeks of teaching, working out at a pricey £375 per week.

If a student happens to be ill for even a week and has to go home, they miss over 12 percent of their term. The brevity of Oxford terms also makes it immensely difficult to maximise the opportunities here. There are always several things going on at once, meaning students have to carefully choose their commitments.

It is also hard not to have sympathy for the freshers who suffer the fate of having an essay set on the first week of their arrival.

Given all these reasons, it is not at all unreasonable to think Oxford could still be the serious and academic place it should be, with longer terms. In fact, students would benefit immensely from it.

There is also a serious issue of student welfare, involved in the question of whether Oxford terms are too short and, as a result, too intense. Students often to seem to disappear for weeks under the burden of work. The higher incidence of mental health issues at Oxford, compared to other universities, as well as the phenomenon commonly labelled “fifth week blues” are all symptoms of the problem with terms, which are too short.

If you asked most students whether they would like longer terms the answer, from the majority, would almost certainly be yes. Exhausted students lead to essays exhausted of ideas and problem sheets riddled with errors. Longer terms would mean better academic results and more time to enjoy the university experience, which most of us are now paying an awful lot more money for. If the University is not taking the idea of extending terms seriously, it most certainly should be.

So we’ve lost the Ashes, now what?

0

At about half past four yesterday morning I gave up. As Ben Stokes’ brave century innings came to an end – and even the faintest hopes that any Englishmen may have harboured of clinging to the Ashes were extinguished – I couldn’t quite bare to listen to the institution that is Test Match Special describing Mitchell Johnson tearing through the England tail, yet again.

It has been a painful month or so following the Ashes this time round. For a kid whose first real taste of cricket was the, now almost-mythical, 2005 series, watching England being simply blown away has been a weird sensation. That’s not to say that they’ve not been extremely poor in that period since ’05, just go back to the 06/07 Ashes whitewash for proof of that, but there has been a disturbing lack of fight around this England team that, a ginger northerner excepted, seems to have settled around the squad like a dense fog. Perhaps Jonathan Trott’s sad withdrawal due to illness is a microsm of the issues at play here, because far too many senior players just haven’t had their head in the right place. 

It’s hard to say why Alastair Cook’s form has been such a pained mirror image of his last trip down-under, and explaining how Matt Prior has gone from England’s player of the year just last June to a shivering wreck behind the stumps is equally mysterious, but to me what stands out is the way in which both batsmen and bowlers have struggled to show any fight.

The Aussies have had David Warner at the top of the order; infamous during the British summer for his pugilistic impulses, his aggressive demeanor has been channeled far more productively into making runs this winter. Meanwhile Mitchell Johnson has turned the English lower order into some extremely tentative bunny-rabbits. As much as Joe Root was clearly standing up Warner in a Walkabout bar over the summer months, he hasn’t been quite so pugnacious on the flat Aussie wickets. Kevin Pietersen deserves an article all too himself, but in playing his own little sideshow game in every innings he’s looked out of touch in more than one sense of the phrase. As a collective, the English side has failed to – forgive the simplistic cliché – want it as much as their antipodean counterparts.

I could continue to explain the deficiencies of the remaining English players, the coach, and even the selectors, but that has been done very well in a great number of other places on the internet. Instead let’s have a think about what happens next. The Australians are fired up and desperate to repeat the whitewash of seven years ago, whilst the English reaction to what has probably seemed inevitable for a while will be both fascinating, and incredibly telling.

The problem is that, for all those calling for wholesale changes, there isn’t a massive selection of options out in Australia. By all accounts, the three tall fast bowlers – Tremlett, Finn, and Rankin – are all just as mentally scrambled as the current XI, whilst from the batting ranks, Jonny Bairstow at least doesn’t seem to be trusted by the hierarchy. There’s no point in flogging dead horses though, so I’d like to see the likes of Bairstow, Gary Balance, and Finn given a shot. This Aussie team isn’t comprised of superheroes; perhaps a few younger players in a situation without the pressure of trying to retain the urn might be able to make a bit of an impact? Even if they fail, we’d have learnt something about there ability to face up to the likes of Warner and Johnson.

What I really want to see though, is an England team which worries Australia. I don’t think that’s even come close to happening yet this series, but it would make the late nights in the company of Boycott, Aggers, and the rest less like Chinese water torture. Let’s see Mr. Cook powering past 8000 test runs, Ian Bell continuing to look like a world XI batsman alongside his teammates rather than in spite of them. Let’s see Graeme Swann and James Anderson remind us how good they are, and best of all, it’d be great if we could get back to calling Shane Watson Mr. LBW.

Because if we can’t beat our Australian cousins, teasing them has to be the next best thing. And we can’t do that if we end up on the end of a 5-0.

Review: Nebraska

0

★★★★★

Five Stars

Filming in black and white within a world of colour cinematography is always a risky business. It has to feel intrinsic to the film or else you are left with monochrome monotony, never far from ‘Instagram’ levels of filter superficiality. Fortunately, Nebraska’s greyscale cinematography is entirely necessary. Bleak, grainy, muted and also darkly beautiful, it’s hard to imagine such a film being made in colour at all.

Retired mechanic Woody Grant (Bruce Dern) believes he has won one million dollars. Having failed to convince Woody that the competition is a scam, designed to sell magazines, his son David (Will Forte) agrees to take him to Nebraska where Woody can find out the unfortunate truth for himself.

En route, they stay for the weekend with an aunt in the town in which he grew up, meeting an array of family members and old friends who are unusually interested in Woody, under the impression that he is a millionaire.

The portrayal of old age and family relationships strained to breaking point by greed and miscommunication is hard-going. There are suggestions, though there is no concrete evidence, that Woody has dementia. Dern, permanently confused and disorientated, conveys this brilliantly. Surprisingly though, Alexander Payne allows the film to be lightened by the supporting characters. Woody’s wife Kate (June Squibb) and his two nephews Bart (Tim Driscoll) and Cole (Devin Ratray) are hilarious, perfectly counterbalancing a difficult subject matter.

Bruce Dern’s hard-to-watch performance was a worthy winner in the Cannes Festival ‘Best Actor’ category and he deserves a nomination at the very least when it comes to Oscar season, yet the film is also desperately funny and beautifully heart-warming. Hardship is juxtaposed with hilarity and Payne’s black and white world assumes a vibrant colour by virtue of the characters inhabiting it.

#copsoffcampus: Don’t target police officers

0

I was sitting in the London Science Museum in South Kensignton, staring at a revolving globe depicting currents, weather patterns and lighting at night across the earth when I realised I really should be somewhere else. Although the #copsoffcampus protest had started roughly an hour earlier, and much of the action – including an attempt to take over Senate House Library – was over, I decided to make my way to Goodge Street to see if there was still much going on. 

I rushed out of the tube and made my way to the University of London Union (ULU), where a debris of scattered banners was all that remained of the protest. I moved on to SOAS, where a large group of protestors were making their way into Russell Square, and ended up embarking on a tour of London including Leicester Square, 10 Downing Street and Westminster. As a non-Londoner, the walking tour was certainly welcome. 

I’ve been to a few protests before, and have often been disheartened at the sight of young idealists taking the limelight and embarking on long impassioned speeches with elaborate sentences but little substance to speak of, clouding the real issues at stake. And, indeed, the issues being brought up by the protest in London last week were certainly important; increasingly bogged down by extortionate fees and smothered by police action in a number of universities, students certainly had plenty to shout about.

As thousands of us marched – or rather strolled – down London streets on our tour of the capital, I made my way to the front of the march, where a group of masked students were waving anarchist flags, and a sound system had been attached to a trolley in order to provide an upbeat soundtrack to the protest. 

In general, the protest was peaceful and constructive, with students flowing down the streets and shouting slogans or simply chatting as they made they way through London. Being a protest sparked by police action, moments of tension with police themselves were to be expected. In the few clashes with the police which I witnessed, my overall impression was that, whilst a select few sought a direct confrontation with police cars – at one point jumping on a police van, throwing garbage bags on it and repeatedly bashing it – the overwhelming majority of students present had no such intentions, and actively discouraged the more excited protestors to desist. 

However, the general attitude of the protest, with slogans such as “No Justice, No Peace, Fuck The Police”, together with a number of verbal attacks on individual police officers, made me think that perhaps many of the students protesting last week were slightly off the mark in the target of their protest. No doubt the police as an institution has been widely discredited recently; endemic racism and cases of undue violence within the police force have made many people – including students – distrust their agents of justice. There is no doubt either that responsibility has to be acknowledged, and that important changes – including a debate to drastically reconsider what role the police is meant to play in public life – must take place for that trust to be regained. The case of Mark Duggan, whose face was printed on many of the banners held by students last week, is perhaps the most high-profile, relevant example of the police’s weaknesses as an institution. The outrageous case of police spying on Cambridge students as revealed earlier this year is another. 

However, the officer on the street is simply too easy a target for student anger. Most officers are not too dissimilar to the average citizen. Their wages have also been cut, their children also pay extortionate fees to study at university, they also have bosses to answer to. By confronting the police as a whole, and in particular the individuals stationed across London last Wednesday, rather than seeking institutional responsibility, the #copsoffcampus protest attempted to simplify the issue: despite playing an important part in highlighting the need to address flaws in the police force, the protestors obscured the more complex, systematic nature of the problems.

Interview: Dannie Abse and Hannah Ellis

0

As 2013 and 2014 converge, so do the anniversary celebrations of two major Welsh poets, Dannie Abse and Dylan Thomas. During 2013, Cardiff born doctor and poet Dannie Abse celebrated his 90th birthday and published his latest collection Speak, Old Parrot, nominated for the TS Eliot Prize. The arrival of 2014 will mark the centenary of the birth of Dylan Thomas, the celebrations for which are being led by Hannah Ellis, his granddaughter and President of the Dylan Thomas Society.

In the grounds of Magdalen College, Hannah and I sit overlooking the Cherwell River within sight of Holywell Ford, a red roofed and vine covered house, where Dylan Thomas lived between 1946 and 1947.  Thomas’ oeuvre spans groundbreaking poetry, largely written in his teenage years, prose such as his autobiography Portrait of the Artist as a Young Dog, and plays for voices including Under Milk Wood. Although she never met her grandfather, (the child of Dylan’s only daughter Aeronwy, she was born over 25 years after the poet’s early death, in 1953 at the age of 39), Hannah not only looks like him, she is also his official spokesperson, and is balancing life as a public figure, primary school teacher, wife, and mother.

Dylan’s work has provided Hannah with a way of interpreting her own experiences. Her favourite poem is ‘The Force that Through the Green Fuse Drives the Flower’: “Three and a half years ago my mum died, and my son was born within three weeks of that. I saw clear examples of what the poem is about: life and death.” In the face of her grandfather’s contentious reputation for heavy drinking and womanising, Hannah doesn’t indulge in denial, but calls for “a fair picture, a truer picture … he often would sit with just a pint of beer and watch the locals, and always supported the underdog.”

The centenary is an opportunity to refocus attention from the sensationalism epitomised by the 2008 film about Dylan’s life The Edge of Love, back onto his work: “Everything needs to come out; even the negative must be explored. I think we need a bit more critical analysis to reintroduce people to his work.  She adds: “I think the centenary celebration is in a strange way not about the centenary. It’s an opportunity. For me, it’s the start; the legacy is the important thing.” Hannah’s portrayal of her grandfather is earnestly honest, an attitude I encounter again in Dannie Abse’s house in North London.

The door into Dannie Abse’s tidy, book-lined study creaks loudly.  He laughs: “It’s like me! Old and creaky!” The same humorous honesty pervades the rest of the interview conducted at his large, altar-like desk. Our last meeting was at his 90th birthday meal at an Indian restaurant in south Wales, in a roomful of attentive Welsh literati as he read from his latest book. Abse writes poetry, plays, and prose, including his early autobiography Ash on a Young Man’s Sleeve and his novel The Presence which won the 2008 Wales Book of the Year award. He has written and edited 16 books of poetry, and was recently awarded a CBE. 

Speak, Old Parrot is a confrontation with old age, the transition from being the youngest of three brothers to being the oldest person in the room. Admitting that “people don’t like to recognise themselves as old” Dannie sees his poems as part of the process and the product of self-recognition; from his armchair, he speaks in almost-poetry: “poetry is not an escape from reality, but a motion into reality.” Dannie seems to share Hannah’s desire for an undeceived prospect of the world, but for a non-religious doctor, the objective reality of old age is often bleak. Dannie is reading the memoirs of his friends; he shows me his bookmarked copy of Walking Wounded: The Life and Poetry of Vernon Scannell, an old friend he met in Soho.  When asked ‘what’s next?’ his humour emerges again in a darker shade: “just stick around for a while, is all.” 

All poetry must confront mortality, whether prematurely as with Thomas, whose work was always haunted by transience, or, as with Abse, after a career which, now in its tenth decade, could hardly have been more illustrious or productive. Young dog or old parrot, long career or short, these two authors exemplify the power of words in the face of the realities of the human condition. In Speak, Old Parrot, the poem ‘Parrotscold’, mourns the loss of a loved one:

 

“yet though Beatrice is no more and nothing,

Beatrice is, her shadow hidden in the shade.

So this nightfall, with all your debts to her

Unpaid, raise high and higher the full red glass.”

 

Review: The Hobbit – The Desolation of Smaug

0

★★★☆☆

Three Stars

A little over a decade ago it became a de facto Christmas holiday requirement to watch the latest Lord of the Rings film on its release in cinemas. After 2003 the franchise bowed out with enormous box office success, a sack full of academy awards and a vast following of fans. A decade later and here we are again; a J. R. R. Tolkien book, adapted for the screen in an epic trilogy, of which The Desolation of Smaug is the second instalment. Peter Jackson is again at the helm as Director. Almost all of the cast from the original trilogy have been brought back to reprise their roles. The stunning panoramic backdrop of New Zealand is laid out before our eyes on screen, just as before. The marketing, posters, even the soundtrack are almost identical to those of the earlier films. Why change what once was a winning formula?

Desolation finds our ensemble of characters (a familiar hobbit named Bilbo Baggins, several dwarfs, and Gandalf, an equally familiar wizard) continuing where they left off from last year’s An Unexpected Journey.That is, embarking on a perilous journey to ‘The Lonely Mountain’ where they intend to slay the mountain’s occupying dragon in order that the gold it jealously guards can be repossessed by said group of dwarfs. Whilst on their journey, they counter giant spiders, an ‘evil’ forest, blood-thirsty orcs, a dragon (named ‘Smaug’ – hence the film’s title) and generally the sort of villainous fodder well accommodated for by Computer Generated Imagery.

This is a very difficult tale for audiences to emotionally invest in. Its centrepiece is a group of greedy, mistrusting, selfish and rather vain dwarves convinced they were unjustly ejected from their homeland by an equally greedy dragon. They are willing to sacrifice everything – including their allies, and even each other – in their quest to repossess that homeland. Their prime motivation in recapturing it is not any particular affinity for the place, but rather a lust for the vast treasure of gold and jewels that dwell within. We also learn that one among their cohort (‘Thorin’) is the direct heir to a Monarchical dwarf ruler that presided as ‘King under the Mountain’ before being ejected, along with his kin, by the aforementioned Smaug.

These dwarves are presented on screen with an absurd degree of moral authority and legitimacy, and we as an audience are in essence asked to endorse the pursuits of an acquisitive hereditary dynasty seeking to recapture its familial wealth through the use of force, whilst ignoring their cynical manipulation of the naïve hobbit accompanying them and their eliciting cooperation from those they encounter by promising a share of the gold they anticipate recapturing.This stands in marked contrast to the self-sacrificial efforts to destroy the ring of power – a source of corrupting, absolutist authority – which made The Lord of the Rings and its heroes easy to invest in and enjoy. Reading his correspondence with friends suggests that Tolkein was fully conscious of the moral ambiguity of what the dwarves in The Hobbit were seeking to undertake, but on screen this ambiguity seems to have eluded Peter Jackson.

What saves Desolation from the status of An Unexpected Journey (which was dreadful) is a series of highly engaging action sequences and equally engaging lead performances. Although it runs to some two hours and forty minutes, the film does not feel unduly long, nor the plot in any way ‘stretched’ to meet the running time (both traits being present in the first film). There is also the welcome distraction of Bilbo’s developing relationship with the ‘Ring of Power’ he has come to possess, and the lengths he goes to in order to protect and conceal that relationship from his peers, all played with surprising panache by Martin Freeman. Yet the inescapable conclusion is that The Hobbit trilogy so far is simply no match for that of the Rings, and Desolation is at best a pleasant cinematic distraction for a lazy Christmas weekend, rather than a cinematic tour de force.

The internet needs to stop resembling the Wild West

0

It came out recently that the website Ratemash has been linking the Facebook profiles and photos of unknowing Oxford students, for the anonymous throngs to pass judgment upon whether they are ‘hot or not’. Meanwhile, Twitter has attempted to amend its blocking rules, so that a blocked user could still see everything the blocker did. The firestorm that forced Twitter to back down aside, these two incidents, taken together (along with countless others), are a chilly reminder that, in the total freedom of the internet, individuals have surprisingly little independence from the passions and trespasses of the mass of humanity – and that enterprising behaviour can give the NSA a run for its money, when it comes to profiting from intrusions on private autonomy.

Whatever one’s views on the lately-revealed NSA surveillance apparatus, it is inescapable that its sort of activity is very much in keeping with the broader patterns of the online world. It is neither subversion of the internet’s original purpose, nor is it much of a departure from the behaviour of any of the corporate giants among whom almost the entire online infrastructure is partitioned. The billions and billions of pounds reaped by internet companies, and the accompanying explosion of human creativity and expression, rest upon the systematic harvesting of private information, no less inextricably than the early industrial revolution was built on the brutal exploitation of mill-workers and navvies. In both cases, the organising principle is the absence of any structures beyond those that emerge from the aggregation of purely private interactions.

If you want to remove your face from Ratemash along with your private information, all you can do is appeal to the conscience of the website owner, hoping there aren’t any strong financial incentives for them to ignore you. Facebook and Google have access to a vast amount of your personal details. If you want to ensure that this is never sold in bulk to advertisers or employers, all you can do is petition to this end and try to forget the ease with which these companies unilaterally change their privacy policies. Never mind, the magnetic appeal money has to them. These companies breathlessly tout their reluctance to cooperate with the NSA, as if that shows a real sense of obligation to their customers, but all it proves is that there’s no fortune to be made in state espionage. Spying for global capitalism, in contrast, has been proving infinitely more worthwhile – and they’re getting better at it.

The problem with a laissez-faire approach is that it places on the shoulders of the individual total responsibility for the consequences of their decision, as it percolates throughout eternity, including in ways one couldn’t possibly have expected it to. The unintended cumulative effect of a billion freely-made decisions has been the construction of an online world where privacy is breached on an industrial scale, under the banner of profit as well as national security. Moreover, it is a world in which constant access to hard-core pornography is now accepted as normal – a fact which could end up emotionally crippling an entire generation. This is to say nothing of the entire subcultures devoted to revenge porn, pro-ana propaganda and encouraging self-harm and suicide.

It would be less pressing if the internet was still a vast virtual playground, but it is not. Nowadays, it is yet another field of human social interaction – simply one more cylinder within our complex societies, whose dangers we accept because of the opportunities afforded by it. A commitment to a life online is a necessary precondition for full participation in society. Yet there is no proper discussion about extending the social contract to cover it. In the streets, in airports, in parks and at school, there is an expectation that the state will give some measure of protection, even at the cost of our total freedom of action. That is to say, there are public structures alongside the aggregation of private autonomy, which are accountable to society as a whole.

In a democratic society, public and private structures need to find a balance; this has been done (perhaps unsatisfactorily) in the physical world. But online, private always seems to trump public. We need a proper debate on where the actual limits should be – public structures of enforcement (not just ‘like’ counts and appeals to conscience) to protect Facebook pages from being unwittingly linked to lascivious websites, to curtail the permanent memorialisation of youthful mistakes and, in the longer term, maybe to protect women and men from the institutionalised degradation of easy-access pornography. The Wild West internet, like the Wild West itself, was always an illusion, evoked to justify the gradual hardening of an order predicated on exploitation; now we need an internet safe for democracy.

We cannot end NSA spying without also ending intrusion from Facebook and Google, because they are two sides of the same coin. To end both, however, requires extending public institutions until they are not only present but accepted online. The idea would be a world where the police treat Twitter death threats like real ones, where wholehearted measures would be taken to give parents control over their underage children’s access to pornography, where pro-ana websites would be treated like what they are – incitements to violence. There would be laws and effective enforcement mechanisms specifically dealing with the trade of personal information, by social-media companies. It is the internet’s blessing, and our poor fortune, that its emergence occurred at such a low point for our institutions of democratic governance. My hope, however, is that by opening a debate on replacing internet anarchy with internet democracy, we can revitalise and reclaim those institutions in every field of human life.

The 5 biggest music baddies of 2013

0

5. Rebecca Black

The internet went into meltdown when teen star Rebecca Black, who rose to fame in 2011 with famously awful music video ‘Friday’, released a follow up; ‘Saturday’. Maybe it’s a bit mean calling her a music baddy. It was, like, really bad, but amusing in a oh-dear-what-has-teenage-society-come-to sort of way. The song and video, produced with YouTube musician Dave Days, saw Miss Black recover from her Friday night partying and eat cereal, before hitting the beach and heading to a wild party with a Miley Cyrus look-a-like (there’s no escape!). Well at least it was entertaining.

4. James Arthur

Poor James. Like most of the X Factor winners, I sort of feel bad for him. A year after winning, who even is he? Someone who makes ill-advised homophobic insults, clearly. “You f***ing queer,” said Arthur in his “diss rap” to MC Micky Worthless, triggering an on-air apology when he made a repeat appearance on the X Factor earlier this month. As a result of the slur, he tweeted “#LOVE to my fans but I’m coming off twitter. HQ will be doing all my tweets from now on. PEACE!” Probably for the best.

3. Justin Bieber

When will this torment end? The hair may be shorter, but the crotches have got lower, he’s started assaulting photographers, and the all purple has been replaced by all white (eughhhh). If that wasn’t offensive enough, he showed up three hours late to his London show, disappointing hundreds of little girls, and he has punished twitter and instagram with topless snapback selfies and poor grammar. To make matters worse, he recently decided to release a new song every Monday. Lucky us.

2. Miley Cyrus

2013 was the year of the Miley takeover. The tongue brandishing songstress dominated and disturbed our TV screens, radios, and newsfeeds. She was even the butt of the winning gag in a Christmas cracker joke competition. It was all pretty repulsive, but Cyrus’ twerking and mockery of African American culture was probably the most disturbing. That and the foam finger thing, which was a bit weird.

1. Robin Thicke

The misogynist of the year award goes to the creepy Simon Cowell lookalike Robin Thicke, and his big… ego. The video for ‘Blurred Lines’ had lots of lady bums and boobs, whilst the three male stars were nicely covered up. Funny that. As the terrible singer stumbled his way through the repeated line “I know you want it,” feminists balked in disgust. It was so bad in fact, that several Oxford JCRs banned it from bops and areas around college, following a trend set by Edinburgh University. Intelligent and respectful students of Oxford, I implore you: next time ‘Blurred Lines’ comes on in a club, instead of tearing up that sticky dance floor shouting every sexist lyric, stand still and silent in protest. If not because of its horrible sentiment, because it’s an utterly rubbish song.