Wednesday 25th June 2025
Blog Page 1440

50th anniversary of C.S. Lewis’ death celebrated

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Memorials marking the 50th Anniversary of C. S. Lewis’ death have been taking place across the country in the last week.

To mark recognition of his literary achievements, C. S. Lewis has been honoured with a memorial stone in Poets’ Corner, Westminster Abbey. The writer died at the age of 64, on the 22nd November 1963.

Though not primarily known for his poetry, Lewis’ memorial lies in the company of renowned literary figures such as Chaucer, Dickens, the Bronte sisters, and John Keats.

The memorial stone in Poets’ Corner is inscribed with words from one of Lewis’ theological lectures, “I believe in Christianity as I believe the sun has risen. Not only because I can see it but because by it I can see everything else.”

The writer is perhaps most famous for his Chronicles of Narnia series, which has sold around 100 million copies worldwide, however Lewis also wrote several philosophical, religious, and poetic works, including ‘The Allegory of Love’, and ‘The Four Loves’.

To celebrate his life, the ceremony in Westminster Abbey was led by Former Archbishop of Canterbury Dr Rowan Williams, a self-professed fan of the writer, on the 22nd November.

Events have also been taking place in Belfast, Lewis’ birthplace, including a C. S. Lewis trail through East Belfast, and an art exhibition by Jonathan Barry, named ‘Through the Wardrobe’.

Magdalen College have also run events to celebrate the writers’ achievements and remember his contribution to the college as a Fellow from 1925 to 1954.

Lewis won a classical scholarship to University College in 1916, however did not come up to Oxford until 1917, in order to train in the university Officers’ Training Corps during the First World War.

In 1919 he returned to Oxford to read for classical honour moderations, in which he gained a First in 1920. Lewis also achieved a First in English Language and Literature in 1923.

Magdalen elected him Fellow and tutor in English in 1925, and it was here that he formed the famous writing group named the Inklings, of which J. R. R. Tolkien was a member.

Amongst his other contributions to the University was the Socratic Club, a Christian discussion group founded by Lewis in 1942, and of which he was president until 1954.

The College was represented at the Westminster ceremony by the President and Simon Horobin, Professor of English Language and Literature and Tutorial Fellow at the College.

Magdalen also screened ‘Shadowlands’ on the evening of the 22nd November, a film based on Lewis’ life and partly filmed in the college.

A series of lectures were also hosted at the college, given by world-leading experts on the writer, on the following day; the day was concluded with a special dinner in Hall to mark the occasion.

One student remarked positively on the celebrations, stating that it is good to see Lewis’ wider literary achievements recognised and the memorials in Westminster Abbey updated, as a demonstration that “classics don’t just have to be old.”

Research council increases STEM investment

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A £350 million increase in national investment into science and engineering will create about seventy new Centres for Doctoral Training (CDTs).

The initiative, set to help 3500 postgraduates undertake doctorates in engineering and physical sciences, will see 6 Oxford-led CDTs, and the institution will “play a leading role in several others”, claims an article on the official university website.

The announcement was delivered by Universities and Science Minister David Willets at a press conference last Friday. He was reported in the Telegraph as having said prior to the statement that the work of engineers can “inspire innovation and drive growth across a range of sectors, from manufacturing to financial services.

“I am particularly pleased to see strong partnerships between universities, industry and business among the new centres announced today. This type of collaboration is a key element of our industrial strategy and will continue to keep us at the forefront of the global science race.”

The PhD training grants are to be allocated by the Engineering and Phyiscal Sciences Research Council (EPSRC). 1000 partners contributing a total of £250 million will support the centres.

The chairman of the EPSRC was reported to have said, “These new centres will give the country the highly trained scientists and engineers it needs and they will be equipped with skills to move on in their careers. The standard of applications for Centres was very high and more could have been funded if we had the capacity.”

The article on the university’s website said, “Covering everything from chemistry to statistics, biomedicine to mathematics, aerodynamics to archaeology, the Oxford CDTs will give hundreds of doctoral students the skills and expertise to take on a wide range of research challenges relevant to science and economic growth and develop into the research leaders of the future.”

The proposal has been met with a warm reception from affected undergrad students: Zain Khawaja, an Engineering student at St Anne’s, said, “I feel that such initiatives will greatly aid in the development of new technologies in the near future.”

“I hope to specialise in biomedical engineering and am excited about the prospect of one day being able to make a noteworthy contribution to science. This investment will create opportunities for young scientists to explore new ideas; and develop a greater understanding of the world around us.”

Yet not all students across the university see the specialised centres as a benefit. Rhushub Haria, a St Anne’s Classicist, observed, “Another nail in the coffin for arts and humanities.”

Flasher warning for Hugh’s students

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Students at St Hugh’s were warned to be extra vigilant after a flasher exposed himself on two separate occasions in University Parks earlier this week.

In a round-table e-mail entitled ‘Personal Security’ sent to everyone at St Hugh’s over the weekend, college officials advised caution after reports of “men attempting to expose themselves” were submitted. They added that a box of personal alarms would be available for free in the Porter’s Lodge.

Students were also reassured that the college would be liaising with Thames Valley Police until the situation was resolved. Indecent exposure, more commonly known as flashing’ is illegal under the Sexual Offences Act 2003.

Whilst the individual responsible for the incidents remains at large, those concerned for their personal safety were instructed to contact Oxford University Security Services (OUSS) or St Hugh’s Porter’s Lodge.

A spokesperson for OUSS said, “Students travelling in and around the University Parks area should be vigilant, especially at night. Stick to well-lit areas and major footpaths and travel in pairs or groups where possible.

“Take particular caution if someone approaches you. If you find yourself in immediate danger, call the Emergency Services using the 999 number. If this is not possible, then make use of personal alarms or shout ‘fire’ or ‘call the police’ – there is evidence that this gets more reactions than shouting ‘help’.”

OUSS also stressed that no one had been injured or threatened during these offences and that there was no need for undue alarm. Those with further concerns were urged to contact OUSS or visit their website for additional resources. As an ongoing investigation, details of the incidents or those involved have not been made public. Thames Valley Police also declined to comment.

St Hugh’s is currently the only college known to have sent out advice in a personal safety e-mail. Other colleges adjacent to University Parks like Keble and LMH have yet to send out similar warnings.

Jack Stroud, a Hugh’s student, commented, “I wasn’t aware of this before the e-mail brought it to our attention. I’m not sure if the incidents involved students specifically from St Hugh’s, it could very well just be a general warning.”

One Keble second year told Cherwell, “I would say that common sense serves you best. These things happen every so often, but it’s wrong to be excessively intimidated by one or two people who want to make life difficult for everyone.”

Christmas Light Festival brightens up St. Giles

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The streets of Oxford were lit up by hundreds of lanterns on Friday night to mark the start  of the Christmas Light Festival.

Around 500 children from local schools carried lanterns in a procession up Cornmarket and St.Giles street to signify the beginning of the three day festival. The parade was led by a lantern displaying the face of Oxford philanthropist and car manufacturer William Morris on it. This was followed by handmade lanterns of all shapes and sizes, including a car, a plane and even a flying horse.

The festival also showcased a variety of musical and dance performances, as well as a festive christmas market and fairground attractions. There was even a makeshift grotto where children were given the opportunity to meet Santa and his real life reindeer.

Keble student, Dani Edmunds, commented that, “The fair had such an exciting Christmas atmosphere and it was the first time I’d been on chairoplanes for ages! It made me feel so festive.”

First year student, Chee Man also enjoyed the fairground, noting that, “You’re never too old for merry-go-rounds!”

Over the three days, the festival, which was co-ordinated by Oxford City Council and Ian Nolan Events, attracted thousands of people to the streets of Oxford. Many roads were temporarily closed to accommodate the festivities, including the whole of St Giles and some of Broad Street.

This was the first time the festival had taken place over three separate days and Oxford student Claire Paulus was very enthusiastic about it. She said, “I enjoyed it, as frankly who doesn’t like a carousel or chairoplanes? I would happily go again next year.”

Keble student, Christian Davidson, also explained that the festival allowed everyone in Oxford to come together. He commented that, “ It was lovely to see a full cross section of society participating, including the infant schools in the procession. As a suburbanite, it was also a rare chance to enjoy city events such as they are.”

People’s Supermarket shuts for good

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The People’s Supermarket in Cowley will be closing its doors on Sunday after nearly a year and a half of trading, following a decision made last week by its members.

At an Extraordinary General Meeting on 19 November, an “overwhelming majority of shareholders” agreed to wind up the company behind the financially beleaguered social enterprise and close its Cowley Road premises, members were told in an e-mail.

The fate of the supermarket has been uncertain for some time, as debts have eclipsed sales for a number of months. Despite fending off possible court action in September by coming to an agreement with Oxford City Council on overdue business rates, the company still owes its landlords £7,000 in back rents and another £7,500 towards a deposit on the premises, as well as debts owed to other creditors. The landlords have given the company notice that they should vacate the premises by 1 December.

A variety of factors have conspired to lead to the supermarket’s current dire financial straits: in March, a fire devastated the neighbouring Cycle King bicycle shop, and subsequent restoration work led to severely reduced foot traffic and lower sales. In addition, a generous 20% discount scheme for members who volunteered to work in the supermarket meant that the margin on many products was low to non-existent.

There have also been problems staffing the supermarket. It has been run exclusively by volunteers since August, when all paid staff were made redundant due to budgetary constraints, and in some instances volunteers could not be found for all shifts, meaning the shop would sometimes unexpectedly close, reducing trading hours and leading to confusion for customers.

Anton Saverimuttu, interim general manager of the People’s Supermarket, cited the size of the supermarket’s premises as an additional factor. He said, “As you can see, this area is far too big for what we need,” he said in an interview with Cherwell. “The rent is proportionate to a commercial property of this size. It’s just that we can’t pay the rent because the space is too much.”

Despite the difficulties, Saverimuttu underlined the fact that this closure would not be the end of the People’s Supermarket. Instead, he and other members envision a “revamp”. The e-mail sent to members following the EGM read, “[We] want to think about appropriate future formats for TPS that will allow us to pursue our core shared values of promoting locally-sourced produce, reducing food wastage and bringing people from the local community together.”

Such future formats might include a smaller location in the same East Oxford neighbourhood, as well as a new approach to the range of products sold. Until now, the supermarket has sold generic and brand-name products alongside locally-sourced fruit, vegetables, bread, and eggs, and prepared food from its “People’s Kitchen”. Saverimuttu says a future manifestation of the People’s Supermarket might focus more on local items and catering, and less on items “you can get in any supermarket”.

When asked what other lessons he has taken from the People’s Supermarket’s rocky experience thus far, Saverimuttu said: “This place is a business. You have to pay the rent, you have to pay the business rates, you have to pay all the bills. So you have to make sure that the co-operative thinking doesn’t interfere with the business. It’s got to be a business first, then a social enterprise. I think we forgot that somewhat.”

The People’s Supermarket’s last day of trading at 124 Cowley Road will be this Saturday, 30 November, when they hope to sell off the last of their perishable stock before putting the rest of the supermarket’s supplies into storage in preparation for its next iteration.

Jesus makes charity video

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A Jesus College Charity video, aiming to raise awareness for the College’s Charity Race Night, features the college’s principal Lords Krebs and Butler John Jackson among a number of Jesus students. 

The video was the brainchild of Aida Alonzo, Jesus College JCR Charities Representative, who recruited a contingent of Jesus College students and officers to participate in a sprint race.

Alonzo said, “I asked some of the characters of college… and a selection of staff to take part, and Lord Krebs and John Jackson the college butler agreed.”

The recruits were then filmed competing against each other in a short “mad dash” on Angel Meadows.

Some of them sported exercise gear, including “Hello Kitty Sports” armbands and green Hi-Vis shirts.

Lord Krebs is seen performing the thigh muscle stretch, sticking out his tongue and remarking, “Any student who beats me gets sent down.”

Ariel Gregory, Jesus College MCR President, said, “I think that Aida did a great job in garnering support from members of the staff, SCR and JCR.

“Both Lord Krebs and John [the college’s butler] were especially good sports about collaborating – which is unsurprising, given their participation in the Town and Gown 10K every year – and it seems to show both the community and sense of humour we’re lucky to have at Jesus.”

Another Jesus College student shared similar sentiments, stating, “I think the video was a really great idea: it managed to get everyone in college involved – including the kitchen staff, porters, our principle, and some of college’s least athletic names.”

She added, “It really raised awareness for the event, and made a big contribution toward charity. It was funny rather than serious which I think made all the difference.”

The oddball mixture of contestants, dubbed “Jesus’s finest specimens,” also lifted some eyebrows. A Jesus College student said, “One of the contestants arrives in high heels and a feather boa. She made a surprisingly good attempt at the race though however.”

Likewise, Lord Krebs’s efforts did not stray from the lime light. As another member of Jesus College noted, “It’s just so funny seeing the principle in his race gear.” 

The Jesus College Charity Race Night, which the video was made for, saw students bet on a multitude of horse racing clips. The winner received a £40 bar tab and two runner-up prizes were also on offer. In accordance with Jesus College’s bar policy, no real money exchanged hands.

The evening also featured popcorn and candy floss stalls, and numerous fairground games, such as apple bobbing and ball toss.

Aida Alonzo added, “The event was to raise money for charities that will be elected in the end of term ballot, so they have still not been decided.”

The Charity Video proved popular and has currently garnered 44 Facebook likes.

Lord Krebs ultimately finished second, behind Jesus College Academic Affairs Representative Jamie Tabbert. It is yet unclear whether Tabbert will receive the professed punishment

Queen’s shortlists architects for refurbishment

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This week, the Queen’s College released a shortlist of six architects competing to secure a refurbishment project for its Grade II listed Florey building, which houses the college’s freshers.

The forty year-old building is regarded as a fine example of post-modern architecture, and was recently selected by the Guardian as one of the top ten student residences in the world, but has fallen into disrepair. The consultancy firm Malcolm Reading has been selected to run the competition.

Substantial refurbishment to the building is required, and an expansion of capacity is planned from 79 residents to 100. According to the competition brief, a successful application, “Must balance respect for Stirling’s original vision with a high-quality upgrade of fabric and services. It must also address the wider site area for the inclusion of new accommodation, social and modern facilities as well as improving and refreshing the overall setting.”

Malcolm Reading, chief organiser of the competition, spoke to Cherwell. “The 1960’s and early 1970’s saw a significant boom in new architecture on educational estates in the UK…Many of these buildings were ambitious in form and construction. The materials – concrete, brick, patent glazing and felt roofs – were unforgiving in use and susceptible to poor maintenance.”

“The Florey Building presents many technical problems but there are advances in glass and insulation technology that give us a great deal of confidence that the building can be made to perform to current standards, whilst maintain its unique social and architectural aspects.”

All of the architects shortlisted have had experience in renovating high-profile twentieth century buildings. Malcolm Reading comments, “We are delighted by the quality of response to our call for expressions of interest. These teams are highly seasoned, astute practices who are in their prime.”

The winner of the competition will be announced in 2014. Alfred Burton, President of Queen’s College JCR, is excited about the project. “I have lived in the Florey building, and found it as memorable as Tony Abbott, who mentioned it in a speech last year. The all-absorbing cork floors and flaking paint show that it is need of a thorough revamp of decoration and fittings and I agree that this is in the best interest of all students at Queen’s.

“I helped to show the shortlisted architects round Florey today, and am confident that they will produce imaginative designs that will transform the building into one of the best halls of residence in Oxford.”

Exeter students damage photocopier owned by The One Show

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A group of Exeter students have been asked to write letters of apology to the BBC after they damaged a valuable photocopier being stored in their JCR by makers of The One Show.

The team from The One Show were in Oxford on Wednesday 13 November to film Children in Need and were storing the photocopier, reportedly worth £2,500, in the college JCR overnight.

Students returned from a night out and began photocopying parts of their anatomy, including their faces, which resulted in damage to the photocopier. Those involved were recognised by photocopies of their faces left in the JCR, and have been reprimanded for their actions by Exeter’s Junior Dean, Dr Rini Adriga.

According to one Exeter student, who wished to remain anonymous, “Basically what happened was, the BBC stupidly went and left a plugged-in photocopier with paper etc in our JCR on a Wednesday night. Everyone went to Park End and got plastered and went back to the JCR to eat their Hassans.”

The student added, “People started photocopying their faces and other body parts but were too drunk to make sure they picked up all the copies of their faces.”

There have been suggestions that the BBC team were tempting fate by leaving the machine in such a public space. Another student, who was not involved in the incident, commented, “If someone leaves a photocopier lying about then it’s inevitable that drunk people are going to find it hard to resist having a play. But of course this is no excuse and I know that the people involved are very sorry.”

Dr Adriga declined to comment on the incident.

Review: Pericles

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★★★★☆
Four Stars

This lively production of Pericles, of which Shakespeare is believed to have written exactly half of the lines, is a highly creative, if not always smoothly unfolding, example of student drama. The audience enters the tiny – or intimate – Burton Taylor Studio to find the actors ranked in seats against the wall, in plain black costumes with appropriate accessories, but apparently out of character. 

The production’s concept is an ambitious one: 47 characters are rendered by only seven actors. With a plot line as scattered as this travelling drama/comedy/romance, confusing the audience was a very real danger. One way the cast successfully negotiated the challenge, however, was by making intelligent use of simple, symbolic character markers in the costume shifts. Bright silken waistcoats, furs, the occasional royal bling, pirate bandanas, and PVC parkas were alternately donned by the actors as the scenes advanced from one side of the world to the other. Costume props were also used to serve the efficient portrayal of action, with for instance the death of the royal nurse Lychorida being conveyed by Gower, the narrator-figure, swinging a scarf over her nose and mouth from behind. 

Costumes aside, the actual stage setting was turned into a makeshift map of the hero’s peregrinations, and some of the main narrative points (“MARINA R.I.P.”, for example). The characters took turns in tagging the pleasantly authentic brown paper which covered the stage background. This both helped our understanding of the play’s developments and hindered our enjoyment of their dramatization of it: while characters were engaged in pivotal moments of the plot, in the background their fellow actors would be squeakily and distractingly scribbling their current status (generally, the options were dead or alive). 

The cast themselves were bursting with enthusiasm. The desperate King of Tarsus pulls off his balancing act between extravagance and self-pity, comic scepticism and heartfelt gratitude. The same actor had, in the opening scene, been a fabulously gaudy and truculent Antiochus, the incestuous King. Helicanus, Pericles’ councillor, was convincingly rigorous and upstanding as the loyal and straight-talking man of state. His capacity for conversion was also impressive, as he donned a coat of unforgettable pink mohair and lace night cap to play the Bawd. His nasal-voiced mincing was farcically over-the-top, as he literally vibrated with outrage at Marina’s virtuous triumph over the clients he presents her with.

He and his co-actress switched genders to play their respective roles as Pandar and Bawd. The transformation of Pandar’s posture, accent and tone was equally remarkable, given that instants beforehand she had been the nobly devout princess of Pentapolis, Pericles’ queen and mother to Marina. Likewise, she had been a good evil figure as Dionyza, the calculating and deceitful queen of Tarsus, boasting a brilliantly Machiavellian chuckle and two-faced facial expressions. Despite this drastic change in style, the grotesque pair made by Pandar and Pimp had the audience frankly laughing at their sheer lewdness, as they deftly played on lines like “are you a woman” (asked of an actor blatantly in drag).

Gower’s clear diction and dramatic poise warrant praise, as do his incredibly rapid metamorphoses in the “tournament” scene, in which he embodies a hilarious stream of caricatural princes vying for Thaisa’s hand in marriage. Her father, King Simonides, was an adorably contented figure, eager to see his daughter wed and not overly subtle about it either (notably, “What do you think of my daughter?”). Eavesdropping with delicious innocence, he carried off his portrayal of a besotted father and pliable king effectively. Marina, for her part, jumped around with a naive and gold-hearted playfulness which suited her reputation as a “paragon” of innocence and grace, and almost undoes the assassin Dionyza mandated to kill her out of envy.

The one low point in terms of acting was, astonishingly, the play’s hero, Pericles himself. He started off at a somewhat flat vocal level, so that his speech often sounded like a droning recitation He tripped up in a number of monologues or every few lines in the dialogues, and once or twice garbled scene endings, perhaps, in his defence, because of the rapid pace of the play. His body language was also distinctly jarring, perpetually cross armed, and if not then hands in pockets; while he seriously lacked virulence in his reactions (his horror at learning of the royal incest at Antiochus is quietly non-existent). Admittedly, the cast were not unilaterally perfect either, also occasionally stumbling in their lines. It must be said that Pericles’ performance improved vastly as he warmed up, as with his persuasively sheepish singing bit as he charms the Pentapolan court in a bid to win their trust (and their princess). Mercifully, he finally reached believable levels of dramatic engagement by the time his wife died in childbirth.

Pericles’ ingenious, hands-on approach to staging demonstrated great inventiveness. Self-consciously theatrical, it managed to join lighting to text thanks to a superbly in-sync tech crew. Stark, white lighting was a good choice for the first tragic crux of play, Thaisa’s “death”. And when Thaisa is more or less magically brought to life in the recovery scene, the dimmed, amber-tinted lighting and beam-strung fairy lights were a technical match for the scene’s live, mystical chanting, while her revival was mimicked by increasing the brightness.

All in all then, this production of Pericles is a really innovative take on a quite ramshackle, but fertile, piece of Shakespearean drama. Although things fell apart during the performance (crate tumbling, glasses spinning across the boards, the land “ridges” on the background map steadily falling off with surprisingly loud clatters), setting and props were fantastically exploited by the imaginative team.

On a side note, it’s always good to see a production break from gender specificity, and the earnestness with which the actors take on their multiple roles testifies that they – rightly – fear no ridicule. With live guitar playing and singing, they are versatile and deft at keeping the stage feeling like an on-going party. And if the price of boisterousness is a slight tendency for miniature technical catastrophes, this cast is far too compelling and creative for us to hold it against them, and Pericles makes for a riotous, genuinely fun night of theatre.