Saturday 18th April 2026
Blog Page 1446

Interview: Eagulls

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Eagulls are angry. After controversial Halloween costumes, anti-establishment lyrics, and one particularly pissed off letter, it’s quite clear this Leeds native quintet are not just another skinny jeans donning, mop topped indie boy band here to talk about chasing girls and fucking around. They’re punk, in every natural sense of the word, right down to frontman George Mitchell’s initial interview mumble, later converted into a John Lydon-esque insightful commentary. Two weeks after the release of their self-titled debut album, we talk about the record, punk, Mitchell’s list of annoying stuff, and people who dress as smurfs (unsurprisingly, the last two are not mutually exclusive).

The origin of Eagulls is simple. “It derives from feelings about everyday life.” But for Mitchell, daily thoughts extend further than how many sugars to add to his tea. Top track ‘Yellow Eyes’ is “about [his] views on institution and religion. I think a lot of other people share my views.” But true to form, “It’s quite a brash sort of sounding song.”

Eagulls have been celebrated for their no-nonsense, hard, guitar driven music, whilst maintaining listenability. Music journos have labelled it “melodic punk”, much to the easily fired chagrin of the frontman, who dislikes the term.

Following the success of all-female punkers Savages and garage rock duo Drenge, Eagulls have released their debut into the perfect environment of a punk comeback. But unsurprisingly, Mitchell disagrees. “I don’t think it ever ever went away. It’s just one of those things where people are only allowed to hear what they’re given. The music industry might let punk disappear off the radar a bit, and even now, it’s not trendy and it’s not cool, but I think people see its importance a lot more.”

Mitchell believes the reason for punk’s importance has changed. “It’s more like a format for creativity. I think people will say that punk is the inspiration of writing or making art. When it came out in ’76 it was a lot more important because it was a bigger shock.”

“But nowadays I could walk into the shopping centre and set myself on fire, and it wouldn’t really disturb too many people. They would forget about it in about a week anyway.” I ask about Mitchell’s morbid assumption. “Back then, if you did something memorable then people would remember it, but I honestly think now that there’s nothing that can stand out anymore. Modern day living’s a lot faster paced. That’s why people keep, not regurgitating genres, but taking inspiration from them, and using them as a tool for their voice.” And this is no less true for Eagulls. “I love all kinds of music. I listen to all sorts of music; I don’t just listen to and get inspired by punk. I take more inspiration from everyday life; seeing things and hearing things, but we use the punk sound as a channel for it to come out.”

Last year, Mitchell revealed to the world that music is not his only outlet for self expression. An open letter was posted on the band’s blog, dissing “beach bands sucking each other’s dicks,” who “become known to the music industry heads due to the fact you are girls or have girls in your band.” Those were some of the nicer quotes. Despite now making it a closed letter, Mitchell appears to have no regrets about voicing his opinions on the music industry over blogspot. “Every day I write something, either weird, witty or truthful. And that day I had a little bit more time than usual, so I decided to take a picture of [the letter] and put it online. A lot of people took a lot of interest, which was very strange. The strangest part is the way others gained attention from it, for their own music blogs and things like that.”

And he’s still as annoyed. “That was about a year ago, so there’s now probably more stuff that annoys me just as much. Everyday something aggravates me; and I just add it onto the list. That list is probably huge now. I don’t know where it is, I should have kept it; framed it and given it to someone.”

That’s not the only bit of attention from controversy the band have attracted in recent times. In 2012, they dressed as Peter Sutcliffe and his victims for a Halloween performance. “We all think that when you dress up for Halloween, it should be scary, it should be grim.” But why such a shock factor? “Who doesn’t dress to shock for Halloween? There are a lot of people in Leeds everyday who dress as smurfs. All they do is just drink alcohol and follow the Lad Bible. They’re just as bad as Peter Sutcliffe in my eyes. I despise those people. They have such a great opportunity in life to do well; they’re at university and should be studying, doing things they can gain from in life, and yet they just paint themselves blue and decide to drink and be vile towards women. They’re idiots basically.” Charming.

They may be difficult to please, but if you put the time into their punk rock, it will pay off. So don’t dress as a smurf, don’t be in a beach band (especially if you’re a girl), and if Eagulls decide to set themselves on fire in your local shopping centre, don’t blink.  

Review: The Failed Anthology

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The Failed Novelist Society has been holding weekly meetings around Oxford since its inception at 2am on Friday of 8th week, Michaelmas 2005, when the members of a post-bop gathering realised that they had all, without exception, tried to write a novel at some point in their childhood. A brief history of the collective is given in Selena Wisnom’s adroit prose and forms the anthology’s introduction.

Failed novelists, according to the introduction, do not need to have failed in any formal sense of the world, although the fact they rely on meeting each other in coffee shops for critical appraisal suggests they have not yet reached a wide audience. Their existence is validated by a quotation from successful author Zadie Smith: “All novelists are failed novelists, even the published ones, because no novel will ever live up to the expectations we set ourselves.” Wisnom teases out the ideas behind the group with assured tricolons: “What is important is humility, not to take ourselves too seriously, and to keep on failing. The café we started in failed too, shutting down twice since we left.”

Her introduction is promising, spanning years with humility and humour worthy of David Nicholls, but the final sentence lets it down: “Almost everyone in Oxford seems to have had precocious dreams of novelistic grandeur at some point in their lives. Whether they come to Failed Novelists or not depends on whether they mind failing at it as part of the process, whether they can risk laughing at themselves, whether they can allow themselves to waste time playing games like the cosmopolitan wasp gloated incrementally homewards.” The clunkiness of this simile masks a deeper flaw in the anthology. 

The idea that (broadly) undergraduates can or should consider themselves ‘burnt out’ seeps into most of the prose in this collection, and is symptomatic of an awareness of form (creative writing) and situation (unpublished, in Oxford) that permeates and, to my mind, vitiates the anthology. Fiction should be original and it should make this originality seem effortless; creativity should betray nothing of the self-referential cynicism of Overheard in Oxford. When the authors in the Failed Anthology talk about the fact that they are writers, failed and at Oxford, the illusion is shattered and any sense of originality is lost.

A review of a ‘failed anthology’ could be expected to take one of two trajectories. Either the author could rally against its unassuming title, eking out the jewels buried within its pages and simultaneously complimenting the editor and contributors on their modest choice of name. Alternatively, the reviewer could portray the title as laughably accurate, tragically reflecting the meritless works it unites in one volume.

The book heralds itself as a failure and it is easy for the lazy reviewer to evaluate the book’s claim in a self-referential way, referring to the fact that the book’s title has attempted review itself and then draw on the book’s self-awareness in a self-aware way, in order to elicit a wry smile from the reader. In reality, these approaches would fall into the same trap that The Failed Anthology does.

The first piece of writing following the introduction is a numbered list extolling the virtues of numbered lists. Occasionally, a successful turn of phrase brought Emma Levinkind’s BuzzFeed style take-down of BuzzFeed back from the brink, and its transition into narrative is undeniably clever. But the problem remains: its author is looking for wry smiles instead of just smiles, and this persists throughout.

The focus is on a punchline-style delivery, particularly in the first entries. This can be traced back to the format of the group: a writers’ group means that the work is read out, and the listener is carried along with the author’s diction instead of taking his or her time to allow the eye to linger on certain sentences or words. This is an understandable but regrettable feature of much of the humour of the anthology: it relies on absurdity or cadence rather than situation. The sudden introduction of a South Pacific tuna in an oral delivery of Alexander Newton’s ‘A tale of Koholeth and Lucifer’  would certainly provoke a chuckle of surprise, but on paper it smacks of The Hitchhiker’s Guide to the Galaxy and undermines the story’s intriguing opening. Newton wears his influences on his sleeve: the diabolical cat has more than a touch of Bulgakov’s Behemoth in The Master and Margarita.

Elsewhere, Colin Smith’s ‘The Stone’ has a sting in the tail reminiscent of Roald Dahl. That is, if Roald Dahl were to obnoxiously transliterate regional accents and create slimy protagonists who qualify their description of busty barwoman Nancy with, ‘whose sweet scent and moistness lingered yet upon my mouth, hands and parts too numerous to mention’. The distasteful, clichéd thoughts of Smith’s protagonist would be understandable if they did not compare so incongruously with his elegant, skilful and syntactically elaborate opening.

As always when reviewing, it is easier to be negative than to be positive. No single piece of writing in this anthology is entirely devoid of merit, it is perhaps because of fleeting moments of transportation that I felt so disappointed by heavy-handedness.

The contributions from Ariel Sydney, Rebecca Roughan, Luke Rollason and Frank Lawton are almost completely flawless. Sydney in particular provides much needed respite from the anthology’s British focus. Her short story, Sunset Boulevard, is conversational but devoid of punchline. It is colloquial but with a lightness of touch that betrays talent and self-restraint, inserting us effortlessly into LA and the drunken teenage anecdote of the author’s adolescence. Roughan similarly sticks to what she knows, with prose that flows without a hitch. Instead of reading with eyes half closed, afraid to skip ahead in case the illusion is shattered by an awkward expression or clanging cliché, the reader is delighted and ensconced by Roughan’s prose.

It is these flashes of brilliance that redeem the anthology from the brink of failure. These successes demonstrate that nothing – story, poem, novelist, anthology – can ever entirely fail.

Debate: ‘I Too Am Oxford’ and ‘We Are All Oxford’

Tyler Alabanza-Behard, former Chair of OUSU’s Campaign for Racial Awareness and Equality, writing in favour of “I, Too, am Oxford”

Outside of the University community, it is a show of solidarity to our brothers and sisters at Harvard College; on our own shores, it offers encouragement to students of colour at both Cambridge and SOAS, who have since published their own versions.  Within Oxford, the campaign provides a rare safe space for BME students to share incidents of racism and insensitivity. Looking at the images, one glimpses at the lived experience; the narrative untold when we smile politely for prospectus photos. With its twin focus also on the affirmation of racial identity, the campaign asserts the message that though we, as students of colour, are insufficiently represented at Oxford, this is our home too, and we deserve to be seen and heard. At a university like our own, this is not a moment that comes along often, and therefore the organisers of “I, Too, Am Oxford” (ITAO) deserve tremendous credit. 

Yet it is when we consider the unique beauty of ITAO that we unveil the haphazard ugliness of ‘We Are All Oxford’ (WAAO).  Though WAAO ‘aims’ not to ‘work against’ ITAO – because of their shared form and similar titles, the two exist in direct dialogue. However the dialogue instigated by WAAO is neither appropriate nor meaningful. Instead of truly engaging with the crucial issues raised by ITAO, the counter-campaign hijacks a conversation about race and seeks to assuage its message by trumpeting supposedly-impressive access statistics. Beyond this, WAAO embarrasses itself with its lack of diversity. Even if it may have good ‘intentions’, it has the effect and impact impact of white folks commandeering or even rewriting the expressive power of ITAO. A legitimate counter-campaign, on the other hand, would have ensured that the diversity of its participants matched that of ITAO. 

With its saccharine, Helen Lovejoy logic (“think of the children!’’), WAAO also patronises the prospective applicants for whom it is intended. It fears that ITAO will ‘discourage’ BME students from applying, but that’s not an argument I can at all purchase. Many race and privilege conscious applicants will in fact be inspired by the work of ITAO; check Black Twitter if you want proof. In its existence, ITAO makes visible that there are a large number of students who are not only committed to addressing racism, but are also unafraid to hold the University to account in the process. For the many young adults already engaged in social justice work pre-university, ITAO advertises Oxford as a place where students of colour – underrepresented though we may be – actively push back against institutional inequality.  And that’s a good thing. 

Alexandra Wilson, Organizer of “We Are All Oxford”

We decided to respond to the ‘I, Too, Am Oxford’ campaign because we feel that the University of Oxford has been misrepresented in the media. Our main concern is that the campaign’s negative portrayal of an ethnic minority student’s experience at the university will discourage prospective ethnic minority students from applying. One of the ways in which we can combat individuals’ misguided perceptions is by improving access for ethnic minorities, something we feel the University of Oxford tries to do.

However, a campaign only highlighting the negative experiences of BME students has the potential to deter people from applying. We all agree that the ‘I, Too, Am Oxford’ campaign brought up some very serious issues that do need to be voiced and challenged. None of us believe that racism should ever be tolerated. We would like to emphasise that we do not aim to undermine the original campaign and we are not working against them. We acknowledge that racism exists at the University of Oxford and it needs to be challenged, but we believe that the university is working hard to tackle these prejudices and misguided perceptions.

Our aim is to present the full picture. In response to criticism of our campaign as ‘diluting’ the original message we would like to clarify that we all fully support the original intentions of ‘I Too Am Oxford’. It is important that people feel able to voice their negative experiences and there are many ways this can be achieved within the university, as well as externally through the media – as the campaign chose to do. Many of the people who have taken part in the ‘We Are All Oxford’ response have been subject to racial abuse (including myself). We just want people to recognize that Oxford does not encourage or tolerate it, and this type of ignorance is not representative of the institution. Unfortunately, we will find racism across England and we all agree that we need to challenge the offenders.

However, we believe that it is important for us to emphasise that it is ignorant individuals at the university rather than the university culture. Racism is not more prevalent at the University of Oxford than elsewhere and the university is working hard to actively tackle it. We do not want to dilute the message that racism is a problem that needs to be voiced and challenged. However, we do want to emphasise that the majority of ethnic minority students studying here will not be consistently made to feel ‘different and othered’.

"Oxford is a place for all people to study"

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‘We are All Oxford’ supports ‘I, Too, am Oxford’. We believe they have an important message to relate about their experiences in Oxford, and they should be listened to.

I think the ‘We Are Awful’ page is silly and a little bit patronising. The campaign assumes that we are pitted against ‘I, Too, Am Oxford’ which is really not the case. By including a mixed background of people – not just people of colour but those from state schools; people who might have received income support; and foreigners from Europe – we are trying to project our view that Oxford is a place for all people to study. 

If the descriptions of my positive experiences at Oxford in the ‘We are All Oxford’ campaign were pitted against anything, then I can tell you it was only against the media portrayal of Oxford as the last bastion of elitism and prejudice. No one is saying that Oxford is without problems but it seems no matter what we do Oxford will be castigated as a place that’s: only “racist…(and) overstocked with white people, rich people and male people even if you’re able to have a positive experience or a very nice time there”. This quotation was taken from this Guardian article, which I invite you all to read, to see once again how our university is so unfairly represented.

I positively believe that such comments are putting off applicants who come from ethnic minorities. It’s saying: ‘Oxford is not a place for minorities – wouldn’t you be better off at London South Bank?’

Ultimately, the people who got involved with the two main campaigns did so for a reason: they wanted to have a positive effect on their communities. ‘I, Too, am Oxford’ had an important message to make in unearthing prejudices that go on in our day to day lives. And they did a brilliant job. However, I too have had experiences which I felt were important to share: as an Anglo-Nigerian student in Oxford, I’ve been having a great time! I’d love for other students of colour to join me. And perhaps also, who gives a toss about the Guardian?

Satirical blog intensifies ‘I, Too, Am Oxford’ controversy

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A new Tumblr account purporting to be, “A concise description of what’s wrong with “We Are All Oxford” has added to the controversy surrounding the “I, Too, Am Oxford” compaign.

“We Are All Awful”, published earlier today, posts pictures from “We Are All Oxford” alongside captions that mock the original content.

In one post, a “troll” face is superimposed onto that of a woman holding the sign, “We enjoyed celebrating diversity at the OUSU International Fair”, alongisde the caption, “This white person who ‘enjoys’ celebrating ‘diversity’”.

Other features, including the fact that one person appears twice in We Are All Oxford, holding a different sign in each picture, are also mocked.

“We Are All Oxford” was published earlier this week by Alexandra Jaye Wilson in protest on what it considered an unfair representation of the treatment of race in the university by the “I, Too, Am Oxford” campaign.

She commented, “We are appalled that someone has reduced the efforts of our response to a patronising and immature parody blog. We have emphasised repeatedly that we have no intention to undermine the original campaign as it raises very important issues about people’s prejudices and misguided perceptions, which need to be challenged!

It seems as though the social media reaction is claiming that we are saying that racism does not exist, which is not the case at all. We are not naive and we are horrified that people think we are trying to suggest that these negative experiences do not matter, as many of us have faced them ourselves.

In addition to this, there has been a lot of criticism about white people featuring in the campaign. We think it is extremely important that everyone has an opportunity to express their opinion and people who are white should not feel that they are excluded from this discussion. For clarification some of the white people pictured are not White British and are in fact ethnic minorities.

The whiteboard comments were individual to each person and related to their personal experience of Oxford’s inclusivity. This of course leads to a wider discussion of access for all types of minorities at Oxford.

We are simply painting a more balanced picture of the university and highlighting to people that it is ignorant individuals, and not the University of Oxford, that expresses these views.

We all stand by our response and really hope that people will take the time to read the explanation at the beginning of our Tumblr page as we feel this accurately expresses our intentions.

Chiara Giovanni, who was involved in the “I, Too, Am Oxford” campaign, said, “While I thoguht it was funny, well-timed and aptly named, I think a quick explanation of why WAAO is silencing, hurtful and belittling to the PoC who took part in the original project would have been useful. It’s a shame tha this isn’t immediately obvious but clearly it’s necessary to explain that (a) parrotting access expenditure does not equate to dedicated combatting of institutional racism while students are here and (b) white people telling the PoC who participated that they, in effect, should sit downa nd stop worrying because everything’s dine and ‘diversity’ is being celebrated.”

“Some of the comments were irrelevant, but I do think that the fact this exists, along with the huge backlash to WAAO on Tiwtter at #wearealloxford demosntrates how hurtful and insulting this project is, and how it’s actually having a terrible impact on the University’s image (the opposite than intended!), which ought to be taken very seriously.”

Many have reacted negatively to “We Are All Oxford” on Twitter. One tweet reads, “Oxford University outreach spend: £5.6 million. Oxford University annual endowment: £3.8 billion #wearealloxford”. Another reads, “#wearealloxford is exactly why #ITooAmOxford is needed. I cannot believe that @ousunews thought it was a good idea. Really sad.”

However, others have defended the campaign. A recent tweet reads, “#wearealloxford has been woefully misunderstood. Its ONLY argument is that the original campaign is unrepresentative. Not denying it.”

‘I, Too, Am Oxford’ attracts controversy over access

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Critical responses to the now-viral, ‘I, Too, Am Oxford’ campaign have triggered controversy across the university.

The Tumblr campaign, in which BME Oxford students are pictured holding whiteboards quoting racial prejudice which they have experienced, was inspired by the similar, ‘I, Too, Am Harvard’ campaign.

Comments include, “All the post-colonial and other critical theories you study does NOT entitle you to speak for me or over me,” and, “No, I’m not on a scholarship from Africa”.

The blog has received widespread media attention, and was covered by Buzzfeed, the Guardian, the Huffington Post and New Statesman.

The initiative has attracted criticism within Oxford for failing to represent fairly the treatment of race within the university. Luke Buckley, a graduate student at Wadham, challenged the campaign on the Facebook group “Skin Deep”, an Oxford student forum for the discussion of race issues. 

He told Cherwell, “In soliciting views from ‘people of colour’ the campaign scores a tragic own goal insofar as it reinforces the idea that there is something essential or unique about being of a particular skin colour. Furthermore, it necessarily proposes that having a certain skin colour entitles you to rights that are denied to other people on this basis. This is rank hypocrisy.” 

He added, “More gravely, it reinforces the very phenomena that it tries to ameliorate. It necessarily implies that there is something common to the condition of “being of colour” which ironically excludes not only people who aren’t “of colour”  but also those who are “of colour” but who don’t identify with a similar set of experiences or perhaps feel uncomfortable with the divisive terminology. 

“Oppression functions upon precisely this principle: the exclusion of people on the basis of an arbitrary characteristic from meaningful participation in the demos. To suggest a common voice is to suggest a yoke to which all must submit or be excluded. Surely the point should be to move beyond these sanctimonious and self serving campaigns which presuppose and thereby reproduce the very division they try to move beyond —to forgo the squalid comfort of identity and forge the possibility of relations that transcend it.”

An alternative Tumblr blog, ‘We Are All Oxford’ has since been set up. The introduction to the blog states, “We, as a mixed group of students from the University of Oxford, believe that Oxford has been misrepresented in the media following the ‘I, Too, Am Oxford’ Campaign. We are concerned that the negative portrayal of an ethnic minority student’s experience at the university will discourage prospective ethnic minority students from applying.”

Similar in format to ‘I, Too, Am Oxford’, the students pictured hold signs describing their positive experiences, including, “Half of my year of PPE at Univ are ETHNIC MINORITIES!” and, “We spend £5.6 million on outreach each year”.

‘We Are All Oxford’ does stress that it is not working against the earlier campaign, with its tumblr page also stressing that, “We would like to emphasise that we do not aim to undermine the original campaign and we are not working against them. We acknowledge that racism exists at the University of Oxford and it needs to be challenged, but we believe that the university is working hard to tackle these prejudices and misguided perceptions.”

Some students have opted to be involved in both campaigns, one even using ‘We Are All Oxford’ to explain that, “My statement was not meant to represent my entire experience, but to highlight some issues. My overall experience is very positive.”

Members of the ‘I, Too, Am Oxford’ Facebook group have defended the initial campaign. Risham Nadeem said, “It’s amazing how positive the response has been to the photos we’ve released. Having said this, the fact that there are some people who are undermining the project and claiming that racism isn’t a problem in Oxford is upsetting. You can’t look at these photos and think there isn’t a problem with the way students of colour are treated.This photo series highlights why, in this day and age, we still need to talk about race.”

Amy Bickersteth, also a member of the group, said, “Firstly, I think it’s important to acknowledge the students and general readers who understand and appreciate the premise of the project, and its result. I can’t help but feel disappointed, however, in comments that belittle the project by arguing that the incidents cited on the blog are “petty” or “exaggerated”, that everyone suffers from prejudice and so BME students can’t “complain”, or that prejudice exists everywhere, and so Oxford students in particular do not have the right to say anything.”

Students contacted from outside the campaign have expressed mixed reactions. Elle Tait, a first-year lawyer, said, “While it’s good to encourage discussion and an image campaign can have a very striking impact, it’s prone to be taken out of context and people can draw extreme conclusions that they wouldn’t do from speaking to the people in the pictures.”

Samuel Kim, a first-year medic, said, “One of the biggest race-related problems facing Oxford is access. I’m worried that this campaign could reinforce negative stereotypes and discourage BME students from applying.

Correction: The original article mistakedly cited Luke Buckley as the initiator of the “We are all Oxford” blog. We apologise for the mistake and for any discomfort caused. 

St Hilda’s elect first ever male Principal

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St Hilda’s has recently elected its first ever male Principal, sparking controversy amongst former and present students. 

The college, which was all-female until 2008, has elected Sir Gordon Duff, an Oxford graduate and Lord Florey professor in Molecular Medicine at the University of Sheffield, to serve as the eleventh Principal.

In an email sent to students to announce his election, it was stated that, “He is married to Lady Duff, an alumna of St Hilda’s college.”

This resulted in some twitter posts from students and alumni disappointed that the once all-female college has chosen to elect a male Principal, as well as the implication that his marriage to an alumna justifies his election. 

Helena Dollimore, a History and Politics student and former OULC co-chair, tweeted, “Pretty disappointed that my college, which was all women until 2008, has just appointed a male president. We’ve got enough of them in world.”

Wadham SU President, Anya Metzer, tweeted in response, “possible unfortunate implication that as soon as a man is eligible he is preferable”.

However the biggest reaction against the appointment has come from college alumni.

Ruth Hunt, CEO of Stonewall and former JCR president at St. Hilda’s, tweeted, “I can’t help but feel a little disappointed that the new principal of St Hilda’s is a man. Such important role models for me when I was 18.”

She also referred to the appointment as the “End of an era” and wrote that, “the reference to his wife in the release just epitomises how they have completely missed the point. Which is more disappointing”.

Val McDermid, a writer and broadcaster who attended St Hilda’s before it became mixed, also tweeted about the reference to his wife in the press release, “His wife knows our little ways, so it’ll all be ok. Yeah, right. Mary Bennett must be birling in her grave.”

Historically, five Oxford colleges were established as all-female institutions. These were Somerville, St Anne’s, Lady Margaret Hall, St Hughs, and St Hilda’s. Of these, St. Hilda’s was the last to go mixed and accept male members, and today still retains a majority of female fellows.  

The Vice-Principals Dr Katherine Clarke and Dr Selina Todd, who chaired the election process said that, “Sir Gordon Duff’s record of leadership and academic achievement and his outstanding contributions to public policy make him the ideal candidate to lead St Hilda’s as we approach our 125th anniversary in 2018.”

The college’s Equal Opportunity Policy, which can be found on its website, states that, “Subject to statutory provisions, no applicant or member of staff will be treated less favourably than another because of his or her sex, marital status, sexual orientation, racial group, or disability.”

Dr Todd further commented, “We are very proud of our history as a college that have pioneered equality of access to higher education.”

 

 

 

 

 

English Faculty amends course after student pressure

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The English Faculty have revised provisions for the new course only days after it was initially announced in the face of widespread student objections.

Current second years are the first year to study the new English course, but after students complained that the balloting system for ‘Paper 6’ options didn’t fully account for their choices the Faculty have announced a restructuring.

Under the previous system students would complete a ‘Special Author’ paper in Michaelmas of third year, choosing from a list of up to thirty different canonical authors selected by the faculty. The course has now been changed so that students study a centrally taught ‘Special Topic’ instead, with a similarly extensive list of options available.

However, students expressed discontent at the way these options were balloted for. In previous years, college tutors would find staff to teach students the ‘Special Author’ paper on an ad hoc basis, with a large number of students being taught one-on-one or in small tutorial groups. The new system, as it was originally proposed, asked students to list five ‘Special Topics’ that they were willing to study, one of which they would be allocated.

The Faculty originally declined to let students indicate which of the five topics they were most interested in, or rank their choices in any preferential order. An email from Kate Gear, the Faculty’s academic officer, said, “It’s clear from the majority of correspondents that students and tutors both understand that popular options may be oversubscribed, but they still want an opportunity to indicate options in order of preference.”

Thw incident has been resolved by introducing a preferencing system where students rate five options which are then balloted accordingly. Despite this resolution there have been some wider concerns expressed over the nature of the course change. Students are worried that the new system has been designed to reduce the amount of time students spend with tutors. Special Topics will be taught in seminar-style classes rather than tutorials, an arrangement that has upset some.

Matthew Main, a second year at New College, commented, “It is a real kick in the teeth: it consists of five one-hour classes (which are essentially taught as sign-up lectures, as far as anyone can tell) and two quarter-of-an-hour ‘tutorials’/consultations, replacing five one-on-one tutorials. Another aspect which seems to have been overlooked is that tutors are now both setting, teaching, and examining papers which cater entirely to their own professional/academic interests, or more troublingly ‘tastes’: this raises some very obvious concerns about whether the courses really will reward forthright thinking and research or whether they really represent the students being asked to further research already being undertaken by the professors in charge of each course.”

Tiffany Stern, Chair of Examiners for the old system and fellow of University College, responded to these criticisms, “The idea was to allow faculty members to teach courses of their own choice, tied in with their research. Hitherto we have largely taught as ‘GPs’ rather than as specialists (tutes are seldom what we’re working on). Paper 6 was to allow us, and our students, to be involved in research as it happens… The Faculty and College ‘stint’ (the hours per week that post holders teach) remains unchanged.”

The introduction of the Special Topic paper comes alongside broader changes to the course. As well as some final exams being replaced by coursework, students will now study one fewer paper than in previous years.

Current third years will sit an exam on Shakespeare, and four period papers that cover the years 1100-1830 with an additional commentary paper on assigned Middle English texts. Under the new system, students will be examined on Shakespeare via a portfolio of coursework and the commentary paper has been discontinued entirely. Current third years also submitted a portfolio of work in Trinity of second year that focused on English language rather than literature, an aspect of the course that is now entirely absent from Finals.

Overall, English students will now sit only four three-hour exams in their final year, all on topics that they studied in second year. One finalist commented, “The new system as it stands serves to minimise the work-load, intentionally or otherwise, of English students and the staff that teach them. It’s frustrating that I will earn the same degree as someone graduating a year later despite the fact I will have sat seventeen hours of exams to the twelve they will sit whilst their coursework is essentially the same. It’s not like English degrees are exceptionally hard work anyway!”

Magdalen Commemoration Ball cancelled

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Magdalen has cancelled its historic Commemoration Ball, planned for June 2015, after the Governing Body received too few student applications for the Ball Committee.

This afternoon, Magdalen JCR and MCR presidents sent out mass-emails announcing the ball’s cancellation.

According to reports, the Magdalen Governing Body cancelled the ball due to insufficient student applications for the Ball Committee by the time of the deadline.

Both the JCR and MCR presidents today proposed a two-week extension of the Ball Committee application deadline after encouraging more students to participate and negotiating with college administrators. However, the Magdalen college Governing Body did not accept these proposals and went ahead with cancelling the event.

In an email to the JCR mailing list, Magdalen JCR President Fabian Apel told students that “the selection panel received an insufficient number of applications at the closing of the original deadline. After encouraging some more people to apply, the senior members of the panel were still unsatisfied with the low number of applications.

“The MCR President and myself asked the Governing Body to extend the deadline until the beginning of next term, a proposal which did not find the support of either the Deans of Arts or the Home Bursar. Unfortunately, we did not manage to convince Governing Body of the merits of our case.”

The Magdalen Home Bursar could not be reached for comment when contacted this afternoon.

Magdalen holds a white tie commemoration ball once every three years according to a traditional cycle shared with Christ Church and New. Even amongst Oxford events, the Magdalen Ball is considered particularly prestigious and was recently voted a Times Social Event of the Year. Previous acts at Magdalen’s Commemoration Ball include the Rolling Stones, Pharrell, and Feeder.

An anonymous Magdalen student told Cherwell, “I’m really disappointed by this decision, especially when it seems as though it could just be rectified by getting more people involved. I personally didn’t hear anything about a committee being organised and would’ve joined if it meant guaranteeing a Ball for everyone. As a fresher, I’ll now be missing out on experiencing my own college ball even after hearing a lot about it before coming to Oxford.”

2015 will be the first time in over two decades that Magdalen has not held a triennial ball. The possibility of a smaller 2015 event or a 2016 Commemoration Ball will be discussed at upcoming Magdalen JCR and MCR meetings.

Exeter win football cuppers in the dying moments

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Exeter 2 – 1 St. Catz

After one of the most acrimonious build-ups to a JCR football match in recent memory, this year’s Cuppers final was always likely to be a battle, and on possibly the sunniest day of the year so far, Exeter and St. Catz played out a tense, cagey, and occasionally bad-tempered game. In the end, a couple of moments of class from the Exeter boys proved decisive, and the Turl Street side came from behind to complete a 2-1 win in the dying moments. 

Catz started far the better, looking assured in possession and largely ensuring that Exeter’s danger men were kept away from the penalty area. As the half wore on Exeter threatened occasionally from set-pieces and saw a gilt-edged chance go begging when a long shot clipped the post only for the attacker to miss the rebound. However, Catz’ speed on the break was ominous, and Exeter keeper Jack O’Mahoney was integral in keeping the scores level.

The Exeter ‘keeper’s run of clean sheets in this year’s competition was not to last though, as a driving run down the right-hand side saw Catz beat the Exeter offside-trap and take the lead, with striker Lee Sandquist finishing stylishly at the near post. Coming close to the end of the first half, the goal threatened to knock the stuffing out of the Exeter side, but a vociferous crowd continued to keep spirits up.

The break saw a penguin run around the pitch’s running track, but more importantly perhaps, Exeter brought on Blues captain Jack Fletcher in midfield in an attempt to take more control of the ball. Upon the resumption, both sides looked dangerous, but Catz were unable to add to their lead and similarly, Exeter looked unable to really trouble Joe Kidd in the Catz goal.

A series of set-pieces changed all that though, with a few off-target headers making the goalkeeper think, and then, with around fifteen minutes of normal time to go, Mike Essman hammered a stunning 25 yard free-kick into the corner of the net, and all was to play for.

For all the world, the game looked set to go to extra-time, but Exeter substitute George Bustin popped up in the right place and at the right time to fire home a winner with what was practically the last kick of the game. One half of the Iffley Road stand went wild, the other looked despondent.

This was a last hurrah for much of the Exeter team that has been there and thereabouts in JCR football over recent years, with five or six players finishing their JCR careers in style, although some impressive performances from freshers Bustin, Will David, and Luke Maxfield bode well. On the other side of the fence though, Catz may have lost, but during the match and their cup-run as a whole, Ed Steele’s boys from Manor Road have showed enough to suggest that they should be considered amongst the JCR football heavyweights in the coming years.