Monday 13th April 2026
Blog Page 1464

How does OUSU spend our money?

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One of the main issues raised during this investigation was that students do not know enough about how OUSU gets its funding, what it spends it on, or how the money it receives finds its way to students. As such, Cherwell decided to take a closer look at OUSU’s finances.

OUSU’s budget for the year 2013-2014 was £801,318. A large proportion of that money is received in a block grant from the university; this amount is shown to be around £500,000. However, the value of this current sum is a one off, given that the University only agreed to increase the budget by £100,000 for this year. This decision was made following OUSU’s loss of £58,000 in 2009.

Current OUSU President Tom Rutland is in the process of negotiating that the increase to the university’s block grant becomes permanent. He is also attempting to secure a further increase to the budget. The request for a permanent increase in the amount of money the university provides is partly down to the fact that the average Russell Group student union receives around £80 per student from their universities, whereas the total grant that OUSU and the JCR’s works out as roughly £50 per student. Of this, only £17.50 per student goes to OUSU itself (if the £100,000 increase isn’t taken into account). It has been suggested that this funding deficiency significantly impinges on OUSU’s ability to bring about lasting and drastic improvements for Oxford students, given that the institution simply does not have the resources.

Until last year, this problem was compounded by the fact that OUSU’s budget was ring fenced. This meant that the University approved it line by line and assigned money for a particular purpose. Because of this, if OUSU then failed to spend the money on that specific university approved purpose or stopped providing a service which had been agreed upon, it lost the money.

An Oxford University spokesperson explained the situation to Cherwell, stating, “OUSU plays an important role in representing the interests of students at all levels of University governance, providing student support and guidance, and promoting key University agendas including widening access. The University has recognised the importance of continuing to fund these activities and support the full range and scale of OUSU’s work.

“Given constraints on resources, the size of the grant allocated to OUSU has to be considered in line with funding levels elsewhere in the University. The University is currently working with OUSU to address its grant allocation for 2014/15 onwards. We welcome the strides OUSU has made since becoming an independent charity and we look forward to continuing our close and productive working relationship in the future.

“With regard to other Russell Group universities, it is difficult to make a direct comparison. Given Oxford’s collegiate structure, including JCRs and MCRs, student interests are represented at both college and University level.”

One second year student inferred that the drive to increase OUSU’s grant as received from the university was perhaps unnecessary. He said, “I don’t really know what they’d spend it on. I imagine other universities need more money because they don’t have colleges but at Oxford the colleges and JCRs fund a lot of their own students’ activities. OUSU would probably need to get a really good project going to justify the increase in funding and I don’t think they’ve got one yet.”

It is also important to note that the grant from the university is not OUSU’s only income. While the block-grant forms the majority of OUSU’s funding, advertising and the Freshers’ Fair also contribute sizeable sums to the student union’s budget.

OUSU consolidates its budget with Oxford Student Services Limited. The full subsidiary of the two bodies comprises OUSU itself, the newspaper The Oxford Student newspaper, the Oxford University Freshers’ Fair and Oxide, the student radio station. The budget is ratified by the OUSU Council (which is composed primarily of representative from JCRs and MCRs), while elected students sit on the OUSU Budget Sub-committee. The committee and the Council have limited autonomy when it comes to deciding what OUSU’s budget is spent upon, since they are mandated to continue providing certain services.

In the year 2012-2013, for instance, £12,000 was spent on a safety bus, as the pie chart above shows. The Safety Bus scheme is one that is run jointly by OUSU and Oxford Brookes Students’ Union. It was set up to provide a safe means of transport to students in Oxford late at night. One student at the University of Oxford questioned how necessary this is to students. He told Cherwell, “While I see that such a service must be extremely useful for students at Oxford Brookes, who tend to live quite far away from the city centre, I’m not sure why OUSU are involved with it. Most of our colleges are really close to clubs and I personally do not know anyone who’s ever used the bus – does anyone even know the number?”

A significant amount of OUSU’s budget goes towards printing costs for The Oxford Student and other publication via OSSL, while money also goes towards OUSU’s campaigns, of which there are currently eleven. Much of the money also goes towards the salaries of OUSU’s elected sabbatical officers. Some students have queried as to whether more money should be spent on campaigns, which each currently receive £500 per annum.

OUSU’s budget is available online for anyone who wishes to examine it further. It can be found in appendix A of the Council minutes. Tom Rutland would like to stress that any student at the University of Oxford has the right to contact him at any time with questions regarding OUSU’s budget.

What does OUSU really do for Oxford students?

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Oxford University Student Union is often seen of as Oxford’s lesser union. With a voter turnout of 20.8 per cent in the November elections of 2013, even the colourful campaigning of eventual winner, ‘joke candidate’ Louis Trup, did not inspire Oxford’s students to get involved. Many students are unaware of what OUSU does for them as a student body, or whether it does anything at all. With Oriel College’s JCR recently voting to disaffiliate from OUSU Cherwell asks why OUSU is not taken more seriously by students it represents.

OUSU President Tom Rutland’s weekly email to students this week began with, “Thanks to the hard work and persistence of OUSU’s VP Welfare & Equal Opps (Charlotte) and VP Access & Academic Affairs (Rachel), students who suspend study will shortly be allowed access to university services including the counselling service, Bodleian libraries and the university’s online resources. These changes represent a massive win for students who take a year out from their studies.”

The news means that rusticated students will now have access to libraries and networks. Other notable successes include WomCam, whose workshops were nominated for a UK Sexual Health Award in March 2013, and the OUSU-led boycott of Sky TV which caused reduced rates for all JCR TV subscription rates in 2012.

Yet the motion proposed by Oriel student Eleanor Sharman in November to disaffiliate, seconded by 26 students, was damning of the student union. It said that the union consistently passed “inappropriate motions”, adding that it had “costs remarkably disproportionate to its effects on student life”. The motion went on to say that OUSU was “not financially accountable to college” and that the union did not “adequately represent JCRs”, finishing with the indictment that OUSU was “consistently partisan.”

Stuart Sanders, the JCR President of Trinity College, whose students voted overwhelmingly to remain disaffiliated from OUSU in Trinity 2013, explained the monetary effects of disaffiliation for Cherwell. He said, “When Trinity initially disaffiliated the move saved the JCR the cost of its affiliation fee (circa £1500 per annum), but following financial restructuring, OUSU is now funded independently of individual colleges or JCRs, and the cost is deducted from the University’s block grant to colleges. Therefore, the affiliation status of the JCR makes no financial difference (as disaffiliated JCRs effectively pay for OUSU anyway).”

Trinity and Oriel still benefit from the Sky TV deduction, as Sanders explained. “In relation to Sky TV the move involved a re-classification of JCRs to charities for the purposes of Sky. This therefore applies to all JCRs, regardless of affiliation status.” He also expressed the opinion that OUSU should not claim the success of the Sky boycott, saying, “There was considerable feeling amongst JCR Presidents at the time that the main work for that change was done by a concerted effort of JCR Presidents and that, while OUSU played a supporting role, it was inappropriate for OUSU to claim the victory as its own.

“That is not to say that OUSU does nothing (the change with respect to suspended status students, for example, was OUSU’s work). It should not be forgotten, however, that JCR Presidents meet regularly and can come together (such as over Sky TV), Trinity is always happy to engage and assist in such efforts.”

The main difference for JCRs which are disaffiliated is the foregoing of the three college votes at OUSU Council. This did not appear to be a cause for undue concern for Sanders. “Our External Affairs Rep does attend these meetings and is able to speak and amend motions (as is any individual member of OUSU). In so doing we are still able to exercise influence, as motions are decided far more by the arguments of their proponents and opponents than by the presence of three extra votes one way or another.”

While JCRs as autonomous bodies can disaffiliate from OUSU, JCR members remain students of Oxford, and as such continue to be represented individually by OUSU.

OUSU currently backs eleven campaigns, including the LGBTQ Campaign and Campaign for Racial Awareness and Equality, to the Women’s Campaign and the Mind Your Head mental health campaign. Oxford’ student radio, Oxide, is also funded by OUSU. Ben Jones, a Keble student who presents the show ‘Ben til ten’ told Cherwell he was “absolutely loving” working with Oxide. He said, “They give anyone the opportunity to have their own show which I think is great. Being able to present a show means I can develop my communication skills and have a clear insight into what a future career in broadcasting would be like.”

However, he also thought that the money given by OUSU was insufficient. “I think that OUSU should devote so many more resources to Oxide – at the moment you have to rely on word of mouth and family/friends/college people to publicise and listen to your show. Oxide could play a much bigger role in student life as the official radio station of Oxford students, but its lack of funding mean it doesn’t have the opportunity. Twinned with this is the need for it to be broadcast on FM radio as well, though cost effectiveness would need to be taken into account I guess. I don’t know much about OUSU’s budget which I’m sure is the same for the majority of the student body – and whether this is a problem of disengagement or a problem of lack of transparency I don’t know.”

The extent of some students’ antipathy towards OUSU became apparent in the 2013 OUSU election. In the run-up to the 2013 election, OUSU President- Elect Louis Trup, was highly critical of those who ran for OUSU election in slates, describing the “political bubble” in OUSU. He wrote, “This bubble in Oxford is why the Labour slate wins these elections. About 50 people, normally from OULC, get behind a slate, knock on doors, steal website designs, and the little army of people chanting slogans like ‘change’ march right up to your door and either piss you off or steal your tea. Slates are undemocratic.”

Trup has promised to bring about an end to this kind of politics. He received 1685 votes, in comparison to Jane Cahill with 975. The result might reflect the view of most students. As Sanders , Trinity JCR President, argues, “There seems to be an attitude among some at OUSU of ‘Why remain disaffiliated when it doesn’t make much difference?’ To us at Trinity that approaches the matter from the wrong side; we are currently disaffiliated, OUSU should provide some reason for us to change that status and re-affiliate.”

"OUSU needs to re-brand and expand"

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Our student union has a lot of potential. It has proven success at lobbying the university on the important issues for students. It also provides professional and personalised support to students who need it the most. The campaigns it runs are also highly successful. All of these brilliant achievements have only been made possible through the involvement and hard work of normal students at OUSU council and in roles within the organisation. But these ‘normal students’ who are involved are certainly a minority (which I guess makes them not that normal). This is where the potential needs to maximised.

The reason I ran to be president is that I believe that we need to take this potential into the wider student body. OUSU needs to re-brand and expand. Next year, we are going to look into the way OUSU council works, to ensure that it is more relevant to every student and allows for everybody’s voice to be heard. However, I know that council meetings are not the way in which every student makes their impact. It is for this reason that I want to use the passion of the student body to provide more for students.

I want OUSU to help students run businesses which serve Oxford students. I want OUSU to work with the Oxford Hub to support student charities and fundraising initiatives. I want OUSU to provide the amazing training and support it offers common rooms to student clubs and societies. I want OUSU to be supporting the extra-curricular life of every Oxford student. I want OUSU to help you more, not just in bad times, but also in good times. Thanks to the work on funding done by Tom and the other sabbatical officers, this should hopefully be possible.

We have more student societies than any other British University. I like to think this is because we are (statistically) more passionate about more things than anywhere else (shoe the tabs). Let’s use our passion. My hope is that through expanding OUSU’s role and improving our communication to students, we can expand the number of people we engage and increase the relevance of OUSU. By the end of my term, I don’t want you to see me as trying to ‘sell’ OUSU to you, rather, I want you to see me as a fellow member, working with you to build a union that we are all a part of in a variety of ways.

"The campaign helped me learn so much about gender"

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WomCam – the OUSU Women’s Campaign – is a liberation campaign for gender equality that strives to be intersectional (the recognition that many different forms of oppression exist, such as by gender identity, sexuality, skin colour, (dis)ability or socioeconomic background, and taking these into account). We are funded by OUSU and a part of it, with votes in the council and support from the sabbatical officers, particularly from the VP (Women). However, the campaign is autonomous: our committee is elected by everyone who comes to meetings, and anyone can be on the committee (not just self-identifying women). The Women’s Campaign Officer-currently the wonderful Lucy Delaney- is elected in the OUSU elections by self-identifying women, and the role, broadly speaking, is to organise WomCam. However, it’s a non-hierarchical structure, and all members on the committee run WomCam and help organise our events.

Since Michaelmas, WomCam has introduced working groups, including a Queer Women’s group, a Women of Colour group, a Disabled Women group, a group which focuses on homelessness affecting women in Oxford and an International Women’s group, which looks at gender related issues around the world- these are just a handful of the working groups that exist. They provide safe spaces for those who identify with the different groups, or are interested in learning more, to talk about anything and everything and organise events. Last term, for example, the Queer Women’s group held an art workshop which focussed on how people experience their sexuality and gender in relation to their body. The art was then showcased at the weekly WomCam meeting (Mondays 7pm, Okinaga Room at Wadham!), alongside short talks from people about their own experiences, poetry readings and conversations about the art works themselves.

The weekly meetings are a wonderful way to meet people in Oxford to discuss all things feminist: this term has already seen conversations about feminism and the ‘fourth wave’ (and whether ‘waves’ are an appropriate way to categorise the liberation movement), a panel discussion on feminism and the political spectrum, and there are talks coming up about feminism and religion, as well as a collaboration with It Happens Here for Anti Violence Valentine’s Week. WomCam is also organising a club night later this term and a Transgender Awareness Evening (Saturday of fifth week!) as part of LGBTQIA+ History Month. Not only does WomCam provide weekly discussions at meetings, the termly Zine provides a further space to explore issues of gender and intersectionality (last term’s looked at ‘taboos’; this term we’re looking for submissions around the theme of ‘The F Word’). We also launched the Oxford Uni Sexism page on Facebook and on Tumblr, seeking to call out everyday sexism- submissions can be anonymous, and highlighting these experiences prevent sexism from being normalised, and stopping people from feeling alone when it happens right here in Oxford.

WomCam is constantly growing and evolving- in the short time that I’ve been involved more and more people turn up to meetings and actively want to be engaged in the discussions about gender equality, how the campaign can be intersectional and what we in Oxford can do. For me, not only did it help create connections with others who were passionate about the campaign, it helped me learn so much about gender, oppression, the history of the movement and how we can help move it forward. I’m also part of the Queer Women’s group and the Women of Colour group, and having spaces to discuss my own experiences and be involved in activities (like the art workshop, which was so much fun!) with others has been eye-opening and inspirational. WomCam is constantly looking to improve itself and evolve, and we welcome suggestions and collaborations for different campaigns, as well as submissions to the Zine!   

Question and answer with OUSU President Tom Rutland

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Why is it, in your view, that OUSU plays an important role in the lives of Oxford students?

OUSU plays a hugely important role in the lives of Oxford students – it’s the only pan-university representational body for Oxford students. No one JCR or MCR could have successfully lobbied the University to introduce the most generous fee waiver and bursary package in the country, nor won Sunday opening hours for the Rad Cam. JCRs and MCRs do an incredible job in making student life better in their colleges – but we need a central student union to represent students to the university.

 

What successes has OUSU enjoyed over the past year?

‘This year, OUSU’s won access to university libraries and the counselling service for students who suspend study, OUSU RAG is on course for a record-breaking fundraising total, we’ve run HIV testing which was attended by over a hundred students, and we’re on the verge of a landmark budget settlement for next year after months of intense negotiations.

 

There seems to be a lack of communication between OUSU and JCRs, resulting in a general lack of awareness as to what OUSU does for students. How could OUSU raise its profile within colleges more successfully, in an effort to highlight the work OUSU does?

A lack of communication between OUSU and common rooms is a long-standing problem, and one we’re seeking to address by working more closely with more members of common room committees – such as the highly successful welfare rep forums run this term by our Vice-President for Welfare & Equal Opportunities, Charlotte. We’ve also just hired a Communications Officer to focus on engaging our more students in setting our priorities and strengthening our campaigns.

 

Why do you think the students of Oriel College recently chose to disaffiliate from OUSU? What would you say to encourage Oriel JCR, and the JCR at Trinity, to re-affiliate themselves with OUSU?

‘This year, OUSU’s won access to university libraries and the counselling service for students who suspend study, OUSU RAG is on course for a record-breaking fundraising total, we’ve run HIV testing which was attended by over a hundred students, and we’re on the verge of a landmark budget settlement for next year after months of intense negotiations.

 

If your budget were to be increased to £1.6 million – making it roughly equivalent to that of the budgets of other Russell Group university student unions – what would you do with the extra million? Isn’t there less need for a large student union budget at Oxford due to the collegiate nature of the university?

A budget of the size of other student unions is what Oxford students deserve – it’d allow OUSU to provide better support for clubs and societies, to provide more funding to them and to our campaigns. It’d increase the staff base, which would in turn give officers the chance to get out and speak to more students, as well as improving their ability to take on more projects to improve the student experience in Oxford. Common Rooms play a crucial role in representing students to colleges – as I know from my time as Jesus JCR President – but we need a properly funded, central student union in order to changes things on a university-wide level.

 

And finally, what do you aim to achieve during the rest of your time as OUSU President?

Until I finish in June, I’ll be working closely with the rest of the officer team to make sure that OUSU is going from strength-to-strength for when our successors take over – drawing up a budget for next year, campaigning to stay a part of NUS in the upcoming referendum, and implementing a communications strategy to ensure that our members know what we’re up to, and how they can shape our work and priorities.

Chris Pike on Welfare and Equal Opps in Oxford

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At the end of June, 2014, I will take over as the Vice President for Welfare and Equal Opportunities at Oxford University Student Union. There’s a lot of words in that job description, and it’s a role which a lot of students don’t know about or understand the importance of. I know that plenty of you will have been annoyed when I knocked on your door to ask for your vote when you were right in the middle of that essay crisis; I know many of you will have relegated me to the mental file labelled ‘hacks’ (apart from those who’d already met me on a night out at Babylove, who’ve put me in a very different file altogether).

However, the position actually has quite a big role to play in making sure welfare services provide students with the appropriate support, regardless of their personal circumstances. Sure, we have a collegiate representation system here, and that provides many advantages, including the fantastic common room welfare reps which so many of you have in your colleges providing excellent help. But what about if you want to have counselling and the Counselling Service isn’t helping? What about if you’ve had some really difficult news, and you don’t just want to talk to your friends in college? And what about if you suddenly find yourself depressed or anxious, and you’re worried that no one else will understand? The VP (WEO) – to use the role’s considerably more convenient name – can make a difference to all of these things: by making sure you know which services are available uni-wide; by lobbying the university when those services aren’t good enough; and equally importantly, by supporting your college welfare reps in their work and getting professionals into colleges who can support them and you. After all, does it really make sense for welfare reps to tackle issues, on their own, which other students are facing across the whole university? OUSU helps to unite welfare officers so they can do the best job they can. And the VP (WEO) can dedicate their time, for a year, to making sure that happens.

The other side of the role, which is just as important, is equal opportunities, which is mainly focussed on liberation and equality for LGBTQ+ people, people of colour, and disabled people (equality for women is the portfolio of the VP for Women). Many of you who’ve been here for a few years may have noticed the focus on LGBTQ rights that has occurred over a short period of time, with flags flying from many college flagpoles and reps on common room committees across the city. But those reps don’t just work alone; they’re supported by the fantastic LGBTQ Society, but also by the LGBTQ officer for OUSU, who is supported in everything they do by – you guessed it – the VP (WEO). For example, a couple of years ago OUSU ensured a big step forward for trans* (we write ‘trans*’ instead of simply ‘trans’ in order to recognise that there are many different identities included within this term, not just ‘transgender’ students) by removing gendered restrictions on sub fusc. The student union can provide a platform for marginalised groups to shout out about what they care about and provide them with a space to further the cause of equality. I think it’s fantastic that our university funds someone to do the job of supporting those people every step of the way.

The current VP (WEO), Charlotte Hendy, is already doing a fantastic job, and has just succeeded, alongside the other OUSU sabbatical officers, to ensure that currently rusticated students still have access to university-run facilities such as the Counselling Service; a clear achievement which colleges, on their own, couldn’t have managed but which is incredibly important for the welfare of those students. Next year I hope to build on her work and put welfare and equal opportunities on the map, both in freshers’ week and throughout the year. Get in touch with Charlotte, or with me, if you want to learn more.

Bargain Bin: The Four Tops – Loco in Acapulco

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Listening to vinyl can be a tedious business. It gets dusty and greasy in the grooves, and if you really want that ‘genuine’ sound, it can get scratched and warped. Every time a new record is taken out if its sacred paper sleeve and awkwardly held between index fingers, a ritual of checking it for all possible maladies takes place, to ensure a smooth listening experience.

So when I thought I had bagged a bargain by purchasing a largely undamaged ‘Loco in Acapulco’ twelve-inch for 99p in Oxfam, I got a shock when I let the needle drop. Instead of getting the poptastic tones of Levi Stubbs, I got bounces and pops against the beat, and a Louis Armstrong-bass droning “Aaaccccaaapooollllcooowweee” over the top. I grabbed it, dusted and checked my needle. I tried again. The same unpleasant result.

I checked the album sleeve. Beneath four pineapples wearing sunglasses, supposedly representing the band, I saw “ph balance mix”. Aha! A remix I can rip into for the column! But then even for a remix, it’s pretty piss poor. I looked it up on SoundCloud, and heard something completely different to the shit coming out of my speakers. The saga continued. 

And then suddenly I saw, there on the sticker in miniscule writing, “45 RPM.” Oh. This is not the discs fault. It’s not even ph balance’s. Feeling somewhat humbled, I switch the lever on the player from 33 RPM to the faster rotation, and finally get the funky tropical beats those pineapples promised. Clearly, there’s a reason we switched to CDs.

Reverend at the crossroads

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Sheffield-based band Reverend and the Makers are celebrating nine years of formation with their fourth studio album, Thirty-Two, due for release later this month.

The band are currently touring the country – not playing in larger venues, however, but visiting different cities each night in fan’s houses. The band simply ask people to tweet them if they’d like a gig, one person is chosen in that night’s location a day or so in advance – it’s that simple.

I caught up with Jon ‘The Reverend’ McClure to speak to him about this method of promotion, the band’s new album and their impending tour. At the time of writing, the band are almost at the end of their scheduled thirty-two houses, and McClure is loving it. “It’s been absolutely mental, we’ve had people falling through windows, police vans turning up, and even a marriage proposal – a successful marriage proposal from a fella to his lady, so we’ve been having a right laugh.”

In an industry where the enormity of some artists creates an ever widening gap between them and their fans, ‘The Reverend’ feels like these unusual gigs are more important than ever. “Unless you’re gonna make really awful music to get onto daytime radio, your options are limited to what you can do to get people to know about the band…fans love it.” McClure values the loyalty of his fans more so than he does about being a renowned name – “You can be loved by ten thousand people, or liked by a million, but if they love you, they’ll love you forever, and that’s what music’s about for me. I don’t want to force the mainstream in order to be liked.” Indeed, although the band’s Heavyweight Champion of the World is widely recognised, McClure does not aim to have his songs played nationally. “I don’t want to start to make rubbish music to play on the radio, I’d much rather stick to my guns – and I think it’s working.”

And the name of the album? Inspired by Jon’s age. “I’m not trying to pretend I’m 21…I’m 32, why pretend I’m not?” explained McClure, “I’m not trying to please anyone anymore – no radio players, no one else, just me…and besides, Adele’s f**ked when she gets to my age. She’s had 19 and 21, but she can’t have 32!” the frontman joked.

Thirty-two is already looking to outdo the surprise success of the band’s last album, which McClure referred to as a “resurgence for the band”. Indeed, the pride that McClure takes in his new record is warmingly genuine. “It’s almost like the first album in that we have nothing to prove to anyone. We’re making music for us and because we like it, and you can hear that we’re not shying away from anything, its that ballsy confidence”.

As always, the band’s songs stem from real experiences, and this album marks a new age of maturity for them. The song ‘Your Girl, is “about a mate who couldn’t go out ’cause he was always with his missis. There’s one called ‘The Only One’, about wanting to be treated like the only fella’,” explained McClure, before musing on his own circumstance – “I’ve got married to Laura, and there’s a bit of thinking like ‘this is where we are, this is where we were; what’s next?’ Its a crossroads age, 32 – you’re definitely not a kid anymore, real life’s kicked in.”

Thirty-two is due for release on February 24th, the day after the band begin their UK tour. 

Review: Illum Sphere – Ghosts of Then and Now

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Ryan Hunn (alter-ego Illum Sphere) has a lot to live up to with his debut release on Ninja Tune. The label has been a conduit for some of the most interesting electronic music to be released in recent years, with names like Bonobo and Actress on their roster. Ghosts of Then and Now shows us why Hunn deserves to be mentioned among this elite.

Apart from anything else, Ghosts is an impressive display of balance and a light touch. Hunn is rarely heavy handed with his production; he never let’s one element overpower the rest, and the songs never sound crowded or showy. Not only that, but the album works however you choose to listen to it. It’s equally rewarding dipping into individual tracks, or settling down to appreciate the project in its complete form. The songs are meticulously constructed, with layers fluidly dropping in and out, propelling the music along with a life of its own. On the best tracks, everything unfolds so perfectly that you barely notice it happening, but the enthralling collage of textures will repay attentive listening.

There’s a subtle impression of concept about Ghosts; the title evokes a faint nostalgia – vague shadows of the past with a slightly uneasy undertone – and it feels like Hunn has tried to render these ideas musically throughout the album. Having an idea like this to base the music around can often focus production and give an album a sense of continuity, stopping the tracks from jarring with one another. Everything is enveloped with a generous helping of vinyl crackle too, heightening the warmth and giving it a strange air of familiarity.

There are a few weak moments though, especially at the start of the album. The opener ‘Liquesce’ sounds like a half-arsed attempt to emulate the wonderful ‘Prelude’ that introduced Bonobo’s ‘Black Sands’, and ‘The Road’ somehow manages to seem much longer than three and a half minutes, and not in a good way. But for the most part, Ghosts is an impressive debut from Illum Sphere, and essential listening for any fans of Bonobo-esque electronica.

 

 

 

 

Review: Temples – Sun Structures

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Everyone already loves Temples. Johnny Marr and Noel Gallagher have already waxed lyrical about their ability and potential, calling them the best new band in Britain. With all the hype and expectation surrounding them, you would have been forgiven for worrying that they’d do a Palma Violets and disappoint. This they have not done. Yes, their straight-out-of-the-60s brand of psychedelia is not exactly forward-thinking, but it’s as good as anything from the Summer of Love, drawing clear influences from the Kinks, and is part of the powerful movement of indie psychedelia burst open by Tame Impala, whose signature swagger is in clear evidence on Sun Structures.

Such modern psychedelia is all the rage at the moment, with artists like Morgan Delt and Foxygen perfectly exemplifying 2014’s taste for the trippy. ‘Shelter Song’, already a favourite up and down the country, opens the album in impressive fashion and the stunning ‘Mesmerise’ and ‘Colours of Life’ slot brilliantly into the work. And it’s not just the singles which impress: psychedelic epic ‘Sand Dance’ followed by the contrastingly brief and tender ‘Fragment’s Light’ end the album on a definite high. Hazy without being boring, reflecting without imitating, Sun Structures is a masterpiece.