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Review: Dealer’s Choice

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★★★★☆
Four Stars

Dealer’s Choice is a witty and blackly comic production. In the basement of an empty London restaurant, a weekly staff poker game is in full swing; quick-handed, straight-faced, keen to gain the upper hand, the play is fuelled not only by shifting money but shifting power in the midst of a tangled web of relationships.

Mugsy, a cockney geezer addicted to losing, has big plans for converting a supposedly ‘spacious’ public toilet block into a fancy French restaurant. Played by Cameron Cook, who skilfully negotiates both actor and director of the play, Mugsy’s character provides the laughs. Playfully mocked and belittled by his sardonic boss Steven (Alexander Stutt) a ‘semi’ successful owner of the restaurant, is skeptical of Mugsey’s pursuits as well as those of his son Carl, who is heavily in debt and to his mind a grave disappointment. The cast displayed cohesion and the ability to rebound effortlessly off one another, creating the comfortable, family-like relationship where insults are interlaced with sarcasm: these were well-received on the night by the audience.

Patrick Marber’s writing has elements of light-hearted banter, which suddenly escalate into scenes of tension and rage. The actors hone in on the precariousness of this balance. Kitchen scenes were particularly effective in providing rapid exchanges strewn with a wit: Markian Mysko von Schultze’s performance of Sweeny was particularly memorable.

The intimate space of the Burton Taylor theatre was split in two but the set lacked a keen attention to aesthetics. Lighting distinguished conversations carried out in the cluttered kitchen from those in the slick front of house. 

The second half saw a transformation in the set and a turn in events as the poker game played out. When executed well, the fast-paced passages of the game reached their peak as the stakes were upped, only to be brought down with flashes of bathos injected by Mugsy. Occasionally, timing was off and the performance lacked direction.

Dealer’s Choice is an engaging production with a wicked sense of humour. It had the audience in stitches and successfully handled the themes of power, manipulation and fate underpinned by a masculine obsession for the game of poker. It is a sure bet that we will see much more of Cook in future, since he dealt the audience a very good hand indeed. 

 

St Hugh’s ‘bomb’ destroyed in controlled explosions

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The package after two controlled explosions

St Hugh’s College has been reopened after a bomb scare closed several buildings for 4 hours this afternoon.

Police sniffer dogs and a bomb disposal robot moved in to deal with the package, which looked like a car battery sized clear plastic box bound in tape, with wires taped to the side.

After two ‘pop’ tests and two controlled explosions, the device was made safe. It did not in fact contain explosives.

St Hugh’s said in a statement at 4.15pm:

“A package was found on college grounds this morning that, to be cautious, was treated as suspicious, but the police have confirmed that it is not an explosive device and poses no danger. As a precautionary measure certain college buildings had been evacuated, but the buildings are now operational again and the situation is returning to normal. We thank the police and we appreciate the calm response of everyone involved.”

The disruption caused panic among some finalists, who went to exam schools without their sub fusc. The college made efforts to help those with exams by ordering taxis and opening up offices so that finalists would have somewhere quiet to work.

Sounds of English Summer

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Image: Hobbes

Bomb scare at St Hugh’s

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**Update – 16/06/13**

Thames Valley Police, investigating this incident since Wednesday, said this morning that “the package is not being treated as suspicious and the incident is closed.” A spokeswoman said “we cannot speculate why the package was left somewhere where it was mistaken as a threat.”

Police and St Hugh’s confirmed late on Wednesday that the package never posed any danger; today’s statement also plays down speculation of malicious intent.

St Hugh’s have also released a statement saying “there is no cause for concern,” without elaborating on what there is no cause to have been concerned by.

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Original article

Police and fire services have been called to St Hugh’s following the discovery of a “suspicious package”.

Large parts of the college have been cordoned off, and students evacuated, as a precuationary measure. A bomb disposal robot has now been seen entering the College grounds to deal with the suspect package, left outside the Maplethorpe Building in the centre of the grounds.

The Library, Kenyon and Wolfson buildings, as well as a number of houses on Woodstock Road have been evacuated.

A spokesperson for the college told Cherwell: ‘A suspect package was found on college grounds this morning and the police are dealing with the situation. As a precautionary measure we have taken this seriously and acted immediately to ensure people’s safety. Police and fire services were called and nearby buildings evacuated. When there is more information, we will provide it.’

William Golightly, a second year historian at St Hugh’s, told Cherwell: “At about 12.10pm I went out onto the lawns to play croquet with my friends. Suddenly I noticed several policemen appear on the lawns. For a minute I thought they were going to rugby tackle me, but they just shouted at us to ‘get back!’, and we evacuated elsewhere”.

In an email marked “Urgent”, the Academic registrar wrote:

“You may be aware that a suspect package is being investigated in College at the moment. A number of buildings have therefore been evacuated. If you have a University Examination this afternoon, and find yourself unable to return to your room to collect sub fusc, stationery etc, you should report to the College Office as soon as possible for advice.”

A member of staff said they suspected a hoax package rather than a genuine threat, but that the police attending were taking it serious as it looked very credible.

Thames Valley Police have released the following statement: “We were called at 11:32 am to St Hughs college after a member of staff reported a suspicious package on the lawn.”

The package was destroyed in two controlled explosions, which were accompanied by two ‘pop’ tests on site.

Thames Valley Police later released an updated statement saying: “There is no risk to the general public. College buildings have been evacuated, and a 100 metre radius has been cordoned off. Part of Woodstock Road is currently closed off  at this stage. It is likely to be closed off for some time. The Royal logistics corps are currently in attendance dealing with the situation.”

Responses on Twitter

@TPAdamsApparent bomb scare in St Hughs at the moment. Maplethorpe and Kenyon buildings evacuated.

@LadnyWilsonsuspicious package found on lawn. Bomb squad in attendance. Finalists not happy.

@moose_moose_Gmember of staff confirmed that a 2nd ‘controlled explosion’ will happen. Another hour at least before normality

@timrwilliams:Just heard what sounded like a controlled explosion from inside StHugh’s College, Oxford.

@janacahillhow big would the explosion have to be for a bomb-blast in St. Hugh’s to reach the rest of civilization?

Union Secretary resigns for "personal reasons"

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Cai Wilshaw, who was elected unopposed to the position of Oxford Union Secretary, has decided not to take up his position for Michaelmas. The decision was made on the morning of Tuesday 11th June, and means that the member of standing committee with the highest number of votes in the last election, in this case Roberto Weeden-Sanz, succeeds Wilshaw as Secretary.

In a statement to the Cherwell, Wilshaw confirmed that he had declined the role. Wilshaw said: ‘For personal reasons, I will not be taking up the position of Secretary next term. I have had a brilliant time in the Union and have made some fantastic friends. I wish all the best to my successor and everyone else on committee in Michaelmas.’

Outgoing President Joey D’Urso confirmed Wilshaw’s departure, stating that ‘In accordance with Rule 38(a)ii and 38(f), Cai has decided not to take up the position of Secretary in Michaelmas.’

Rule 38(a)ii states that ‘Resignations from Office or from the Standing Committee must be sent simultaneously by email to the President and to any person next in line to succeed’, whilst Rule 38(f) confirms that, as Secretary-designate, die or resign then ‘his death or resignation shall be deemed, for the purposes of this Rule only, to have taken place immediately after his succession to Office.’

D’Urso went on to say that ‘[he] would like to thank him very much for his hard work on Standing Committee, especially the Eurovision party he organised and his excellent speech in the sixth week banking debate. Roberto Weeden-Sanz is next in the line of succession and has thus been offered the position of Secretary, which he has accepted. I am confident Roberto and the rest of next term’s committee will do a fantastic job.’

A post in the Facebook group ‘Overheard at Oxford Uni’ recently described this as ‘the dirtiest Union election in living memory’, and, in the aftermath, a series of thirteen tribunals were launched, all of which were subsequently withdrawn.

Oxford fails in "Green" League Table

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A Green League Table of UK universities published by The Guardian placed Oxford 132nd in the country for environmental standards, dropping 13 places since last year. 143 higher education institutions were analysed in the ranking, which was topped by Manchester Metropolitan University, followed closely by Plymouth.  

The ranking, compiled by environmentalist website “People and Planet”, took into account factors such as Environmental Policy, Energy, Waste and Ethical Investment. Oxford was given a “fail” for its efforts across a whole range of these areas.

In particular, Oxford fared poorly in the “Ethical procurement and Fair Trade”, “Waste and Recycling” and “Carbon Emissions” categories. Stronger points included “Ethical Investment” and “Student and staff engagement”. In total, Oxford Scored 22 points out of 70. 

A spokesperson for the University told Cherwell, “Although the University’s performance in the ‘green league’ is disappointing, this ranking omits some key environmental benchmarks. One of these is transport, which we have long prioritised with successful results. Fewer than 20% of staff and 5% of students working in the city centre now drive to work. Unlike many universities we also have a water management strategy to reduce water consumption and we are also devising strategies for biodiversity and sustainable purchasing.” 

“Nonetheless we recognise there is a lot of work to be done and we are looking very carefully at our sustainability impacts, dedicating up to £14 million to carbon reduction projects and annual grants of £100,000 to sustainable transport initiatives as well as £100,000 to other sustainability initiatives.”

The University of Cambridge was ranked slightly above, at 113th, whilst London Business School and Heythrop College trailed at the bottom of the table. 

Madeleine-Ellis Pietersen, a Magdalen student who launched the Hog Roast Café last weekened in Hogacre Common, commented, “I find it quite striking how little environmental activism there is amongst the student body given how many amazing and pioneering eco-projects there are in Oxford. Having said that, incredible projects like the OxCoop and Oxgrow were started predominantly by students. “

“Lots of colleges are run in a hugely environmentally unfriendly way, and there is a reticence to be innovative — for example, despite huge grounds, Magdalen is hugely reticent to allocate land for student allotments, and the plots available are tiny.”

A slight change in the employment of methodology might account for Oxford’s drop in the League Table over recent years. People and Planet explain on their website that “The methodology for People & Planet Green League 2013 is developed in close consultation with key sectoral stakeholders and has evolved gradually over the seven years since its first publication”. Criteria such as independence, transparency and uniform metrics are highlighted as particular areas of importance in the development of methodology. 

A spokesperson for People and Planet told Cherwell: “Oxford has some catching up to do with the rest of the higher education sector, particularly in actual performance and the areas of carbon management, ethical procurement and staff and student engagement.”

“However, we’re hopeful that Oxford will be able to reverse this downward trend with the aid of Harriet Waters, the new Head of Sustainability at Oxford University, who comes from Oxford Brookes where she drove forward huge institutional changes in sustainability.”

Chris Garrard, a postgraduate student commented that “Oxford is a hub for student campaigning alongside research that is having a powerful influence on international development and the environment. The trouble is, this positive activity becomes rather tainted when the Vice-Chancellor and others at the top set a tone of profit before people, and deals before ethics. Deals such as the one agreed with Shell, represent a conscious choice to invest in a more unjust and potentially unstable world that the current students will inherit. That’s enough to justify a fail.”

Exeter in one day hall boycott

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Exeter College JCR is mobilising students to boycott catering facilities in college.

According to a facebook group set up by several Exeter students, including Edward Nickell, JCR President, participants “will not purchase any food or drink from Hall or the Bar, for breakfast, lunch or dinner. Instead, food will be provided in the JCR for a small contribution – very small compared to Hall.”

The boycott took place on Monday, for one day only. However Alice Nutting, a first-year English student, told Cherwell that “there has been a discussion about plans for a strike that could last weeks” at the start of Michaelmas.

Nickell claimed in a written JCR proposal to the college that “Exeter has the highest non redeemable catering charge in Oxford, by a margin of £116 per term. Colleges with smaller catering charges, for example New College, allow the entirety of the amount to be spent on meals eaten in hall.”

“The protest action,” Nickell told Cherwell, was “the result of tensions that have been bubbling for quite some time and finally boiled over last night… it became clear very quickly that the support for the action was very widespread.” He claimed that it had not arisen from “a suggestion from either me or the Exec.”

A letter from Bursar William Jenson to the JCR and MCR presidents, which was subsequently circulated around Exeter JCR, said, “While I accept that some students do and will always struggle financially, an institution such as Exeter cannot base its rent charges on what the poorest student feels is affordable.”

Jenson cited deficits in both the accomodation and catering accounts to demonstrate that the college continues to subsidise undergradautes. However he promised to propose to the college’s Governing Body the “re-instatement of the Hilary Term Graduate High Table dinner plus three Second Hall free dinners per term for each graduate student and four free Second Hall dinners per term for each undergraduate.”

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On Monday night Cherwell went to dinner in Exeter JCR, costing £1.50. Owen Donovan, a kitchen volunteer, said that “we’ve seen far more students than we expected and a great college JCR spitit. It really shows that after years of catering charges rising to an exorbitant degree, this JCR isn’t going to take it.”

The facebook group said that “no-one is obliged to take part and no-one should jeopardise their work.” However it suggests that “Students who have finished exams can help out by coming to the JCR at meal times; we hope MCR members will join us too.”

Exeter JCR is not the first to adopt the policy. In October last year Magdalen JCR also initiated a boycott in response to the college’s new dining levy. The ‘hall strike’ ended without the college authorities granting concessions.

Review: Jon Hopkins – Immunity

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Whilst John Hopkins is perhaps best known for his mercury-nominated collaboration with King Creosote, Diamond Mine (2011), his solo work has passed largely unnoticed. Having worked with Brian Eno and Coldplay among other big names, he has generally avoided the mainstream glance so far. 

However, his fourth solo album, Immunity is one which has the potential to define the course of electronic music over the next few years. A brave divergence from the more atmospheric, ambiance feel that has characterised his work thus far, Immunity has a whiff of nightlife and a strong dosage of epic bass lines. 

The strongest tracks on the album, such as Form by Firelight, Breathe This Air, or Open Eye Signal, have a steady progression, moving from a calm, peaceful beat, to a full out techno climax – without the listener even realising. Indeed, the real beauty to this album lies in the subtleties of its composition; the way each element, whether synthetic or otherwise, feels like it has been hand-picked and placed gracefully into a musical organism. 

The promotional video released in anticipation of the album’s release, an artistic compilation of magnified footage of crystals and chemicals drenched in colour sums up the whole album; it’s all about the details. 

Whilst it is certain that the length as well as the slow development of the album is almost certainly not appealing to everyone, what we have here is without doubt a masterpiece. As echoes of King Creosote’s voice fade in and out of the delicate, hazy final title track, one feels that Jon Hopkins has gone full circle – ranging from a a calm, subdued opening, to deep, synthetic electro bass rhythms, before returning to an airy, atmospheric finish. 

Much of the album has a certain dark edge to it – a melancholic chord, or a thundering echo sends the listener into an introspective glance, an effect which is particularly poignant thanks to the minimalism of Hopkins’ production. 

In a similar way to the F*ck Buttons’ electro-drone, Jon Hopkins’ Immunity is great study music, inducing a state of calm and concentration in the listener. It couldn’t have been released at a better time of the year. 

Review: The Big Wedding

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How can I begin to describe a film like The Big Wedding? Based on a patronising and insulting premise, with largely un­appealing characters, and very few redeemable moments, it was one of the worst films I have seen. Despite a promising cast, it failed to deliver on all fronts.

A young man is getting married. His adoptive parents have got di­vorced, with his adoptive father now in a relationship with a new woman. But the boy’s biological mother is Catholic and from Columbia, so they have to pretend that the adoptive parents are still married during the wedding, or she will go mad. Obvi­ously. Do filmmakers really still feel the need to peddle stereotypes so outdated and crude? The general tone of The Big Wedding is unfunny and puerile, with several moments where I wanted to cringe and run out of the cinema. Aiming to achieve the success of films like Father of the Bride, which is I suppose why they cast Diane Keaton, it fails as it is utterly charmless and con­trived.

Most of the actors struggled with such a poor plot, despite a few thoughtful details. Katherine Heigl’s performance as Lyla is probably the most convinc­ing, as she plays a woman who is pregnant having previ­ously strug­gled to con­ceive, but it seems quite in­congru­ous wedged between scenes of mid­dle-aged bawdiness.

The wedding itself has the classic film trait of none of the ex­tras at the lunch party actually engaging with the main actors, leaving the audience mildly per­plexed at why on earth so many people have turned up to witness the debacle without any recogni­tion from those involved. The chaos is compounded by the decision of two parents (I won’t reveal which just in case for some bizarre reason you choose to watch this dreadful film) to get married at their child’s wedding. How selfish do you have to be to hijack your offspring’s life with your own pathetic attempt to appease the woman you’ve cheated on? Perhaps the only character I warmed to was the man who caused all the problems through his lie, Alejandro the groom (played in a very sweet manner by Ben Barnes, whom you might know from his role as Prince Caspian in the Narnia films, or as Dorian Gray in Do­rian Gray).

But, although I am loathe to criticise a film so comprehensively, I struggle to find one thing to recom­mend The Big Wedding.

Delia

Lockey

Interview: Lewis Watson

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Oxford’s own Lewis Watson started recording YouTube videos four years ago and is now signed to Warner records. Specifically to Oxford, Watson thinks “there’s a real good scene there that’s blossoming and I’m happy that I used it as well as YouTube”. Much like the old gigging circuit Watson honed his craft through his laptop. “Now [he’s] playing to real people”. The intimacy of Watson’s YouTube recording sessions, and the tenderness within his compositions, are being performed to the masses during the festival season, and his upcoming headline tour. “It’s not like reading my diary,” he claims though. “They don’t get specifics”.

Moving away from the solo acoustic act and to a four-piece band setting complete with a girl on keys which Watson has “always wanted”. “As soon as I picked up a guitar I always wanted a band behind me. You grab people with a band, bigger sound behind you.” This is just in time for a hectic festival season where Watson sees himself playing at Glastonbury, Bestival and V, amongst others.

“It’s absolutely crazy to be on the bill,” Watson explains, “we’re playing to grab people who are walking past” and, next to legends such as the Rolling Stones and Elton John “we’re going to have to play the most exciting show we can”.
When asked about whether he considers himself indie or mainstream, he admits, “in a perfect world I’d love a bit of both”. For Watson, an underground success and cult following “enhances the music. It’s a sense of discovery”.

Watson is incredibly appreciative of his fans, claiming it’s still weird to have his songs sung back at him. With a narrative of broken and new relationships having been displayed on It’s Got Four Sad Songs On It BTW, Watson’s songs are about things that “everyone can relate to”. He hopes to showcase a similar tale on his upcoming debut album, “there’s a lot to be said for people to have to listen to the whole record before understanding the record”. Despite his newfound success in the mainstream, Watson is keeping it real. When approached by a crazed fan who wanted a lock of his hair in Australia, he responded, “Chill out, I’m just a person”. Hopefully this sense of musical earnestness and humility will continue.