Monday, May 12, 2025
Blog Page 1491

Society must treat prisoners with greater respect

If you’re reading this as an undergraduate, it’s likely that Erwin James served longer in prison than you’ve been alive. I’ve been to many talks in Oxford, but there have been few more powerful than this one, held by the Howard League for Penal Reform.

In 1985 James Monohan, James’ real name, was sentenced to life with a minimum of 14 years for the brutal murders of theatrical agent Greville Hallam and 29-year-old solicitor Angus Cochrane. He was released in 2004.

It’s an emotionally confusing moment as you feel sympathy for James’ evident pain in recalling his crimes, yet you know that he caused great pain to others through them.

Many years after his sentencing for life in 1984, James won a prize for prose writing aimed at prison inmates, and was later approached by the Guardian to write a regular column from prison, ‘A Life Inside’, an unprecedented move in British journalism.

But James is not really just attacking the prison system; it is more a deep-rooted criticism of society: a society in which he was given a criminal identity aged ten, experienced a severe lack of love in the care system, and never
felt valued or believed in by anyone.

The same criticism carries across to the prison system; that people are likely to fulfil the identity and role you give them, so prisoners who are brutalised and given no responsibility or purpose are going to become unable to cope
well with the outside world.

Thus, he argues that prison culture is hugely detrimental; he talks of the “psychological warfare” of prison, with “so many damaged people living in such close proximity to each other.” “The common currency is fear” and prisoners “don’t want to show they’re human.” 

One story is particularly disarming. One prisoner would smoke joints and get his pet cockatiel, ‘Priscilla’, stoned off them. When James adds “I saw him carried out in a body bag the next day”, our initial laughter is cut short. 

However, you don’t even need to believe that we should make prison better for the sake of prisoners, for it is in society’s best interests too. “If you don’t take an interest in how our prison system is run, the same cycle will continue.”

James describes reoffending rates as a “national scandal”, and it’s hard to disagree with him: in 2011 a shocking 90% of those sentenced in England and Wales were reoffenders.

What are his ideas to change this? He emphasises the importance of education, of staff who respect prisoners and help them value themselves, of responsibility, and, in general, of making prison a place with some meaning, rather than just a place in which to temporarily remove people from society and take away their liberty, only to throw them back into it unprepared and damaged.

Erwin James doesn’t have a coherent blueprint for penal reform in this country, nor has he squared the fundamental philosophical and ethical debates
of criminal responsibility, free will and justice. His real idea is that we need to find the possibility for humanity within the prison system, for the sake of everyone.

Knives out for Union Standing Committee Hack

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An Oxford Union Standing Committee member has been found guilty of two charges brought against him by a member of staff at the Purple Turtle nightclub.

The member, a first year from St John’s, was found guilty of “behaviour…liable to distress, offend or intimidate” and “disorderly behaviour” in light of his actions outside the Purple Turtle nightclub on 12 May. James Donnelly, the Head Door Supervisor at the Purple Turtle, alleged that student was too drunk to enter the club, an allegation which he denied. The Disciplinary Committee found insufficient evidence in support of the allegation.

In a meeting of the Union’s Disciplinary Committee, open to all Union members, the student was fined £100 and banned from the Purple Turtle nightclub for the rest of Trinity Term.

He was found not guilty of a further three charges including “conduct liable to offend” and “abuse of office.” These charges were in relation to claims that the member falsely claimed he was Muslim and also Treasurer of the Union in order to try and win access to the club.

Cherwell was first made aware that the Oxford Union would be holding a disciplinary hearing through an anonymous email. The email was sent using GuerrillMail.com on Monday evening.

The email read: “A nice hack-hating front page is fun to publish once in a while. The best thing is it could even go national. Remember Maddie Grant?”

“Maddie Grant” refers to Madeline Grant, a student at St Hilda’s, who was fined £120 by the Union last Trinity for using “I don’t hack, I just have a great rack” in an election manifesto. The story was covered by national publications including the Daily Mail.

The anonymous email targeting targetting the committee member, who is understood to be running for Treasurer in 7th week’s Union elections, detailed the time and place of the disciplinary hearing, which was open to members of the Union.

The sender of the email remains unknown.

In his official statement, Donnelly accuses the member of numerous acts of misconduct. Donnelly claims he tried to gain entry to the Purple Turtle by saying he was “treasurer of the Oxford Union and that he had rights”, and then proceeded to raise his voice when he was not allowed entry, due to “over intoxication”.

Donnelly goes on to allege that the Standing Committee member said he “did not believe he was drunk and that he is in fact a Muslim.” Donnelly states that he found this “offensive, as I myself am not English and receive a lot of racial abuse in my profession.”

Further to this, Donnelly’s statement reads that the Union Committee member then threatened “that we would get into trouble” if the bouncers didn’t allow him access to the club. It also states that he “tried forcefully to take a photo of the staff” and that a Union representative, who arrived to rectify the situation “was left disturbed by the gentlemen’s behaviour.”

In his statement, the committee member claims that he “chose to only drink two plastic cups of wine” on the night in question. He states that he was “sober” and “couldn’t really understand why I had been refused entry.”

However, the statement also reads that “I undoubtedly made myself a nuisance, for which I would like to apologise.” The committee member denies in the statement that he claimed he was the Treasurer of the Oxford Union. He also denies that he claimed he was Muslim, stating “I know how explosive an allegation racism [sic] can be…I am not even a Muslim.” He goes on to say the allegation that he threatened the jobs of the door staff was “easily the most hurtful of the allegations on a personal level.”

Both the committee member himself and Donnelly, along with another staff member of Purple Turtle, were both present at the hearing, which took place on Tuesday afternoon at the Union. The committee member called two witnesses, both Oxford students, who testified that they had seen him sober earlier in the night.

There were many areas of disagreement between the claimant and defendant but the use of CCTV as evidence was ruled out as the hearing wasn’t a criminal procedure.

After discussion in camera, the disciplinary panel found the student guilty of the two charges mentioned, and stated that there was “reasonable” doubt as to the claim of racism and abuse of office, of which he was found not-guilty.

A member of the disciplinary panel stated that “I don’t think it’s acceptable for a member of standing committee on a moral level to stay and distress members of staff…just to try and make a point” and that he “stayed longer than any reasonable person would do.”

the student declined to give the Cherwell a comment.

The Oxford Union’s President Joseph D’Urso stated, “The Intermediate Disciplinary Committee found the Elected Member from St John’s College guilty of infringing rule 71)a)i)1) in one instance, and rule 71)j) in another. He was found not guilty of three other charges. A fine has been imposed, the matter is now conclusively settled, and I have every faith he will continue performing his duties to the high standards I have come to expect from him. I thank the IDC panel members for their time.”

The Purple Turtle also did not wish to give a statement.

Is the Wadham Zero Tolerance policy fair?

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Tom Beardsworth: the Zero Tolerance motion is illogical, illiberal and probably illegal

The word ‘harassed’ or ‘harassment’ appears thirteen times in Wadham’s Student Union (JCR equivalent) ‘Zero Tolerance’ motion which passed last month. The word ‘assault’, immediately preceded by the words ‘physical’ or ‘sexual’, appears eight times. The phrase ‘alleged perpetrator’ appears three times. How curious then that the word ‘evidence’ appears nowhere.

Wadham has become something of a banana republic in recent weeks, a habeas corpus-free zone whose only export is stupidity.

The motion seeks to combat a serious issue, that of sexual harassment and assault, which it claims 34.5 per cent and 17 per cent of female students respectively have suffered.

Recognising the scale of the problem the SU has decided to tackle it by ejecting alleged harassers from “all bops, Wadstock and Queerfest” by enlisting the use of “security companies” at those events.

The motion in short promises to forcibly eject students from social events without any investigation first being executed. Hilariously, the motion dispenses with the burden of an investigation having to be held at all. Once you’re accused, that’s it, pervert. You’re out.

Luke Buckley bravely attempted amend the motion injecting some sense into the debate, with the relatively modest demand that “the alleged perpetrator may…explain his actions (e.g. how they may have been misconstrued, or how they realise they made a mistake, etc.)”. It was promptly voted down.

Jack Kelleher spoke in favour of Buckley’s amended motion. \”A zero-tolerance attitude,\” he said, \”which of course we should maintain towards sexual or any other form of harassment, is not the same thing as a zero-tolerance policy.
\”Such a policy is anti-democratic, authoritarian and, as it transpires, illegal.”

Precisely. The SU thinks it is rooting out all the nasties out there, bringing them into the open in order to name and shame them. They will probably be chillingly efficient in doing so; it’s quite a quick and easy business, one supposes, when you don’t have to go through the bother of actually finding out whether they did it or not.

Wadhamites were probably seduced by the wording of this otherwise blatantly illiberal motion, which strongly suggests that lads – Oxford’s most infamous bogeymen – are going to get their comeuppance.

But they won’t. And not just because Queerfest isn’t generally a top lad destination.

There’s some science to it. The catchily titled Workplace Justice, Zero Tolerance and Zero Barriers: Getting People to Come Forward in Conflict Management Systems is a report written by Corinne Bendersky, a criminologist from Cornell University.

Zero tolerance not only leads to false accusations being levied, but in a relatively short period of time, she says, the policy will become seen by potential participants (Wadham students, in this case) “as a kind of ruthless management, which may lead to a perception of ‘too much being done’.
\”If people fear that their co-workers or fellow students may be fired or terminated or expelled, they may not come forward at all when they see behavior deemed unacceptable.”

Kelleher warned that the SU \”would be cast as immature, reactionary and tribalistic young know-it-alls without any sort of grasp on the complexities of such a deeply sensitive and important issue.”

He\’s right. Punishment without evidence amounts to precisely the sort of right-wing reactionism that most Wadhamites detest when they encounter it elsewhere. They can do far better.

  

Barbara Speed – The policy is not illogical, illiberal or illegal

Much has been written, said, and shouted about Wadham’s recently passed Zero Tolerance policy, and a lot of you may not know much about it, or why it should matter as much as it seems to to people on both sides of the argument. For the benefit of those who don’t know much about the sexual harassment policy at Wadham – or even their own – college, and the motion passed in order to change it here is an outline of how the playing out of an accusation of sexual harassment at a Wadham event actually operates, as I understood it from one of the college’s subdeans at a recent SU meeting.

You, a student, approach a sub-dean or security guard. You tell them that you have been the target of sexual harassment by another attendee of the event, and that you feel uncomfortable in the situation. In this particular sub-dean’s case, his first action would be to go to the lodge and consult with porters about further action, leaving you and the person who has harassed you at an event now lacking even the supervision it had before you reported the harassment.

When asked if he would ever consider ejecting a student from an event for sexual harassment, this same subdean replied: “No, absolutely not.” I wonder what his response would have been if asked whether he would do the same for a student passed out on the floor, or threatening to physically assault another student.

Returning to you at the event – you are still in the situation that has made you uncomfortable. It may even be clear to the person you are accusing that you have tried to report what happened. If the situation is bad enough already, or if it worsens, your only option may well be to leave – probably before the event ends, and therefore quite possibly alone. If this happens, you are now outside the event, by yourself, and more vulnerable than ever.

The Zero Tolerance motion came about partly as a way to change this situation. Because someone who has been punched in the face shouldn’t have to leave an event because their attacker is allowed to stay. Neither should a victim of sexual harassment. There is a key difference between establishing the facts of the matter and disciplining appropriately, and ejecting someone from an event: clubs and bars maintain the right to eject a patron under any circumstances, and are not required to, as Tom puts it, show ‘evidence’ before doing so. They maintain a policy which aims, above all, to prevent any violence or disruption from spiralling out of hand on the night itself. Bouncers are given the discretion to eject anyone they want, a power that can be incredibly important in situations where people are often drunk, it is often dark, and it can be very difficult to establish the ‘facts’ of the matter, especially in cases of harassment.

The Zero Tolerance policy Wadham plans to instate contains a system of investigation after the event itself, equivalent to the current allowance for deaning students in cases of sexual harassment, as with other misdemeanours. The only logical objection to allowing members of security or college staff to eject students from events on the allegation of harassment, if the procedure after the event is carried out as carefully as any other disciplinary procedure, would be in the case of false accusation: incidence of which, in cases of sexual harassment and assault across the country, is incredibly low, and lower than for most other crimes. Another objection would be that sexual harassment does not merit ejection, but this is not an objection that has been raised to my knowledge by any of the opposition to the motion. 

Another key point missed in discussions of this policy is the fact that the accused are not automatically ejected if an accusation is made. The target of harassment can request that security only keep an eye on them, or that they be warned to stay away – a request for ejection would be a worst-case scenario.

This policy is not illogical and it is not illiberal. And, since part of the working group aiming to bring the policy into operation in September 2013 is the college Warden, Ken McDonald, who, while he no longer fills the post, was Director of Public Prosecutions for England and Wales for five years, I think we can rest assured that the finalised policy will not be illegal either.

Perhaps we should be paying attention not to those who attended neither meeting on the policy, including Tom, or those who fundamentally misunderstood the way the policy would work, such as challenger of the motion, Luke Buckley (whose 32-point motion for repeal could hardly be described as “relatively modest”, as Tom calls it in his article) but to the failings in college sexual harassment policy this motion has laid bare, and to you, stuck at a bop or a ball where someone won’t leave you alone however much you ask them to, and your only option may well be to ruin your evening, waste the money you spent on drinks and clothes and tickets, put your safety at risk, and leave alone.

Review: The Cosmonaut’s Last Message

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The Cosmonaut’s Last Message is a complex play. Its very nature is mysterious and fluctuating. The audience can be close to tears in one scene and then be laughing the next.

But more than that, it is a very clever play. The costumes, the accents, the set, are all designed carefully; the way the sofa folds out to be a bed, and the bed folds up to be a bench. I could tell that every inch had been well thought through and choreographed. Yet it was the staging that immersed me.

Take the first scene, for instance. The ordinary chitter chatter of a husband and wife about the television and central heating was cleverly contrasted with the cosmonauts having a discussion on a rocket ship. Then there was the juxtaposition of the daughter on stage who believes that her father is tens of millions of miles away, and yet he is just there, at the foot of the stage, waiting for her.

The cosmonauts are consistent throughout the majority of the play, waiting in the darkness for the focus to be on them – their mystery is the only element of consistency. The multitude of characters leaves the audience in an almost constant state of confusion about who the new characters are and what their role is, but to go back to the cosmonauts is to go back to what we knew, even though we really knew nothing about them at all.

People were constantly moving on and off stage, reminding us of the passage of time, whilst the cosmonauts stayed stagnant and still.

Yet, at times the mystery could put us off. Not knowing anything about what was going on could make us not care about anyone at times, especially since few characters could be empathized with easily. There was also little sense of jeopardy – so what if this is the cosmonaut’s last message? I didn’t know them anyway; why should I care?

However, there were also some outstanding performances – D’Arcy, known for her role in the BT hit Bunny, not only co-directed this play with Thomas Bailey, but portrayed an abandoned Scottish wife (complete with a flawless accent) with deep emotional intensity. Her quest to find her husband even though we knew he had been having an affair was touching but also pathetic. D’Arcy played the woman with focus and care; she was someone we could all relate to and someone we all pitied.

Sophie Ablett, portraying Nastasja, the Russian dancer played her character with complexity and effortlessness. Nastasja comes across as a together, confident young woman who can have any man she wants, yet Ablett shows that underneath she is just a girl, full of raw emotion, afraid of losing her father.

Despite its flaws, if you want to enjoy a clever, thought-provoking, intense piece of drama, then The Cosmonaut’s Last Message is for you.

Review: Deathtrap at the Burton Taylor

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How far should a playwright go for the sake of his art? Thievery? Murder? Allowing it to be performed chaotically by a group of over-enthusiastic Oxford undergraduates, perhaps? This 1978 play by Ira Levin suffers from all three unfortunate events but luckily remains partially entertaining.

Suffering from writer’s block, ageing dramatist Sydney Bruhl, invites a young student, Clifford Anderson, to his house in rural Connecticut to ask him for advice on his first script. Meanwhile Myra, Sydney’s wife, worries for Clifford’s safety as Sydney dreams up numerous murderous plots in order to steal his play – and its subsequent success and riches – from Clifford, and rightly so… 

The scene is set for an hour and a half of thrills, intrigue and black comedy but, just as the variety of weapons which adorn the backdrop waiting to play their part in the multiple homicides of this performance; they are, like me, sadly disappointed. The first act is very stilted. Uneasiness with the script is only a minor excuse, the majority of the blame lies in a lack of chemistry and awkward staging. Myra and Sydney are a mismatched husband and wife; to begin with I even thought they were father and daughter. They carry themselves unnaturally around the stage, each other and especially between that desk and the hat stand – please, just move it forward an inch or two and save yourselves, and the audience, from the awkward nuisance.

Act two is more enjoyable. The two leads work better together, but while the dialogue and action becomes repetitive and predictable, what becomes stranger here is the plot. Decisions seem to be taken without clear motive, whether this is the fault of the text or the rendition I’m not certain, but are the ensuing crimes committed for money, passion, honour, or merely because the stage directions say so?

What was crystal clear though was the absence of laughter. Most of the jokes are foreseeable and the Indian psychic, though the actress makes a valiant attempt at sincerity, was an unfortunate and underdeveloped stereotype. The frequent plot twists make this drama take U-turns almost as embarrassing as those of a politician. Ultimately, this five-man thriller taking place at the Burton Taylor might be forgiven for suffering some nerves on their first night, but not this many nerves, not this much awkwardness.

Preview: A Midsummer Night’s Dream

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★★★☆☆
Three Stars

This rampant production has a perfect setting – the foliage of New College gardens encloses the action, and bedecks the actors. A playful Puck (Rose Hadshar) lurks always at the edges, as Oberon (Charlie Dennis) struts, in a coat of leaves rather than mail, jealous that his queen, Titania (Charlotte Day) is so distracted with an exotic boy that she ‘crowns him with flowers’. Oberon contorts his face into a bizarre mask of knowing confusion which rather distracts from Titania’s rather too regal delivery, which is cut occasionally by a bark of capriciousness. 

Elsewhere, the powerfully displayed emotions of Hermia (Emma Turnbull) – tired, knowing, enraged – are shown to be a product of the forest – she is a shrew, a vixen, and, most strangely, an acorn. She is restrained by the black-waistcoated Lysander (Henry Ellenthorpe-Wong), a city boy as yet unaffected by the forest setting. Lysander throughout is sparkling, displaying in turns a smooth and loquacious charm in his wooing, and a rushing earnestness. The dashing dance of the loyalties between the pair and their intertwined lovers, Demetrius (Richard Foord) and Helena (Olivia Waring), are played out literally and dashingly on stage. Helena’s mocking courage in the face of Hermia’s ferocity culminates the fight in a gleeful flight.

Next comes a beautifully modern twist – a knowingly awful play within a brilliant play. Normally this consists of the audience sitting watching actors, who watch their own players strut on a second stage (I promise, no mention of play-ception). Here, though, we all sit, barefoot on the lawn, in an Escheresque meta-triangle. A nervous, halting prologue from the players wrings an expression of bemused agony from the watching Demetrius. Shakespeare’s demonstrations of the pitfalls of the tragic form – artless alliteration; endless, interminable, overlong death throes without end; outrageous mimes; and rotten rhymes – are brought out beautifully.

It is rare, and generally worrying, that a wall has a stand out part in the play, but the wall (Margaret Woods) that separates our two lovers is acerbically dry, both in humour, and, the lovers find, to the lips. The mocking of physical theatre – 400 years before it had been invented – is surprisingly perceptive.

Throughout, this production captures the wild unpredictability of the play, making the gardens seem too tame in contrast, and releasing the audience from the cocoons of the dreaming spires. What a way to while away a midsummer night!

Review: Some Funny

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★★★★★
Five Stars

Last night at the Burton Taylor studio I was lucky enough to encounter that rare Oxford beast of genuinely funny student comedy. This night of darkly surreal humor in a tight, intimate setting left me thinking this is probably not the last we’ll see of the Buttless Chaps.

Featuring quick witted, acerbic comedy writing from Will Hislop and Barney Fishwick, and executed with acute timing and panache by Kieran Ahern, Barney Iley and Phoebe James, this is comedy that deliberately steers away from the trap of self-reverential , psuedo-intellectual, conspicuously ‘Oxford’ kind of humor that so many comedy acts here can fall into. Not bad for an effort that stemmed from “me and Will begging for attention at the family Sunday meal”.

The writing duo name Leslie Nielson, Harry & Paul and the Blues Brothers as influences, but are keen to play down any associations between established comedy acts and last nights performance, instead describing their mantra as “throw shit at the audience and see what sticks”. It’s clearly a little more thought out than that though; opening musical number Take Me Back, Please and future classic Henry VIII share DNA with kiwi comedians Flight Of the Concords, and any League of Gentlemen fans in the audience will see parallel humor in Hitchcock. Shampoo had me in stiches over some of the best puns I’ve heard since I was about twelve, and the difficulties of switching products from “mustard gas to mustard”.

The Buttless Chaps themselves were hesitant to identify any particular targets in their comedy crosshairs but religion and Americans get subjected to comic humiliation the most, particularly in Bishop in Confessional, E! fashion interview and Smart Guy. The best example of this being the suggestion that you can’t get wi-fi in churches because they don’t want to compete with “an invisible skill set that actually works”. But far and away the most hilarious sketch of the night is the ambiguously titled Porn which, as the pair later point out to me, is largely funny because “you know people in the audience are thinking ‘shit…I’ve watched that once today already!'” At this point I looked sheepishly into my pint glass.

For a small, previously unheard of student comedy production to sell out on its first run is testament to the quality of writing and execution on display. This success is cherry-topped by their selection by the Oxford Revue to travel with them to this year’s Edinburgh Fringe Festival. However, I think The Buttless Chaps should consider changing the name of their show in the meantime – from Some Funny to Very, Very, Very Funny.

Somerville-Jesus Ball Committee members apologise

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Six members of the Somerville-Jesus Ball Committee have written an open letter apologising for “key flaws” in the organisation of the event, and “arrogance” in its publicity campaign.

The letter acknowledges problems in the ball, especially, “the organisation of food, the length of queues for the maze, and the tone of our publicity campaign.” It goes on to say, “We would like to apologise for these mistakes, in particular with regards to the organisation of food; the provisions we made were very clearly insufficient, and this is not acceptable for an event commanding a ticket price of £110/£150.”

The letter has been signed by six of the ball’s nine committee members, including Operations Manager Eddie Shore, Head of Gastronomy Clara Collyns, and Head of Design Toby Mann. Three senior committee members, Chairman Sam Levin, Vice-Chairman and Treasurer Alwyn Clarke, and PR Manager Pete Endicott, did not sign the letter.

The letter is almost two thousand words long and gives a detailed analysis of the night’s flaws. It concludes by stating, “Whilst we would like to provide a breakdown for costs, and indeed this is something that the six of us are working on providing at some point hopefully in the not too distant future, the Ball Treasurer is the only member of the committee in possession of the accounts of the ball.”

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Eddie Shore reading out the apology in Jesus JCR

The ball, which was held in Somerville on Saturday 4th May, was advertised as “one last night of decadence, debauchery, and indulgence’’. Yet it was criticised after allegations that it was mis-sold.

The original Facebook group was deleted after students condemned the event online. A separate Facebook group was created on Thursday which condemned the ball committee for having “unceremoniously censored… the many attempts to convey to the Committee the extreme dissatisfaction we felt in the execution of the ball.” The page currently has around 150 likes.

The latest letter from ball committee members acknowledges these complaints, apologising, “for the unacceptably large gap in time between the raising of these concerns, and the provision of this response.” It expresses hope their response is “fair, and we hope that once you have finished reading it, you will feel that we have been honest, open, and receptive to what you have all had to say.”

It goes on to identify “four main reasons” for the ball’s shortcomings: “misplaced trust in our catering company, poor set up due to unforeseeable problems, a lack of careful consideration of the demand for vegetarian food, and a lack of events management experience.” The letter continues, “These are not excuses, but explanations.”

The apology also states, “There was an arrogance about our publicity campaign, which has unfortunately continued well after the ball, and is something that, whilst unintentional, has caused a great deal of irritation, and for this, we would also like to apologise.”

Students’ responses to the letter have been mixed. One student who attended the ball told Cherwell, “An event costing this kind of money really shouldn’t be taken lightly and it is obvious from the response of the ball-goers that people are really upset. Therefore, I think it’s the committee’s duty to do their best to talk to people and try to rectify the situation as best as possible.”

The committee members who did not sign the letter were unavailable for comment on Monday night.

Electric Lines

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CLOTHES Topshop neon jumper and electric blue skirt, stylist’s own earrings; Primark orange heart dress, stylist’s own earrings; Topshop patterned dress, MariaFrancescaPepe Chain Necklace; Topshop shoes worn throughout

MODEL Diana Hindle Fisher 
PHOTOGRAPHER Henry Sherman
STYLIST
 Tamison O’Connor