Thursday, May 15, 2025
Blog Page 1492

OutFoxing the system

Cosy liberal consensuses beware: Claire Fox is hov­ering behind you ready to take her hammer of impassioned free speech, irreverence and controversy to your skull. In the current climate, anyone who will defend bankers, the News of the World and Richard Littlejohn with eloquence and flair is that little bit different. Fox is the director of the Institute of Ideas, an organisa­tion with a brief to “get people to challenge and think about the big social, political and cultural issues of the day and to challenge the or­thodoxies around them.”

She’s a reg­ular guest on Radio 4’s the Moral Maze. She also appears on other com­ment shows such as Question Time, often arguing firmly against the grain, and as such attracts a lot of ve­hement anger. She mentions the ti­rade against her following a column she wrote in the wake of the Savile scandal, arguing “We shouldn’t reor­ganise society around child protec­tion”. For these comments she was condemned as “a paedophile apolo­gist, full of hatred for the victims of abuse.”

Challenging orthodoxies definite­ly seems to cover it; she’s highly criti­cal of what she sees as the modern political consensus, where “the big rows don’t happen anymore” and po­litical debate mostly consists of “managerial tinkering around”. But if she stands firmly outside the cen­trist spectrum, it’s equally hard to establish at which end; her views are hard to box into a right or left-wing framework. Her earlier political life was certainly radically left wing; she was a member of the Revolutionary Communist Party, and used to pub­lish LM, the re-launched version of the magazine Living Marxism, and it was out of this basis that she found­ed the Institute of Ideas. While she still identifies as a Marxist in some respects, she believes that today “you can’t have a relationship with Marxism in an organised sense, be­cause there’s no organised expres­sion of it”. She explains how the “vi­brant culture” on the left dissapated in the 80s because “when the Berlin Wall went, symbolically people be­lieved there was now no alternative to capitalism… so there was a real shaking up on the anti-capitalist left; a lot of left-wing groups folded, not because they felt there was no al­ternative, but it felt like everything got stuck.”

These days, however, she acknowl­edges “sometimes I’ve got more in common with the people on the Right than I have with the Left”, mostly, it would seem, due to a com­mon currency of Libertarian thought. She says the Institute is “committed to overcoming the bar­riers for people to discuss freely, but then to live freely.” Does she accept the label ‘Libertarian’? “It’s not that I’m embarrassed about it, but it has connotations, usually associated with the free-market” — which she wouldn’t say she conforms to.

Talking to Claire, it is certainly re­freshing to hear someone trying to have “the big rows” again; someone not only with an unapologetic con­viction in their values, but also a deep commitment to rational, intel­ligent analysis, rather than what she describes as “whinging.” Her asser­tion that “a lot of politics has been reduced to attacking the rich, or at­tacking bankers, or getting preoccu­pied with who pays what tax” strikes a chord especially; it can be weary­ing witnessing the same tired and not particularly imaginative debates and identity politics being played out over and over again in the media. She argues this is out of line with the history of progressive left-wing thinking; “The point isn’t whether people are rich, the point is whether it’s a system which can move society forward, that’s what the critique was, not a kind of shrill, ‘beat-up the rich’ attitude… It’s an immature kind of name-calling, that’s not politics”.

The main focus of her at­tentions, however, is un­doubtedly not the econom­ic sys­tem, but de­fending freedom, or fighting for more of it. It’s a debate that has been of particular importance to her re­cently in light of the Leveson Inquiry, which she is an uncompromising critic of. She states passionately, “If anything, even prior to Leveson, we didn’t have enough press freedom. I don’t think we had too much free­dom, but too little.” She is convinced that the result will be “a journalistic class who are walking on eggshells and worried that they’re going to say the wrong thing: it’s not going to create a climate of real dedicated in­vestigative spirit and truth-seeking.” In fact she thinks the whole premise for the inquiry was dubious, for most of the actual abuses perpetrated were illegal and should have been dealt with by the law, but the term ‘press culture’ became one on every­one’s lips. “It gave the green light to Leveson, an une­lected warlord, to set up a wide-ranging commission, appointed by a Prime Minister, and investigate ‘the cul­ture of the press’. If that was happen­ing in some authoritarian regime you’d be suspicious… Once you say ‘what do you not like about press cul­ture’, everyone was queuing up with complaints, and it got wider and wider a remit.”

She also attacks what she sees as hypocrisy in the process: “It was fine for Leveson to read every­one’s emails and text messages and read them out aloud… You couldn’t make it up. They were alright, because they were the good guys; that was the as­sumption.” She accuses the lib­eral press of a similar hypocri­sy; “They imagine that they’re the right-on journalists, and any­one else investigating anything is down in the gutter… Nobody com­plains, in those circles, about the kind of tittle-tattle on Have I Got News For You, or in Private Eye, be­cause that’s our kind of people talk­ing about our kind of people, not those grubby people over there read­ing tabloids with the wrong kind.”

That’s fair enough, but surely there has been a real insidious nastiness in ele­ments of the press that was completely legal: I ask, should we do anything to try and eradicate this? I put to her the Lucy Mead­ows case, in which a transgender teacher committed suicide shortly after re­ceiving at­tention in the national press, and the Mail’s branding of Mick Philpott as a ‘Vile Product of Welfare UK’. She ac­knowledges there can be nastiness in the press, but says “journalism’s not some nice, polite activity… part­ly it’s about trying to give the public access to the greatest truth you can possibly have about everything… At the core of it is this idea that you will need to be able to say the unsayable, and pursue things which people don’t want you to pursue.” It is inter­esting to hear her defend press free­dom in these fairly absolutist terms, even admitting, “Sometimes the me­dia tell lies, and they sometimes de­stroy lives. I know that. Of course I know that.” Yet she maintains “the alternative of state censorship is not one I’m prepared to countenance.”

It’s a recurrent theme in her poli­tics, the determination to “prioritise freedom.” To quote Marx, she says, “You can’t pluck a rose without its thorns.” And it is so with freedom; the thorns may be Richard Little­john, people finding out how to make bombs on the internet, drink-driving, child abuse. “If you want a free society, it means that you have to put up with the possibilities of freedom.” Yes she believes in the law, which can deal with people who commit these crimes, but in a sense she thinks they have to be free to make them, unless we are to build a society built on “distrust”, with a danger of “organising things around victims.”

Aspects of her politics may seem to lack compassion, and to dismiss some of the con­cerns of the liberal centre base a little too easily. This is, I think, not simply on moral panic and the infan­tilising of the public, but also a genuine concern for the wellbeing of the individu­al. While I think her ideology may need to take more account of this be­fore I’d find it fully convincing, Fox is in person warm, funny and engag­ing. When we discuss left-wing jour­nalists she cackles “I don’t like ‘em, I wouldn’t have them round for din­ner, and I don’t take them too seri­ously.” This embodies her attitude to politics; sure it’s a serious business, but it’s one that should be free, inter­esting, surprising, and maybe just a little bit fun along the way too. She thinks that post-Leveson, no journal­ists will be willing to “rock the boat.” I’m sure she’ll still be at it, though.

Debate: Do Oxford students work too hard?

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YES!

Alex Rankine 

I am writing this at 4.30 in the morning. Macroeconomic wage theories have been hanging over me the entire night like a grim-faced gargoyle but even less pretty. The main equilibrium I am trying to preserve right now is mental, which is strung between the twin poles of caffeine-fired desperation and the primal, Maslovian need for sleep.

Things did not have to be thus. I could have treated my degree like a job, dutifully arising with the rowers at dawn for a healthy breakfast before settling down in the library. I could have done all the reading on the list, carefully considered all the subtle gradations and different angles one could take on the issue, and set to my work with a profound mastery of the material. But that would be all too sensible now wouldn’t it?

University is not a nine-to-five gig. At any given hour somewhere in col­lege there will be somebody working. We work at 3am, we work at 7pm, we work on the biblical day of rest and get annoyed by the ringing bells. More pertinently, we procrastinate at all of those times, a process every bit as taxing as work. Procrastination is an Oxford institution. We spend far more time with it than we do our friends, ignoring its guilt-inducing looks when we linger in hall, coming back from evenings out with it in tow and taking it to bed with us.

The lack of enforced structure in our days (scientists aside) is one cause of exhaustion, but is there a workload issue specific to Oxford? Certainly, we get a great deal of the stuff; three chunky assignments in a week is par for the course. Sometimes the quanti­ties become absurd and it transpires that our tutors are not talking to each other and thought we did not have much else on this week. But we knew we would get a lot when we signed up for this. One of the attractions of Oxford is that by the time you leave you will know far more about your subject than students at other more easy-going institutions, even if that knowledge is simply to realise that what seemed straightforward at A-level is in fact a subject of fathomless depths, an ineffable sea of centuries-accumulated scholarship. Oxford makes us go swimming in this ocean a lot more than most universities. Drowning may be the more apposite description at Oxford.

I would venture that a major part of the problem is the eight week term, which demands that learning be con­ducted at a breathless pace, and leads to the ridiculous situation where most of us are at home for nearly as much of the year as we are at univer­sity. It is understandable why our be­loved tutors want us to clear-off and leave them to their research for as much of the year as possible, but the consequences are dire for students.

Our University existences become an intense bubble that admits little room for unplanned circumstances. Those who have been made to feel sorry for daring to fall ill during term-time will know what I mean. And the skills that such an intense system builds are not primarily aca­demic. Both Cherwell and OxStu have run pieces this year about how stu­dent degrees feel more like blagging than learning. These early morning turn-arounds and the need to chance your way weekly through job-inter­view style tutes may be good practice for life in the corporate world, but that is surely not what Oxford is try­ing to prepare us for?

 

NO!

Anna Cooban 

Any wander through your college library at 2am will tell you that students at Oxford work harder than the average student. The charac­teristic dark shadows under the eyes, pale complexion and a general sense of hollowness are symptomatic of the exam period – or what other students may call ‘summer’. It is certainly true that the workload undertaken by the average Oxford student is far from average, but is this ‘too’ much? My an­swer is no.

Perhaps nobody can quite prepare for the academic onslaught they will face in their first ever Michaelmas. No one can reinforce enough how preva­lent the ‘little-fish-in-a-big-pond’ syndrome really is when you arrive and discover that your neighbour is a world debating champion fluent in 5 different languages or that your college mum has already been head­hunted by NASA. Suddenly your pal­try three or four A to A* A-level grades­seem far less impressive. However, to suggest that the workload surpasses our expectations or is too much to handle is to suggest that freshers walk into these hallowed halls only to be surprised that Oxford is not like most other universities.

Quite frankly, you get what you sign up for. The extra demands required by an Oxford degree are certainly a shock to a system honed by the help­ful rigidity of A-level mark schemes and – in many cases – the support of eager teachers. To discover that your tutor has a career beyond marking your essays shatters any hubristic il­lusion that students are the centre of Oxford’s intellectual sphere when, arguably, the greatest product of this institution is its wealth of academic research.

Nobody is forced to work particu­larly hard and there are certainly many who choose to do the bare min­imum, content with the strangely revered ‘gentleman’s third’. The late Christopher Hitchens is a testament to this philosophy. Not content with the trappings of an Oxford degree or the impending sense of lifelong failure should he fail to work to 3am on a Friday night, he told the system where they could stick it and became one of the most prominent thinkers of his generation, due in large part to his departure from the mainstream.

Carol Vorderman is another whose Cambridge third did not hamper her success as a mathematician, nor did Hugh Laurie’s third prevent him from winning two Golden Globe awards. And for those that choose a no less admirable, yet still ‘conventional’, path from top degree to top job in the City, three years stuck in the con­fines of the college library is but a snapshot of the work-life imbalances suffered by an investment banker or commercial lawyer. Working hard is therefore self-inflicted and although some degree of pity is warranted for the prelims student who is in the li­brary earliest and leaves latest, these types are usually so ambitious that, whatever their academic outcome, professional success is a given.

There is no doubt that Oxford students work hard. There may have been a discrepancy between our expectations and the reality of our workload before we arrived, but this is no way disproportionate to demands of the stereotypical Ox­bridge graduate job. Perhaps a 30- year subscription to Vitamin D sup­plements is a worthwhile investment if we choose to continue down the path of being conventional.

Society must treat prisoners with greater respect

If you’re reading this as an undergraduate, it’s likely that Erwin James served longer in prison than you’ve been alive. I’ve been to many talks in Oxford, but there have been few more powerful than this one, held by the Howard League for Penal Reform.

In 1985 James Monohan, James’ real name, was sentenced to life with a minimum of 14 years for the brutal murders of theatrical agent Greville Hallam and 29-year-old solicitor Angus Cochrane. He was released in 2004.

It’s an emotionally confusing moment as you feel sympathy for James’ evident pain in recalling his crimes, yet you know that he caused great pain to others through them.

Many years after his sentencing for life in 1984, James won a prize for prose writing aimed at prison inmates, and was later approached by the Guardian to write a regular column from prison, ‘A Life Inside’, an unprecedented move in British journalism.

But James is not really just attacking the prison system; it is more a deep-rooted criticism of society: a society in which he was given a criminal identity aged ten, experienced a severe lack of love in the care system, and never
felt valued or believed in by anyone.

The same criticism carries across to the prison system; that people are likely to fulfil the identity and role you give them, so prisoners who are brutalised and given no responsibility or purpose are going to become unable to cope
well with the outside world.

Thus, he argues that prison culture is hugely detrimental; he talks of the “psychological warfare” of prison, with “so many damaged people living in such close proximity to each other.” “The common currency is fear” and prisoners “don’t want to show they’re human.” 

One story is particularly disarming. One prisoner would smoke joints and get his pet cockatiel, ‘Priscilla’, stoned off them. When James adds “I saw him carried out in a body bag the next day”, our initial laughter is cut short. 

However, you don’t even need to believe that we should make prison better for the sake of prisoners, for it is in society’s best interests too. “If you don’t take an interest in how our prison system is run, the same cycle will continue.”

James describes reoffending rates as a “national scandal”, and it’s hard to disagree with him: in 2011 a shocking 90% of those sentenced in England and Wales were reoffenders.

What are his ideas to change this? He emphasises the importance of education, of staff who respect prisoners and help them value themselves, of responsibility, and, in general, of making prison a place with some meaning, rather than just a place in which to temporarily remove people from society and take away their liberty, only to throw them back into it unprepared and damaged.

Erwin James doesn’t have a coherent blueprint for penal reform in this country, nor has he squared the fundamental philosophical and ethical debates
of criminal responsibility, free will and justice. His real idea is that we need to find the possibility for humanity within the prison system, for the sake of everyone.

Knives out for Union Standing Committee Hack

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An Oxford Union Standing Committee member has been found guilty of two charges brought against him by a member of staff at the Purple Turtle nightclub.

The member, a first year from St John’s, was found guilty of “behaviour…liable to distress, offend or intimidate” and “disorderly behaviour” in light of his actions outside the Purple Turtle nightclub on 12 May. James Donnelly, the Head Door Supervisor at the Purple Turtle, alleged that student was too drunk to enter the club, an allegation which he denied. The Disciplinary Committee found insufficient evidence in support of the allegation.

In a meeting of the Union’s Disciplinary Committee, open to all Union members, the student was fined £100 and banned from the Purple Turtle nightclub for the rest of Trinity Term.

He was found not guilty of a further three charges including “conduct liable to offend” and “abuse of office.” These charges were in relation to claims that the member falsely claimed he was Muslim and also Treasurer of the Union in order to try and win access to the club.

Cherwell was first made aware that the Oxford Union would be holding a disciplinary hearing through an anonymous email. The email was sent using GuerrillMail.com on Monday evening.

The email read: “A nice hack-hating front page is fun to publish once in a while. The best thing is it could even go national. Remember Maddie Grant?”

“Maddie Grant” refers to Madeline Grant, a student at St Hilda’s, who was fined £120 by the Union last Trinity for using “I don’t hack, I just have a great rack” in an election manifesto. The story was covered by national publications including the Daily Mail.

The anonymous email targeting targetting the committee member, who is understood to be running for Treasurer in 7th week’s Union elections, detailed the time and place of the disciplinary hearing, which was open to members of the Union.

The sender of the email remains unknown.

In his official statement, Donnelly accuses the member of numerous acts of misconduct. Donnelly claims he tried to gain entry to the Purple Turtle by saying he was “treasurer of the Oxford Union and that he had rights”, and then proceeded to raise his voice when he was not allowed entry, due to “over intoxication”.

Donnelly goes on to allege that the Standing Committee member said he “did not believe he was drunk and that he is in fact a Muslim.” Donnelly states that he found this “offensive, as I myself am not English and receive a lot of racial abuse in my profession.”

Further to this, Donnelly’s statement reads that the Union Committee member then threatened “that we would get into trouble” if the bouncers didn’t allow him access to the club. It also states that he “tried forcefully to take a photo of the staff” and that a Union representative, who arrived to rectify the situation “was left disturbed by the gentlemen’s behaviour.”

In his statement, the committee member claims that he “chose to only drink two plastic cups of wine” on the night in question. He states that he was “sober” and “couldn’t really understand why I had been refused entry.”

However, the statement also reads that “I undoubtedly made myself a nuisance, for which I would like to apologise.” The committee member denies in the statement that he claimed he was the Treasurer of the Oxford Union. He also denies that he claimed he was Muslim, stating “I know how explosive an allegation racism [sic] can be…I am not even a Muslim.” He goes on to say the allegation that he threatened the jobs of the door staff was “easily the most hurtful of the allegations on a personal level.”

Both the committee member himself and Donnelly, along with another staff member of Purple Turtle, were both present at the hearing, which took place on Tuesday afternoon at the Union. The committee member called two witnesses, both Oxford students, who testified that they had seen him sober earlier in the night.

There were many areas of disagreement between the claimant and defendant but the use of CCTV as evidence was ruled out as the hearing wasn’t a criminal procedure.

After discussion in camera, the disciplinary panel found the student guilty of the two charges mentioned, and stated that there was “reasonable” doubt as to the claim of racism and abuse of office, of which he was found not-guilty.

A member of the disciplinary panel stated that “I don’t think it’s acceptable for a member of standing committee on a moral level to stay and distress members of staff…just to try and make a point” and that he “stayed longer than any reasonable person would do.”

the student declined to give the Cherwell a comment.

The Oxford Union’s President Joseph D’Urso stated, “The Intermediate Disciplinary Committee found the Elected Member from St John’s College guilty of infringing rule 71)a)i)1) in one instance, and rule 71)j) in another. He was found not guilty of three other charges. A fine has been imposed, the matter is now conclusively settled, and I have every faith he will continue performing his duties to the high standards I have come to expect from him. I thank the IDC panel members for their time.”

The Purple Turtle also did not wish to give a statement.

Is the Wadham Zero Tolerance policy fair?

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Tom Beardsworth: the Zero Tolerance motion is illogical, illiberal and probably illegal

The word ‘harassed’ or ‘harassment’ appears thirteen times in Wadham’s Student Union (JCR equivalent) ‘Zero Tolerance’ motion which passed last month. The word ‘assault’, immediately preceded by the words ‘physical’ or ‘sexual’, appears eight times. The phrase ‘alleged perpetrator’ appears three times. How curious then that the word ‘evidence’ appears nowhere.

Wadham has become something of a banana republic in recent weeks, a habeas corpus-free zone whose only export is stupidity.

The motion seeks to combat a serious issue, that of sexual harassment and assault, which it claims 34.5 per cent and 17 per cent of female students respectively have suffered.

Recognising the scale of the problem the SU has decided to tackle it by ejecting alleged harassers from “all bops, Wadstock and Queerfest” by enlisting the use of “security companies” at those events.

The motion in short promises to forcibly eject students from social events without any investigation first being executed. Hilariously, the motion dispenses with the burden of an investigation having to be held at all. Once you’re accused, that’s it, pervert. You’re out.

Luke Buckley bravely attempted amend the motion injecting some sense into the debate, with the relatively modest demand that “the alleged perpetrator may…explain his actions (e.g. how they may have been misconstrued, or how they realise they made a mistake, etc.)”. It was promptly voted down.

Jack Kelleher spoke in favour of Buckley’s amended motion. \”A zero-tolerance attitude,\” he said, \”which of course we should maintain towards sexual or any other form of harassment, is not the same thing as a zero-tolerance policy.
\”Such a policy is anti-democratic, authoritarian and, as it transpires, illegal.”

Precisely. The SU thinks it is rooting out all the nasties out there, bringing them into the open in order to name and shame them. They will probably be chillingly efficient in doing so; it’s quite a quick and easy business, one supposes, when you don’t have to go through the bother of actually finding out whether they did it or not.

Wadhamites were probably seduced by the wording of this otherwise blatantly illiberal motion, which strongly suggests that lads – Oxford’s most infamous bogeymen – are going to get their comeuppance.

But they won’t. And not just because Queerfest isn’t generally a top lad destination.

There’s some science to it. The catchily titled Workplace Justice, Zero Tolerance and Zero Barriers: Getting People to Come Forward in Conflict Management Systems is a report written by Corinne Bendersky, a criminologist from Cornell University.

Zero tolerance not only leads to false accusations being levied, but in a relatively short period of time, she says, the policy will become seen by potential participants (Wadham students, in this case) “as a kind of ruthless management, which may lead to a perception of ‘too much being done’.
\”If people fear that their co-workers or fellow students may be fired or terminated or expelled, they may not come forward at all when they see behavior deemed unacceptable.”

Kelleher warned that the SU \”would be cast as immature, reactionary and tribalistic young know-it-alls without any sort of grasp on the complexities of such a deeply sensitive and important issue.”

He\’s right. Punishment without evidence amounts to precisely the sort of right-wing reactionism that most Wadhamites detest when they encounter it elsewhere. They can do far better.

  

Barbara Speed – The policy is not illogical, illiberal or illegal

Much has been written, said, and shouted about Wadham’s recently passed Zero Tolerance policy, and a lot of you may not know much about it, or why it should matter as much as it seems to to people on both sides of the argument. For the benefit of those who don’t know much about the sexual harassment policy at Wadham – or even their own – college, and the motion passed in order to change it here is an outline of how the playing out of an accusation of sexual harassment at a Wadham event actually operates, as I understood it from one of the college’s subdeans at a recent SU meeting.

You, a student, approach a sub-dean or security guard. You tell them that you have been the target of sexual harassment by another attendee of the event, and that you feel uncomfortable in the situation. In this particular sub-dean’s case, his first action would be to go to the lodge and consult with porters about further action, leaving you and the person who has harassed you at an event now lacking even the supervision it had before you reported the harassment.

When asked if he would ever consider ejecting a student from an event for sexual harassment, this same subdean replied: “No, absolutely not.” I wonder what his response would have been if asked whether he would do the same for a student passed out on the floor, or threatening to physically assault another student.

Returning to you at the event – you are still in the situation that has made you uncomfortable. It may even be clear to the person you are accusing that you have tried to report what happened. If the situation is bad enough already, or if it worsens, your only option may well be to leave – probably before the event ends, and therefore quite possibly alone. If this happens, you are now outside the event, by yourself, and more vulnerable than ever.

The Zero Tolerance motion came about partly as a way to change this situation. Because someone who has been punched in the face shouldn’t have to leave an event because their attacker is allowed to stay. Neither should a victim of sexual harassment. There is a key difference between establishing the facts of the matter and disciplining appropriately, and ejecting someone from an event: clubs and bars maintain the right to eject a patron under any circumstances, and are not required to, as Tom puts it, show ‘evidence’ before doing so. They maintain a policy which aims, above all, to prevent any violence or disruption from spiralling out of hand on the night itself. Bouncers are given the discretion to eject anyone they want, a power that can be incredibly important in situations where people are often drunk, it is often dark, and it can be very difficult to establish the ‘facts’ of the matter, especially in cases of harassment.

The Zero Tolerance policy Wadham plans to instate contains a system of investigation after the event itself, equivalent to the current allowance for deaning students in cases of sexual harassment, as with other misdemeanours. The only logical objection to allowing members of security or college staff to eject students from events on the allegation of harassment, if the procedure after the event is carried out as carefully as any other disciplinary procedure, would be in the case of false accusation: incidence of which, in cases of sexual harassment and assault across the country, is incredibly low, and lower than for most other crimes. Another objection would be that sexual harassment does not merit ejection, but this is not an objection that has been raised to my knowledge by any of the opposition to the motion. 

Another key point missed in discussions of this policy is the fact that the accused are not automatically ejected if an accusation is made. The target of harassment can request that security only keep an eye on them, or that they be warned to stay away – a request for ejection would be a worst-case scenario.

This policy is not illogical and it is not illiberal. And, since part of the working group aiming to bring the policy into operation in September 2013 is the college Warden, Ken McDonald, who, while he no longer fills the post, was Director of Public Prosecutions for England and Wales for five years, I think we can rest assured that the finalised policy will not be illegal either.

Perhaps we should be paying attention not to those who attended neither meeting on the policy, including Tom, or those who fundamentally misunderstood the way the policy would work, such as challenger of the motion, Luke Buckley (whose 32-point motion for repeal could hardly be described as “relatively modest”, as Tom calls it in his article) but to the failings in college sexual harassment policy this motion has laid bare, and to you, stuck at a bop or a ball where someone won’t leave you alone however much you ask them to, and your only option may well be to ruin your evening, waste the money you spent on drinks and clothes and tickets, put your safety at risk, and leave alone.

Review: The Cosmonaut’s Last Message

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The Cosmonaut’s Last Message is a complex play. Its very nature is mysterious and fluctuating. The audience can be close to tears in one scene and then be laughing the next.

But more than that, it is a very clever play. The costumes, the accents, the set, are all designed carefully; the way the sofa folds out to be a bed, and the bed folds up to be a bench. I could tell that every inch had been well thought through and choreographed. Yet it was the staging that immersed me.

Take the first scene, for instance. The ordinary chitter chatter of a husband and wife about the television and central heating was cleverly contrasted with the cosmonauts having a discussion on a rocket ship. Then there was the juxtaposition of the daughter on stage who believes that her father is tens of millions of miles away, and yet he is just there, at the foot of the stage, waiting for her.

The cosmonauts are consistent throughout the majority of the play, waiting in the darkness for the focus to be on them – their mystery is the only element of consistency. The multitude of characters leaves the audience in an almost constant state of confusion about who the new characters are and what their role is, but to go back to the cosmonauts is to go back to what we knew, even though we really knew nothing about them at all.

People were constantly moving on and off stage, reminding us of the passage of time, whilst the cosmonauts stayed stagnant and still.

Yet, at times the mystery could put us off. Not knowing anything about what was going on could make us not care about anyone at times, especially since few characters could be empathized with easily. There was also little sense of jeopardy – so what if this is the cosmonaut’s last message? I didn’t know them anyway; why should I care?

However, there were also some outstanding performances – D’Arcy, known for her role in the BT hit Bunny, not only co-directed this play with Thomas Bailey, but portrayed an abandoned Scottish wife (complete with a flawless accent) with deep emotional intensity. Her quest to find her husband even though we knew he had been having an affair was touching but also pathetic. D’Arcy played the woman with focus and care; she was someone we could all relate to and someone we all pitied.

Sophie Ablett, portraying Nastasja, the Russian dancer played her character with complexity and effortlessness. Nastasja comes across as a together, confident young woman who can have any man she wants, yet Ablett shows that underneath she is just a girl, full of raw emotion, afraid of losing her father.

Despite its flaws, if you want to enjoy a clever, thought-provoking, intense piece of drama, then The Cosmonaut’s Last Message is for you.

Review: Deathtrap at the Burton Taylor

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How far should a playwright go for the sake of his art? Thievery? Murder? Allowing it to be performed chaotically by a group of over-enthusiastic Oxford undergraduates, perhaps? This 1978 play by Ira Levin suffers from all three unfortunate events but luckily remains partially entertaining.

Suffering from writer’s block, ageing dramatist Sydney Bruhl, invites a young student, Clifford Anderson, to his house in rural Connecticut to ask him for advice on his first script. Meanwhile Myra, Sydney’s wife, worries for Clifford’s safety as Sydney dreams up numerous murderous plots in order to steal his play – and its subsequent success and riches – from Clifford, and rightly so… 

The scene is set for an hour and a half of thrills, intrigue and black comedy but, just as the variety of weapons which adorn the backdrop waiting to play their part in the multiple homicides of this performance; they are, like me, sadly disappointed. The first act is very stilted. Uneasiness with the script is only a minor excuse, the majority of the blame lies in a lack of chemistry and awkward staging. Myra and Sydney are a mismatched husband and wife; to begin with I even thought they were father and daughter. They carry themselves unnaturally around the stage, each other and especially between that desk and the hat stand – please, just move it forward an inch or two and save yourselves, and the audience, from the awkward nuisance.

Act two is more enjoyable. The two leads work better together, but while the dialogue and action becomes repetitive and predictable, what becomes stranger here is the plot. Decisions seem to be taken without clear motive, whether this is the fault of the text or the rendition I’m not certain, but are the ensuing crimes committed for money, passion, honour, or merely because the stage directions say so?

What was crystal clear though was the absence of laughter. Most of the jokes are foreseeable and the Indian psychic, though the actress makes a valiant attempt at sincerity, was an unfortunate and underdeveloped stereotype. The frequent plot twists make this drama take U-turns almost as embarrassing as those of a politician. Ultimately, this five-man thriller taking place at the Burton Taylor might be forgiven for suffering some nerves on their first night, but not this many nerves, not this much awkwardness.

Preview: A Midsummer Night’s Dream

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★★★☆☆
Three Stars

This rampant production has a perfect setting – the foliage of New College gardens encloses the action, and bedecks the actors. A playful Puck (Rose Hadshar) lurks always at the edges, as Oberon (Charlie Dennis) struts, in a coat of leaves rather than mail, jealous that his queen, Titania (Charlotte Day) is so distracted with an exotic boy that she ‘crowns him with flowers’. Oberon contorts his face into a bizarre mask of knowing confusion which rather distracts from Titania’s rather too regal delivery, which is cut occasionally by a bark of capriciousness. 

Elsewhere, the powerfully displayed emotions of Hermia (Emma Turnbull) – tired, knowing, enraged – are shown to be a product of the forest – she is a shrew, a vixen, and, most strangely, an acorn. She is restrained by the black-waistcoated Lysander (Henry Ellenthorpe-Wong), a city boy as yet unaffected by the forest setting. Lysander throughout is sparkling, displaying in turns a smooth and loquacious charm in his wooing, and a rushing earnestness. The dashing dance of the loyalties between the pair and their intertwined lovers, Demetrius (Richard Foord) and Helena (Olivia Waring), are played out literally and dashingly on stage. Helena’s mocking courage in the face of Hermia’s ferocity culminates the fight in a gleeful flight.

Next comes a beautifully modern twist – a knowingly awful play within a brilliant play. Normally this consists of the audience sitting watching actors, who watch their own players strut on a second stage (I promise, no mention of play-ception). Here, though, we all sit, barefoot on the lawn, in an Escheresque meta-triangle. A nervous, halting prologue from the players wrings an expression of bemused agony from the watching Demetrius. Shakespeare’s demonstrations of the pitfalls of the tragic form – artless alliteration; endless, interminable, overlong death throes without end; outrageous mimes; and rotten rhymes – are brought out beautifully.

It is rare, and generally worrying, that a wall has a stand out part in the play, but the wall (Margaret Woods) that separates our two lovers is acerbically dry, both in humour, and, the lovers find, to the lips. The mocking of physical theatre – 400 years before it had been invented – is surprisingly perceptive.

Throughout, this production captures the wild unpredictability of the play, making the gardens seem too tame in contrast, and releasing the audience from the cocoons of the dreaming spires. What a way to while away a midsummer night!

Review: Some Funny

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★★★★★
Five Stars

Last night at the Burton Taylor studio I was lucky enough to encounter that rare Oxford beast of genuinely funny student comedy. This night of darkly surreal humor in a tight, intimate setting left me thinking this is probably not the last we’ll see of the Buttless Chaps.

Featuring quick witted, acerbic comedy writing from Will Hislop and Barney Fishwick, and executed with acute timing and panache by Kieran Ahern, Barney Iley and Phoebe James, this is comedy that deliberately steers away from the trap of self-reverential , psuedo-intellectual, conspicuously ‘Oxford’ kind of humor that so many comedy acts here can fall into. Not bad for an effort that stemmed from “me and Will begging for attention at the family Sunday meal”.

The writing duo name Leslie Nielson, Harry & Paul and the Blues Brothers as influences, but are keen to play down any associations between established comedy acts and last nights performance, instead describing their mantra as “throw shit at the audience and see what sticks”. It’s clearly a little more thought out than that though; opening musical number Take Me Back, Please and future classic Henry VIII share DNA with kiwi comedians Flight Of the Concords, and any League of Gentlemen fans in the audience will see parallel humor in Hitchcock. Shampoo had me in stiches over some of the best puns I’ve heard since I was about twelve, and the difficulties of switching products from “mustard gas to mustard”.

The Buttless Chaps themselves were hesitant to identify any particular targets in their comedy crosshairs but religion and Americans get subjected to comic humiliation the most, particularly in Bishop in Confessional, E! fashion interview and Smart Guy. The best example of this being the suggestion that you can’t get wi-fi in churches because they don’t want to compete with “an invisible skill set that actually works”. But far and away the most hilarious sketch of the night is the ambiguously titled Porn which, as the pair later point out to me, is largely funny because “you know people in the audience are thinking ‘shit…I’ve watched that once today already!'” At this point I looked sheepishly into my pint glass.

For a small, previously unheard of student comedy production to sell out on its first run is testament to the quality of writing and execution on display. This success is cherry-topped by their selection by the Oxford Revue to travel with them to this year’s Edinburgh Fringe Festival. However, I think The Buttless Chaps should consider changing the name of their show in the meantime – from Some Funny to Very, Very, Very Funny.