Monday 6th April 2026
Blog Page 1511

An ‘atheist church’ is not a contradiction

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Religious people might think that a church could never be atheistic; atheists might think that they would never need a church. But this weekend, the ‘Sunday Assembly’ held their first service in Oxford. Founded earlier this year in London, they call themselves an ‘atheist church’ – and there are now over forty of them around the world.

The structure of the Assembly’s service was modeled closely on a church service, though much more upbeat than what that brings to mind for most of us. In place of hymns, it began with bellowing sing-alongs (Queen, Disney, and others). In place of readings there were poems by Cavafy and W H Davies. In place of a sermon there was a speaker, this time Mark Leonard about mindfulness. And in place of a preacher, it was led by comedian and founder of the Sunday Assembly, Sanderson Jones. The theme of the first meeting was, more or less, loving life. As Jones put it, you can forget about this ‘when your to-do list is not getting to-done’, and it is good to have a space in which to remember how wonderful life is.

There are many atheists who would reject the idea of an atheist church fiercely. They want to distance themselves from anything religious. Religion is irrational or immoral, they say. The best thing is to get rid of all traces of religion, or at least, to realize there are no traces worth keeping. Moreover, they might simply not feel the need for the sorts of community that traditional religions offer. Yet there are three reasons why atheists should welcome the Sunday Assembly, and other initiatives like it.

Firstly, it will make atheism a more attractive possibility to many people. ‘New Atheism’ has tried – and often succeeded – to turn people away from religion through arguments. But this won’t change everyone’s mind. It is clear from the recent resurgence of religion, and other forms of spirituality, all over the world, that many people do search for things that religion can offer: community, a place in which to reflect, a sense of purpose, and so on. But, if it is true that there is no reason that it should only be religion that offers this, then atheists must work hard to show this.

More than that, it is a big statement for many people to call themselves an atheist. It seems like a purely negative statement: how can I be completely sure? And if I don’t believe in god, what do I believe in? But imagine if atheists stopped talk about their lack of belief in god, and defined themselves positively as a community that offered those things that religion provides, though without dogmas or liturgy. This would change the connotation of ‘atheism’, and make it much easier for many people to choose to be a part of.

Secondly, it will help bring a greater quality of life to those people who already consider themselves atheist. At the moment, being an atheist is a major identity statement for a person, but on the whole does not contribute much to them. Someone searching for meaning in their life would have to be an atheist and something else (like an artist, or a meditator) in order to find it. But why can’t atheists try come together as atheists, and make communities where people, just by being part of the community, find meaning?

Thirdly, if atheists define themselves only negatively, they will dwell on their differences from other people, delineating themselves sharply and aggressively. This will lead increasingly to tensions between religious people and atheists. But if they focus on community building, they will focus less on their differences from others, but on how to make themselves the strongest communities possible, and perhaps find positive ways of relating communally to other groups.

All this suggests that atheists should welcome and pursue the idea of community building. That being said, it is probably best to lose the term ‘atheist church’ – that’s just for publicity. Though there is some sense to the term, it will just multiply confusion and controversy. Atheists communities would of course not be obligatory for atheists; for those people happy living without it, fine. Nor would there be any one way of running it. But until atheists show that they can build communities and provide meaning for a wide variety of people, their influence on contemporary society will be weaker than it could be both in terms of breadth and depth.

My Online Double

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I tend to react to social media sites in the same, middle-aged way: I moan about them, watch my friends jump on board, then make a silent U-turn.

Last week I caved and got Twitter.

I was governed by a need to curb my illegitimate Facebook hashtagging and a misguided notion that Twitter is “like Facebook, but with more intelligent people”. Warning: careful cultivation of an employer-friendly, ‘I’m so cultured’, pristine profile is easily dashed by one swift, reckless follow. This was literally the case for me when I followed ‘FeministTaylorSwift’ (I regret nothing).

I was left infuriated at Step One on the road to this shiny, new form of procrastination, however, when my name was already taken. No big deal you may say. It happens. Tweeter @JohnLewis has been cordially responding to complaining customers of @JohnLewisRetail for months, bless him.

But this minor username setback was the culmination of constant online frustration, the lengthening of a cyber-shadow hanging over me, the latest threat to my internet identity.

For the past two years, I have been receiving the emails of another Rebecca Fairbank. Doesn’t sound too traumatic, does it? After all, people get junk mail all the time. Oxford accounts have previously been bombarded by dodgy-looking companies offering to do essays for us. It’s blatant and it’s shocking. An article on the perils of commercial cheating would probably have been a more intelligent contribution, but the Exam Regulations doorstop has got that covered. These spamming companies may be morally questionable, but at least they reached their target (stressed fresher) market. Top marks for trying.

I’m not concerned here with mass marketing emails, but with masses of emails sent to me. Over the years I’ve inadvertently received an eclectic, comical range of offerings meant for my Email Doppelgänger. Highlights include:

  1. Four security passes from the German Federal Ministry of the Interior, granting access to a meeting at the Bundestag. The email itself was encoded in the name of ‘heightened security arrangements’, so my response telling them that they had breached their own security bounced. Oh the irony.
  2. An award from the History of Art department of an American University. This was the most disappointing of all the misdirected emails. I was waiting to receive an art history essay back from a tutor at the time, and so wildly overestimated my own abilities on first glance.
  3. Constant messages from a woman called Faith, the Young Woman’s leader of a Rhode Island church. She’s pretty peeved that Rebecca didn’t help out at church camp, despite her e-card pleas.
  4. Weekly parenting emails. Did you know that babies start rolling over when they’re 3 months old?

This last example landed in my inbox relatively early on in the saga. At first I thought my friends’ had set me up based on the fact that I am the least broody person ever to be graced with ovaries. Their denials led to some thorough Facebook stalking. The mystery was solved: I found an American, pregnant, graduate, Christian, Rebecca Fairbank (who lived in Berlin for a year, fyi).

This should be the end of the story. I attempted to contact her, I disowned her Dad, I restored Faith’s faith (sorry) in her online organisational skills. But after a brief respite, the emails kept coming. Maybe it’s a technical glitch, or she gives out the wrong address on purpose, or her contacts have old mailing lists. In the case of her Dad, Bob – well he’s just forgetful, look how long it took him to forward that email from Aunt Jeanne (she sends her love to baby Rachel by the way).

It’s clear that I know way too much about this woman’s life. I know her parent’s names, her town, her former university. It’s a fraudster’s dream; it’s a nuisance. I spend a fair amount of time replying to random people, “From Another Rebecca Fairbank”. But despite this, I can’t help but feeling a strange sort of affinity with my online double. After five months of receiving maternity hospital newsletters, I was genuinely excited to hear the news of the birth of baby Rachel. I’d been privy to baby shower proposals, Bob was sending me baby gear ideas – basically, my inbox was as pregnant with plans as the parents-to-be.

I’ve also gained an insight into a life lived to the full. Here was someone putting my name to better use than me. The fact that I initially thought the emails were intended for several different people – the diplomat, the volunteer, the expectant mother – stands testament to a person successfully juggling the demands of modern life, in a way that seems implausible on paper. And that’s inspiring. Friends have advised me to change my email address. But if the postman kept delivering someone else’s letters to your house, would you move?

So, without starting a Sinead-Miley style spat: let this be an open letter to you, American Rebecca Fairbank. It’s been quite a journey. But please stop giving out my email address. And give my love to Aunt Jeanne.

The encroachment of the English language – good or bad?

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The English language is threatening Europe’s different cultures. Nobody can really stop it, it is happening every day at an intimidating pace. Two countries particularly affected are France and Germany, both of which possess very old and meaningful languages, which are in danger of eventually dying out as more and more English enters their vocabulary. Action needs to be taken immediately, otherwise languages and thereby cultures will soon be lost. People will lose their identification, which lies in both culture and language. 

Or is this really true?

As a German, I am perfectly aware of all the discussion relating to this, which has been going on for years. It is true, indeed, that the vocabulary of French as well as German does contain an increasing amount of English words. However, these include terms which usually find their origin in the digital arena. The internet was invented, so were computers and laptops, MP3 Players and so on. Very often technical devises, invented in the English speaking world, which have not been given a translated name in German or French. This is especially the case in France, where every single English word entering the language is given an equivalent in French as to protect the language. However, the English terms tend to spread before the new terms are even invented, and very often it becomes impossible to replace it by the new one after this fact. But if these terms describe things originating from the English or American culture, do we really need to make up new terms for them?

Another very important thing to consider is the effect the infiltration of the English language has on culture. Any given language does contain some cultural value, as culture has always influenced language and vice versa. So the possibility of losing some of our cultural identity by losing some of our language must not be ignored. 

One of the brothers Grimm was particularly engaged in linguistics. If you change a few words of his writings, you could simply reprint it onto the German language today and no one would notice that it is not current. He criticized exactly the same issue of language encroachment which is criticised today, only that the role now given to English was back then attributed to French and Latin. Grimm was furious that many words of French and Latin were becoming part of the German vocabulary, while there were perfect German options available, yet these words are now considered totally German. We may indeed have adapted the spelling and the pronunciation, but that does not make the words any more “originally German”. 

It is true that some of our cultural value gets lost, or “replaced”, as some new word enters our language instead. However, in the past, it was not just about using French words; we copied their style of planning streets and partly adapted to their style of living. So by including French terms, we could also say, we enriched our language alongside our culture. This may actually give a truer idea of what really happened. Today, we include English terms in our language, and our cultural identity is surely modified by that, but is it actually oppressed? We have adopted the Bachelor-Master system for University, we have a strong economical connection to the US and to England, we promote exchanges – and still expect all this to have no influence at all? It is a shame that we do not see how much we gain by including elements of another culture in our own. 

What really struck me at the beginning of my time at Oxford, were the many German terms I came across in English Textbooks. The English did not seem to bother changing particular expressions from German, “Gestalt-Psychology”, “doppelganger” or “angst” were just a few of them. The English, it seems, do just the same as we do. And this is only for German, not including all the French or Latin expressions in English.

All the languages mentioned here have their origins in the Proto-Indo-European Language. And over time all the different languages have split from it, evolved, and finally become their own. They have influenced one another ever since and developed further. Why can we not focus on the obvious enrichment this gives to our culture instead? 

Introduction To… Peruvian Folk

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Peruvian folk will win you no cool points. Of course, a plus side of this is that you may find your finger dexterity improves drastically from repeated attempts to sppedily close Spotify when people enter your room unannounced. But leaving a Soundcloud Peruvian folk playlist in full view of everyone in the Rad Cam will likely illicit nothing except vague contempt, or perhaps polite confusion, if anyone is bothered to look in the first place.

The Peruvian folk genre here encompasses a broad range of styles emerging from the sprawling Andean regions of South America.  Wind pipes predominate, as do small guitars called charangos; songs are often sung in indigenous languages such as Quechua or Aymara – celebrating these indigenous folk traditions has proved an important element in restoring dignity and hope to the marginalised indigenous communities of Latin America.

 And while Peruvian folk may lack the immediacy and visceral thrill of, say, EDM, at least it’s mercifully less fusty than English folk. So whether you want to relive the gap year or you just want to bring music back to its roots (maaaaan), Peruvian folk is an expansive and highly accessible genre. Exhibiting mellifluous harmonies alongside punchy basslines, Peruvian folk remains a powerful and unjustifiably maligned genre in today’s music milieu.

Wayna Picchu – Sisagu (San Juanito)

The Big Cheese (or should that be el queso grande) of the Andean folk world, Wayna Picchu is truly a folk God. With Sisagu’s  killer beat and ebullient choral overtones, things  will soon start to feel more Cuzco, less Tesco …

http://www.youtube.com/watch?v=NiYnhxWzkoE&list=PL2A85A5980CDE3822

Oro Verde – Tankar Peru

http://www.youtube.com/watch?v=7qi-ky_qKDc

There’s a lot of ‘the human voice’ (I mean shouting) in this track; bathe in the vibes and witness some Peruvian inter-tribal dialogue first-hand.

Grupo Andes – El Condor Pasa

The most instantly recognisable folk song to come out of  the Machu Picchu environs; Simon and Garfunkel famously covered it, but for true authenticity, look no further than this version.

http://www.youtube.com/watch?v=sDmAQ45asyc

Huayno De La Roca – Los Incas

Showcasing the finest wind pipes west of Rio by another big name in the Andean folk world, this is pretty much as traditional as it gets.

http://www.youtube.com/watch?v=hhumvhOO6kE

Wayna Picchu – Pasion de Saya

Because one Picchu track is never enough.

http://www.youtube.com/watch?v=1PvBwOOlUbs&list=PL2A85A5980CDE3822

Autumn Leaves

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Models Will Hislop, Jack Martin, Sam Mills, Hannah Hetherington, Robin Masters & San Flahive
Photographer & Stylist Kate Hodkinson

Will wears Nike trainers, Primark jeans, Topman jacket and tee; Jack wears JC Penney jacket, Levi jeans, Hugo Boss shirt, Dr Marten boots; Sam wears Topman jeans, Timberland shoes, vintage jacket, Boden top; Hannah wears Topshop leggings and jumper, Vintage jacket and shoes; Robin wears Vans trainers, vintage jacket, H&M hoodie and jeans; San wears Adidas trainers, Levi jeans, H&M jacket, vintage shirt

 

BEAUTY CORNER – Homemade Goodness

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  1. Add a few drops of saline solution to dried-out mascara to use again.
  2. To plump lips, add a drop of peppermint oil to your lip gloss.
  3. Use a rubber band for an easy, mess-free French manicure.
  4. Wet matcha (green tea) powder to use as emergency spot treatment.
  5. Heat your kohl liner over a flame for 15 seconds for an intense gel-like liner.
  6. Mix equal parts of Extra Virgin Olive Oil and water to use as a highly potent makeup remover. 
  7. Alternatively, mix 1 tsp of coconut oil, ½ tsp tear-free baby shampoo, and water to remove your makeup.
  8. To clean your makeup brushes, place in olive oil before washing gently with shampoo and water.
  9. Mix equal parts of honey, sugar and olive oil to use as a lib scrub.
  10. Mash any combination of berries (blackberry, raspberry, cherry…) thoroughly before adding ½ tsp Extra Virgin Olive Oil and stir. Use the drained liquid as a lip and cheek stain (refrigerate to use for a few days).
  11. Mix one packet of gelatine and two spoons of milk; brush over nose to make a nose strip.
  12. Cut an orange in half to use instead of a loofa.
  13. Rub an egg yolk mixed with olive oil into your scalp to get rid of dandruff.
  14. Rinse you hair with apple cider vinegar one in a while to help remove build up product and increase shine.
  15. Make a hair mask by microwaving a mixture of 1 tbsp honey and 3 tbsp olive oil. Apply to damp hair and leave for 30 minutes before rinsing and shampooing as usual. 

 

Now Trending – AW13

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At university, we all know what a lifesaver summary notes are. Well here is a quick run down to help you pass the winter trend test!

1) Tartan

Tartan is a huge A/W trend this year. From traditional tartan prints, to monochromatic checks, the tartan weave is infiltrating all the key pieces. If the classic red and green tartan situation is a little loud for you, try a more subdued colour palette. Also don’t be afraid of incorporating tartan into your accessories – a bold tartan scarf is a great option. Check out Zara and Primark for some well-priced tartan inspiration.

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2) The pink coat

Everyone needs the perfect winter coat, and this season it is all about the pink coat in all shades. However, to keep it classic and subdued, opt for a dusty soft pink. 

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3) Micro bags

Gone are the days of the big slouchy totes and holdalls. Welcome the micro bag – literally a shrunken handbag with all the details and trimmings. Whilst they may not be the most practical for day-to-day university life, use them in the evenings and on days when your lecture notes get to stay behind.

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4) The negligee dress

One of the biggest trends is a new version of the LBD, namely reinvented with thin straps, silk and lace. This dainty slip dress can be paired with a manlier blazer to toughen it up. Also, to stop it looking a little too ‘bedroom’, style it with some thick black tights for a more winter look. If you’re not quite ready to embrace this trend, pair some skinny jeans with a silk and lace cami, for a ‘half-way-there’ evening outfit. 

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Art: does authenticity matter?

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In Egypt, they’re all set to open an exact replica of the tomb of Tutankhamen. Fears about the tomb’s deteriorating condition have led authorities to create what is not a reconstruction of what it might have once looked like, but a copy of what it looks like now. Instinctively, I feel like there’s something wrong with this. If I’m visiting the tomb of Tutankhamen, I expect to stand in the exact place where the young king of Egypt was laid to rest. But it’s not like this is the only example.
The general reasons for using unauthentic copies for display – preservation of the original and/or lack of availability – seem perfectly reasonable, so why do I still feel like I’m being in some way cheated out of ‘the real experience’?

Think about other forms of culture. We still set great store by things like Shakespeare’s original manuscripts, which are on display in the British Museum, even though one might think that it’s really just the words that matter. Original Beatles vinyl records sell online for as much as £1,250, and sometimes even more; the new, remastered versions might sound ‘technically’ better, but they don’t provide the same air of authenticity.
This is because what we’re really looking for in our experience and reception of culture is something human. When I’m visiting the tomb of Tutankhamen, I’m not just looking at a nice piece of art, I’m experiencing an important moment in human history in the best way that I can. Studying cultural history can very easily remind us of how distant we actually are to these things. Reading an ancient Greek tragedy cannot tell us what it was like to watch it performed. That’s why we want to have a ‘real’ experience. We want to stroll through the actual streets of actual Pompeii, treading in the footsteps of people whose lives are incomprehensibly different to our own. When we experience culture through a copy or replica, we’re getting that much further from the art itself.

But how much does authenticity really matter? Clearly, we care about it deeply while we’re being offered the choice between a replica or the real thing, but what if we didn’t know? Pictures of the Tutankhamen replica, when placed alongside the original, show that there is little if any discernible difference between the two. If I were to visit, I’m sure I’d think I could tell the difference, but this would probably just be my imagination running away with me.

Let’s say that I think I’m standing outside the Pallazo della Signoria, looking at a lump of stone which a twenty-six-year-old Michaelangelo once carved into the Renaissance masterpiece which was, and is, the statue of David. Unfortunately, I’m unaware that it was replaced by a replica, and am therefore imagining myself to be experiencing all the culture and history of this magnificent work of art. It seems then that reasonably, authenticity doesn’t matter after all, as long as the viewer is unaware.

But in matters of culture, reason is surely a secondary issue. Even if I don’t know what the problem is while I look at this fake statue of David, the fact remains that from an outsider’s perspective there is a problem. Beyond thought and beyond reason, we care about authenticity. I can’t explain why it matters, but it really does.

My Week: Susannah Moody

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BOOK – The last book that struck a chord with me was Elio Vittorini’s novel Conversations in Sicily. Written in 1930s Italy under the constraints of fascism, it is a subtly anti-fascist book which in very few pages explores themes such as the nature of humanity and social injustice. As there is little detail about Mussolini’s Italy, it is a timeless work equally relevant in any oppressed state. It deals with weighty issues but is a pleasure to read, with stunningly crafted characters and a lilting, lyrical language.

FILM – I can’t remember the last time I went to the cinema, which says something about Oxford life, but I recently saw Cloudy with a Chance of Meatballs and felt like everything was right with the world. My all-time favourite film is A Room with a View, the adaptation of Forster. It’s a period romance that really works, particularly with the star turns from Helena Bonham-Carter, Maggie Smith and Daniel Day-Lewis as you have never seen him before. It was also one of the films my parents went to see when dating…

MUSIC  –  My music taste is eclectic. Right now, however, I’m really enjoying the latest album Visions by Grimes, a Canadian musician who takes bizarre artistry to a whole new level. Apparently when writing the album she locked herself alone in her flat for three weeks, starved herself and alternated between cigarettes and amphetamines. Which should have made this album pretentious and self-indulgent. Instead it’s mesmerising, as though Bjork had written for Crystal Castles.
 
OPERA – I was desperate to see Bieito’s Fidelio at the Coliseum this year, but missed it. What I did  see was Grange Park’s interpretation of the Poulenc opera Les Dialogues des Carmélites. Written when Poulenc’s boyfriend was dying of TB in Paris, it uses the story of the martyred Carmelite nuns in the French Revolution to examine how to approach death. It is tense and atmospheric and deeply uncomfortable, particularly during the final Salve Regina, sung as the nuns mount the guillotine. It is a masterpiece.