Friday, April 25, 2025
Blog Page 1576

Playing (the mother of) God

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This was it. All other events had been leading up to this one moment; all
other paths led here. It was my beginning, and there would be no going back.
Next stop, Broadway. That’s right, I was playing Mary in the school nativity.

My commitment to the role could not be denied – ask my parents. For
weeks I had walked around the house cradling the toy that would be baby Jesus, despite it looking suspiciously like a rag doll. However this didn’t matter, as I was in the zone. Everything was rehearsed (you couldn’t just wing this kind of thing), and although Rahoul was a less than convincing Joseph, I knew that I could compensate for this, and it would be glorious.

Because it really does matter, the nativity, and for a long time I wasn’t sure why: living in a 21st-century secular society, why do schools across the country persist in putting little children through the embarrassment of re-enacting the birth of Jesus in a stable? Is it the lack of budding children’s playwrights? Perhaps. But really, it’s all about establishing a hierarchy early on in children’s school life. We all know it’s not about the Northern Star, or Angel Gabriel. It’s barely about Jesus; it’s about who gets to play Mary and who gets to play the Donkey. It’s about hierarchy people.

This was the first, and indeed the last year, I bagged the starring role of
Mary; before then I’d always had a less than conspicuous role. Once I was even a snowman, which I’m pretty sure wasn’t in the original story, it being set in Bethlehem, AD 1 and all. Another year I was one of the three wise men, and given a beard courtesy of a board marker. I know what you’re thinking: ‘One of the three wise men? Not bad!’ But I was the one with the myrrh, and as Life of Brian teaches us, that’s the one no one cares about. Thus, the year I became Mary was quite a step up on the hierarchy – the ultimate step in fact.

So I don’t know what happened – the pressure of being at the top of the
hierarchy perhaps – but on opening night in the school assembly hall, I lost it. As Rahoul and I approached the two chairs on which we were to sit, he sat on the wrong chair. My chair. The better chair on which it had been agreed in rehearsals I would sit upon. He sat on Mary’s chair, not even Joseph gets away with that.

The saintly composure I’d been perfecting for several days went out the
window; the three wise men backed up in fear, and the boy playing the tree in
the corner quivered as I directed Joseph, with the use of contemptuous shouting and a pointed index finger, to sit where he was meant to. I thought I’d styled it out pretty well. He sat on the correct chair.

However, looking back on the video now, as I hear the laughs of the
parents and see Angel Gabriel roll his eyes to the heavens I wonder to myself
if it was all worth it. Sure, it was glorious, and the rest of my performance was
faultless, as I was at the top of my game. But alas, is this what childhood is about? Should anyone be given such a powerful position at such a young age? I don’t know, but just like all young stars, I melted under the spotlight, and brought what could have been a beautiful acting career to an abrupt end. I don’t know what happened to Rahoul.

Review: Misfits Series 4

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There’s a great moment in the final episode of Misfits (Series 4) which stands out for me: the gang are pondering how to break into a nunnery (long story, but imagine a pretty classic Misfits set-up), only for one of them to suggest they actually use the superpowers that originally formed the concept for this series.

All agreed, one of the four, Finn, mutters, "We should really use them more often". It’s a great line, characteristic of the series’ self-deprecating humour and an awareness of the different direction the plot has taken (of which, more below). In fact, it was funny enough that it almost undermined all my reservations about the recent series. But not quite.

Series 4 of Misfits has been a slightly patchy affair, somewhat crippled by the departure of almost all the original cast members, with the last remaining figures done away with by about halfway through the series. The shifting nature of the central group and the departure of long-standing characters means that there was too much time that had to be spent in introduction, and it was only by the final episode that the group dynamic seemed to be nailed down.

It isn’t that this series wasn’t without its good points; an episode centred around a murderous besuited bunny golfer was a highlight both in terms of visuals and action, while in another episode, introducing a third, psychotic double for multiplier Rudy nearly proved a masterstroke, but it fizzled out rather anticlimactically, and it was disappointing that Rudy had no cathartic final confrontation with that part of himself.

The new characters slotted easily into the show’s world, drawn quickly and clearly: angsty Finn, stubborn Jess, amnesiac Abbey and Alex, the mysterious barman, joining Rudy, (and his morose double Rudy 2). And certainly, the show lost none of its aesthetic or tone; sharp banter, greying filters, bleak, concrete disaffection and ultraviolence. 

But that one throwaway line still says a lot to me about how much the series has abandoned its roots. When Misfits began, the primary storyline was the ‘superpowers’ that the main characters had, and how it changed their lives, but by series 3, when the cast were given new powers, the protagonists’ powers seemed largely irrelevant to that action. In the latest series, the powers given actually seemed perfunctory: while previously they related to some aspect of a character’s suppressed desires, now they just seem slightly random. 

The original cast wondered whether they received their powers for a reason; as it turns out, they didn’t, and subsequently an apparently unlimited number of people (seemingly dependent on how much fresh plot-material is required for any given episode) were given powers too. Of the original cast three died, one was imprisoned in Las Vegas and one moved to Africa off-screen. Everything those characters went through, all the trials and tribulations essentially amounted to nothing – and it’s hard to stay enthused about a show that doesn’t seem to have any purpose or direction, or even any belief in meaning at all- the bleak cityscape seems, somewhere in the course of this series, to have obscured even the faintest rays of sunshine. 

I may be being slightly harsh; series 3 had wrapped up a lot of the loose ends, and the departure of the cast presumably wasn’t the writers’ ideal situation either. And with the new cast members established, series 5 (if commissioned) has a solid chance of delivering a more consistent and cohesive programme. And the series has still been a lot of fun to watch, but it just seems like with a lot of what originally made the show so refreshing (superpowers; innovative inclusion of social network activity and videos online) has either been scrapped or has become stale with overuse (violence, crudity and bleak tone) to a point where the series seems like a (much darker) shadow of its former self. 

OUSU launches ‘End Sexual Abuse’ campaign

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OUSU has recently launched a campaign aimed at ending sexual abuse in Oxford. According to OUSU, the campaign aims to change a culture which "blames survivors for their attack" and to debunk "myths" about the topic, such as the idea that "wearing short skirts is asking for it."

OUSU’s campaign will attempt to organise a college-level grassroots movement to support improved harassment and abuse strategies within colleges and across the university as a whole. OUSU will also organise discussion groups to encourage open conversations about sexual consent.  

Hidden Marks, a report published by the National Union of Students in 2011, revealed that 7% of female respondents experienced rape or attempted rape during their time as a student. In particular, 500 sexual offences were reported to Oxfordshire police in 2011-2012, including 111 rapes. OUSU also emphasised the fact that most rapists are previously known to the victim, claiming that just 11% are strangers, whilst 38% are partners or ex-partners, and 51% are "acquaintances."

The campaign has been spearheaded by Suzanne Holsomback, OUSU Vice-President (Women). Holsomback has previously devised material for workshops relating to "sexual consent" and "how to combat sexual violence." Holsomback then trained 50 students to run these workshops in 30 different common rooms around the university. These workshops will continue as part of the campaign.

OUSU has also released a document, in conjunction with Oxford City Council, entitled "Love Without Chains" which provides guidelines for dealing with domestic abuse, sexual violence and harassment. The report includes a questionnaire which attempts to guide readers as to whether they are experiencing domestic abuse, tips for staying safe when "out partying", and a guide to creating safety plans for victims and their families. The report also seeks to refute several commonly-held beliefs, such as "only women can be raped."

In fact, the report states that of the 14,449 reported rapes in 2004-05, 92% of the victims were female and 8% male. Another claim the report hopes to discredit is the statement, "Women often falsely accuse men of sexual assault or rape." The report cites statistics contrary to this statement, which assert that "less than 5% of allegations of rape are false" and that rape "is a vastly underreported crime" which "less than 20% of women will report and even fewer men."

There are a number of other bodies which provide support for victims of sexual abuse at the University of Oxford, such as the Oxford Sexual Abuse and Rape Crisis Centre (OSARCC). This service provides telephone help-lines, email support and support groups. OSARCC made headlines recently when it received a £10,000 grant from the Lottery, allowing it to continue threatened services. The University of Oxford itself also provides free counselling services throughout the year.

Regarding the issue of sexual abuse or harassment, a spokesperson for the University told Cherwell, "This is a concern for all universities and workplaces and we are working with OUSU to better understand the issues and to see whether the action we are taking is appropriate. It is important to separate harassment from sexual abuse because, whilst both are extremely serious, they require different kinds of support. At Oxford, support for those affected by these issues is available through the student counselling service, the harassment line, and the range of support offered by colleges."

In 2011, the University of Oxford Counselling Service, Harassment Advisor Network, and the Student Advice Service cumulatively received 94 reports of abuse and harassment.

One student, who wished to remain anonymous, was sceptical about OUSU’s campaign, commenting, "I don’t think the campaign will have a great impact in reducing the occurrence of abuse because a lot of it is not pre-meditated. I also think that the workshops are probably pointless – it is such a private and personal matter that I feel most people will be unwilling to attend them for fear of sparking rumours."

Another anonymous student, who has experienced sexual abuse, was more positive about the campaign, saying, "Girls are essentially powerless against this ‘laddish’ culture. We fall prey to it, feeling the need to slot into the male ideal of women being someone sexy, a good laugh, ‘up for it’. Abuse and degradation are just passed off as ‘harmless banter’. I was offered counselling both within college and from the wider university, which I didn’t take but felt relieved to know that it was there for others who might need it. It’s a sad reality, which is why anything OUSU can do to raise awareness and clear up the blurry perception of ‘consent’ is hugely positive."

Christmas dinner for under a fiver

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For many, the turkey dinner on Christmas day is the highlight of their Christmas/year/life (delete as appropriate). Yet with the recession forcing food prices up and student loans long since spent, is there really a way to enjoy a delicious Christmas dinner without running out of money to buy the crackers?

Over the last four days I have, selflessly, tried four Christmas dinners, each for under £5, in order to find the best way to have your turkey and eat it too. On with the food!

 

DAY ONE:

Shop: LIDL

Price: £1.29

Product: Roast Turkey Platter for one

Cooking Time: 35 minutes

Brussel sprouts? Check. Pig in blanket? Check. Potatoes? Check. I’m impressed. For £1.29 you get a lot of food. LIDL have lived up to their reputation for good value – if quantity is all you’re after. However, if you care about your taste buds, then I recommend you steer clear of LIDL’s Christmassy offering. The meat fell apart in your mouth, and not in a good way. This was a salty, stodgy pile of goop. Imagine the orange fat that gathers when you put a roast chicken in the fridge and then mix that with water – that’s the gravy for you.

RATING: 2/5

 

DAY TWO:

Shop: Tesco

Price: £2.30

Product: Christmas Turkey & all the Trimmings Triple Sandwich

Cooking Time: n/a

This is the perfect Christmas dinner on a budget if you don’t like vegetables. Tesco – I salute you. Good, thick slices of turkey. Juicy sausage. Meat, more meat and bread. This sandwich is surprisingly delicious. Yes, it costs more than the LIDL platter and yes, it is cold, but it really is satisfying. Admittedly I can think of very few things more depressing than eating a day-old Tesco sandwich on Christmas day, but this is by far the tastiest thing that’s ever made me want to cry whilst thinking about it.

RATING: 3.5/5

 

DAY THREE:

Shop: Marks and Spencer

Price: £4.49

Product: Roast Turkey Meal for one

Cooking Time: 40 minutes

This is not just Christmas dinner. This is a Marks and Spencer Christmas dinner. Unfortunately, it seems that Spencer and Mark had an argument about how best to do a Christmas dinner and have come up with something that will please no one. They’ve provided us with bucket-loads of mediocre roast potatoes, a couple of below-par pigs in blankets, and passable turkey and stuffing; but for the princely sum of £4.49 I would expect at least a Brussel sprout or a parsnip. Really, M&S? You are the king of the ready meal, but this isn’t even worthy of a paper crown from one of your  crackers.

RATING: 2/5

 

DAY FOUR:

Shop: Various

Price: £2.63

Products: Turkey breast (£1.50)
Sainsbury’s basics gravy (£0.18)
Sage/Onion Stuffing (£0.40)
Loose carrots (£0.10)
Loose Brussel sprouts (£0.10)
Loose Parsnips (£0.15)
Loose potato (£0.20)

Cooking Time: Ages

After a bit of peeling and chopping, I bunged all the vegetables into a roasting tray with some olive oil, and shoved it in the oven. Forty minutes later, I griddled the turkey (because life is too short for roasting meat if you ask me). Stuffing and gravy done to packet instructions, and voila – you have one hell of a Christmas feast. Buying vegetables in small quantities worked out remarkably cheaply, although unfortunately I had to cut back on meat for the sake of my budget: no pigs in blankets for me. Other than that I had all the usual trimmings, and for a fraction of the price of the M&S one. Yes it took more effort, and yes I burnt the stupid brussel sprouts, but isn’t that what Christmas is all about? If you’re looking for a great, cheap Christmas dinner, then the best advice is to make it yourself.

Rating 5/5 (if I do say so myself.)

Top 3 Christmas Classics

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SONG: ‘Last Christmas’ – Wham!

What would the festive season be without the dulcet tones of George Michael and the other one blaring out from every shop? This song is really an opportunity for George to rant about his heartbreak. He made the pretty cataclysmic error of giving away his heart during that eventful last Christmas – since, as we all know, ‘the very next day, [she] gave it away’. Some might say his anguish seems superficial, the video dominated by OTT waving, manic grins and perms/knitwear, horrific in equal measure.

However, my love of this song stems from the subtext. Under the thick layer of cheesy pop that we so associate with Christmas jingles is the bitter resentment of George towards the woman who used and abused him. George arrives at the implausibly idyllic snowy chalet with a blonde in tow, to aggravate The Heartbreaker. Lingering looks between George and The Heartbreaker which might initially seem seductive are actually looks of burning hatred on George’s part. Compared to Mariah frolicking about in the snow claiming that all she wanted for Christmas was her man, or Wizzard telling us yet again that they would love Christmas to be a daily event, I find it refreshing that George has used the format of a festive song to sing about a conniving bitch. Thus Last Christmas still gets the thumbs up from me during the run up to the big day.

 

FILM: Love Actually  

Oh, Love Actually. I am of the opinion that Queen Liz should, each year in that notorious speech of hers, thank the director Richard Curtis for bestowing such a great gift upon us all. Even the DVD cover of this film is all done up in ribbon like a present, with the faces of the disgustingly famous ensemble cast smiling fondly out. I could quite happily write a dissertation on this cracker of a film, but I’ve decided to be ruthless in discerning five reasons why Love Actually is simply fabulous and will have a yearly presence on my television (much to the delight of my family) on Christmas day.

 

THE CAST. From Hugh Grant to Bill Nighy, Keira Knightley to Martin Freeman, Liam Neeson to Colin Firth. Every British actor worth knowing makes some appearance in this film.

THE SWEARING. Any critic of this film must concede that, if nothing more, it is a master-class in eccentric British swearing. Take ageing pop star Billie Mack’s "oh fuck wank bugger shitting arse headed hole". Splendid. Or the much used "piss it" – though nobody will ever say it again, Love Actually works it seamlessly into its swearing portfolio.

THE SOUND ADVICE TO CHILDREN. Again, I refer to Billie Mack. His guidance ranges from; "don’t buy drugs…become a pop star and they give them to you for free!" to "kids, if you believe in Father Christmas…buy my festering turd of a record." Teachers of Britain, you have a lot to learn from "Uncle Billie".

THE DANCING. If I could ever emulate the funky solo routine performed by Hugh Grant to Jump (For My Love), I would die a happy being indeed.

THE BRITISH SPIRIT. As seen in the defiant speech by the PM (Hugh) to the American President, following the latter’s Clinton-esque behaviour towards Natalie the tea-lady. Even I, hardly a flag-waving patriot, feel a sense of national pride in that scene.

Love Actually is a film that epitomises festive cheer and is generally a bloody good laugh. On Christmas day, you can be confident that I will be screeching along to ‘I feel it in my fingers… I feel it in my toes…’ with the rest of them.

 

CHRISTMAS SPECIAL: Gavin & Stacey 

There has only ever been one Gav & Stace Christmas Special, and boy is it a cracker – securing it a place on my coveted Christmas day watch list. It involves yet another eventful family get-together between the Barry and Billericay clans. The plot is as blissfully simple as ever; everyone gathers in Essex to celebrate Christmas, Gavin drops a bombshell that he’s got a job in Cardiff, and they all have a good old-fashioned bust-up.

The simplicity is handy – after knocking back a few glasses of mulled wine, my intellectual capacity isn’t at its finest. On a similar note, after too much Christmas pudding the last thing I want or need is any of that sickly sweet, sentimental festive slush. I want a punch-up, and a punch-up I get. It’s genuinely side-splitting stuff, with perpetual in-jokes (fishing trip, anyone?) and hilarious takes on situations we’ve all found ourselves in.

Indeed, perhaps the reason that Gavin and Stacey remains such a firm favourite around the festive period is that my family and I can wholeheartedly relate to it; whilst my dad grunts with empathy about Mick’s turbulent relationship with the turkey, my mum (herself somewhat of a pseudo-vegetarian) identifies with Pam’s struggle to retain the veggie image. Whether my granny relates to Pete’s mum who pops up behind the bar the morning after the night before remains to be seen. One thing’s for sure; the Christmas spirit is certainly summed up by old Doris; "to be honest Gwen, I’ve been drinking all day and to be fair, I’m completely twatted."

Oxford JCRs to save £300,000 on Sky TV

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A new agreement between Sky Business and OUSU means that Oxford common rooms will no longer be charged the commercial rate for Sky TV, provided it is not aired in areas of commercial activity, such as in a college bar. It is estimated that this deal will save over £300,000 across the University.

Previously, some common rooms were being charged the charity rate (c. £1000 per annum) whilst others were forced to pay the full commercial rate (c. £6000 per annum) after failing to gain access to the lower charity rate. Subsequently, colleges such as Worcester and Balliol decided not to have Sky in their JCR, on the grounds that it was too expensive.

At the start of this academic year, OUSU’s Common Room Support Officer, James Raynor, organised a boycott of nine common rooms, each of which threatened to either cancel their existing subscription, or not to subscribe to Sky TV until all common rooms were offered the charity rate. This move came after OUSU and common rooms claimed to be “fed up with this unfair inequity”, and was supported by Domestic Bursars across the Colleges.

Raynor commented, “I’d been trying to solve this problem for the duration of my time at OUSU; and as my term as Common Room Support Officer was drawing to an end we made the decision to step things up a little. Through OUSU support structures I was able to assemble a boycott which gave us the leverage to contact some senior figures at Sky – this meant we could finally open up a constructive dialogue.” 

Jack Matthews, Raynor’s predecessor, compiled evidence for a year in the hope that OUSU would be offered a better deal by Sky, and claimed to have received positive support from common rooms in Cambridge, Durham and St Andrews.

Raynor, on behalf of OUSU and the other parties involved in the boycott, negotiated the new arrangement with Sky, which allows all colleges to access charity rates provided that they do not profit from the subscription through commercial activity.

Fergus Imrie, JCR President at LMH, told Cherwell, “Our JCR had no intention of getting Sky outside of the bar, but we were more than willing to support the proposed boycott. I think it is a fantastic result for Oxford University and in particular the common rooms, but quite frankly no less than we deserve. The colleges are registered charities and thus should receive the charitable rate. I think James did a fantastic job and this highlights the collective power the common rooms have.”

Regarding his success, Raynor said, “Getting the result we wanted and saving hundreds of thousands of pounds for Oxford colleges was really fantastic news. It felt especially good considering how long this has been on the agenda for common rooms. I’d like to thank the common room presidents and bursars in particular for their help.”

OUSU President David J. Townsend said, “The question of whether common rooms should be paying the charity or the commercial rate for Sky has been going round and round for donkey’s years.

“I’m proud that James has worked with common rooms and Colleges to build and deploy this boycott, and that we’ve achieved such a massive saving across the University. This is proof that OUSU can do what no individual common room can do on its own: deliver a huge win for everyone.”  

Sky representatives were unavailable for comment on Monday.

One Nation under Miliband

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Much of the media frenzy about Ed Miliband’s ‘One Nation’ speech has centred around immigration – an important issue but one that nonetheless falls wide of the bigger problems Britain faces today. A divided society of haves and have-nots, institutionalised social exclusion, and limited opportunity for many are all part of the reality of our politically disengaged and economically fragmented nation.

These are brass tacks that our politicians have thus far failed to come to terms with. David Cameron has done more than most and Ed Miliband is certainly striking the right notes, but it’s not clear that either one has fully addressed the problem.

Britain may be facing one of its greatest economic crises, but it is also in the thick of a social crisis. As our economy has become more complex we have failed to recognise the needs of our most vulnerable. Of course, welfare dependency is a significant concern and the government is right to identify it as a cause of social exclusion, but it is not the only cause. That one half of those in poverty are from working households shows this, while the fact that in the 21st century a quarter of children in the UK are affected by poverty at some point further demonstrates the fact that British governments have been getting something badly wrong.

Such economic deprivation has created a social underclass. The distance between the advantaged and disadvantaged in Britain is arguably greater than ever. Ethnic minorities, single-parent families and those born in social housing are all examples of groups in society that have been isolated by the strengthening of social barriers. We are a country where 47% of black children are in poverty. One Nation has been abandoned for ‘little platoons’ that are Burkean in nothing but name; we are weaker alone, instead of being stronger together.  

This crusade for individualism in Britain and for free markets for free markets’ sake has meant that our elite no longer embodies the values of duty, unity and compassion that it once did. The new aristocracy is of the super rich, of hedge fund managers, investment bankers and financial tycoons. Our new order has detached itself from society altogether, rejecting any sense of duty to those less privileged and seeing government through the narrow, anti-statist eyes of self-interest and tax thresholds. Money may equal power but for the new upper classes power certainly does not equal responsibility. 

Changes at the top have had an impact at all levels of society. Just as our new aristocracy rejects anything remotely akin to noblesse oblige, so values of social unity and patriotism have disappeared from many of our daily lives. How many of us now know our neighbours or see where we live as a community in the proper sense? David Cameron’s ‘Big Society’ at least attempted to pose an answer to this problem: it is a shame that it has now turned into a kind of national running joke.

Britain’s problem is not that it is incapable of embodying such values, but rather that they are seen as extraordinary rather than ordinary. The Olympics and the Diamond Jubilee were One Nation in action –that such togetherness could be created by an hereditary (but truly popular) institution is food for thought indeed. 

Our political parties triggered this social destruction. Margaret Thatcher ensured the downfall of liberal conservatism and her successors have only made things worst. Ideology has been supplanted by pragmatism, whilst compassion has been dismissed in favour of skewed individualism. Meanwhile New Labour, by professing to be “intensely relaxed about people getting filthy rich” only served to extend this idolatry of the wealthy. 

David Cameron has gone some way towards repairing the void. It is fair to say that he and his government are motivated by a core sense of public duty – no ideology rules the way for Cameron and this can be seen as a good thing. The Prime Minister is however (ironically) dogged by the past; he may have re-embraced traditional Conservative values of duty, compassion and national unity but the recklessness of past Tory governments lingers nearby.

It is funny that it has taken a Labour politician to recognise that One Nation is the way to repair Britain’s divisions and promote integration. Our economic problems are to a large extent a result of our social ones – at least that has now been properly recognised. But the idea of our political masters translating this belief into action remains, for now, the stuff of dreams.

An inevitable crisis? The bloody conflict in the Congo

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As the world agonised over crises in Gaza and Egypt, the Democratic Republic of Congo added another chapter to its bloody 21st century history. Since 1994 over 5.4 million people have been killed in sporadic conflicts throughout the Congo.

The violence has been most acute in the eastern provinces of North and South Kivu. Known collectively as the Kivus, this region borders both Rwanda and Uganda and often suffers fallout from events in those two tumultuous countries.

On 23rd March 2009, a peace accord technically brought an end to conflict in the region, but the area has remained in the hands of a wide variety of rebel groups. On 6th July, however, the M23, named after the unenforced conditions of the peace accord, seized the town of Bungana. Despite the efforts of the Congolese Army, the UN MONUSCO peacekeepers, and tepid international condemnation, by 20th July the regionally significant town of Goma was in rebel hands.

Once it had secured a promise of negotiations, the M23 retreated from Goma, but maintained positions within clear striking distance. What is clear however is that in the East Kivus the M23 hold the military whip hand over the Congolese Army, the FARDC. Despite M23’s relative unpopularity with local people, they are able to operate with relative impunity in the Kivus.

It was a complex set of conditions that led the government’s legitimacy and sovereignty to collapse so completely in a key region of the DRC. This current crisis is not so much an individual event but part of a humanitarian catastrophe that is historical and self perpetuating.

Understanding the provenance and principles of the M23 and other rebel movements in the DRC is key to grasping the roots of the conflict. Following the spread of violence from Rwanda in 1994 into the region, a series of movements supported by Rwandan Tutsis developed in the Kivus.

Ostensibly they aimed to protect “Tutsi” Banyamulenge Congolese from both local and state oppression. Many however developed into quasi-state-like entities themselves, exploiting the rich mineral resources of the area. The M23 therefore has little incentive to lay down its arms and accept a quiet integration into the national army.

Previous attempts have resulted in the maintenance of an unofficial parallel command structure within the army for M23 units. There are various factors for this unwillingness to surrender their power. First they and their leadership have a long history of antagonism with the Congolese state. Second rebellion represents a profitable enterprise for its leadership. And thirdly, legitimacy is better conveyed through the barrel of a gun than the ballot box in the Kivus. To surrender arms is to abdicate to one of the multitude of other rebel groups in the region. 

The regional context has also played a significant role in maintaining the instability. Following the mass emigration from Rwanda during the 1994 genocide, significant groups of genocidal insurgents took up residence in East Congo and began launching raids into Rwanda. The stateless area in the Kivus has consistently provided a base for insurgent groups aimed at displacing the post–genocide Rwandan Patriotic Front (RPF) Government. Consequently Rwanda has interfered both directly and indirectly: by sponsoring rebel groups to weaken the anti-Rwandan insurgency.

The genocidal Interhamwe militias based in Congo have been supported by successive Congolese governments, both as a means of control over Congolese Tutsis and a buffer against Rwandan aggression. This proxy war has left a large, rich area essentially stateless. Rwanda’s interference in the region has been predicated on the need to protect its borders, the mineral wealth of the Kivus and desire for a possible Greater Rwandan project incorporating parts of the Congo. Rwanda therefore has multiple incentives to continue funding rebel movements such as the M23. Consequently the Kivus are prone to rebel insurgency because of regional interest and operations in the area.

Finally, the crisis of legitimacy in the Congo represents a substantial barrier to real compromise and progress, both between regional powers and rebel groups. The November 2011 Elections aimed to create an atmosphere of trust and legitimate government yet instead they ended with substantial uncertainty, riots in Kinshasa and the opposition leader, Etienne Tshisekedi under house arrest. International observers expressed profound disappointment in the standards of the election, but were not prepared to intervene.

While fraud was significant, it was arguably not of a scale sufficient to change the overall Presidential result from Kabila to Tshisekedi. However the uncertainty merely served to further undermine confidence in central government. In essence, it widened the gap between central government and peripheral movements, as both claimed the election result validated their movements. This crisis of authority further weakened the strength of the ballot box in the Kivus and pushed further power towards those who possess the greatest military strength. Rather than earning sovereignty through the votes, the disputed elections legitimised the seizure of power by force of arms. The consequence is a continual stream of uprisings and violence in the peripheral regions of the Congo.

When news of violence in the Kivus broke in the international media, there was a grim inevitability about it. The Kivus represent one of the most unstable regions in central Africa, part of a nexus of rebel movements running from Congo, through northern Uganda and into South Sudan. These stateless rebel areas are controlled by force of arms.

Many of the rebel movements involved lack the popular legitimacy or resource base to force their agenda to the table, but central government lacks either the force or political power to snuff them out. So rebellion smoulders away with sporadic outbreaks of violence and consistent human rights abuses on all sides.

It seems as if Congo is doomed to repeat the same cycles of violence that have persisted, aided and abetted by regional and international actors, since independence. Until central government in the Congo seizes real authority and legitimacy, it is hard to imagine the cycle being broken. When rebel movements are described it is easy to imagine an active war with clear goals. The reality is much harder to describe.

Whilst the M23 has some ideology, it is also part of a chain of rebel movements stretching back into the 1990s. Rebellion is almost a way of life in North and South Kivu. In the words of Jeffrey Gettleman, “There is a very simple reason why some of Africa’s bloodiest, most brutal wars never seem to end. They are not really wars at all”. The truth is nobody has claimed sovereignty in the Kivus. As long as that is the case, people will try to claim it by force of arms.

Travel Blog: Viva la Vienna

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“Vienna. Is that in Italy?” asked the lady behind the counter at Boots in Heathrow Terminal 3. “Err… umm I’m not sure, I think it’s in Austria actually…” I replied awkwardly. And so began our holiday.

The Boots lady raised a valid point though – what on earth is Vienna and why is Lastminute.com constantly trying to make me go there?

Quite simply, it’s all about the Christmas markets. Over the last few years, German-style markets have popped up all over the major cities in England around the festive season and I adore them. I never buy anything (I mean who is seriously going to pay £8.40 for a dream-catcher almost certainly stitched together by child labourers in China?) but they have an incredible atmosphere. Christmas markets have the power to make you feel nostalgic for a time that you were never a part of.  With this idea in mind, my boyfriend and I decided we had to go.

In the same way that you might decide to buy a film from HMV because it stars that man from that film with the talking dog that you really like, we chose Vienna because they spoke German and I had an A* GCSE which was currently going to waste.

Vienna is a beautiful city full of history, culture and an extraordinary selection of sausages. It is clean, it isn’t completely overrun by tourists, and they happen to be really good at making cake. It is also cold. Horrendously cold. Nothing has ever made me regret booking a holiday so much as when I made the discovery that the highest temperature we were going to witness was… 2°C. I wish I could say that after a few hours you forget the cold, but no.  What I can say is that after a few mugs of warm winter-berry-liquor-punch, it becomes a lot more bearable.

The first night we arrived, we checked into our hotel (chosen for its proximity to the Christmas markets) and went to the restaurant we’d booked after days of trawling Trip Advisor. It was called Harry’s Time, and the real attraction? For €60 you could have a surprise tasting menu.

What I am about to describe is probably the best culinary experience of my entire life. They bring out a starter, and then they ask you if you would like another starter. They bring out an entirely different starter – goat’s cheese and beetroot – and then they ask if you would like another starter. That’s right: you are allowed an unlimited number of starters. Then you move onto their pasta dishes, and guess what? You are allowed an unlimited number of pasta dishes. Then the main dishes (you guessed it, you’re allowed an unlimited number), followed by an unlimited number of desserts.

We managed 13 courses. Apparently the record was 24. I felt ashamed of my poor performance. You’d think with so many dishes that they would be poorly thought through and constitute whatever they had lying around thrown onto a plate, but every plate placed in front of me was elegantly presented, rich in flavour, and quite frankly delicious. Of course, this one meal left us bankrupt for the rest of the trip. It is true that man cannot live on bread alone, but put a massive bratwurst in that bread and it turns out you’ll be all right.

Part of our time was spent visiting galleries. But most of our time was spent at the Christmas markets. They really know how to do them in Austria. Let’s not forget that the Germanic people were the first ones to think “This is a nice pine tree. Let’s put it in the living room!” It’s no surprise that their baubles are something of a beauty.

Each Christmas market had at least five stalls entirely dedicated to the most ornate, delicate and expensive baubles you could imagine. Utterly magical. They had stalls filled with wooden toys, scarves, glass pictures of tigers and, best of all, hot punch. My personal favourite? Hot love punch. A mixture of strawberry liquor and goodness knows what else to form a warm, comforting and delightfully alcoholic drink. You even got to keep the mug that it came in for a mere €2.

I left with a stomach filled with Sachertorte, a bag crammed with overpriced baubles, and my soul overwhelmed with Christmassyness. I knew next to nothing about Vienna before I arrived, and it’s now my favourite city in Europe. Auf Wiedersehen Wien! Ich liebe dich!

Christmas Crackers: Your Yuletide Cinema Guide!

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The catch-up TV has been exhausted, the Christmas presents are wrapped and ready to go, and your reading list is looking about as attractive as Christmas dinner at McDonalds… So in the remaining days before turkey, tinsel and too-much-alcohol – and the lethargic slump thereafter- what should you do? Cherwell Film&TV is on hand to give you a large pile of popcorn (We can’t actually do that. Logistically impractical. And we don’t have a budget. Sorry.) and point you to the right screen!

December Drama- The Life of Pi

The first film to mention is going to hit your cinemas on 20th December. Life of Pi is set to be an epic in 3D, the product of years of work in adaptation of Yann Martel’s Booker Prize Winning novel to the big screen: directed by Ang Lee (Brokeback Mountain) and featuring Suraj Sharma in his debut as the main character Pi Patel.

The story opens with Pi growing up, and the zoo run by his father, who decides to move the family (zoo animals included) to Canada, but disaster strikes, and the ship sinks. The main focus of the film is Pi’s struggle, adrift and alone with a Bengal tiger. To see a great director at work, a quality piece of 3D cinema and some (welcome) sunshine in December, this is one to watch.

Merry Christmas Musi-Comedy- Pitch Perfect and Quartet

Next on your hit-list should be Pitch Perfect, sparkling festively with an all star cast including Anna Kendrick (Up in the Air), Brittany Snow (Hairspray) and Australian stand-up Rebel Wilson (Bridesmaids). Despite its trailer being peturbingly reminiscent of Glee, I am reassured that Gleeks and Gleekophobes alike will enjoy this movie, as it doesn’t seem take itself too seriously, treating the talent-competition genre (see Bring It On, Step Up etc. if you can stomach it.) with irony and self-awareness. Rebel Wilson’s ‘Fat Amy’ (self-named ‘so twig b*tches like you don’t do it behind my back’) looks like the real source of comedy- I’m betting on ‘horizontal running’ being the next global fitness fad. The screenplay is also by Emmy-nominated writer and producer Kay Cannon (30 Rock, New Girl). With such sharp talent both onscreen and off, Pitch Perfect is a good bet for your yuletide laugh!

For those of you having post-Downton-Maggie-Smith withdrawal symptoms. Quartet, out on 1st January, should help to ease the pain: written by Dustin Hoffmann, it’s about a care home thrown into turmoil by the arrival of retired opera singer Jean (played by Dame Maggie herself) who disrupts the home’s annual Verdi concert. This is a something of a celebration of golden-oldies, featuring Michael Gambon, Billy Connolly and Tom Courtenay, but it may be the kind of light-hearted, post-New-Year fare to get you through that early January haze.

Advent Action- Jack Reacher

For the more serious action adventure fans among you, Jack Reacher is out on Boxing Day. This is the latest from Tom Cruise doing what he does best – shooting, driving cars in a reckless manner, and protesting his innocence. This film is likely to be the first of many, based on Lee Child’s ninth Jack Reacher book, One Shot. As well as established talent like Rosamund Pike, Robert Duvall and Richard Jenkins are all in there), the film presents promising breakthrough actors such as Jai Courtney (A Good Day to Die Hard).

The Director is the Christopher McQuarrie, who wrote the screenplay of The Usual Suspects and produced Valkyrie (also with Tom Cruise); he’s also written the screenplay for the new Wolverine movie, so expect to see him around a lot more in the coming months.

While we’re on the subject of adventure- if you haven’t already seen The Hobbit: An Unexpected Journey, what have you been doing?! Check out Cherwell Film&TV’s Reviews for more info and discussion of this one (that way you might even be able to skip it all together but still partake in the inevitably numerous discussions you’ll be subjected to in coming weeks)! 

So stop twiddling your thumbs, turn off E4 (or Comedy Central if you’re die-hard Friends re-run addicts like we are) and get to the cinema- ’tis indeed the season to be cinematic!