Saturday 12th July 2025
Blog Page 1579

Bueller… Bueller…

0

[mm-hide-text]%%IMG_ORIGINAL%%6849%%[/mm-hide-text]

Hacked Off film’s immersive cinema screening of Ferris Bueller’s Day Off always sounded like a great way to spend a Friday evening. My only concern was whether expectation would match the reality of screening an 80s classic in an academic building. How would the escapism of Ferris Bueller translate to a space more used to Shakespeare, Milton and Literary Theory?  Would the joy of John Hughes’ vision be dulled by the subterranean setting?  But as I swiftly realised, this was a stroke of excellent planning by Owen Donovan and Edd Elliott, the brains behind Hacked Off Films. As the 120 strong crowd started to seat themselves (about the size of my own school year back in ’03) I felt increasingly part of Ferris’s world. In our assorted 80s gear, inside our own concrete classroom, we were the ‘sportos, the motorheads, geeks, sluts, bloods, wastoids, dweebies, dickheads’ of Hughes’ High Schools. A postgraduate tutor (Michael Mayo) who had been fortunately coerced into portraying Ferris’ economics teacher emerged into the Lecture Theatre. This led to a genius sequence in which he used the audience to call the register. We scrambled to claim “Atkinson” “Blasingham” or “Bruton-Jones” for our own before leaving “Bueller…Bueller…Bueller…” hanging as the opening titles rolled.

There was a collective sigh of meta-cinematic satisfaction as the English lecture scene on screen echoed the audience, right down to matching lecterns (a parallel not even the Hacked Off team anticipated, as I later learnt). These moments of grin-inducing realisation were what characterised Hacked Off Film’s approach, bringing surprise and novelty to a film that I imagine most of the audience had seen many a time before. There were slight technical issues but these were minimal and dealt with well, using the same economics teacher we’d met at the start.

The actors mingling with the audience in the foyer set the tone from the beginning. Several carried Pepsi cans, asking for donations to ‘Save Ferris’ whilst really collecting coppers for their chosen charity ExVac. Dougie Young, last seen in Angels in America, brooded in the corner as the drug-addled delinquent played by Charlie Sheen. Becca Fallon, a fantastically cast Jennifer Grey lookalike, scowled at all and sundry as Ferris’ sister Jeannie.

Donovan and Elliott had clearly thought a lot about their immersion experience, keeping it casual but clever, and full of little surprises. The duo say they’re proud that they’ve managed to keep their events cheaper than regular cinema, and they’ve clearly spent their limited funds wisely.  Details like placing a packed of Oreos and a Pepsi (the original sponsors) at each place, and borrowing paintings from Exeter JCR to make a mini-gallery were both low-key and greatly appreciated. They left the larger stunts for appropriate moments later on in the film – complementing the ‘Twist and Shout’ carnival scene by releasing balloons and firing confetti cannons.

Producing ‘SAVE FERRIS’ t-shirts was a smart move, showing just how tuned into the cult the organisers are. They matched savvy audience awareness with their own ingenuity at every turn. Ferris Bueller’s Day Off is a much-loved film, as indicated by the audience’s quiet chant of “Let my Cameron Go” and our crooning along to Wayne Newson’s ‘Danke Schoen’ at appropriate points. Its cult following made the film a brilliant choice for this sort of screening and gave Hacked Off a bit of a head start for success. What Donovan, Elliott and their team did so well was tap into its tongue-in-cheek, camp, homespun energy.

This is only Hacked Off Film’s second immersive cinema event, building on the success of screening Harry Potter and the Prisoner of Azkaban in Exeter’s Dining Hall last Michaelmas. But they’ve clearly hit on a winning formula, and are aware of the importance of their choices of film and location, not using the same space twice so that each time it really fits the theme. The commitment to detail and sheer enjoyment evident throughout Friday’s show promises great things for the future of Hacked Off Films. Their other endeavour, the Oxford leg of The Future Shorts Festival is already a firm favourite of the Oxford Hub, and fast approaching as part of the Turl Street Arts Festival.  Further information about this and all of their future projects can be found on their facebook page, which is well worth a look and a ‘like’. Elliott told Cherwell that the main focus for him was always “how much fun can we have”. This is precisely what came across. The experience was fun rather than flashy; the film was enhanced rather than overpowered. I felt like this was something thrown together by and for Ferris’s friends. And I loved it for that.

5 Minute Tute: Philosophy

0

What is Philosophy?


Most academic disciplines are defined by their subject matter, but with Philosophy this is tricky, because its subject matter is, well, everything. We could say that Philosophy is a critical investigation into any aspect of the universe or of human experience. Maybe Wittgenstein’s approach is more useful here: he said that Philosophy is an activity rather than a subject. It is the activity of rational reflection, of challenging assumptions and asking questions. You can philosophise about absolutely anything; so philosophers will never be out of work even if they are not always paid!

 

Which philosophers have had the biggest impact on modern Philosophy?


For our 21st anniversary issue we recently circulated a questionnaire to professional philosophers asking them which historical philosophers they thought the most interesting or important. Aristotle came top, followed by Immanuel Kant, then Plato. In terms of philosophers who have influenced modern developments, Frege, Russell and Wittgenstein (and later Quine) were crucial to the development of the analytical school of Philosophy. He- gel is still the point of reference for most strands of continental Philosophy. My own favourite is Oxford ethicist Philippa Foot who had so many great ideas about the foundations of morality that I still see her as underrated, despite her fame.

 

Who is Friedrich Nietzsche and how has he influenced modern day society?


When I started studying Philosophy I remember one lecturer dismissing Nietzsche as “more a poet than a philosopher,” but really he was both. He was a brilliant young professor of Philosophy at the University of Basel, who resigned his chair due to poor health and spent the next ten years or so wandering around Europe writing books about what he saw as an imminent crisis of values. He saw Christian morality – which he hated anyway – as being fatally undermined by a widespread decline in religious faith (“God is dead”) and he called for a “revaluation of all values”. Did he cause the crisis of values or merely foresee it? Probably the latter, but he gave an early and influential voice to the idea that values had no firm foundation.

 

Isn’t it all a bit wishy-washy?


The usual accusation made against English-language Philosophy – especially that done in Oxford – is that it is overconcerned with precision about language. However, given the great difficulty of some philosophical problems and the long history of disagreement about them, I think that there is no such thing as being “over-concerned with precision,” and that it is better to move slowly and test every footstep carefully, if you want to make real progress.

 

Can we all be philosophers?


Yes of course – it doesn’t even require any expensive equipment! We all stumble across philosophical problems at one time or another: Is there a God? Should we eat meat? What is life for? What comes after death? Is it sometimes all right to lie? How should we deal with this or that ethical dilemma? Some of these problems are inescapable, so the only question is whether we deal with them well or badly. Sadly, many people deal with dilemmas on the basis of emotional responses, tradition, or peer pressure rather than reasoned argument. As Bertrand Russell said, “Most people would rather die than think; in fact, they do.”

Here’s why you should all join your college choir

0

So you’re back in Oxford, collections are long gone, Christmas is a memory only your waistline remembers and the rigours of Oxford life are back in full swing. Fifth-week blues are yet to come and still many delicious weeks of hard work and academic inadequacy stretch ahead, with some hard partying – maybe, if I can just get this essay and reading done – added in. But sometimes you wonder if you could be making more of your Oxford experience than leading a life tied to the twin poles of booze and books. Your college choir is here to help.

The wonderful thing about your college choir is that it probably doesn’t audition, and if it does, it shouldn’t. Sure they are there to sing at important college events for the great and the good, but musical quality is really not the main point. It is all about fellow feeling, friendships, and the well-documented psychological benefits of singing in a group. That spiritual uplift need not be of a religious kind: at my college the vast majority of the choir do not take communion. It can actually get quite embarrassing sometimes. Instead the music is the real joy, as it drifts from the chapel into the fading light and monastic calm that only falls over college on a Sunday evening.

One term in my choir has furnished me with some of my most memorable encounters. My friend and I found ourselves dining opposite Gail Trimble of University Challenge fame (a.k.a. ‘The human Google’) at a choir formal. “What meat is this?” My friend asked me. “Dunno, Chicken?” I guessed. Gail did not look impressed. Earlier in the term I had opened the chapel door to find myself face to face with the Bishop of Oxford. We stared at each other for an agonising moment before I clocked that the man in front of me was older, wiser, more grandly dressed, and in every respect more important than me. I abased myself and stepped aside.

Of course the world of chapel carries its olde-worlde trappings without apology or irony. When we hosted the University sermons we said prayers not only for the monarch, nation and more colleges than I could count, but also “all the aristocracy of this realm” (which, I must note, still includes Jeffrey Archer). It was positively Elizabethan. I mean Bess I, not the current Queen. For those of an OCA bent this sort of thing is probably rather comforting. For the rest of us we accept it as part and parcel of the whole shebang.

And if you’re still not convinced, remember that whereas rowers have to pay for their hobby, college subsidises you in choir. Free formals are a real boon for all you freeloaders out there, even if you do have to sing for your supper.

 

In Defence of the European Union

0

Eurosceptics have seized the red meat, Nigel Farage is back to braying from the sidelines, and Cameron has demonstrated that he is a man of the people by offering the country a plebiscite on that brooding, meddling octopus, the European Union (EUSSR).

The right-leaning national press has cheered him to the rafters, with The Times rustling up a coterie of B-list business leaders representing companies that don’t even bother trading internationally, including a pub chain, Betfair and UCI Cinemas.

The problem is, Britain has never really understood Europe, and that’s why it’s never accepted the EU as a solution to centuries of strife. The Prime Minister alluded to this issue in his speech: “We have the character of an island nation – independent, forthright, passionate in defence of our sovereignty.”

To that I would add ‘ignorant’ and ‘exceptionalist’, both characteristics of the island mentality. How typical it was that the original date of Cameron’s great address was planned on the 60th anniversary of the Elysée Treaty between Charles de Gaulle and Konrad Adenauer.

Those familiar with The Thick of It can imagine how this omnishambles played out in Whitehall as they deliberated whether the continental knees-up really mattered that much – after all, aren’t the French needlessly emotional about absolutely everything?

De Gaulle blocked British entry into the European Economic Community, the forerunner of the EU, on two occasions (1963 and 1967) because of Britain’s different trading relations, employment attitudes and agricultural policies. “England in effect is insular, she is maritime, she is linked through her exchanges, her markets, her supply lines to the most diverse and often the most distant countries. She has in all her doings very marked and very original habits and traditions.” 

Alas, his efforts were to no avail; les rosbifs simply waited until he died to slip in and join the party, swiftly securing its first series of optouts in 1973, negotiated by Harold Wilson and put to the people.

But while the nation state has worked quite well for Britain over the last few centuries, the Peace of Westphalia, agreed in 1648 to recognise national sovereignty, did not stop wars and empires as means and ends to a political consensus in an ethnically diverse continent. The European Union has delivered 60 years of peace and was rightly awarded the Nobel Peace Prize in recognition of this. It is neither perfect nor complete, as the Euro crisis shows, and Cameron is right to raise concerns about its democratic deficit.

But it is equally salient to point out that the peoples of Spain, Italy and Greece are still vehemently supportive of the EU, despite being ravaged by economic depression. They all have recent histories of brutal dictatorships offering a far worse way of life.

The reason why alarm is being expressed in European capitals and from Washington is that Cameron may have set in train the unravelling of the EU from 2017. If he gets a suitable renegotiation and keeps Britain in then he will pioneer a new EU based on Peter Mandelson’s cafeteria service, where all member states feel entitled to go à la carte on European policy, leading inevitably to disbandment.

If he wins the election but fails with the renegotiation and takes Britain out, then the EU has lost a very influential partner on defence, trade and liberal policy. The balance of power will shift in the remaining bloc and might entice other countries to seek an exit too. He will fail because he underestimates the extent to which the values of compromise and solidarity matter to the other member states.

In a continent with a shrinking demography and declining influence in the world, a fragmentation back to the model of querulous Westphalian states would surely be the death knell of European prosperity in the post-imperial age, in which sovereignty is moving to regional spaces and enacted by international organisations and corporations.

Many things can happen between now and 2018, and it would be useless to predict any- thing except the continuation of an increasingly unstable world operating in turbulent times. Since reform is happening already in the EU, and since active British involvement can help resolve the issues surrounding democratic accountability and the like, it seems self- defeating even to be contemplating the idea of leaving an institution that has delivered so much and promises to deliver so much more.

Britain’s stance on the EU is like the attitude of the sheriff in Blazing Saddles. At one point he says: “If you don’t do what I want, I’ll blow my brains out.” The problem for Cameron and the whole country comes when the rest of the EU says, “OK, go ahead.”

Inspired by the catwalk: Monochrome

0

[mm-hide-text]%%IMG_ORIGINAL%%6843%%[/mm-hide-text]

image:vogue.co.uk

The tux is back. Unsurprisingly, this look has been revived, reconstructed and recreated by the wealth of menswear designers now dominating womenswear – Raf Simons at Dior, Hedi Slimane taking over Saint Laurent Paris… Kill two trends with one stone with the monochrome tuxedo. Statement jewelry optional.(Diamond Jacquard Blazer, Topshop, £65)

[mm-hide-text]%%IMG_ORIGINAL%%6842%%[/mm-hide-text]

image:topshop.co.uk

Inject some pizazz into this monochrome number with a stylish hat, à la Anna Dello Russo. Wear with pointy heels for that extra bit of glamour. (Wide-Brim Fel Hat, Guess, £12)

[mm-hide-text]%%IMG_ORIGINAL%%6845%%[/mm-hide-text]

image:guess.com

Stripes go supersize. Clash with this patterned number from Topshop and werkkk it hard. (White Stripe Pencil Skirt, Topshop, £32)

[mm-hide-text]%%IMG_ORIGINAL%%6844%%[/mm-hide-text]

image:topshop.co.uk

Score style points while staying toasty warm in this coat from Warehouse – fashion can be practical! (Stripe Coat, Warehouse, £75)

[mm-hide-text]%%IMG_ORIGINAL%%6846%%[/mm-hide-text]

image:warehouse.co.uk

We are happy to announce the long awaited revival of cigarette-cut trousers. Team with heels for feminine flair or flats for a more retro look. (Puppytooth Jacquard Cigarette Trousers, Topshop, £40)

[mm-hide-text]%%IMG_ORIGINAL%%6841%%[/mm-hide-text]

image:topshop.co.uk

How to Wear: Red Lipstick

0

1. Buff your lips using a toothbrush and then moisturise them with a lip balm. The bright colour will only enhance any cracks. Wait for a few minutes for it to soak in and then blot away any excess so that your lips are dry to make sure the lipstick stays put after application.

2. Define and fill in your lips with a red lipliner that matches your lipstick. This helps to bring out the colour of your lipstick and prevents bleeding, which is a common problem with bolder colours. Make sure you keep only colour inside your actual lip line – do not go over the edges. Use a clean brush to blend and even out the colour.

3. Using either your finger to lightly apply the lipstick to your lips and then using a brush build up the colour and blend, taking particular care around the edges of your lips. Blot with a tissue and clean up any mistakes with a cosmetic wedge sponge.

4. Apply concealer around the edges of your lip to further prevent any bleeding and enhance the colour and shape of your lips.

5. Finally, add lip balm to seal the colour and keep your lips looking smooth.

[mm-hide-text]%%IMG_ORIGINAL%%6839%%[/mm-hide-text]

How to Find the Shade for You:

Fair Skin: All skin tones look great with a true red, or compliment paler skin with reds that have pink or blue undertones. Try Revlon Matte in Really Red.

Olive Skin: Flatter tanned skin tones with orangey or tomato reds, like Lady Danger by MAC.

Dark Skin: Darker skin tones look great with plum and berry shades such as this Kate

[mm-hide-text]%%IMG_ORIGINAL%%6840%%[/mm-hide-text]

 

 

Longing and Urbanity

0

[mm-hide-text]%%IMG_ORIGINAL%%6830%%[/mm-hide-text]

[mm-hide-text]%%IMG_ORIGINAL%%6836%%[/mm-hide-text]

[mm-hide-text]%%IMG_ORIGINAL%%6831%%[/mm-hide-text]

[mm-hide-text]%%IMG_ORIGINAL%%6833%%[/mm-hide-text]

[mm-hide-text]%%IMG_ORIGINAL%%6834%%[/mm-hide-text]

[mm-hide-text]%%IMG_ORIGINAL%%6835%%[/mm-hide-text]

[mm-hide-text]%%IMG_ORIGINAL%%6837%%[/mm-hide-text]

[mm-hide-text]%%IMG_ORIGINAL%%6838%%[/mm-hide-text]

 

 

 

 

Xchanging integrity for champagne

0

Institutions don’t come much more oddly traditional than Oxford University. From subfusc to collections, crew dates to bops, we do things a bit differently round here, and that’s how we like it. We know this place simply wouldn’t be the same if we lost our silly outfits, our silly jargon and our silly social activities. The past is everywhere round here and I, for one, react fairly angrily when I sense that this is coming under threat. And this week I am angry.

This weekend showed the magic of the FA Cup at its very best. With Luton beating Norwich, Oldham beating Liverpool, MK Dons beating QPR and Leeds beating Spurs, there were upsets all across the draw. It is with this sense of hope that Hertford went into the 2nd round of Cuppers on Tuesday, only to be cruelly defeated on penalties. I won’t dwell on that. It’ll all get a bit emotional.

You might think I’ve just segued completely between two random points, but I promise you I’m about to link them in an extremely clever, journalistic style. The thing is, I actually made a factual error in that last paragraph. Hertford didn’t get knocked out of ‘Cuppers’, but rather ‘Xchanging Cuppers’. A new sponsorship deal has been reached which sees both the football and cricket Cuppers tournaments supported by the company Xchanging. I wanted to know what they did, but I’ve read their description on their website over and over and I still don’t quite understand. In the company’s own words, Xchanging “provides business, processing, technology and procurement services internationally for customers across multiple industries.” Clear as mud.

On this issue, I, for once in my life, stand with Liverpool fans. A banner they prepared to take into the Emirates Stadium on Wednesday declared that they were ‘against modern football’, and if we add ‘and cricket’ to the end of that, I couldn’t agree more. Such commercialisation at a grassroots level seems fairly unnecessary and it is, to me at least, saddening. The term ‘Cuppers’ has been used since 1882 at both Cambridge and Oxford, and the first football Cuppers tournament was contested here in the 1882/3 season, and was won by Magdalen College. The competition has a rich history, and is in fact the second oldest cup competition in the entire world. Its new title almost completely dissolves such a rich history, and instead makes it seem like some sort of game in which teams swap mugs.

Oxford University Blues footballer Edd Hermes agrees: “It seems like Cuppers is starting to lose its traditional charm. Perhaps it’s going the same way as the League Cup which has lost a bit of its magic ever since the likes of Worthington, Carling and now Capital One became involved.” One can’t help but feel that the heart is being ripped out of this famous old tournament.

It sometimes seems like everything in Oxford is merely a sponsorship opportunity for graduate employers. Not only do Xchanging now have their name attached to the tournament, but it seems like both OUAFC and OUCC are being asked to promote them at every possible opportunity. And for what in return? The winners of OUCC’s ‘MVP’ award will now receive a luxury prize, most probably branded champagne, on behalf of the sponsors. I’m thoroughly underwhelmed.

Blues cricket captain Sam Agarwal has a different view: “No, I don’t think the Xchanging sponsorship of OUCC’s Cuppers competition sees college sport moving into a more corporate world. It adds an extra spice to the competition, giving winning sides the prospect of toasting their victories in style with a case of champagne.”

Agarwal argues that “it also gives Xchanging access to a broad range of students who may be interested in pursuing a graduate career with the company – significantly different to big corporate sponsorships which pay large sums of money just to see their name attached to a team or competition.”

This is an interesting point of view, but not one I can agree with. Arguably, Xchanging are sponsoring Cuppers for the same reason as Carling sponsored the League Cup and Wonga now sponsor a number of professional football clubs: to exploit their target market. I know sport can be a fairly soulless beast, but I’ve always looked at college sport, and Cuppers in particular, as a bastion of a better time, when batsmen would face 90mph bowlers without a helmet and a physical assault wouldn’t even get you a free kick.

Unfortunately, this new deal reveals something rather depressing: Oxford sport will sell its soul for a few bottles of booze.

Photo Competition Winner – ‘Snow’

0

Congratulations to NADIA BRENT, the winner of this week’s photo competition on the now-distant memory of ‘Snow.’ Here’s the winning image:

 [mm-hide-text]%%IMG_ORIGINAL%%6827%%[/mm-hide-text]

Thank you to everyone who entered! We had so many brilliant entries that this week we decided to have a Highly Commended runner-up. So congratulations also go to ERIN HWANG for this witty wintry shot:

[mm-hide-text]%%IMG_ORIGINAL%%6828%%[/mm-hide-text]

Next theme is ‘NEGATIVE SPACE – please send your entries to[email protected] by Wednesday of 4th week!

All winners will also be featured on our Flickr page!