Saturday, April 26, 2025
Blog Page 1581

A Choral Christmas: A Review of Advent at Merton

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With their debut CD last year earning them widespread critical praise, Oxford’s most recent choral foundation has a lot riding on their shoulders. The Choir of Merton College proves that this reputation is deserved with a range of repertoire spanning between the fourteenth-century and some of today’s leading composers.

From the opening Matthew Martin setting Ecce concipies, Merton demonstrate their characteristic clarity of sound. The rhythmic vitality and energy which is present for the rest of the CD is established from this very first track. The opening soprano idea gradually broadens both texturally and registrally, building to a tumultuous apotheosis before fading back to nothing. The blend is impressive for such a young ensemble (particularly in Howard Skempton’s O Sapientia), although some prominent vibrato within the soprano section occasionally disturbs this.

Benjamin Nicholas’ conducting invites dramatic realisations from the choir, elucidating a range of moods, dynamics and tone colours from the singers. A particular highlight was James MacMillan’s Advent Antiphon. As in the later Ä’riks Ešenvalds, the soloist is drawn from within the choir: in this case, tenor Christopher Watson. The Delphian recording allows Watson’s voice to catch the resonant acoustics of Merton Chapel to poignant effect, lingering over the portamenti which ornament the elegiac melody. This resonance suits the spacious soundworld created by Peter Phillips. This is particularly effective in Ecce Virgo Concipiet, with the legato sound in contrast with the earlier piece of Byrd (Rorate caeli desuper).

The central part of the CD is the Seven Magnificat Antiphons commissioned for the Merton Choirbook (part of the college’s impending 750th anniversary). Uniting such names as Gabriel Jackson, John Tavener and Cecilia McDowall, each anthem celebrates a different aspect of the coming Christ. These 7 pieces test the choir to their limits, but they rise to the challenge: the angular soprano lines of the Tavener are bridged smoothly and the synchronised ornaments in Gabriel Jackson’s O Clavis David brought off with ease. The choir seem to be more comfortable with the forte end of the dynamic spectrum: points in Cecilia McDowall’s O Oriens could benefit from a touch more support.

Anna Steppler’s two interludes bookmark these Seven Magnificat Anthems, showcasing the chapel’s neo-classical Walker organ. The Praetorius sees ornaments seamlessly integrated into the flowing chorale, while Heiller’s adaptation of the Advent chorale Es ist ein Ros’ entsprungen sees her explore the instrument’s different registral colours.

Such a selection of repertoire allows the Choir of Merton College to demonstrate their technical and expressive capabilities. With impressive blend and range of tones, Merton shows that their relative youth is no barrier to top-class performances. As their 750th anniversary approaches, the choir is definitely going from strength to strength. 

Review: Gambit

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What do No Country for Old Men, True Grit and The Big Lebowski all have in common? One word: Coen. Previously referred to as ‘The Two-Headed Director’ the Coen brothers have become synonymous with movie success. Their trophy cabinet includes 3 Oscars for ‘No Country for Old Men’, a BAFTA, a Director’s Guild Award and 2 Writer’s Guild Awards. Suffice to say if you see these two on the billing, the producers mean business. The expectations were high. Unfortunately expectations were dashed rather quickly. Let me explain:

Gambit is a remake of a film of the same name from 1966 starring Shirley MacLaine and Michael Caine. The plot has been altered slightly, as has the cast with rumours Jennifer Aniston was due to play PJ Puznowski rather than Cameron Diaz, (lucky escape for her). The film begins with a voiceover from the slightly eccentric Major Wingate played by twice Oscar-nominated Brit actor Tom Courtenay. It transpires that Wingate and art curator Harry Deane are planning to con detestable businessman Lionel Shahbandar into the purchase of a fake Monet however, they need the help of Texan cowgirl PJ Puznowski as ‘the convincer’.

It is from this point really that the film becomes anything but convincing. There’s a sense of old fashioned caper about it which is endearing at first but soon wears thin. The English nature of the film led by Firth and Rickman leads to one round of ‘oh blimeys’ and buffoonery too many and our brilliant writers resort at one point to flatulence to get a laugh. This is unfortunate as there is scope for a very entertaining comedy particularly from the performance of Alan Rickman who plays the odious Lionel Shahbandar, the sort of boss many are sure to be able to identify with. Then we’ve got Diaz who seems to be on rather a bad run of late with What To Expect When You’re Expecting and Bad Teacher. She definitely makes the most of a limited situation but rather than provide amusement, her tacky American PJ clashes with Firth’s blundering Harry rather like Shrek the Third against The King’s Speech, the effect of which is quite uncomfortable.

The sad aspect to this film is that it’s hard to watch the cast diluting their capabilities down to the levels of nudity and karaoke. Diaz is 4 times Golden Globe nominated for the likes of Vanilla Sky and Being John Malkovich. Just last year Firth swept the Oscars for his legendary performance in The King’s Speech and Rickman has a habit of cropping up in huge, brilliant movies like Hitchhiker’s Guide to the Galaxy and Alice in Wonderland not to mention etched his place in movie-eternity as the despicable Severus Snape.

As for the Coens it just goes to show that for all their quirk and individuality, heist comedy is not a shoo-in, even for these guys. The brother’s other project Inside Llewyn Davis is currently in post-production. This is a star-studded affair including the likes of Carey Mulligan (An Education), John Goodman, Justin Timberlake and Garrett Hedlund (Tron). This might be a reason for the slightly rushed, between-productions-filler feel to Gambit. Either way, despite the potential of this film it’s not the Coen’s best. Better luck next time boys. 

3 STARS

Varsity Trip line-up announced

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Breakbeat musician A. Skillz and Radio One DJ Rob Da Bank have been announced as the headliners for this year’s Varsity Trip.

Cam FM’s Tim O’Brien will be the first to take to the stage at the Fire and Ice themed opening party and will be followed a DJ set from The Correspondents and leading act, A. Skillz.

“Twisted Circus”, the final night party will feature Varsity Trip Ents competition winner, Oxford student and producer, Day One who will be followed by a DJ set provided by the NME award winning White Lies. DJ Krafty Kuts will then precede headliner Rob Da Bank.

Other entertainment during the week includes the opening of VarCity, with award winning beat-boxer, Faith SFX and a comedy night which will be hosted by Matt Lacy of ‘Gap Yah’ fame and headlined by Sean Meo and Paul Foot.

William Sheldon, Varsity Trip 2012 Entertainments Director said, ‘The Varsity Trip Opening and Closing nights are set to be absolutely amazing. We feel privileged to be hosting such talented artists, who will be providing an incredible soundtrack to both nights. For each night the venue will be transformed, first into an extreme melting pot of Fire and Ice, and then into the wild and wicked Twisted Circus.”

He added, “With some surprises awaiting every participant these nights will be the biggest and best parties of the Oxbridge calendar.’

First year PPE-ist at Keble College, Emma Alexander said, “It seems like a great line-up, given that they won’t have had an unlimited budget, with a nice amount of variety too. The main complaint I’ve heard from people is that White Lies are appearing but only doing a DJ set. Having Matt Lacey of Gap Yah fame there for Comedy Night should be particularly amazing, and I think we were all glad that Oxford-based Day One won the ents vote to play on the Opening Night.

“Generally, I’m so excited for the trip and it’s going to be a great way to let off steam after a strenuous first term.”

Colleges submerged as flooding hits Oxford

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Water levels in Oxford are continuing to rise after days of heavy rainfall.

Flooding has occured across several areas of the city overnight and this morning, with Christ Church Meadow, and Magdalen’s Water Meadow now under water. Wolfson’s punt harbour is similarly submerged.

Flood warnings were put in place late on Monday evening for the River Cherwell and its tributaries in Oxford. As of 1pm on Tuesday, the Environment Agency has declared 23 flood warnings and 53 flood alerts in force, including the River Cherwell for the Oxford area. 

In a press release, the Environment Agency stated, “Rainfall is now dropping off across the South East and is forecast to remain low for the next few days, however rivers are still responding to the heavy rain of the past week. 

 “Although the rain has eased off, and stopped in some parts of the South East, the risk of flooding is still real.  After several days of heavy rain the ground is saturated and flood water from small watercourses is flowing into larger rivers like the Thames. River levels will continue to rise in the foreseeable future before they start to go down.

“Levels remain high on the river Cherwell in the Oxford area and the Environment Agency is warning residents in Reading and Oxford to be prepared over the coming days. Demountable defences have been deployed to protect properties in parts of Oxford including Abingdon Road, East Street, Vicarage Lane (Grandpont) and at Osney Island. The defenses at Osney protect up to 75 properties and 30 properties at Vicarage Lane.”

Magdalen student Aileen Brennan commented, ‘The floods arent affecting us too badly – its just our grounds and sports pitches that are underwater. ‘Water meadow’ is finally living up to its name. Most of us are quite happy – we now have a deer park AND a lake. Beat that Worcester’.

The Abingdon Road has been closed from Folly Bridge, and as a result Oxfordshire County Council has suspended its ban of private traffic through Oxford’s high street in to accomodate the closure. The front page of Tuesday’s Oxford Mail claimed that 10,000 homes in Oxfordshire are now at risk of flooding, and homes in West Oxford have been evacuated this morning.

Officers from the County Council and the Fire and Rescue Services spent the night working to help residents affected by the flooding. Pumps are being used to try and remove the water, and an emergency centre has been set up in Blackbird Leyes.

The flooding follows days of increasing river levels. The forecast is for more heavy rain in Oxford on Tuesday afternoon, although with a drier day on Wednesday.  

The Council are advising people to keep checking the Environment Agency’s flood warning pages. Their website states, “It is possible that some householders will be advised to leave in the next 24 hours. If this happens, you will be advised by members of the emergency services or council staff who will visit homes door to door”.

In an email to the JCR, Hertford’s Bursar Dr Andrew Beaumont said, ‘At this time, there is no immediate cause for concern: and as the long-term weather forecast is for several days of dry weather… hopefully this will allow for the present flooding to subside’ but noted the college would ‘endeavour wherever possible to assist [students’] departure at the end of term.’

However, for students, the greatest impact has been on rowing. Boathouse Island was closed on Saturday until further notice, and Christ Church Meadow is now largely underwater.

In urgent telephone calls to captains, OURCs advised boat clubs to prepare boathouses for flooding, and to move all equipment well above ground level. They warned students not to “try and rescue boats while putting your own life in danger!”. 

The advice follows the cancellation of Christ Church regatta and the Isis Winter League. Last week, a Somerville novice crew crashed and a non-rowing boat was overturned at Osney Lock in dangerous stream conditions. 

This is the culmination of a difficult term for rowers. There have been weeks of river closures, and students have expressed concern that rowing beginners will be deterred from the sport.

Whitney Wells, a visiting Stanford student, was disappointed but determined to keep rowing: “The regatta being cancelled was definitely sad for all the novices. We’d worked hard to train together as a team leading up to the regatta, especially trying to make up for lost river time from the red flags all term. 

“I’ve been really appreciative of how our captains have stayed enthusiastic despite the stress of having to cancel outings all term. It has definitely been frustrating, but hopefully next term the river will be calm enough for outings”.

Some took an even more positive line. David Fidgett, men’s captain at Corpus Christi, commented, “I think it’s good for rowing. The river’s increased in size making it accessible to more people. At Corpus, you can practically row to and from breakfast now”. 

Wadham shells out on new tortoise

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After Merton’s recent decision to adopt a tapir, it looked like the traditional college tortoise had had its day.

However, Wadham has reaffirmed its faith in the old favourite, voting unanimously to acquire a new tortoise.

Wadham’s constitution specifies an integral role for the tortoise: “In the event that Wadham SU owns a living tortoise any tied vote amongst the SU will be resolved by the tortoise having the casting vote. 

“The tortoise always votes for the motion due to his radical desire for change.”

However, the college’s tortoise chose to eschew its crucial legislative role several years ago when it escaped from its pen.

The motion put before the Wadham SU argued that “possession of a college tortoise would make the work of Wadham SU more efficient, and hence more effective” and that “possession of a college tortoise would create greater opportunities for community, collegiate glory and camaraderie.”

The motion also proposed that “possession of a college tortoise would be beneficial for the welfare of Wadham students, who we suggest would be able to play with the tortoise at an allocated time every week.”

Jahnavi Emmanuel, the Wadham SU president said the tortoise will “definitely be trained to race and we are looking to buy a medium-sized tortoise as these are supposedly the best racers – the other tortoises should get their game faces on for racing season.”

She was quick to dismiss rumours that Wadham’s famous party lifestyle will mean the tortoise could be too hung over to race. 

She added “the tortoise will obviously have to be present at our fortnightly meetings on Sundays, so he won’t be hitting up No.9 on a regular basis, but I would expect to see him at Junction pretty often, though I’m not sure the VIP area of Camera will be his scene…”

However, one second year studying physics denied that Wadham was a party college, saying, ‘we’re not even allowed fireworks at our ball, probably because it’ll wake the tortoise”.

Harriet Soper, a tortoise enthusiast at Corpus Christi said the college’s tortoises don’t feel threatened by the newcomer to the racing scene: “Foxe and Oldham are very much in love and blind to all others of their kind.

“Nonetheless I can imagine this new acquisition could end up being a real SROC (Small Reptile on Campus) and will tear away into the distance like the proverbial hare.”

Former Corpus tortoise keeper Alex Coupe added “I am delighted that Wadham have got the tortoise, the only thing the tortoise has ever ‘taught us’ is the Chinese proverb ‘the wise man and the tortoise travel, but never leave their home’”.

Review: Amahl and the Night Visitors

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I am not a particular fan of opera, having developed an irrational aversion as a child to the stereotypical image of busty ladies in period dress warbling at a pitch high enough to shatter windows. Nevertheless, when told that a performance of Gian Carlo Menotti’s Amahl and the Night Visitors would last just 45 minutes I was persuaded to set aside my prejudices. And I am exceptionally glad that I did, for Amahl was a truly magical performance.

Staged in the small but beautiful Lincoln College Chapel, Menotti’s tale of a poor, crippled boy who is visited by the Three Wise Men on their way to Bethlehem was wonderfully intimate and atmospheric. The performance started in pitch black, with only the tiny lights of the ensemble (how they still managed to read their music is beyond me), and the electric tealights that we were given beforehand, penetrating the darkness. Natural candelight would have been a bonus, but health, safety and shaking hands meant that it was probably a very good idea to go with the electric version.

When the lights came on, the performers used the full space of the chapel aisle, meaning that the audience in the pews were able to discern every facial expression, and the singers could go without microphones. The costumes and make up, designed by Katie Lambert, were simple and clever – all performers dressed in black, but had face paint to denote their characters. The young, imaginative Amahl had stars around his eyes, his tired Mother, dark face paint and a single tear running down her cheek. The use of different-coloured fairy lights for the crowns of the three Kings was, dare I say it, inspired.

This simplicity, in both costume and staging, meant that the beauty of the music, ably conducted by James D’Costa, and the performers’ considerable talents could shine through. Betty Mahkarinsky brought the young crippled boy, Amahl, to life with an endearing mix of inquisitiveness and innocence. Leonor Jennings played the perfect counterpoint as the Mother, worried for her child and exasperated with what she believes to be his over-active imagination. Jennings and Mahkarinsky’s voices blended perfectly, their harmonies soaring into the rafters of the Chapel. The rich three-part harmony of the three Kings, played by Joe Mason, Alexei Kalveks and Patrick Edmond, was also pitch-perfect, and their light-hearted interplay well-timed. The chorus of dancing shepherds was similarly lively and humorous.

Amahl and the Night Visitors left me feeling extremely Christmassy, and at the conclusion I even welled up a little bit. Who knows, I might even be persuaded to watch a full length opera next time.

D’Urso wins Union presidency

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D’Urso, of New College, won 614 votes, edging out Dattani of St Anne’s College, who received 578 – a margin of only 36 votes. D’Urso will assume the presidency in Trinity 2013, and has pledged a “weekend trip to Paris” for members during his tenure.

Nominees for the three other officerships were elected unopposed. Joining D’Urso in Trinity will be Librarian-elect Polina Ivanova, of University College, and Treasurer-elect Chris Frost, of Oriel College, whose manifesto for the position was two lines long: “I have advised on the Union’s Million [sic] pound budget. Vote Frost!”

Liz Culliford of St Hilda’s College will be Secretary in Hilary 2013.

In order of votes received, the candidates successfully elected to Standing Committee were Ben Sullivan, Sachin Srivastava, Sam Perkins, Alex Trafford and Jane Chan.

A total of 1,270 votes were cast at this election.

Live Review: Holywell Music Room

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As Oxford descends on the RAG Ball, I head to the Holywell Music Room, for a demonstration that acoustic guitar virtuosos come in many shapes and sizes, and indeed that they can play in groups of one, two and four.  Gordon Giltrap’s distinctive brand of blues particularly delights; Ray Burley’s performances range from Bach to Brazil; John Etheridge somehow manages to bring the sound of steel pans out of the only electric guitar of the night, and Clive Carroll shares compositions of Renaissance and Celtic influence, as well as others that sound impossible to pin. 

How John Etheridge differentiates what I’ve just heard from classical music is in no small part down to roots.  Ray Burley “is pretty much a proper classical guitarist, Clive was trained as a proper classical guitarist but then he went native, Gordon and I have no training at all.”  As far as Etheridge is concerned, “Clive covers it all”, in part due to a move to steel strings, as they better suited the solo guitar pieces he was writing alongside orchestral works, and in part due to influences that “can be anything from a 12th Century Round right the way through to Sigur Rós”. 

Carroll has a First Class Degree in Composition and Guitar from Trinity College London, and technique which often dazzles, indeed making a huge impression on the 16 year old me, but isn’t interested in being ‘flash’ – “I just would like to play what I hear.”  One piece, ‘Eliza’s Eyes’, is inspired by capturing the sound of a mellow rock band on solo guitar, and everything he writes is committed to paper before being played on the instrument. 

If you chose RAG on Saturday, which I’m sure was very different to (but just as excellent as) this show, and you want to hear creative and virtuosic guitar playing, where do you start?  Clive gives me his top five introductory albums: Intuite – Pierre Bensusan; Aerial Boundaries – Michael Hedges; Friday Night in San Fransisco – McLaughlin, Di Meola, De Lucia; Bert and John – Bert Jansch, John Renbourn; and One Quiet Night – Pat Metheny.  Happy listening!  

O2 appeals against opening hour restriction

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In June the council rejected plans to extend opening hours at the Academy. The planned extension was to include opening an hour earlier each day, opening for four extra hours on Sundays before bank holidays and until 6am on May Morning. The plans to extend opening hours were rejected by councillors due to concerns about crime, community safety and noise.

The O2 Academy in Cowley is appealing against Oxford City Council’s decision to deny a proposed opening 
hour extension. 
In June the council rejected plans 
to extend opening hours at the Academy. The planned extension was to 
include opening an hour earlier each 
day, opening for four extra hours on 
Sundays before bank holidays and 
until 6am on May Morning.
The plans to extend opening hours 
were rejected by councillors due to 
concerns about crime, community 
safety and noise. The plans prompted 
46 letters of objection from local residents who feared extended drinking 
hours would increase anti-social behaviour.
Residents’ complaints contributed 
to the move of Fuzzy Ducks from the 
O2 to Wahoo at the beginning of this 
term.
Planning officers originally came 
out in support of extending opening 
hours. In a report presented to councillors they wrote, “The variation 
would not significantly alter the existing operating hours of this venue 
with the Cowley Road district centre 
and, in the absence of any significant 
objection from Thames Valley Police 
and licensing officers, it would be difficult to demonstrate that it would 
have a significant impact upon 
neighbouring residential properties 
in terms of increased noise, disturbance, and antisocial behaviour.” 
At the meeting vetoing the planned 
extension of hours, Thames Valley Police made no objection to the plan. 
William Pimlott, a student at Wadham, commented, “As a resident of 
Bullingdon Road I find it outrageous 
that our local night life opportunities should be so limited by priggish 
and party-pooping residents. Already 
one is often forced to travel across 
town to inebriate oneself and enjoy 
loud music, and if these draconian 
measures are pushed any further 
Cowley will become a desert reminiscent of those most barren of places: 
Somerville and Jericho.
“My only regret with local Nightlife pursuers is their cavalier attitude 
to our vulnerable wheely bins which 
often fall prey to ‘hilarious’ pranks 
and other such misdemeanorariness, 
but I am willing to sacrifice the poor 
and unsuspecting wheely bins to the 
greater good.”
A second year Oxford Brookes student added, “Extending the opening 
hours won’t make the O2 more popular with students. Everyone already 
goes into town for the better nights 
at Junction and Wahoo.”

The plans prompted 46 letters of objection from local residents who feared extended drinking hours would increase anti-social behaviour. Residents’ complaints contributed to the move of Fuzzy Ducks from the O2 to Wahoo at the beginning of this term.

Planning officers originally came out in support of extending opening hours. In a report presented to councillors they wrote, “The variation would not significantly alter the existing operating hours of this venue with the Cowley Road district centre and, in the absence of any significant objection from Thames Valley Police and licensing officers, it would be difficult to demonstrate that it would have a significant impact upon neighbouring residential properties in terms of increased noise, disturbance, and antisocial behaviour.” At the meeting vetoing the planned extension of hours, Thames Valley Police made no objection to the plan.

William Pimlott, a student at Wadham, commented, “As a resident of Bullingdon Road I find it outrageous that our local night life opportunities should be so limited by priggish and party-pooping residents. Already one is often forced to travel across town to inebriate oneself and enjoy loud music, and if these draconian measures are pushed any further Cowley will become a desert reminiscent of those most barren of places: Somerville and Jericho.’

“My only regret with local Nightlife pursuers is their cavalier attitude to our vulnerable wheely bins which often fall prey to ‘hilarious’ pranks and other such misdemeanorariness, but I am willing to sacrifice the poor and unsuspecting wheely bins to the greater good.”

A second year Oxford Brookes student added, “Extending the opening hours won’t make the O2 more popular with students. Everyone already goes into town for the better nights at Junction and Wahoo.”

Oxford students outdrunk

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A survey from StudentBeans.com into students and alcohol has found that out of 39 subject areas, Economics and Accounting students consume the most alcohol compared to those from other subjects. 

A survey from StudentBeans.com into students 
and alcohol has found that out of thirty nine 
subject areas, Economics and Accounting students consume the most alcohol compared to 
those from other subjects. 
Oxford University has risen in the university 
rankings, jumping from 59th last year, with an 
average of 13.8 units consumed per week, to 41st 
in 2012. The university now drinks on average 
2.3 units of alcohol per day and 18.4 units per 
week, placing it higher in the league than Oxford Brookes at 55th and Cambridge at 51st.
The website, which has also devised a university drinking league, surveyed 1,994 students 
who drink alcohol from 74 universities across 
the UK in September and October of this year to 
create a subject drinking league.
Nationwide, accounting and finance students topped the chart, claiming to consume 
30.6 units of alcohol on average each week, 
equating to 4.4 units per day. Those studying 
economics rank second, drinking 27.3 units 
weekly, averaging at 3.9 units each day. 
Regarding these results, Oliver Brann, editor 
of the website stated: “It seems these turbulent 
financial times are stressing the accountants 
and economists out before they’ve even entered 
the working world.”
PPE students at Lady Margaret Hall disagree 
with this view. One student claimed “these high 
levels of drinking merely reflect the fact that 
students studying PPE have to practice drinking sociably in preparation for all the society 
dinners and partying that accompanies being 
a politician”. 
Another student argued that Economics students “know how to have fun whilst keeping up 
with an extremely demanding course: you can 
party until 3am as long as you finish that pesky 
Economics essay that is due in five hours after 
you get back to college”.
Students studying Nursing, Midwifery and 
Healthcare claim to drink the least amount of 
alcohol at 12.4 units on average a week, well 
within the recommended allowances for both 
men and women. Subjects such as Art and Design, Performing Arts and Music, Journalism 
and English ranked in the last nine places, 
consuming less than 17 units. Humanities were 
ranked at 12th place with 21.1 units per week.
One Cambridge student said, “So, students of 
the most boring, banal subjects need the most 
help to get through the day? Big news.”
First year Oxford English student, Adam Crozier, added, “What ever will happen to our reputations as indolent and charming flâneurs? 
Mind you, if I were studying accountancy I’d 
probably do my best to drink my way to an early 
grave too.

Oxford University has risen in the university rankings, jumping from 59th last year, with an average of 13.8 units consumed per week, to 41st in 2012. The university now drinks on average 2.3 units of alcohol per day and 18.4 units per week, placing it higher in the league than Oxford Brookes at 55th and Cambridge at 51st.

The website, which has also devised a university drinking league, surveyed 1,994 students who drink alcohol from 74 universities across the UK in September and October of this year to create a subject drinking league.

Nationwide, accounting and finance students topped the chart, claiming to consume 30.6 units of alcohol on average each week, equating to 4.4 units per day. Those studying economics rank second, drinking 27.3 units weekly, averaging at 3.9 units each day. 

Regarding these results, Oliver Brann, editor of the website stated: “It seems these turbulent financial times are stressing the accountants and economists out before they’ve even entered the working world.”

PPE students at Lady Margaret Hall disagree with this view. One student claimed “these high levels of drinking merely reflect the fact that students studying PPE have to practice drinking sociably in preparation for all the society dinners and partying that accompanies being a politician”. 

Another student argued that Economics students “know how to have fun whilst keeping up with an extremely demanding course: you can party until 3am as long as you finish that pesky Economics essay that is due in five hours after you get back to college”.

Students studying Nursing, Midwifery and Healthcare claim to drink the least amount of alcohol at 12.4 units on average a week, well within the recommended allowances for both men and women. Subjects such as Art and Design, Performing Arts and Music, Journalism and English ranked in the last nine places, consuming less than 17 units. Humanities were ranked at 12th place with 21.1 units per week.

One Cambridge student said, “So, students of the most boring, banal subjects need the most help to get through the day? Big news.”

First year Oxford English student, Adam Crozier, added, “What ever will happen to our reputations as indolent and charming flâneurs? Mind you, if I were studying accountancy I’d probably do my best to drink my way to an early grave too.’