Monday, April 28, 2025
Blog Page 1610

Trenton Oldfield jailed for six months

0

Trenton Oldfield has today been jailed for six months for causing a public nuisance, after disrupting the University Boat Race earlier this year by swimming into the path of the competing crews.

The 36-year-old, from east London, has also been ordered to pay £750 in costs.

Oldfield said he was demonstrating against “elitism” when he swam into the path of crews on 7 April, interrupting the 158th race between Oxford and Cambridge.

But today Judge Anne Molyneux said that he had acted dangerously, disproportionately, displayed prejudice and showed no regret for his actions.

She said, “You did nothing to address inequality by giving yourself the right to spoil the enjoyment of others. In doing so, you acted without regard for equality and contrary to the meaning of it.

‘You made your decision to sabotage the race based on the membership or perceived membership of its participants of a group to which you took exception. That is prejudice.’

She continued, “Every individual and group of society is entitled to respect. It is a necessary part of a liberal and tolerant society that no one should be targeted because of a characteristic with which another takes issue.

‘Prejudice in any form is wrong. Your offence was planned. It was deliberate. It was disproportionate. It was dangerous. You have shown no regret.’

David Searle, the Executive Boat Race Director, defended the decision of the court in a statement on the University Boat Club’s website, writing that “We are satisfied with the decision of the judge today.” However, he expressed his desire to “put this whole incident behind us and move on to the next Boat Race in 2013.”

Students also offered support for Mr Oldfield’s jail sentence. Joe Larvin, Captain of Boats at St John’s College, stated that “What he did was shameful. He deliberately ruined an event that is a national treasure enjoyed by millions across the world and has subsequently shown no remorse for his actions.” Mr Larvin described the protestor’s actions as “criminal”, and therefore felt that “a jail sentence is befitting.” 

Oldfield’s wife, Deepa Naik, disagreed, defending his actions outside court. She said, “Trenton’s protest was a reaction to an increasingly brutal business, media and political elite. Great Britain has convinced many it is the home of democracy and the gauge of civilisation. Anyone living here today knows Britain is a brutal, deeply divided, class-driven place.’

During the trial, Trenton argued that his protest was a “symbolic guesture” as the Boat Race was viewed by him as “a symbol of a lot of issues in Britain around class.” He added, “Seventy per cent of government pushing through very significant cuts are Oxford or Cambridge graduates.”

He also disputed the claims that he put himself in danger, telling the court that having lived in Australia, he was used to dodging surfboards, rocks and boats.

Four-time Olympic gold medal-winning rower Sir Matthew Pinsent, who was assistant umpire of the race, disagreed, stating “He could have been killed if he had been struck by an oar or the rigging, which is metal.”

Oldfield’s barrister, Benjamin Newton, said, ‘Save for the events of April 7th, he could not be regarded as a better role model for civic-minded individuals.’

DIY Curly Hair Rescue

0

 

Over the years I have tried everything with my hair. I’ve thrown more products and money at it than is morally acceptable. I’ve tried to coax it and beat it into submission. I’ve read books about curls, watched tutorials for hairdressers, concocted dodgy homemade conditioners. I’ve hated my curls, then been a vocal curly hair zealot, and now am just about back to reality. So here’s my step by step guide to getting your hair back on track:

 

  1. Take a step back. It’s got to the point where you need a total hair care overhaul. There are two very simple rules at the start of this recovery process. First, take a breath and step away from the heat. That’s it. No hairdryers. No straighteners. At least not for a couple of months until your hair’s had some time to recover. It won’t always be easy. Your hair’s not going to look amazing overnight. At times you’ll be tempted to reach for the ghds. But resist. I promise it’ll be worth it. Second, bin all your products, or at least put them to the side. This is back to basics, introducing one product at a time – how can you tell what’s working if you have twenty products in your hair at once?

 

  1. Washing your hair. Curly hair is dry. Curly hair is not naturally greasy. So curly hair does not need to be washed every day. You’ve damaged your hair by over-washing (and by the products you’ve been washing it with). Stop it. Wash your hair every three or four days – you can step it back up to once every other day later if you like. You may get some itchiness initially but your scalp will adjust its oil production to the new regime fast. When you do wash your hair, use a sulphate-free shampoo. I’m currently using one with an impossibly long name from Schwarzkopf, but the brand doesn’t matter – just google ‘sulphate/sulfate-free’ to see what’s available. Sulphates are the chemicals that make shampoos froth so your shower may not be as bubbly, but they also strip out natural moisturising agents – good for greasy hair, fatal for curls.

 

  1. Condition. Being picky about conditioners isn’t as important as avoiding sulphates in shampoos, but as a rule step away from products with alcohol listed as a primary ingredient and those which contain a lot of ‘cones’ (chemicals including the word ‘silicone’ in their name). The fewer ingredients the better generally. I like this coconut-scented conditioner from small brand Curls. They cater specifically for mixed race hair types but their products are very gentle on the hair and so great for Caucasian curls too.

 

  1. Condition some more. To introduce even more moisture into your hair after washing, a light leave-in conditioner will do the trick without weighing curls down. I recommend Boots’ own-brand conditioners as they’re cheap and don’t contain too many chemicals. For an occasional more intensive treatment (once a week or fortnight depending on your hair’s thickness) a hair oil can be a quick and easy option, with a little oil going a long way. Moroccan Oil has been the brand on everyone’s lips but, although it does add shine, the formulation contains several ingredients best avoided by curly girls. Try pure argon oil (the active ingredient in Moroccan Oil products) instead. This is pure, natural and cheaper – what’s not to love? Another advantage of hair oils is that hair dries quicker when you’ve applied them – great when you’re waiting for hair to dry naturally and for limiting damage if/when you reintroduce heat.

 

  1. Styling your hair. In one of my many hours trawling through the internet reading about hair I came across one analogy that really struck me. The writer compared curly hair to a cashmere jumper. You wouldn’t dream of chucking a delicate knit in the spin cycle with some cheap detergent or being rough with it as you lay it out to dry. Curly hair demands the same careful treatment. Don’t brush it – detangle with a wide toothed comb while wet but then leave well alone. Never ever rub your hair with a towel. If you need to remove excess water squeeze and scrunch with a towel, or, better yet, an old cotton T-shirt since less friction = less frizz. I even sleep on a satin pillowcase to reduce the bed hair effect (trust me, it’s good for your complexion too). To style your hair post-shower simply part your hair the way you want it to dry. You can twist sections of hair to create the size of curls you prefer. When I want heavier ringlets – Victoriana chic, rather than Scary Spice – I use a curl defining gel. Generally though, the less touching the better. Style quickly, then leave to air dry.

 

  1. Bending the rules. You don’t have to be puritanical about you hair forever (but those who want to should check out Lorraine Massey’s book for heavy duty haircare, including DIY product recipes). My hair is now in such good condition that I am happy to bleach it monthly and blow dry it straight when I want to. Even the very occasional dose of sulphates isn’t detrimental, though I still wince when hairdressers lather me up with products I know are doing more harm than good. I’ve also discovered that using a tapered curling iron can be a godsend for touching up the upper layers of second or third day curly hair (technically the ‘canopy’), even if the high temperature isn’t ideal for hair health. The joy of this regime though is if I do see my hair’s condition deteriorating, I can cut out the heat styling immediately and give my hair some TLC.

 

  1. Extra tips. If you dye your hair, highlights are better for defining curls – a block colour will make your hair seem like a mass, rather than individual tresses. If your curls are loose enough to braid, side braids can be a good second/third day styling option (see my article on braiding here).

 

Finding the best beauty products and techniques is an evolving process, but this article has been years in the making. Everyone’s hair is different but following this advice may just work for you, saving you a lot of money and heartache in the process.

 

Review: On the Road

0

 

n a cold and rainy day in Moscow with
five hours to kill I was driven to the cinema.
When my flick of choice Time Loop
turned out to be dubbed into Russian I settled
for the merely subtitled On The Road. I wasn’t
expecting much: the trailer was uninspiring
and I was worried about what funny colours
and weird angles could do to an already
‘trendy’ book.
But it was good. Both Sam Riley and Garrett
Hedlund nail it as the homoerotic blood brothers
Sal and Dean, with Tom Sturridge brilliant
as the most comically pretentious of the musketeers,
Carlos. Predictably K-Stew, Dean’s sixteen-
year-old wife Mary Lou, is nothing to write
home about. The only discernible difference
between Mary Lou and Bella Swan is that the
former’s hair is a few shades lighter – the face,
like a slapped arse, hangs tough. You
do slightly wonder where
she gets all her changes
of clothes, and urban outfitters
sunglasses,
whilst on a pretty
dirty roadtrip. In
contrast, Kirsten
Dunst manages
to make Camille,
Dean’s second wife,
the most engaging and
believable character. Excellent,
unexpected performances
come from
Viggo Mortensen and
Amy Adams as a drug-addled
couple the roadsters
spend a few days with.
The only things I have
seen Amy Adams in are Enchanted and Julie &
Julia so it was fun to see her all wild haired and
cracked out on benzedrine. Steve Buscemi is
also great – when isn’t he great? – as the pervy
driver who pays Dean for sex.
Whilst I often found the book too scatty
and grotesque to really love it, it film is easy
to watch and, aside from a severed toe here
and there, aesthetically pleasing. It’s nice that
they’ve coupled that with a roadtrip that’s not
excessively glamorised- they all look dirty,
have to steal their food and ‘gaaas’- and some
people just look great with smudges on their
face.
Die hard Kerouacers will probably have a
lot of negative things to say about the adaptation,
but for someone who finds the book more
than little tiring and self-conscious, the film is
a pleasant surprise. Sex, drugs and Sam Riley –
what more do you want?

On a cold and rainy day in Moscow with five hours to kill I was driven to the cinema. When my flick of choice, Time Loop, turned out to be dubbed into Russian I settled for the merely subtitled On The Road. I wasn’t expecting much: the trailer was uninspiring and I was worried about what funny colours and weird angles could do to an already ‘trendy’ book.

But it was good. Both Sam Riley and Garrett Hedlund nail it as the homoerotic blood brothers Sal and Dean, with Tom Sturridge brilliant as the most comically pretentious of the musketeers, Carlos. Predictably K-Stew, Dean’s sixteen-year-old wife Mary Lou, is nothing to write home about. The only discernible difference between Mary Lou and Bella Swan is that the former’s hair is a few shades lighter – the face, like a slapped arse, hangs tough. You do slightly wonder where she gets all her changes of clothes and Urban Outfitters sunglasses,whilst on a pretty dirty road trip.

In contrast, Kirsten Dunst manages to make Camille, Dean’s second wife, the most engaging and believable character. Excellent, unexpected performances come from Viggo Mortensen and Amy Adams as a drug-addled couple the roadsters spend a few days with.The only things I have seen Amy Adams in are Enchanted and Julie & Julia so it was fun to see her all wild haired and cracked out on benzedrine. Steve Buscemi is also great – when isn’t he great? – as the pervy driver who pays Dean for sex.

Whilst I often found the book too scatty and grotesque to really love it, the film is easy to watch and, aside from a severed toe here and there, aesthetically pleasing. It’s nice that they’ve coupled that with a roadtrip that’s not excessively glamourised – they all look dirty, have to steal their food and ‘gaaas’- and some people just look great with smudges on their face. Die hard Kerouacers will probably have a lot of negative things to say about the adaptation, but for someone who finds the book more than little tiring and self-conscious, the film is a pleasant surprise. Sex, drugs and Sam Riley -what more do you want?

Series Review: The Great British Bake-Off

0

 

BBO’s curious appeal lies in its predictability.
As fans of the Bake Off (of whom
I am among the most fervent) all know,
the final three contestants always fit into
three categories:
(1) The clinically accurate and fiercely competitive
one (Brendan this year). This contestant
has been waiting their entire life for this
moment, and spent the six months prior to
the contest locked in their kitchen frantically
turning out batch after batch of macaroons.
They put on a friendly face for but you can tell
they’re dying to ram their sugar thermometer
down the other bakers’ throats. Their
cakes and pies, though technically flawless,
always seem to lack that je ne sais quoi
which marks out a real winner.
(2) The brilliant but erratic one (James).
This is usually a student or young
professional who filled out the entry
form as a bet when paralytically
drunk but turns out to be
brilliant. Rather than prepare
for each round they just throw
together as unlikely a combination
of ingredients as they can
think of, chuck the whole lot in
the oven, and then look gormlessly
surprised when Paul and Mary
fawn over their veal, passionfruit
and engine oil flavoured quiche.
Unlike (1) this contestant is hideously
unreliable and is usually the
one standing sheepishly behind
the table after the “technical challenge”
with a pool of curdled sick
where their Crème Caramel is supposed
to be.
(3) The clumsy one who comes through at
the end (John). This contestant goes unnoticed
for the first two-thirds of the competition;
indeed, the only reason anyone remembered
John was for the hilarious moment
where he managed to cut half his finger off
during pastry week and had to abandon his
blood-soaked strudel and go to hospital. But
as the contest progresses this contestant goes
on a ‘journey’ and ends up winning.
Sure enough, this week, Brendan’s hideously
cutesie heart-shaped monstrosity
was deemed good but not great by
the judges, James was having an off
day and baked five bulbous sponges
the texture of playdough, and John
sneakily carried off the prize with
his sinister Heaven vs Hell cake.
Despite its predictably, l
will miss sitting hungrily in
front of the TV on a Tuesday
night, watching Mary and
Paul’s good-cop/bad-cop
routine. I’ll even miss Mel
and Sue wandering round
the tent shovelling the
spare cupcakes into their
mouths, not to mention
the curious history lesson
that accompanies each episode,
where an aged ‘food historian’
(perhaps my dream job) takes
the viewer through the invention
of Eccles Cakes or Cornish
Pasties. I’m not looking forward
to the long and tortuous (or
torte-uous…) wait till next series.

GBBO‘s curious appeal lies in its predictability. As fans of the Bake Off (of whom I am among the most fervent) all know, the final three contestants always fit into three categories: (1) The clinically accurate and fiercely competitiveone (Brendan this year). This contestant has been waiting their entire life for this moment, and spent the six months prior to the contest locked in their kitchen frantically turning out batch after batch of macaroons.They put on a friendly face for but you can tell they’re dying to ram their sugar thermometer down the other bakers’ throats. Their cakes and pies, though technically flawless,always seem to lack that je ne sais quoi which marks out a real winner.

(2) The brilliant but erratic one (James).This is usually a student or young professional who filled out the entry form as a bet when paralytically drunk but turns out to be brilliant. Rather than prepare for each round they just throw together as unlikely a combination of ingredients as they can think of, chuck the whole lot in the oven, and then look gormlessly surprised when Paul and Mary fawn over their veal, passionfruit and engine oil flavoured quiche.Unlike (1) this contestant is hideously unreliable and is usually the one standing sheepishly behind the table after the “technical challenge”with a pool of curdled sick where their Crème Caramel is supposed to be.

(3) The clumsy one who comes through at the end (John). This contestant goes unnoticed for the first two-thirds of the competition; indeed, the only reason anyone remembered John was for the hilarious moment where he managed to cut half his finger off during pastry week and had to abandon his blood-soaked strudel and go to hospital. But as the contest progresses this contestant goes on a ‘journey’ and ends up winning. Sure enough, this week, Brendan’s hideously cutesie heart-shaped monstrosity was deemed good but not great by the judges, James was having an offday and baked five bulbous sponges the texture of playdough, and John sneakily carried off the prize with his sinister Heaven vs Hell cake.

Despite its predictability, l will miss sitting hungrily in front of the TV on a Tuesday night, watching Mary and Paul’s good-cop/bad-cop routine. I’ll even miss Mel and Sue wandering round the tent shovelling the spare cupcakes into their mouths, not to mention the curious history lesson that accompanies each episode, where an aged ‘food historian’ (perhaps my dream job) takes the viewer through the invention of Eccles Cakes or Cornish Pasties. I’m not looking forward to the long and tortuous (or torte-uous…) wait till next series.

What to watch this Autumn

0

If you’re feeling…

Jaded 

Skyfall

Bond is back and if you haven’t peed

yourself with excitement then there’s
something wrong with you. Daniel
Craig will return in order to face off
against Javier Bardem’s super villain.
Expect a sexy French femme fatale and
lots of men running around in neatly
tailored suits. Q is also returning in
the considerably sexier form of Ben
Whishaw (unless you had a thing for
John Cleese). If this isn’t the most fun
you have at the cinema this autumn,
I’ll eat a copy of The OxStu.
Girls
Lena Dunham’s groundbreaking sitcom
hits the UK this month and, if you
haven’t already illegally streamed it,
you’re in for a treat. Expect lots of conversations
on the loo and some mildly
paedophilic roleplaying. The series
peaks in the middle (especially when
you get the chance to see David Mamet’s
18-year-old daughter on crack) and the ending
is a tad disappointing, but, all things considered,
this is the best thing on TV this autumn
and you won’t regret watching it

 

Skyfall

Bond is back and if you haven’t peed yourself with excitement then there’s something wrong with you. Daniel Craig will return in order to face offagainst Javier Bardem’s super villain. Expect a sexy French femme fatale and lots of men running around in neatly tailored suits. Q is also returning in the considerably sexier form of Ben Whishaw (unless you had a thing for John Cleese). If this isn’t the most fun you have at the cinema this autumn, I’ll eat a copy of The OxStu.

Girls

Lena Dunham’s groundbreaking sitcom hits the UK this month and, if you haven’t already illegally streamed it, you’re in for a treat. Expect lots of conversations on the loo and some mildly paedophilic roleplaying. The series peaks in the middle (especially when you get the chance to see David Mamet’s18-year-old daughter on crack) and the ending is a tad disappointing, but, all things considered, this is the best thing on TV this autumn and you won’t regret watching it.

 

Serious

 

The Master

Paul Thomas Anderson’s follow-up to the classic There Will Be Blood sees Philip Seymour Hoffman playing a Ron Hubbardesque preacher who draws in Joaquin Phoenix’s impressionable and disturbed former soldier. This is going to be one of the big players in the awards season and you’ll seem incredibly culturally sophisticated if you try and seek out a cinema showing it in its preferred 70mm print. Make sure you’re in a mood where you’ll be tolerant to scientology parallels, otherwise you might find this exhausting.

Andrew Marr’s History of the World

Renowned broadcaster and philanderer Andrew Marr continues his epically self indulgent tour of world history which sees him standing on rocks, pontificating about global conflicts. If, for some reason, your degree isn’t boring enough, this should fill that void. And, if nothing else, it should help you realise that the documentaries section of iPlayer is probably not the place to spend your free time. 

 

Childish 

 

Madagascar 3: Europe’s Most Wanted

Yes, yes, we’re all far too old for these films, but with a Cannes première and pretty good reviews all round, this is probably the most socially acceptable cartoon you can watch this summer. Chris Rock, Ben Stiller, Jada Pinkett-Smith all return for another adventure where they take a whistle-stop tour through famous European landmarks. You’ll have to suspend your disbelief a little because, after all, these talking animals are definitely not from an EU member state.

Gossip Girl

There’s a new series of Gossip Girl, Upper Eastsiders, and we’re all secretly very, very excited about it. Rumour has it this will be the show’s last hurrah, so will the Blair/Chuck saga finally be solved? Will Serena stop being incredibly annoying now that she’s married to Ryan Reynolds? Will Dan finally have an interesting storyline? All this, and more, will be resolved over the next few weeks, so put your cynicism aside and get your Jimmy Choo’s on. XOXO. 

 

 

Stupid 

 

The Twilight Saga:Breaking Dawn Part Two

I am told that Part One of this book (so brilliant they had to cut it in two) was really gross, so who knows what sort of body horror will be in store for you in round two. At least we all know that this is the last time we’ll have to see this group of miserable, financially vampiric chunks of wood on the big screen and I think we’re all hoping that Robert Pattison and the wolf rip each other to pieces. The lines of screaming girls who’ll be at the cinema on opening night are inevitable.

Made in Chelsea

The Kensington set return for another season of irrelevant partner swapping and tedious conversations involving what happened on one of their insanely expensive holidays. If you want to watch an hour of over-privileged (and under-educated) twenty somethings jabbering on about the complexities of their vapid existences then you’ve probably got a copy of 50 Shades of Grey tucked away under your bed.

 

Review: Frankenweenie

0

In 1984 a young and largely unknown filmmaker named Tim Burton wrote and directed a 30 minute short film called Frankenweenie, which charted the adventures of a boy who set about using his knowledge of science to try and revive his dead dog. 28 years, 16 films and an Oscar award later, Burton has revived his premise once more in an animated adventure following the young, gifted Victor Frankenstein and his beloved dog Sparky.

The film follows the same plot line, with the misanthropic Victor (voiced by Charlie Tahan, I am Legend) spending his days making films starring his only friend, Sparky. You and I both know what happens to Sparky, and you’ll see it coming, but this makes the period from death to re-life no less heart wrenching (I freely admit feeling a lump in my throat more than once). However, this is merely one way in which you will emotionally connect with the film, with Victor’s social awkwardness being both instantly relatable and likeable, while every viewer will appreciate the love between a pet and its owner.

Living alongside our hero in his hometown of New Holland are a beautifully caricatured cast that could only have come from our Tim, with characters ranging from the wide eyed “Weird Girl” and her psychic cat, to the creepy and sinister Edgar “E” Gore. Particular kudos should also be given to Martin Landau for his voicing of Mr.Rzykruski, Victor’s eccentric science teacher, whose scene stealing voice ranges from quiet lecturing to a booming theatrical performance in the blink of an oversized eye.

Burton-holics should however be warned of the limited use of Winona Ryder, giving life to Victor’s next door neighbour Elsa Van Helsing. The film marks the end of a 21 year gap of the actor-director combo that proved so successful with the widely acclaimed Beetlejuice and Edward Scissorhands. However, this seems like a good move from Burton, who would have otherwise risked drawing too much attention from the Victor-Spike dynamic; besides, what scenes of Elsa that we are treated to are deliciously enjoyable, with her voice perfectly pitched for her dryly comic lines.

The film itself is genuinely funny: I caught myself with a smile on my face within the first few scenes of the film, and openly laughing at others: these largely involving the living and un-dead antics of Spike which make the character even more loveable than you’d have thought. Thrown in there are also a number of popular culture references for adults, and some classic gags you’re going to appreciate whatever your age. 

Just as with its predecessors The Nightmare before Christmas and The Corpse Bride, our animated trip into Burton’s mind is brought to life with spectacular visuals; this is only further enhanced by the use of 3D, which rather than being used as a gimmick is subtly understated, bringing an extra dimension (sorry) to Dutchtown and its inhabitants.

Final verdict: This is Burton at his best: dark, twisted and uniquely comic, you can’t help but watch his take on the Frankenstein legend with a smile (and occasional grimace) on your face.

Review: Ruby Sparks

0

Have you ever read a book and wished a character was real? Or perhaps written about a character in a story with an ardent desire that this figment of your imagination would materialise in front of you? No, me neither. However, this is the dilemma which main character Calvin Weir-Fields faces in this film about love, funny times and break ups. Let me elucidate further: Calvin is a writer and in the midst of a crisis of writer’s block he begins writing about a fictitious character he names Ruby. This is all very well and classic-post-break-up except this character actually materialises in Calvin’s house. She cooks, speaks French and sings exactly as he imagined. As Chris Messina’s character Harry marvels: ‘You manifested a woman, in your mind!’ This gives rise to some great comic moments including our slightly panic-stricken writer hiding under his desk believing he has finally lost it. Once he pulls himself together Calvin ventures out with Ruby only to discover ‘She’s real!’ and from here on in the story starts to unravel somewhat. The problem is Calvin actually manages to control Ruby through his writing which is clearly impossible, so maybe it’s Calvin’s imagination? Yes, but other people see Ruby as well so it’s not altogether clear whether we are witnessing a random post-break-up notion of Calvin’s creation or we are actually following true events.

Although the idea is a good one and definitely helps to explore the tricky subject of relationships and whether it is truly possible to find the ideal partner, there is a roughness to the storyline which leaves it short of a nice streamlined finish. But there is a sense with this movie that it is not designed to be perfect. The quirky edge to it brought in bucket-loads by the directors of Little Miss Sunshine helps to carry it off and the comedy value of the ridiculous turn of events makes it worth a watch. Paul Dano (There Will Be Blood, Looper) puts in a solid performance as the awkward genius Calvin and the often overlooked Zoe Kazan (In the Valley of Elah, Fracture) shows some depth in a role which could have evolved from quirky and intriguing into annoying and whiny and not forgetting that she penned the story her very self.

The thing that makes this film worth seeing isn’t the slightly holey storyline but the way Kazan has created a relationship which many people can identify with whether it be in the early stages where the couple do ‘crazy’ things like jumping in swimming pools or the ‘disillusionment phase’ where Calvin starts to ‘rewrite’ Ruby or facing up to the pain of the break-up and the realisation that it’s not meant to be. It’s this slightly different take on real-life relationships which marks this film apart from other rom-com failures. This movie may be a bit disappointing in the plotline department however, it’s funny and it’s interesting and for those who’ve experienced complicated break-ups it will definitely ‘spark’ some recognition. 

3 STARS

Pitt Rivers museum receives £1m grant

0

Oxford’s Pitt Rivers Museum has announced it is to receive a grant of £1,049,400 from the Heritage Lottery Fund. The money will go towards the museum’s new VERVE project, to begin in November of this year, The funding will be put towards a wide ranging programme of public events and workshops focused around the importance of design and craft skills in society and culture.

The VERVE project is the third phase of a redevelopment programme which started five years ago. Extension work in 2007 was followed in 2009 by work on the entrance to the museum, which was also funded by a grant from the Heritage Lottery Fund of just under £1million.

VERVE is intended to work with the newly developed facilities at the museum to fund redisplay of cases currently screened off, as well as a wide ranging programme of public events and workshops focussed around the importance of design and craft skills in society and culture. Contemporary craft-makers will educate visitors about the techniques and customs involved in the making of the artefacts they are looking at.

Stuart McLeod, Head of the Heritage Lottery Fund South East, said “By redisplaying 1,800 objects, conserving existing collections and introducing an exciting range of events and activities, the Pitt Rivers museum will continue to be a great addition to Oxford’s tourist offering.”

The Museum has seen visitor numbers continue to rise steadily in recent years, with 376,638 people coming to admire its collection in 2011-12, an increase of almost six percent on the previous year’s footfall.

The museum houses the archaeology and anthropology collections of the University of Oxford, and was founded in 1884 after General Pitt Rivers donated his collection of 20,000 artefacts to the University. Today it is home to more than 600,000 artefacts, and takes an active part in both teaching and research for the University.

It has become famous for its unique character and the unusual contents of the collections. It has won several awards in recent years including the Guardian’s ‘Family Friendly Museum 2005’ award, surely a novelty for a collection which famously houses shrunken human heads.

Kate White, Head of Public Relations for the museum, said, “It is a very significant sum allowing us to do work that would otherwise be very difficult to achieve on our core funding alone. The purpose of the project is not to increase numbers but to improve visitor experience and encourage a deeper understanding and appreciation of the collections.”

One student from Magdalen College, Hyunjip Kim, said on hearing of the grant, “I am delighted. Not only is the museum an important part of the University, but it is highly accessible for members of the public of all ages. It is a great place to visit and to learn.”

Bodleian Library publishes over 300,000 books online

0

The Bodleian Library has published over 300,000 rare books and manuscripts online, which are now fully available to the general public for the first time. Among the texts published online is the first edition of Jane Austen’s  Emma, the first 1729 English translation of Newton’s  Mathematical Principles of Natural Philosophy, and the first edition of Darwin’sOn the Origin of Species.

The Bodleian Library has published over 
300,000 rare books and manuscripts online, 
which are now fully available to the general 
public for the first time. 
Among the texts published online is the first 
edition of Jane Austen’s  Emma, the first 1729 
English translation of Newton’s  Mathematical 
Principles of Natural Philosophy, and the first edition of Darwin’s On the Origin of Species. 
The launch of the Bodleian Libraries’ collections is part of the Oxford-Google Digitisation 
project, established in 2004. It has reached a 
new milestone by making original texts from  
Oxford that are no longer covered by copyright 
accessible to a global audience. 
Oana Romocea, Communications Officer at 
the Bodleian, commented, “the project was initiated as part of the Bodleian Libraries’ wider 
aim to make its collections, books, ephemera 
and other material available in digital format 
which is part of our academic commitment 
and outreach activities. Digitisation offers new 
possibilities for scholarly research and teaching, as well as opening up the Bodleian collections to the general public.”
Until now, the majority of the Bodleian’s 
publications were only available in snippets 
through Google Books. Users of the library’s 
website are now able to download original versions of 335,000 books, which have also been 
added to the online catalogue of Oxfd’s collections at solo.boleian.ox.ac.uk. The digitised materials are in their original typescript and show 
the distinctive Bodleian Library stamp. 
Cameron Cook, a second-year studeornt at 
Lincoln College, said, “It is great to see the Bod 
adapting to an increasingly technological age, 
and making the essence of the manuscripts (i.e. 
the words) easily accessible.”
The programme led to the creation of copies of each book for both Google and Oxford, 
allowing public access to the Bodleian’s vast 
collections. 
Users from all over the world have already 
made around 60,000 downloads since the introductory launch in March this year. Amongst 
the top downloads were works  from the 1871-73 
collected works of Alfred Tennyson and Robert 
Louis Stevenson’s 1886 edition of  The Strange 
Case of Dr. Jekyll and Mr. Hyde. 
Along with the most downloaded were Victoria Queen of Great Britain, Leaves from the journal 
of our life in the Highlands from 1848 to 1861, and 
The life of His Royal Highness the Prince Consort 
1875-80 by Sir Theodore Martin. 
The majority of items published online were 
selected because they were out of print and difficult to obtain. Researchers who need to work 
with a particular copy of a text will now be able 
to access them directly through SOLO.

The launch of the Bodleian Libraries’ collections is part of the Oxford-Google Digitisation project, established in 2004. It has reached a new milestone by making original texts from  Oxford that are no longer covered by copyright accessible to a global audience.

Oana Romocea, Communications Officer at the Bodleian, commented, “the project was initiated as part of the Bodleian Libraries’ wider aim to make its collections, books, ephemera and other material available in digital format which is part of our academic commitment and outreach activities. Digitisation offers new possibilities for scholarly research and teaching, as well as opening up the Bodleian collections to the general public.”

Until now, the majority of the Bodleian’s publications were only available in snippets through Google Books. Users of the library’s website are now able to download original versions of 335,000 books, which have also been added to the online catalogue of Oxford’s collections at solo.boleian.ox.ac.uk. The digitised materials are in their original typescript and show the distinctive Bodleian Library stamp.

Cameron Cook, a second-year student at Lincoln College, said, “It is great to see the Bod adapting to an increasingly technological age, and making the essence of the manuscripts (i.e. the words) easily accessible.”

The programme led to the creation of copies of each book for both Google and Oxford, allowing public access to the Bodleian’s vast collections. Users from all over the world have already made around 60,000 downloads since the introductory launch in March this year

Amongst the top downloads were works  from the 1871-73 collected works of Alfred Tennyson and Robert Louis Stevenson’s 1886 edition of  The Strange Case of Dr. Jekyll and Mr. Hyde. Along with the most downloaded were Victoria Queen of Great Britain, Leaves from the journal of our life in the Highlands from 1848 to 1861, and The life of His Royal Highness the Prince Consort 1875-80 by Sir Theodore Martin.

The majority of items published online were selected because they were out of print and difficult to obtain. Researchers who need to work with a particular copy of a text will now be able to access them directly through SOLO. 

Sarah Thomas, head of the Bodleian Library said: “This collection of several hundred thousand digitised works provides a significant body of material that we can use to develop innovative systems and services.”

Two new cancer research centres to open in Oxford

0

 

George Osborne has announced that two new 
medical research centres focusing on developing treatments for cancer and other diseases 
are to open in Oxford. 
The University of Oxford will be part of a £32m 
consortium for a new centre which will analyse 
large medical data sets to improve treatments 
for sufferers.
The university will also be involved in a £138m 
unit for research targeted at patients who are 
in the early stages of cancer. Oxford University 
Hospitals NHS Trust will also be involved in the 
two projects.
Part of the funding will be provided by the UK 
Research Partnership Investment Fund as well 
as various industry and charity organisations 
which will also be contributing money for the 
project. Cancer Research UK is helping to fund 
the city’s £138m centre.
Dr Ian Foulkes, who is the executive director 
of research funding at Cancer Research UK, was 
enthusiastic about the project, telling Cherwell, 
“Cancer Research UK is delighted to support 
this ambitious research initiative in Oxford, 
which will bring together world-class scientists 
to help propel forward research into personalised cancer treatments.”
He hopes the centre will help build on recent 
advances in cancer research, explaining, “our 
understanding of the faults that drive many 
cancers has increased exponentially in recent 
years, opening the doors to powerful new treatments which target the specific faults within 
individual tumours.”
“This new centre will help ensure that patients can start benefitting from these advances 
as soon as possible.”
Professor Gillies McKenna of the Department 
of Oncology at Oxford University, who will lead 
the new centre outlined the stumbling blocks 
the researchers hope to overcome, commented, 
“Potential new cancer drugs have traditionally 
been first tried out in patients with end-stage 
disease and results are often disappointing.
 “We want instead to look at how new drug 
candidates might be combined with the latest 
surgery or radiotherapy techniques, still the 
mainstays of curative cancer treatment.
Nicola Blackwood, MP for Oxford West and 
Abingdon, indicated other advantages of the 
project, arguing that the centres will draw the 
“best and the brightest” researchers to the area.
In March 2011, Cancer Research UK opened 
up a building on Roosevelt Drive which serves 
as a link between the University of Oxford, Oxford Radcliffe Hospitals NHS Trust and Cancer 
Research UK. Last year the charity spent nearly 
£23m on research in Oxford.

George Osborne has announced that two new medical research centres focusing on developing treatments for cancer and other diseases are to open in Oxford. The University of Oxford will be part of a £32m consortium for a new centre which will analyse large medical data sets to improve treatments for sufferers. The University will also be involved in a £138m unit for research targeted at patients who are in the early stages of cancer. Oxford University Hospitals NHS Trust will also be involved in the two projects.

Part of the funding will be provided by the UK Research Partnership Investment Fund as well as various industry and charity organisations which will also be contributing money for the project. Cancer Research UK is helping to fund the city’s £138m centre.

Dr Ian Foulkes, who is the executive director of research funding at Cancer Research UK, was enthusiastic about the project, telling Cherwell, “Cancer Research UK is delighted to support this ambitious research initiative in Oxford, which will bring together world-class scientists to help propel forward research into personalised cancer treatments.”

He hopes the centre will help build on recent advances in cancer research, explaining, “our understanding of the faults that drive many cancers has increased exponentially in recent years, opening the doors to powerful new treatments which target the specific faults within individual tumours. This new centre will help ensure that patients can start benefitting from these advances as soon as possible.”

Professor Gillies McKenna of the Department of Oncology at Oxford University, who will lead the new centre outlined the stumbling blocks the researchers hope to overcome, commenting, “Potential new cancer drugs have traditionally been first tried out in patients with end-stage disease and results are often disappointing. We want instead to look at how new drug candidates might be combined with the latest surgery or radiotherapy techniques, still the mainstays of curative cancer treatment.’

Nicola Blackwood, MP for Oxford West and Abingdon, indicated other advantages of the project, arguing that the centres will draw the “best and the brightest” researchers to the area.In March 2011, Cancer Research UK opened up a building on Roosevelt Drive which serves as a link between the University of Oxford, Oxford Radcliffe Hospitals NHS Trust and Cancer Research UK. Last year the charity spent nearly £23m on research in Oxford.