Saturday, April 26, 2025
Blog Page 1619

Lied-ing Light

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Even in a city where famous musicians are frequent visitors, the Oxford Lieder Festival has managed to mark itself as an unmissable cultural event. For two weeks every October, singers from Dame Felicity Lott to Ian Partridge have been descending upon the dreaming spires, attracting enthusiastic audiences to intimate recitals.

Since its creation in 2002, the Festival has gone from strength to strength. “The festival didn’t have its roots in any master plan,” remembers Sholto Kynoch. “We put on some Schubert song recitals and someone had the idea of calling it the Lieder Festival, then it just spiralled from that.”

Since its inception, Sholto has played the role of the Festival’s artistic director. Not only does he liaise with artists, but can frequently be seen on the stage of the Holywell Music Room. He traces his love for art song back to the age of 16: “I heard a recording of Dietrich Fischer-Dieskau singing Schubert when I was about 16 and fell in love with it straight away.” It was a chance encounter with Opera North which sparked his passion for accompaniment, developed by his time as a student at Oxford (Sholto read Music at Worcester College).

Alongside the hallowed names of Sarah Connolly and Alice Coote to be seen at this year’s Festival, listeners can also tune into up-and-coming artists. The Young Artist Platform has turned out much talent, and last year’s winners will be featured in an evening recital this year. Sholto sees the awards given to these singers as a stepping stone to bigger things. “Since winning our award, they’ve all gone on to win prizes in other competitions and have been offered big roles in opera companies. They’re all doing extremely well. Many singers get swept up rather quickly in the musical world, but we’re making sure that they keep the art song angle in their career at the moment.”

The Festival has gradually expanded out of the concert hall and now encompasses all sorts of projects, but cites the workshops with primary school children as the most remarkable. “There are so many studies into the effect of music upon everybody, especially young people: the combination of words and music, the performance element and the knowledge that they’re being involved in such a big project has a big effect on them.” The Festival recently set up its own CD label, and has been recording the complete art songs of Hugo Wolf. “The last disc had 12 world premieres on it! We’ve got two concerts in this festival and four concerts next year still to record.”

Sholto attributes the success of the Festival to the size of Oxford. “Inevitably, not every resident of the city is interested or even knows about it, but you feel that there are people who are really excited while the festival is on.” Looking ahead, where does he see the festival progressing? “The Schubert festival [in 2014] is going to be a huge event! It’s certainly going to put us on the map in a level up from the one which we’re on at the minute. We’ll get attention from all over the world, not just from the UK. We have to consider the transition from a relatively informal gathering of committed people to a fully-fledged organisation. It’s exciting, but also very daunting! “

The Oxford Lieder Festival runs from 12th-27th October 2012.

Student Tickets at just £5 are available for every concert (on the door only, subject to availability). Students can also pick up a loyalty card and get every fourth concert free.

http://www.oxfordlieder.co.uk/

All Freshers to the Stage

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Rowan Atkinson’s done it, as has Hugh (Grant and Dancy). Beckinsale’s been there, Katherine Parkinson’s done that. Yes, as an academically focused university it’s fair to say we’ve done quite well on the producing famous actors front. I might even go so far as to say we’ve done incredibly well, perhaps even the best in the country – but I don’t want to sound big-headed. And it’s not just the people on stage we’ve reeled off at a furious rate; we’ve also tossed into the big wide world a number of notable guys and gals off-stage, too. Take Peter Brook or Alan Bennett for instance, or LMH progeny, Caryl Churchill.  But enough of the past, they’ve had more than their share on the student circuit. Now, Oxford Fresher, it’s your turn. Whether you’re a dab hand at directing – or you simply want to dabble in performing, whether you’d rather watch a piece of drama than be the damsel in distress, we’ve got your Stage needs covered.

The Clubs

O.U.D.S 

It stands for ‘Oxford University Dramatic Society,’ in case you’re wondering, and is the overarching drama society for the whole University, knitting together all the theatrical going-ons in Oxford. O.U.D.S differs to most universities in that it nourishes individual drama groups to produce their own plays, as well as putting on large-scale shows of its own-  keep a keen eye out for A View From the Bridge and Orphans. They’re going to be big, FYI.  O.U.D.S is the go-to place for funding, for information, for wardrobe and scripts. It’s even recently unveiled a brand new, shiny website just for you Freshers, where you can register and be placed on the mailing list. Exciting, huh.

T.A.F.F

We love our abbreviations, and here’s another one – ‘Tabs Are For Flying,’ existing solely as a stage, for, well, the back-stage crew. TAFF is a hub for all the aspiring theatre technicians of the University, offering support and training to lighting designers, sound checkers and production managers. It seeks to encourage a greater understanding of technical theatre and to practice a high degree of professionalism in a community often over-shadowed by those out of the shadows.

The Oxford Imps

If you’ve visited Oxford before, or even if you haven’t, chances are you already know about the Imps. These guys have been making Oxford a funnier (and in our opinion, better) place since their debut show in 2004 with their spluttering, side-clenching, improvised comedy. Performing weekly at the Wheatsheaf pub for a steal of £3.50, there really are no excuses not to see the Imps at least once during your Freshers year. But don’t stop there, if you have a funny bone that demands to be shared, the Oxford Imps are recruiting. Auditions are on the 10th October at Wadham, 6.30PM. Go on, we’re not pulling your leg.

Oxford Revue

It’s home to Oxford’s funniest sketch comedy group. They have gags the rest of us mere mortals of mediocre humour can only dream of. We’re talking side-splitting, barely-breathing, toilet-inducing, hysteria-producing comedy at its best, and at its worst, at least a stifled chortle. The Oxford Revue have regular shows throughout the year, and like the Imps, will add some much needed comedic relief to the inevitable essay crisis. Keep an eye out for auditions, we’ve heard from our inside sources (their website) that they’re recruiting soon.

The Venues

Oxford plays host to an array of performance areas, including Balliol’s Michael Pilch Studio, the Old Fire Station, the North Wall Arts Centre and more than we can possibly write down. Here’s a sneak peak at four well-used student spaces you will inevitably visit.  

Oxford Playhouse

Ok, so there’re rumours it’s owned by St. Johns, but in this day and age, who isn’t.  The Playhouse is the place to perform here in Oxford; it’s the venue where O.U.D.S repeatedly sells out their performances, and where Maggie Smith made her first public appearance (no pressure). On its 600 seater main stage, the theatre offers six performance slots to Oxford University students per academic year, where they receive the assistance of Playhouse staff in realizing their production. Nice.

Burton Taylor Studio

Named after that couple, ‘the BT’ is the rebellious baby sibling of the older, more respected Playhouse. A place for those plays too experimental, those crews too inexperienced or those budgets too small for any other venue. Everyone who’s anyone in Oxford drama had their debut here – and as a result, is host to some pieces of drama that are truly world class, and to many that are decidedly not. Although tucked away in the low key loft of the playhouse, on the bright side, its fifty seats won’t look that empty if its only your parents who turn up to see the opening night of your new one man show.

The Moser Theatre

It’s another one of those elusive student spaces, where half the fun in watching the play is in finding the place to actually watch the play. But don’t worry, once you’ve found the Moser you’re unlikely to lose it again, although no guarantee. This jazzy space is located underground, giving it an intimate, cosy feel as you gaze down from tiered seating onto the actors’ sweaty faces.  So it might take a bit of your day to find, but when you do find it you get the satisfaction of feeling like an intrepid explorer.

 Keble O’ Reilly

The O’Reilly is still a baby in relative terms to other Oxford theatres, and is consequently in demand for companies wanting to experience that new baby smell. Or, perhaps more likely, to utilise the extensive lighting and sound equipment it boasts. Exhibiting a varied and enriching programme, this is a space you will be sure to visit during your stay here, and, unlike many older student performance spaces, has the versatility to be end-on, traverse and even in the round. Crikey O’Reilly.

Cuppers

An intercollegiate drama festival you say? Organised by O.U.D.S? Exactly. Drama Cuppers is the chance for anyone with even a suggestion of theatrical inkling to get involved and do their college proud. It’s judged in front of a panel of independent judges and has the prospect of winning prizes but more importantly, college glory.  Taking place annually in Michaelmas, Cuppers offers Freshers the opportunity to gather a company and produce a 30 minute show. Aside from being a genuinely fun experience, the competition also acts as the starting point and pedestal to prove you have what it takes to be in University-wide productions.  

¡Vamos España!

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Zoom in on…paparazzi photographers

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How did you get into the industry?
I always wanted to be a photographer. I used to work in a portrait studio but it bored me so I just fell intothis and I love it now!

So would you recommend the job?
I would, a lot of people look down on it but they forget the celebs love the publicity – without it they wouldn’t have any promotion and they would be forgotten. But I would say it’s a hard industry to get into.

Is it very competitive?
I’m one of only three girls in the pap industry so it took a while to get the others to take me seriously at first.

Only three girls?
It’s very male-dominated! Now, they treat me like one of them though – everyone looks out for each other.

Sounds like a nice atmosphere to work in?
Well, you wait hours for celebrities to come out and the area can be filled with fans and paps so patience and position is key. When the celebrity comes out everyone’s on their own, it’s dog eat dog! There’s a lot of pushing and shoving so it’s a struggle to get a good shot, especially if they’re A-list or you know it will sell well.

How do you make a living from the photos?
I send them straight to my agency who do the selling for me. They take 40% but if it is a non-exclusive job it’s a race to send them to your agency as the first ones on the desk usually get picked.

What camera do you use?
I use a Nikon d700 with a 24-70mm lens for close up short and flash shots and a 70-200mm lens for when they’re far away but use longer lenses when I want to be discreet and you don’t want them to see you. What are the celebrities’ reaction to being photographed? Any enemies?
Not really! The TOWIE people text me if they want pictures – they’ll say “I’m going to this place today, come and take pictures!” But Ewan McGregor told me to leave him alone once even
though we were on long lens – not in his space at all.

What did he say?
He shouted “why are you taking my picture?”, and we said “but Ewan, you’re famous!” Then he drove off in a huff.

Despite run-ins with Ewan and other A-listers, Jaimie continues to enjoy her work in London, Essex and abroad.

Magdalen topples Merton in latest Norrington table

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Magdalen ranked 1st in the Norrington Table this year, whilst Merton, the previous holders of the top slot, fell to 14th place, ending a decade’s domination.

The table, which ranks colleges by allocating points for each degree class, has been published each year by the University since 2005. Before then graduate students unofficially compiled the list for The Times newspaper. Data Protection legislation in 2004 gave students the right to keep their degree class confidential, making public lists inaccurate. 
Brasenose joined Magdalen at the top of the table, continuing its impressive rise shooting up 12 places 22nd in 2010 to 10th last year. New college retained third place, the same rank as last year.
Oriel gained 18 ranks, while Keble continued its rise, reaching the top ten only two years after coming 28th. Other successful Colleges included St Catherine’s, Balliol and Lincoln, all at least 10 positions higher. 
This year’s table marks the first time in a decade that Merton are not among the top ten.
Recent graduate Alanna Cole-Baker commented, “At first I was a bit disappointed only getting a 2:1. But when I realised I had played a vital role in salvaging the reputation of my college – in ensuring the word “Merton” no longer conjures up images of twitchy people crying in libraries.
“And in guaranteeing that Mertonians of the future will be far more likely to get laid than we ever were I felt a great, glowing sense of pride. It’s just really nice to know you’ve been able to give something back.”
Chris McCabe, the Academic Affairs officer for Merton JCR was keen to downplay the significance of the change, “Life in Merton doesn’t revolve around the Norrington table. We play sport and go out as much as the next college.” He remained optimistic: “hopefully next year we will back on form.”
The table is not without opposition. In 1993  a Fellow of Merton, J. R. Lucas, condemned the rankings, “they divert attention from the valuable to the merely assessable.” 
The small sample size of the table has also led to criticism. The University notes that the rankings are of “limited statistical significance” because of the small number of students at each college.
Oxford statistician John Bithell found that older and wealthier colleges tend to do better academically, noting that each year at least 5 or 6 of the top colleges in the Norrington table will be from the top 10 wealthiest Colleges.
The ranking system receives as much attention as it receives criticism. Some applicants on popular forum thestudentroom.co.uk pour over the details of the table. One Balliol PPEist posted his analysis, “Given the pattern Balliol then Merton went through, I’m calling Magdalen having an absolute shocker in about 2015/2016.”

Magdalen ranked 1st in the Norrington Table this year, whilst Merton, the previous holders of the top slot, fell to 14th place, ending a decade’s domination.

The table, which ranks colleges by allocating points for each degree class, has been published each year by the University since 2005.

Before then graduate students unofficially compiled the list for The Times newspaper. Data Protection legislation in 2004 gave students the right to keep their degree class confidential, making public lists inaccurate.

Brasenose joined Magdalen at the top of the table, continuing its impressive rise shooting up 12 places 22nd in 2010 to 10th last year. New college retained third place, the same rank as last year.

Oriel gained 18 ranks, while Keble continued its rise, reaching the top ten only two years after coming 28th. Other successful Colleges included St Catherine’s, Balliol and Lincoln, all at least 10 positions higher. 

This year’s table marks the first time in a decade that Merton are not among the top ten.Recent graduate Alanna Cole-Baker commented, “At first I was a bit disappointed only getting a 2:1. But when I realised I had played a vital role in salvaging the reputation of my college – in ensuring the word “Merton” no longer conjures up images of twitchy people crying in libraries.

“And in guaranteeing that Mertonians of the future will be far more likely to get laid than we ever were I felt a great, glowing sense of pride. It’s just really nice to know you’ve been able to give something back.”

Chris McCabe, the Academic Affairs officer for Merton JCR was keen to downplay the significance of the change, “Life in Merton doesn’t revolve around the Norrington table. We play sport and go out as much as the next college.”

He remained optimistic: “hopefully next year we will back on form.”The table is not without opposition. In 1993  a Fellow of Merton, J. R. Lucas, condemned the rankings, “they divert attention from the valuable to the merely assessable.” 

The small sample size of the table has also led to criticism. The University notes that the rankings are of “limited statistical significance” because of the small number of students at each college.

Oxford statistician John Bithell found that older and wealthier colleges tend to do better academically, noting that each year at least 5 or 6 of the top colleges in the Norrington table will be from the top 10 wealthiest Colleges.

The ranking system receives as much attention as it receives criticism. Some applicants on popular forum thestudentroom.co.uk pour over the details of the table. One Balliol PPEist posted his analysis, “Given the pattern Balliol then Merton went through, I’m calling Magdalen having an absolute shocker in about 2015/2016.”

Tolkien fans gather for the 38th Oxonmoot festival

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The celebrated annual Oxonmoot festival was held at LMH last weekend. The event, now in its 38th incarnation, attracted over 200 guests from across the globe and was organised by the Tolkien Society to celebrate the Oxford Professor’s works.
The three-day event is traditionally held on the weekend that falls closest to September the 22nd, the joint birthday of Frodo and Bilbo Baggins. 
This year’s moot, which also commemorated the 75th anniversary of the publication of The Hobbit, featured a wide range of activities including discussions of the fantasy world, a themed quiz and an exhibition of fan art.
The weekend is more than a purely academic event. Helen Armstrong, Chairman of the Tolkien Association, said: “Oxonmoot has become a time of fellowship, with people often coming from overseas to meet people they rarely see, or brand new people who share their interests”.
Alongside the talks and exhibitions there was time for socialising in Oxford’s pubs and even a tongue in cheek theatrical homage to the mythical epic The Silmarillion which featured “a cast of thousands all played by four guys and two wigs, and even a penguin”.
A lot has changed since the event’s origins back in 1974. Oxonmoot started as a small meeting of friends in the Welsh Pony on George Street, a building currently occupied by Eurobar. The meeting was immediately successful, and quickly blossomed into an annual event attended by hundreds of people.
The city of Oxford is a fitting location for the celebration and, along with the university itself, played an important role in the development of Tolkien’s works. The academic spent almost his entire career at the university, writing fan favourites such as The Hobbit and The Lord of the Rings whilst lecturing as Professor of English Language and Literature at Merton College, where he worked until his retirement.
Armstrong argues that the backing he received from the Oxford academic community was crucial to the success of his books as “the fact that he had a great deal of support and encouragement from colleagues in Oxford, particularly CS Lewis, was very helpful to him.”
Tolkien elected to be buried in Oxford, and his grave in Wolvercote Cemetery is the scene of a pilgrimage at the end of Oxonmoot to pay respects to the author.
Joe Rolleston, a second year historian, was outraged at perceived favouritism towards the author, questioning “why don’t we have a Stephanie Meyer festival as well?”

The celebrated annual Oxonmoot festival was held at LMH last weekend. The event, now in its 38th incarnation, attracted over 200 guests from across the globe and was organised by the Tolkien Society to celebrate the Oxford Professor’s works.

The three-day event is traditionally held on the weekend that falls closest to September the 22nd, the joint birthday of Frodo and Bilbo Baggins. This year’s moot, which also commemorated the 75th anniversary of the publication of The Hobbit, featured a wide range of activities including discussions of the fantasy world, a themed quiz and an exhibition of fan art.The weekend is more than a purely academic event.

Helen Armstrong, Chairman of the Tolkien Association, said: “Oxonmoot has become a time of fellowship, with people often coming from overseas to meet people they rarely see, or brand new people who share their interests”.

Alongside the talks and exhibitions there was time for socialising in Oxford’s pubs and even a tongue in cheek theatrical homage to the mythical epic The Silmarillion which featured “a cast of thousands all played by four guys and two wigs, and even a penguin”.

A lot has changed since the event’s origins back in 1974. Oxonmoot started as a small meeting of friends in the Welsh Pony on George Street, a building currently occupied by Eurobar. The meeting was immediately successful, and quickly blossomed into an annual event attended by hundreds of people.

The city of Oxford is a fitting location for the celebration and, along with the university itself, played an important role in the development of Tolkien’s works. The academic spent almost his entire career at the university, writing fan favourites such as The Hobbit and The Lord of the Rings whilst lecturing as Professor of English Language and Literature at Merton College, where he worked until his retirement.

Armstrong argues that the backing he received from the Oxford academic community was crucial to the success of his books as “the fact that he had a great deal of support and encouragement from colleagues in Oxford, particularly CS Lewis, was very helpful to him.”

Tolkien elected to be buried in Oxford, and his grave in Wolvercote Cemetery is the scene of a pilgrimage at the end of Oxonmoot to pay respects to the author.

Joe Rolleston, a second year historian, was outraged at perceived favouritism towards the author, questioning “why don’t we have a Stephanie Meyer festival as well?”

College accommodation issues cause problems across Oxford

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Projects at Corpus Christi, Wadham and Pembroke have all caused unexpected delays forcing students to be moved elsewhere temporarily and forcing some colleges to slash rents by up to half.

In Wadham, building works, which are two weeks behind schedule, and fire safety problems have meant that seven students are unable to move into their rooms. Although no work has been done to those rooms, the construction of a new graduate centre is blocking access.

The college’s Accommodation Manager, Jo-Ann Wheble, told Cherwell, “We have seven students who we are temporarily accommodating in other staircases in the College because our new garden terrace, which also provides access to their allocated staircase, is not yet complete. We have communicated with the students about the issue prior to their arrival and anticipate that they will move into their allocated rooms within the next few weeks.”

In an email to the college, Wadham’s domestic bursar, Frances Lloyd, stated, “We recognize that the completion of the building work in the next few weeks will cause unavoidable disruption to students, as does all building work, and we encourage all those affected to make use of the college or other libraries during working hours.”

Charlie Davies, Housing Officer for Wadham Student Union, said, “Obviously for those seven students that have been moved it has been a problem.

“However, for the vast majority of students it isn’t really a problem. Building work is noisy, but it’s only going to be for a short period of time and fortunately it does not clash with any significant exams.”

At Pembroke, delays to the New Build, which incorporates the first intra-college bridge since Hertford’s Bridge of Sighs in 1913, have resulted in some students being moved to temporary accommodation. In an email to the college, Pembroke’s Bursar, John Church, noted, “Unfortunately, notwithstanding day and night working over the last three weeks, the contractor, Kingerlee, have not completed all the works within the agreed time scales.

“In view of this, and taking account of the need for ongoing work whilst students are in residence, it has been agreed that all rents in the New Build will be reduced by 50% from now until further notice.”

Laurence Hutton-Smith, a Maths student at Pembroke, commented, “When I arrived, my room still wasn’t entirely built, so I was moved into temporary accommodation also in the New Build. The room I’m in at the moment is very nice itself, but there’s clearly a lot left to be done. Even in the corridor I’ve been moved to other rooms are still being worked on, and construction work is loud and disruptive. I think people were generally quite shocked at just how much more needs to be done in certain areas. Despite this I am pleased by how college have handled the situation.”

At Corpus, some students who had planned to live in Kybald Twychen, a semi-detached house near to the college, have had to be moved to alternative rooms. The house, which is usually a popular choice due to its location across the road from Corpus’ main site, now has a hole in the roof and rotten beams. Due to safety concerns about the roof the college have moved students out.

Students who were intending to live there have either been offered private accommodation or half-price rent for accommodation on Banbury Road. On-site accommodation has been found for freshers. Repairs are due to be completed on Kybald Twychen after Michaelmas, when students will move back in.

Corpus accommodation officer Samuel Roberts told Cherwell, “One of the college’s oldest properties was found to be in danger of the roof collapsing. Quite correctly the college have decided to move everybody out of this building to conduct emergency repairs.”

“However, some students are having to move to Banbury Road, though they are being offered reduced rent for this inconvenience. In order to keep Freshers on site, some others have been shuffled around, though this affects only one undergraduate who has in fact received an en-suite room.” Corpus Christi College declined to comment on the current state of their accommodation.

St Aldate’s Tavern to reopen

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St Aldate’s Tavern, which has been closed since last year, has reopened after a £150,000 renovation project.

Located on St Aldate’s, the pub’s new atmosphere is described by owners as “shabby chic”. The venue has been renovated before, but Clive Watson, representing the tavern, said, “This refurbishment is different from others as we have focused on linking ourselves to the local community.”

However, Watson was keen to stress that the Tavern is “not a gastropub”, and that the “city tavern style” will be maintained.

One new customer described the Tavern as a “destination pub”, and the new interior as “cosy”. The pub is owned by Merton College. However, not all Mertonians were positive: one Merton undergraduate commented, “I’ve never even heard of St Aldate’s Tavern… I wouldn’t expect any one at Merton to have heard of it either.”

Residents renew objections to Port Meadow Development

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The construction by Oxford University of new four- and five-storey flats for graduate students
on land overlooking Port Meadow has met with fresh opposition.

Despite the council having received no objections in February when planning permission for the Castle Mill site was first sought, groups of residents and local organisations have expressed concern at what they fear will be “lasting damage” to famous views of the city.

“Suggestions that there was a lack of consultation over these buildings are unfair,” said a spokeswoman for the University. ‘The University consulted extensively about the Castle Mill accommodation plans with local councillors, local residents, the City and County councils, and allotment holders, through meetings, public events, display boards, plans and views.’

‘Outline planning approval already existed for a building on this site not much lower than the current buildings, and the University secured planning approval for this particular project through the usual rigorous processes.”

In a recent statement a spokeswoman for Oxford City Council mirrored the University’s comments, “When planning applications are submitted, there is a consultation period for the public to submit their objections. For this application no objections were received by the council raising concerns about the impact of the development on views from Port Meadow.”

However, Sir Fergus Millar, former Oxford University professor of ancient history, claimed, ‘Port Meadow has been preserved as public land for the people of Oxford for more than 1,000 years. Until recently it has been protected as open grazing land, which is not overlooked by large buildings, in which anyone can walk peacefully without their views being obstructed by obtrusive development. But now anyone walking on the meadow will see to the south four large blocks of five to six storeys under constructionIt is scandalous. Oxford University ought to be ashamed of itself.”

PPE finalists create revision musical

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Three PPEists are eschewing conventional methods of revision and choosing instead to sing about their studies. Brasenose third years Eylon Aslan-Levy and Tommy Peto, and Balliol student Ramin Sabi are in the process of preparing for their coming exams by writing a musical centred around their philosophy topics.

The comedy John Rawls’s A Theory of Justice: The Musical!, originally conceived as a joke, follows Professor John Rawls on an all-singing, all-dancing romp through 2,500 years of political philosophy. Eylon Levy described the production as “a light-hearted, tongue-in-cheek, camp and intellectually profound addition to the musical theatre canon”, as well as a primary source of revision for the three finalists.

Brasenose Political Theory tutor, Ian Carrol, argued that the musical will ensure academic success. He said, “While operetta may strike some as an unusual revision technique, recent Brasenose College Norrington success means that students at other colleges could be expected to follow suit as early as next year. A sequel, covering ‘Anarchy, State, and Utopia,’ would be particularly well received.”

Ramin Sabi said, “In terms of the time taken from our revision to work on this – you can’t put a price on fun! Except for certain failure in any collections that have no connection to political philosophy.” Tommy Peto expressed other concerns, adding, “I am worried that my street cred wouldn’t be able to handle it, particularly given it’s already at a low ebb.”

As what may be the world’s first feature-length musical about political philosophy, “John Rawls’s A Theory of Justice: The Musical!” tracks the journey of John Rawls as he travels back through time to converse (in song) with a selection of political philosophers, including Plato, Locke, Rousseau and Mill. However, the journey is not as smooth as he hoped: as he pursues his love interest, the beautiful student Fairness, through history, he must escape the evil designs of his libertarian arch-nemesis, Robert Nozick.

The ultimate question, answered through comic lyricism and wit, is whether Rawls will achieve his goal of defining Justice as Fairness.