Saturday, April 26, 2025
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Review: The Bourne Legacy

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If you haven’t seen the previous entries in the Bourne film series, don’t see The Bourne Legacy. If you have….

Well, don’t see The Bourne Legacy.

If you’re new to the franchise, well, suffice to say the film is pretty incomprehensible. Without a working knowledge of Treadstone et al, or at least an awareness of their existence, this film is a confusing mush of exposition and jargon. Even as a fan of the original series, I found it extremely hard to keep up, and newbies would find it hard to tell what was intended to be explained later in Legacy, and what we were assumed to know from previous films.

If you have seen the previous films, well, let’s just say that will negatively influence your opinion of Legacy .Unlike the frenetic earlier entries, this film takes a good half hour before a single frame of action occurs (save some mountain climbing), and seems full of missed opportunities. Once it does get underway, it’s a reasonably enjoyable romp, but nothing special; Taylor Lautner’s Abduction is more innovative. In particular, it’s depressing how these sort of films now seem obliged to include some kind of ‘par kour on corrugated rooftops’ sequence, even after it was so superbly parodied in Johnny English: Reborn.

As the film reaches its conclusion, the plot fizzles out; the super-bad amoral agent sent to attack our heroes is kicked off his bike by Rachel Weisz, denying the audience the super-assassin fistfight that would have been a great setpiece. So much is unresolved; Jeremy Renner never confronts (or even meets) Edward Norton’s antagonist, and the implied past between them is not expanded upon. Just as things seem to be approaching an exciting climax, the film ends without any cathartic release. Weisz and Renner have just outrun their CIA overlords for the time being, but seem to be treating it as a fun holiday. No doubt this is to leave plans open for a sequel, but it felt more like someone just got bored writing the script and went home. Can’t blame them, really.

So, to sum up; if you like the Bourne films, this is disappointing. If you don’t know them, it’s unforgiving. But that’s not to say that this film’s for nobody; I’m not that harsh. If you actively dislike the Bourne franchise, and wish to masochistically attack your own memories of it, then, well this is the film for you. Five stars.

For everybody else, though…

1 AND A HALF STARS

Review: Asylum of the Daleks

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I was pretty excited for this run of Doctor Who, I have to admit. I’ve been a big fan since it was rebooted in 2005, and though I’m not crazy about how the last couple of seasons have been spread out over the year, the promise of ‘blockbuster-style’ episodes promised an interesting and fresh new take on the Who format. My appetite whetted with the mini-episode preview that showed companions Amy and Rory in dire relationship straits, I tuned in with great anticipation.

And I was disappointed.

I should have seen some of this coming; I had been vaguely conscious of the fact that, despite the ‘blockbuster’ style of these episodes, they would still only be 45 minutes. Something would have to be lost in the crush of content, and unfortunately it was any semblance of buildup or development. The characters were shunted off onto their adventure without so much as a by-your-leave, and before you know it they were struggling to survive on a planet filled with insane Daleks. Amy and Rory’s estrangement was also dealt with in an unsatisfying, brusque fashion which undermined any emotional impact their separation might otherwise have had, ignoring the issues behind it. After such a long absence from our screens, the rushed exposition and plot leaps felt a little jarring, and once on the planet the admittedly cool premise wasn’t played around with too much. Promo images promised multiple generations of Daleks, but really there were just one or two of the recent copper-style with the same old schtick.

The inclusion of these ‘copper’ Daleks is itself a point of contention,; a couple of years ago, the series made a big deal, and a whole episode around remodelling the Daleks into larger, more colourful interpretations, to some derision from the viewers. This reaction seems to have had an effect, as for the most part the new design has been shelved, with no explanation. This may just be nerd rage, but it really bothers me; even outside of the Daleks, this episode was full of continuity problems, to the point where it detracted from the enjoyment of watching the show.

And then there was Oswyn.

It had been widely reported for the last few months that Karen Gillan and Arthur Darvill were on their way out, with a new companion for Matt Smith’s Doctor arriving at Christmas in the form of Jenna-Louise Colman. Well, in an unexpected curveball from showrunner Steven Moffat, she’s here early; and is a Dalek. Cool, if not entirely unexpected twist; but my god if she wasn’t annoying, full of mind- gratingly ‘zingy’ back-and-forth with the Doctor. It’s a style that Alex Kingston’s River Song makes seem mysterious and sexy, but from Coleman just felt like a 15-year old flirting on Bebo. Here’s hoping she tones it down when her somehow un-dalekked self returns.

Maybe my expectations were a little too high, but this was, in my opinion, a rare miss-step from Steven Moffat on writing duties. There was still a lot to love- zombie Daleks, some fun playing around with catchphrases and game-changing events that will presumably have a big impact on the future – but really, I hope the rest of this series can deliver where this episode failed.

(Though the child in me finds it impossible to be cynical or unexcited about an episode called Dinosaurs on a Spaceship.)

2 STARS

Britain, Great?

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This summer has been characterised by big ceremony, applause and cheers in the name of team GB. Many go further to say it is a moment they are proud to be British. Of course, it doesn’t take too much stretching of the imagination to think of something positive about the UK, and frankly, to feel a sense of relief that we’re lucky to be living here. If we are to dwell on the problems and turmoil that faces other parts of the world we always have the option of diverting our attention to the Jeremy Kyle show and considering more domestic issues. Enjoying the Olympics and Paralympics being in London, with the historic ties the nation has to sport, is inspiring. We are happy to live in and to be part of a tolerant, comfortable society.

How about a sense of pride? The adjective ‘great’ has become a tagline, branding our nation’s latest poster campaign. This has struck me as a slightly different sentiment to other national tourist campaigns I have seen. It seems to be implying ours is an exceptional nation, a cut above the others. A Great Britain, as opposed to a humble, plain old Britain. When we think about it, how many nations have that kind of adjective included in their name? The United Kingdom of Great Britain and (plain) Northern Ireland. Is what is implied true? And, if so, where do we see this greatness as originating from?

For some, British pride is narrowly distinguished from a smugness embedded in our culture that neglects shame that ought to be expressed over colonialism. Last week a highly cogent point was raised by Independent Columnist Owen Jones, in response to Foreign Secretary Iain Duncan Smith’s claim that it is time to move on from feeling guilty over Britain’s colonial past. With dark cynicism, Owen Jones writes, ‘Remember all that national soul-searching and self-flagellation over Empire and all the horrors committed in its name? No, me neither.’ The bizarre and chilling fact is that in wider popular culture, and in my time studying history throughout school, the impact of Empire on the British colonies has rarely been a point of discussion, bar one mentioning of Indian contingents who fought and died as part of the Empire during World War One. It was my own background as a British Asian, and my interest in history more broadly, that lead me to look beyond the my teaching at school. The syllabus was composed of the following: the Tudor dynasty, the campaign for female suffrage, World War 1 and World War 2. Of other countries I learned about the powerful ones: America in the Cold War, Nazi Germany, the Russian Revolution and the Civil Rights Movement. I really got a sense of the might of Western powers and their complex relations and was inspired by stories of the courage and determination of ordinary British women and black Americans fighting for rights. Like a well-written story, whatever the strife, order was eventually restored to a reasonably happy ending. Other than the Holocaust, I cannot recall anything establishing a sense of guilt: only victory was the focus.

At university level, if you chose to, you could look into the massacre, famine, disease and cultural suppression that scarred so many native peoples as a result of British colonial activity. Take America, whose story did not begin in 1492 with Columbus, but far earlier than that, perhaps 12000 BC. Sixteenth century Europeans seeking to claim the West coast was not a mere conquest of uninhabited lands, ripe for the taking. Native tribes inhabited them, with their own customs and ways of living. The British, and of course the Dutch, Spanish, French and other European powers would permanently make their mark on Native American peoples through conflict and spreading disease (sometimes with deliberate intent) that would eradicate thousands. And India provided another source of plenty. Slave labour and the transatlantic slave trade, whether or not we can deem these British inventions, played a major role in propelling Britain to its great heights and making our nation very rich. And the fact that Britain abolished slavery first, an argument sometimes used to make our involvement more palatable, cannot be said to undo history.

To start again or say we’ve moved on would only be possible in a world where all peoples have a fair and equal platform upon which to be judged, something Utopian that is not even achieved in the Olympics, owing to the various circumstances of nations and their funding of sport. Britain was innovative yes, but its success had much to do with its possession of an Empire. We are products of the Empire’s political and economic activity, which also had a tremendous cultural legacy: world business is conducted in the English language, not because it was agreed to be easy or better to do so for everyone, but because of cultural imperialism. The balance of power and the relative distribution of wealth in the world owe a lot to the age of Empire. And the dislocation of so many peoples, and their sense of loss at the hands of British rule cannot be denied. 

The world has new standards agreed upon now, and growing up after decolonisation it is hard to imagine the brutality of the recent past, nor the scale of the British Empire as the largest in history. This should not prevent us from thinking about its impact as the less we do, the more we may hide under a veil of greatness, a highly unthinking, undemocratic stance that does not bode well for future progress. Britain created some horrible history, but if we are as progressive and great as we’d like to think, ought we as a nation to acknowledge the very nature of the past upon which the present is built, warts and all?  

Land of the Rising Sun

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For more tales from the Land of the Rising Sun, read the travel blog here
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Brits abroad in Marseille

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It was Friday evening and we were jumping in the air for joy at the prospect of a mini-break to Marseille. Though not originally on the agenda, the subsequent heart-wrenching sprint across Paris to catch our train, motivated by the potential loss of hundreds of euros, was an inevitability considering I’d been the one to organise the trip.

Apparently checking out old Myspace profiles isn’t entirely worth a near-on heart attack and the mowing down of old women in metro stations (the inevitable result of being late, and therefore of my life). And the sight of three youths darting in and out of poor passers-by simply minding their own business, in zig-zag shapes that would confuse even the wisest of bears, is likely to cause more than a few judgmental stares – ones that I could only describe as quintessentially French.

Finally on the train with an impressive ten minutes to spare, we braced ourselves for a whirlwind weekend away. A thirty minute delay seemed like a blessing when we discovered the train before ours took a total of nine hours to reach the city (somehow we managed to overtake it and arrive five hours before – disinclined to attempt to understand how that occurred, I merely accepted it with a pinch of slightly malicious joy).

One jolly taxi driver later and we arrived at our hotel, head full of dreams and premature remarks on the friendliness of the Marseille people. Our arrival was surprisingly smooth and, other than a minor revelation that our two days were to be filled with gale-force winds and a fair amount of lightning, all was good in the Marseille hood.

Bright and early the next morning, we went gallivanting around the city coined ‘ville poubelle’ (‘rubbish town’). No poubelle in sight, however. And guess what? No lightning either. Maybe it was going to be the weekend we’d been dreaming of.

We hit the beach and took a dip in the water, whose splendorous colour concealed, I was aware, sub-zero temperatures that were more than likely to cause a severe case of hypothermia. Nevertheless, anyone worth their (sea-)salt was going to give it a go. Brits abroad strike 1. Roll on six hours alternating between relaxation and exhilaration at near-death-due-to-drowning/freezing experiences, and we finally took a fateful glance at our ordinarily pasty British skin. A lobster transformation had occurred. Brits abroad strike 2.

But our traffic-light redness didn’t get our spirits down, and we returned to our pad to prepare for what we were sure was to be a wild night out in ‘rubbish town’. I’m aware of the paradox, but we took mindless faith in this belief regardless.

A bottle of vodka later and we decided it was time to hit the town. But trouble hit us as equally hard as we were prepared to hit that town when our ever-so-slightly inebriated friend, suddenly fluent in Spanish, began rambling on for around 30 minutes about shoes. To my deaf-to-Spanish ears I gathered none of this and assumed she was talking about something far more a) relevant and b) exciting, but an enquiry the next day revealed the shocking truth.

An hour later and we were out of the metro and into the open air of the south and of safety, or so we believed. We were, in fact, accosted on three occasions by scary-looking passers-by on the prowl for ‘un roulé’, the essence of which was only established after we innocently asked for a synonym. They were looking for weed, and we were asking for an alternative term to express their desires. I think they gathered we didn’t have any.

Roll on half an hour and I found myself locked in a very small toilet cubicle, closing my eyes to replace the sight of my friend being sick by the highly appealing sounds accompanying it. Brits abroad strike 3. After thirty minutes in my equivalent to Orwell’s room 101, a burly French bloke began thudding on the door, and I started to have a sickening fear he was going to punch a hole through the door, through my head and into the unfortunate friend, still retching over the toilet. So I opened it. Speaking to me as if I were a naughty school-child who’d forgotten to tie my laces, he firmly told me and my friend to vacate the room. Unfortunately his choice of wording was not quite so polite. So, spouting out insults more times than my friend had spouted out the contents of her stomach, I succeeded in (justifiably) disciplining a (very rude) forty-year old man, all in French, more successfully than I’d ever disciplined my fourteen year-old students during my stint as a language assistant. Now there’s a sign of language improvement, and I’m sure my tutors will be more than proud.

All in all, ‘rubbish town’ was a lot less rubbish than it’s reputed to be, and, despite the blips, I had a great weekend away. Several near-death experiences taught me to value my life. But has the near-on heart attack encouraged me to stop being late? Well, since it’s proved excellent training for the obviously inevitable moment when I’ll have to run away from a bear (and that will involve speed, stress and a whole lot of zig-zagging.), I’m inclined to say no.

Fake sofas and subfusc chic: the Oxford brand

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On my first, overwhelming day at Oxford, while I was busy quivering behind a JCR pool table and clutching my ‘welfare goody-bag’, I remember drifting into an awkward conversation with a third-year physicist. ‘You,’ he declared pitilessly, ‘are a fresher.’ We surveyed each other in the breathless pause. ‘And I,’ he continued, ‘am a third-year physicist.’ A hand appeared, so I shook it. ‘What can I tell you?’

Oxford is, by legend, an odd place, brimming with endearing foibles and weighty solemnity, haughty egos and quiet modesty, and all sorts of thoroughly unfathomable contradictions. You could plough through the night analysing Nietzsche or Baudelaire, and finish just in time to submit your favourite reptile in a tortoise race. It is, to be frank, unusual. Survival prospects were looking bleak. So I mumbled the obvious question.

My first few weeks?’ he boomed, ‘What were they like?’ He rubbed his stubble pensively, and seized the lemonade. ‘Well,’ he said, ‘I couldn’t shake off the sense I was living in a theme park.’

Two years later, I confess, neither can I.

Oxford tweets, has a Facebook page, and runs bustling shops (in various continents) spewing all kinds of improbable paraphernalia (including, surprisingly, a plastic dinosaur, fake gargoyles, and model dons for hanging on Christmas trees). You can barely move for tour guides, and the dreaded walk to exams involves hordes of camera-wielding coach-loads angling for snaps of the subfusc. The current batch of wide-eyed tourists is apparently absorbed in their iPhones, busy stroking their screens to enjoy ‘the Oxford app’. On it you’ll find out ‘where Harry has dinner’ and ‘swots for exams’. Lucky you.

Oxford Limited, the university’s commercial workhorse, supposedly don’t mind playing to this slightly cheesy, Potter-esque fantasy. Their website is a candid, if rather saccharine, eulogy to Oxford’s money-spinning potential. Intriguingly, the company’s last high-profile offering was an Oxford University furniture range, complete with replica “tutor’s chair”, “Senior Common Room sofa”, and something that hasn’t escaped notice as a suspiciously Hogwarts-ish table. But rest assured; apparently – in the immortal words of the furniture line’s manufacturer published in The Telegraph – they are “really, really authentic”.

Ok. I can hear the sceptics. Are a few lovable gargoyles and make-believe sofas really so terrible? What does it matter if the university sells some branded trash? Quite frankly, who cares?

Er, I do – a bit. And I’m not alone. More than a few incredulous academics have already started to reach for the panic button, hurling phrases around involving various arrangements of the words “vulgar”, “inappropriate”, and “meretricious”. There is something rather weird about savouring Oxford’s sports victories as “licensing opportunities”, just as it’s slightly surreal to find that people are dressing their (presumably precocious) newborns in University of Oxford branded baby-grows and bibs (no really, they are).

This is, of course, all a bit silly. But it’s also, in an odd way, vaguely disappointing. It panders to a depressing sort of commercialisation, a general cheapening of Oxford’s status from an academic institution to a theme park. In the mercenary terms of Oxford’s PR strategies, it yearns to recast the university’s identity as a “brand”, apparently to be remoulded “into a powerful consumer proposition” according to their website. It is, of course, a brutal irony that trying to market “values” and “heritage” is an excellent way to debase them.

I might be over-playing my hand: things clearly aren’t quite as apocalyptic as they sound. Oxford is still an institution with something resembling integrity. But I get the nagging feeling that we should sit up, smell the coffee, and listen to the prophetic voices of third-year physicists – before, drowning under a desperate flood of trademarked Harry Potter dolls, it’s simply too late.

Magdalen expands library onto old quad

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Magdalen College is set to start building works in order to extend its library on to one of its oldest quads.

The library extensions will be set in a sunken landscape garden to be built in Longwall Quad and will also see the construction of a new cycle parking area. The works will also include the restoration of other parts of Longwall Street. Enabling works are set to take place over the next four months, which include site investigations and the removal of two birch trees and the lawn.

The approval for planning permission was granted despite fears from the Victorian Group of the Oxfordshire Architectural and Historical Society that the new works would “obliterate an important phase in the building’s history.”

One of the conditions attached to the planning permission is that a full archaeological survey of the site be taken before building begins. Charles King, the Investment Bursar at Magdalen College, explained, “We will not know what sort of artifacts we will find until we start work…but any artifacts found in these circumstances usually go to the Oxford Archaeological Museum.”

Previous archaeological investigations found medieval remains in and around the quad.

The new plans have been met with mixed reaction from Magdalen students. First year biologist Peter Gleeson told Cherwell, “Longwall Quad is one of the nicest quads in Oxford, it would be a shame to remove its quaint charm with what isn’t a particularly attractive building.” He added, “Having seen the artist’s impressions, I will admit it could be a lot worse, but it is far from the ideal solution.”

First year chemist Alasdair Griffet said, “I personally think the designs are awful and Willy Waynflete would turn in his grave. We should just build another tower and put a library in that.’

However, Alice Ahearn was more positive, saying, “I obviously think it’s sad about the silver birches and the lawn, but in the end if they need more space for the books I think function has to come first – and grass grows back fairly quickly.’

However, despite some negative views about the building works, Mr Young informed Cherwell, “Far more people have been encouraging, saying that it is an interesting and creative design.”

Fashion’s Guide to Sportswear

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Remember those hideous uniforms and wellies that the Czech Republic team donned during the Opening Ceremony of the Summer Olympics? You know, the ones that made them look like they were moonlighting as flight attendants that mistakenly wandered onto the set of Singin’ In the Rain? Yes, of course you do, you were watching, and judging, and most likely cringing right along with me. The parade of muscles, spandex, and gold lamé (really, Stella?) was one of many events this summer that illuminated the deeply rooted relationship between sport and fashion.

Although most Oxford students aren’t Olympians, there are definitely ways that we can all incorporate a bit of style into our sportswear. 

Boxing

It’s one of my favorite things to do, and therefore under the guise of going in an alphabetical order, it’s the first sport on the list. Boxing is one of the best sports to incorporate style into, in the ring and in your gear. Let’s start with the basics: bright colors and lots of them! Ever needed the excuse to wear that neon green shirt you have? Here’s your chance: boxers wearing bright, noticeable colors have been scientifically proven to be more likely win matches (and style points, in my book at least). Pairing bright, attention grabbing colors and neutrals like black or white will give you the perfect combination of personality and functionality, and boost your mood and performance along the way.

Next step: hand wraps. Although your trainer or sparring partner will most likely never see this part of your kit, (as your wraps will be hidden well inside your boxing gloves) they are the closest thing to accessories in boxing. Varying in length and design, wraps also come in a myriad of colors that can be selected to highlight the colors of your gear. Don’t be afraid to match the colors of the wraps with that neon green shirt, or the blue lining of your shoes. This might sound silly now, but when you look in the mirror right before your workout and see those matching elements, you’ll feel as if you’re in a Nike ad right up there with Muhammad Ali.

Cycling

Watching the Tour de France is mandatory in my family. For 23 days in the month of July, everyone in my family knows not to touch the remote control, record anything that might clog up the DVR, or tell my dad who won one of the stages. I have seen more sweaty, spandex-clad men fighting to wear polka dots, rainbow (worn by the world champion) and yellow than a gay man in San Francisco. Needless to say, I have many suggestions regarding sportswear worn by cyclists.

First of all, keep the bike shorts. Yes, they leave nothing to the imagination (especially the white ones), yes, they are tight and make your butt look a little weird, but, boy, do they make you look like a superhero. The jerseys though, are another story. Stick to solid colors, and unless you are Lance Armstrong or Bradley Wiggins, don’t wear the yellow Tour de France jersey stamped with sponsors you don’t have and carrying a legacy you haven’t earned. Never ever tuck your jersey into your shorts. Always wear a helmet. And finally, never wear arm warmers with a sleeveless jersey. Seriously, where does one even buy an ‘arm warmer’?!

Riding

Just go with Ralph Lauren. If you can afford to own, board, and feed a horse, surely you can afford those really nice leader riding boots and polos that Ralph Lauren has to offer. Hermes was founded as a company catering to equestrians, so you can splurge on that Hermes saddle, and those bits and polo wraps. Maybe this is the little girl in me, but braiding the horse’s mane also seems like a good idea.

Running

Investing in a great pair of compression pants or shorts will not only allow you to show off those toned legs, but also increase your performance and prevent injuries. Shoes are also an integral part of running gear, and any track star will tell you that the best way to incorporate personal style into a uniform is through wearing bright, colorful shoes. Look into shoes that are not only attention grabbing, but also those that can help you track and quantify your workout. Nike+ gear has sensors in their running shoes that connect wirelessly to your phone and provide performance feedback. This will pretty much replace your workout buddy or trainer, as Nike+ technology will track how fast, hard, and how long you run while motivating you along the way. Sportswear is also one of the best places to incorporate the neon trend into. Wearing a neon shirt or running jacket will add some style and also allow added visibility at night. Running allows great flexibility in your choice of gear and clothing. Since all you need is a good pair of shoes, everything else is up to you!

Rugby

It’s the quintessential British sport, and from my (American) perspective, one with the highest proportion of attractive men. If you play rugby, some stereotypes are automatically imprinted on you, and I say, take advantage of the ones relating to fashion. The iconic rugby jersey, with the distinctive collar and striped design, has become a fashion item in its own right. Wear the shirt, but please refrain from popping the collar.

Rowing

It’s early, you are tired, and you have practice in 30 minutes. Don’t worry too much about what to wear, just keep warm and do whatever it takes to get ready for this socially acceptable form of masochism some call a sport.

Tennis

While the typical all-white tennis outfits can be a bit of a bore, the real problem with tennis is the fact that you can never keep track of your balls. I have the perfect solution: Penn offers tennis balls in all colors and designs, ranging from baby pink (if that’s your thing) to blue and black. If your tennis skills are as great as mine (around the skill level of a 4 year old), then all the players around you will take notice, since your bright tennis balls will be flying all over their courts. It terms of sportswear, here’s where Stella McCartney redeems herself. Stella’s line of sportswear for Adidas features numerous lingerie-inspired tennis dresses and separates that perfectly combine function and style. 

Yoga

As someone who’s not a big fan of yoga, because it’s really, really boring, I am no expert on real yoga style. However, I have attended an American high school, and have often seen (and worn) yoga clothes in class. Yoga pants are comfortable, more-or-less flattering, and very functional, and they can transition easily from working out to going to Starbucks and grabbing a coffee.

With the opening of the first Victoria’s Secret store in London this summer, I say, go for it! Jump on the bandwagon and get a pair of VS PINK yoga pants or (my personal favorite) yoga crop leggings. Stick to clean lines, and avoid wearing loud prints and colors, as they will be distracting to you and those around you as they try to ‘centre’ themselves. And here’s my last tip (which comes from personal experience): avoid wearing loose fitting tops while doing yoga, because in the middle of doing the Downward Facing Dog pose, the shirt will slip off and leave you in only a sports bra.

Now, perhaps my suggestions won’t elevate you to the performance level of Olympic athletes, but I’m sure they will score you some style points!

(Special thanks to Rachel Imhoff for insight and editing)

Review: The Vaccines – Come of Age

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As someone who is not ashamed to confess to daily gazing with adoration at a poster of a leather clad Justin Young et al, it pains me to say it. It really does. But The Vaccines’ eagerly anticipated follow-up album Come of Age is shit. Admittedly not a purge-it-from-your-Spotify shitness, but suffice to say, it’s not great.

Inevitably it was going to be some feat to live up to the band’s chart-smashing 2011 debut What Did You Expect From The Vaccines? but after Come of Age we’re going to expect a hell of lot less from this west London indie foursome. The riotous vocals and uproariously catchy harmonies in ‘If You Wanna’ and ‘Wreckin’ Bar (Ra-Ra-Ra)’, with their evocation of teenage rebellion and rockabilly tumult are long gone.  Because the Vaccines have grown up you see; They’ve ‘Come of Age’. Yeah deep.

 In ‘Teenage Icon’, Young bemoans ‘I’m no teenage icon…I’m nobody’s hero’. Well, quite. The lowest point though, comes from ‘Weirdo’ with its doleful refrain ‘I don’t want to let it go/ You know I’m not a weirdo’, which after three minutes contrives to make one yearn for the musical equivalent of a restraining order. Always in danger of sounding like a pastiche of a middle-class indie boy band, The Vaccines’ flirtation with parody was a strong component in their meteoric and well deserved rise to official harbingers of cool. In a recent interview with the Guardian, Young declared confidently ‘It scares me how easy I find songwriting’. Yeah? Well this really isn’t a surprise with lyrics such as ‘I’m so self-obsessed/I don’t really care about anyone else when I haven’t got my own life figured out’.

 But that’s not to say glimmers of the band we know and esteem are uniformly absent. The dark, louche crooning in ‘I wish I was a Girl’ sounds gloriously Black Keys-ian while ‘Change of Heart’ has an anthemic, endorphin-pumping velocity reminiscent of ‘Norgaard’. But the gothic-tinged ‘Ghost Town’ with it’s sharp staccato beat and surging hook-lines is the glistening gem in this generally mediocre album.

 Ultimately while Come of Age might signify a volte-face album for The Vaccines, it lacks the coherency and dynamism of their debut. The band’s characteristic chutzpah is still there, albeit underneath the affectation, but the overall effect feels hubristic and static. The Vaccines, Come of Age? Not likely.

 

THREE STARS  

 

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Travel blog: Fringe benefits

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In many ways, the Edinburgh Fringe is like life. There’s so much to do that it’s impossible to do it all; the choices you do make are often wrong, and at the end of your time it’s hard not to look back with some regret over opportunities missed. You can never see everything, and sometimes it’s easy to regret what you didn’t see more than enjoy what you did. Equally, everyone’s experience is different; people are interested in different things, and have different ideas of how they should watch things. Hence why this piece, based on my experiences, is biased towards comedy.

Also like life, accepting deals from strangers will lead you to be locked in unfamiliar cellars with dangerous lunatics, albeit those with BAs in Drama.

Amid rumblings of encroaching commercialism, decreased ticket sales and the competition with the Olympics, this year the Fringe didn’t start off on the best foot. However, for me at least, this year was actually a great one for the festival, and one that indicated something of a paradigm shift in live comedy.

On the heels of the strong showing from British women in the Olympics, it was a particularly fertile Fringe for women this year; Nina Conti’s ventriloquist act was in high demand at the box office, and for comics like Susan Calman the high demand for tickets demonstrates a change in the ludicrous but pervasive attitude nurtured by panel shows like Mock the Week that ‘women aren’t funny’. The Funny Women competition at the Assembly also yielded some choice acts, including winner Lara A King, whose show People-Pleaser was inventive, intimate and filthy. A significant milestone this year was the Foster’s Edinburgh Comedy award (formerly the Perrier) shortlist, which featured the highest number of female finalists in its history, in the form of Josie Long and Claudia O’Doherty. Neither won, though, and before we get too self-congratulatory the fact that two women on a list of six is a record highlights how unbalanced the Fringe still is.

The genre of the shows on the shortlist also bears closer inspection, with O’Doherty’s ‘difficult theatre’ piece based around a magic telescope that sees through time standing alongside the frenetic sketches of Pappy’s and the imaginative silent comedy of Doctor Brown. Their presence on the list, as well as Brown’s eventual triumph, seems indicative of a shift away from the dominance that stand-up has enjoyed in comedy for the last few years. In terms of raw numbers, it’s also clear that people’s preferences are changing; some of the most fully-booked shows this year were Conti’s aforementioned puppet show, the junkshop mime of The Boy With Tape on his Face and the riotous music and comedy show The Horne Section. Perhaps people are growing tired of stand-up comedy; perhaps they just see it when it tours to their home town. Who knows? Either way, these changes mean that it’s an exciting time to experience live comedy, and the Fringe did a great job of showcasing that this year.

Aside from this general commentary, certain shows (some already mentioned above) are worthy of extra attention; therefore, may I humbly present my personal picks from this year’s festival.

Best Stand-up

I didn’t actually see a lot of stand-up this year; of what I did see, Rhys Darby (of Flight of the Conchords fame) was particularly funny and, crucially, easy with his audience.

Best Musical show

A cappella was the name of the game this year, although in a post-Glee world the choice was a little more Warblers and a little less Ted’s band from Scrubs; (excluding, of course, Ted’s band from Scrubs, the Blanks, whose show this year unfortunately felt a little dated). For me it’s tied between the huge talent of African fivesome Soweto Entsha and the more fun and accessible Out of the Blue, both using the same medium to hugely different effects (and no, OOTB aren’t just here to fill an ‘Oxford’ quota. Shame on you).

Best spoken word

One of the funniest, most successful things I saw this year was Dirty Great Love Story, essentially a one-hour two person poem weaving a rich, hilarious narrative of a thwarted couple. Unique and unmissable.

Best Drama

Tucked away in a small venue at 11:45am, Female Gothic was nonetheless one of my overall highlights. Simply one performer retelling ghost stories from (largely forgotten) female gothic novelists, it was truly poignant and frightening.

Weirdest show

Alternative comedian Simon Munnery’s Fylm Makker, in which he experiments with the idea of ‘live film’ as opposed to physical presence in stand-up probably takes the prize, although it faces stiff competition; for example, an act I saw which can best be described as a powerpoint presentation on different religious interpretations of the afterlife, punctuated with Simon Cowell jokes and presided over by a man claiming to be Death himself. Odd.

Funniest show

While it’s almost a tie with the foul-mouthed man-and-puppet Australian duo Sammy J and Randy, at the end of the day The Boy with Tape on his Face produced the most honest, least self-conscious laughter at his inventive, immersive and nostalgic mime act.

And finally…

The ‘Spirit of the Fringe’ award

By this I mean the sense of community and discovery that the Fringe, at its best, can deliver to you in a show. This year I finally got to see The Horne Section, and honestly the mix of guest acts, incredible musicians and audience participation makes for a unique experience that would never work as well anywhere else. Unfortunately, on the last night of its run the show was suspended for 45 minutes after a fire alarm went off. However, the performers soon rallied the disgruntled audience as they performed extra songs acoustically outside while the venue was health-and-safety checked. Definitely an experience that stays with you.

 

In summary, bring on next year.

Maybe I’ll even get a press pass…

 

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