Friday, May 2, 2025
Blog Page 1767

Tuition fees policy changes again

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The government’s stance on the ongoing issue of tuition fees has changed again, potentially inconveniencing prospective students.The White Paper, published in late June, outlined plans to take 20,000 student places from across the university system as a whole. Institutions with average annual tuition fees of less than £7,500 will then be able to bid for these places.

However, these plans were announced after many institutions had announced their 2012 fees. In light of this new policy, 28 universities have now requested to reduce their annual fees to this limit of £7,500 or less. The institutions have until Friday 4th November to submit their final fee proposals.

Some have seen this as a way to reduce fees, after more universities opted for the £9,000 maximum than were expected to. Oxford Brookes and other institutions, which were not in the Guardian’s list of the top 40 universities, had raised theirs to this maximum. Oxford University has not professed an interest in decreasing their rates; theirs, alongside Cambridge’s, still stands at the maximum of £9,000 per year.

The changes come at a time when UCAS is already in motion, and many prospective students are vying for these coveted university spaces. The deadline for Oxbridge, medicine and veterinary science has already passed. In these instances, the relevant universities must inform the candidates of any changes in their policy and then provide them with the option of sticking with their decision or switching to another choice. One Oxford applicant from Haberdashers’ Aske’s School for Girls says that “although Oxford’s fees have not been decreased, and I won’t be changing my choices, I can imagine how inconvenient this must be for some. I would hate to go through the entire process again!” In all other institutions the universities must directly contact the candidates and notify them of any changes, giving them the opportunity to alter their choices before the UCAS deadline of 15th January.

The White Paper also intends to allow universities to accept as many of the highest performing students they can attract, with A-Level grades of AAB or higher. Some fear that this will lead to a disproportionate number of arts courses, which are both cheaper to run and tend to have more stringent entry requirements.

 

‘Death of fun’ ongoing at Jesus

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An email has been sent to all Jesus College undergraduates saying that tutors’ approval is needed for those who want to participate in activities outside of degree study. This is part of a new College ethos described by Jesus students as part of the “drive for five”, referring to the College’s aim to be ranked in the top five places of the Norrington Table.

Last October Cherwell reported that JCR members passed a motion to allow a week of mourning for the “death of fun” at their college, a motion which accused Senior Tutor Dr Alexandra Lumbers of using “scare tactics” to raise academic standards and to clamp down on extra-curricular activities in which the students participated.

Luke Eaton, Access and Academic Rep for the Jesus JCR Committee, said that “this has not, however, signalled the death of fun. Dr. Lumbers is an extremely diligent and hard working member of staff, about whom I have heard no complaint during my year as Access and Academic Rep. If anything I have always found her welcoming and open to my input. Jesus remains a place of fun and the friendliest college in the University.”

“We’re here primarily to do work- if you’re going to take on something huge then you need your tutors’ support. Dr. Lumbers isn’t looking to stop people from being blues- she’s looking to remind us why we applied here in the first place.”

Tom Rutland, OUSU Rep , commented that “it’s important that university life is rich and varied, and staff should remember that although academia forms the main part of the university experience, it should not form the entirety of it. Oxford University is not just the best place to continue your education beyond secondary school as an undergraduate, but its wide range of clubs and societies make it the best place to further current interests or develop new ones in sports, politics and creative arts.That being said, students should obviously focus on their work in this unique place of academic excellence.”

He went on to detail how “the initial reaction to the changes made to the by-laws by Governing Body has been quite negative, and we feel students were not properly listened to”, but said that the JCR Committee “are yet to see many people affected by these changes, which is reassuring. Jesus prides itself in its involvement throughout university-wide societies. “

Ollie Capehorn, Treasurer of the Jesus JCR, stated that “although some of the measures and policies are prima facie a little heavy handed, and an uncomfortable step towards to micro managing the lives of undergraduates, I know that Dr Lumbers is well-intentioned. Jesus is still a great place to be, and many enjoy a considerable extra-curricular schedule. Fun is by no means dead yet.”

One third year undergraduate at the college who wishes to remain anonymous reflected on last year’s motion, saying that the JCR body “thought that it had all blown over” since the week of mourning last October, but that the email from Lumbers “has ignited it all again”.

He went on to state that “I don’t think that the character of the college has changed enormously….but it’s certainly on the way to doing so…college can try as hard as you like to make people work forty or fifty hours a week, but we’re still university students, after all.”

He described himself as “one of the worst” for taking on activities outside of degree study.

Dr Lumbers was unavailable for comment on the email or on the views of undergraduates.

 

Review: Mammals

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The only thing I’d heard about ‘Mammals’ before going to see it was something along the lines of: ‘a six-year old fingers herself on stage.’’ You could question why I then proceeded to buy a ticket, but remember that they give away free ones to reviewers and I was quite intrigued, if not excited. Anyway, I was pleasantly surprised. Very little gratuitous masturbation, and a great deal of good acting.

Although ‘Mammals’ loosely follows the basic overused plotline of a couple tired out by domestic life looking for some kind of excitement, whether it be sex with the husband’s best friend, or falling in love with the woman at work, this production was closer to Pinter’s ‘Betrayal’ than a belligerent criticism of life with a wife and kids. The actors kept the lines punchy and funny throughout the play, whilst retaining a sense of each character’s vulnerability. The script was undoubtedly good to start with, but did contain a few gaping traps that the actors nicely avoided.

The opening scene where Jane, the harassed mother, smacks one of her daughters did not leave you wanting to call Childline, but sympathising with the horrors of motherhood. The increasing sexual curiosity of Jessie, and the tension this creates with her father, felt like genuine naivety as opposed to an uncomfortable seduction by a Freudian baby prostitute. And, despite the fact that the set up for the unravelling of the plot was a series of confessions between different character pairings, the ‘oh-my-god-this-is-a-dramatic-Fight-Club-confession-moment’ was mostly avoided.

My favourite thread that ran through these big, dramatic adult conversations was Jessie’s: ‘’Do you have a hairy fanny?’’ Her mother answers this earnestly and frankly in the same way she responds to: ‘’is there any milk left?’’, her father (although asked a slightly tailored question for realism’s sake) proceeds to do the same, and finally Lorna, the over-sexed under-worked bag designer, seeing Jessie innocently pleasuring herself on the cupboard corner, replies in a drawling Jessica Rabbit tone: ‘’No darling.’’

Because the acting is so strong, ‘Mammals’ lives up to the idea suggested by its title. This is not a play with a laboured point about modern society, but a depiction of the clash between our impulsive, instinctual nature and our very human desire for monogamy. Although the production offers a more sophisticated analysis of this conflict than Bloodhound Gang, the drama of the play stems from the same premise, ‘You and me baby ain’t nothing but mammals/So let’s do it like they do on the discovery channel.’’

4 STARS

All (Partially Built) Roads Lead To Rio

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In 1950, the Brazilian nation was left in a state of shock as little known Uruguay produced one of the biggest upsets in the history of world football by emerging triumphant over the hosts in the FIFA World Cup Final. Back then the Maracana was being built in a rush but crucially made it on time. Now, over 60 years later, the rush is on once again as Brazil aims to avoid another public humiliation.

• Infrastructure

With Brazil hosting the FIFA World Cup Finals in 2014 and the Olympic Games in 2016, the country has a unique opportunity to modernise its antiquated infrastructure, be it from roads to railways and airports to airfields. For example, Rio de Janeiro has plans in place for the construction of 26km of transit bus corridors. Nonetheless, all 12 cities chosen to stage matches, which have among them nine airport redevelopments, are well behind schedule. Infraero, a state owned agency dating back to the country’s military dictatorship, has been inefficient for years and has failed to invest substantially in airport upgrades. Equally, disputes over land ownership and lengthy discussions between the government and contractors have blighted the progress on stadia. Quick fixes may be the solution.

• Logistics

Staging any competition in a country the size of Brazil is a joyless task for the organising committee. For some teams, depending on the outcome of the draw for the Group Stages, it could spell thousand of miles of travelling in between games. And whilst plans were originally in place to divide the groups by regions, this idea was eventually dropped due to the extreme differences in temperature. In mid July to early June, winter is far more noticeable in the south than it is in the north. Furthermore, it has been argued that the competition format is overblown and that the construction of a stadium for example in Manaus, in the heart of the Amazon, is designed to draw in more tourists than fans.

• High-Level Corruption 

Since taking office in January, Dilma Rousseff’s presidency has been overshadowed by the resignations of five high profile ministers involving allegations of corruption. The latest resignation, only last week, came in the form of Orlando Silva, Brazil’s Sports Minister. However the problems go deeper, as Rousseff is at odds over public financing decisions with the Confederação Brasileira de Futebol and, in particular, its President Ricardo Teixeira. Teixeira has been blamed for neglecting Brazil’s domestic football structure and for promoting his own personal ambitions that have complicated preparations. All in all, a lack of credibility at the top, transparency over costs and the failure to keep to FIFA deadlines has left a bitter taste in the mouths of many Brazilian fans as well as journalists.

• Strikes

Earlier this year, the former legendary Brazilian striker Romário stated in an interview in the Folha de São Paulo that, “If [Jesus] comes back to Earth sometime in the next three years, then [staging the FIFA World Cup] will be possible.” Recent strikes and the prospect of further strikes, prompted by rising wage inflation, is the last thing that organisers need. In June, workers at the stadium in Belo Horizonte walked out, demanding higher wages and improved conditions on all of the construction sites around the country. The fear is that if negotiations between the Brazilian syndicates and the FIFA World Cup contractors break down, then there’s a genuine possibility of a general strike by workers on all stadia across the country in 2012.

• Human Rights 

Whilst the endearing hope is that both the FIFA World Cup and Olympic Games will have a long lasting effect on people’s lives in addition to the environment, in the short term, concerns are continuing to grow over the number of allegations emerging over human rights violations, namely forced displacements and evictions. Slum dwellers in Rio de Janeiro as well as a host of other cities have reacted angrily to be being forcefully relocated to make room for stadia and surrounding sites. Given that Dilma Rousseff is still in the early days of her Presidency, she has an opportunity to bring about change when it comes to protecting the vulnerable people in Brazil’s society – an issue that she has publicly declared an interest in pursuing.

• Complacency

Brazil has always had a very distinct style on the pitch and it seems that the same can be said when it comes to its preparations for the FIFA World Cup Finals. Despite the country being aware of the impact of hosting such a global event and that preparations would force the nation into a radical overhaul of both the infrastructure and society as a whole, more than four years after being awarded the competition, Brazil has little to show for it. The decision to relax normally strict rules on building and managing publicly funded projects has led to rampant cost escalation, something which incidentally occurred when Brazil last hosted a major competition, namely the Pan American Games in Rio de Janeiro in 2007.

With meetings scheduled over planned strikes and new FIFA deadlines in place, 2012 has all the hallmarks of being a make or break year for the Latin American nation. Questions remain as to whether the country will shine or continue to be associated with structural inadequacy and corruption. Whatever the outcome, the country will be hoping that come 12th June 2014, and the opening game at Corinthians new stadium in Itaquera, it’ll be alright on the night.

Twitter: @aleksklosok

Hong Kong

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Child of the 80s

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Lennon shot dead, Pac Man released, CNN established and… the Antwerp Six transform the face of Belgian fashion. Forever. Check your history books folks, it all happened in the early 80’s. The Antwerp Six? Walter van Beirendonck, Ann Demeulemeester, Dries Van Noten, Dirk Van Saene, Dirk Bikkembergs and Marina Yee, all alumni from Antwerp’s renowned Royal Academy of Fine Arts.

The 80’s symbolise a decade of global revolution for designers. Fashion flourishes, with French talent giving rise to Gaultier, Armani and Versace thriving in Italy and Japan’s Comme des Garçons debuting in Paris. Everything seems to be going for couture. Walter Van Beirendonck saw this revolution as a “sign that creativity can conquer the world”.

His vision of a mode-ruled world was soon crushed, however, as commerce took centre stage in the fashion scene where businessmen and product managers take over inventiveness and creation. Van Beirendonck notes, “Fashion has become a big business, it’s a scary situation – just look at what happened with people like Helmut Lang and Jil Sander who were bought, sold and put out of the industry.” Van Beirendonck refuses to play that game. He fuels his artistic vocation by igniting his inner identity; between green paper and genuine creativity, Van Beirendonck opts for the latter. His work is so stylistically defined you either love it or loathe it. I love it.

Inspired by surrealistic literature, ultra-modern paintings, soft-core pornography, spaceships and the universe of sci-fi  (like the music inspirations of Black Eyed Peas and Kanye West). Walter’s work shoots us into a dazzling world of the extraordinary. Expect flat, neon, harsh, clashing colours, and strikingly over sized, off the wall accessories – red nylon belt bags made out of 3D letters spelling FLY, extravagant quiffs, alien-like gigantic plastic headphones and Stephen Jones’ eclectic millinery hats to top off the outfits.

In the creation process of any collection, his first sketches are accompanied by ideas of show staging, make up and face painting designs, eccentric styling and all that goes with it; he says, “I am a storyteller and it is my way of thinking and presenting a global vision”. His catwalk shows are an art work in themselves: imagine human canvases strutting back and forth, robotically, to electro-pop beats. His models are transformed into characters of fiction, ornamental objects and elements of nature. At Walter’s displays we’ve witnessed walking trees, walking mushrooms and walking clouds, all exhibiting garments that even Lady Gaga would think twice about rocking. Walter playfully provokes the audience’s perception as he fashions abstract 3D garments shaped as airplanes, bazooka guns, galloping horses and whatnot. Cool!

Behind this Popfather of Fashion, sucked into a child’s wonderland of fantasies and fairytales, lies a political mind, sensitive to the global issues affecting our societies. In his STOP TERRORIZING OUR WORLD collection, Van Beirendonck’s artistic powers are put to use in a poignant protest against multiple contemporary problems. Walter’s Mr. Greedy outfit made from hand embroidered and appliquéd wool is a satirical critique on the raging consumerism of the Western world. He translates consumerism through a cartoon-like patchwork of iconic symbols – the Yankee dollar note, the Golden Arches of McDonalds, the US’ striped and starred flag and other iconic logos. Along side Mr. Greedy walked Mr. Exterminator, protesting against the ravages caused by diseases, and Miss Amazon, a beautiful forest rotting under human exploitation.

Walter Van Beirendonck is an inspirational artist who explores his multiple talents, remaining true to his heart and to his vision. If you wish to indulge in orgasmic artistry why don’t you DREAM THE WORLD AWAKE with Big Walter in the MOMU fashion museum of Antwerp – they’re currently running a retrospective exhibition retracing the magic he has been creating for the past three decades.

Get your knit on!

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Comfort and fashion don’t necessarily go hand in hand, but if it is ever going to happen, winter is the time. Knitwear is an annual staple of our wardrobes, but it doesn’t have to be boring and shapeless. Done well, knitwear livens up a wardrobe. Rather than covering up your new dress, it can be the main player in an outfit, from a cable knit dress to a knitted coat and the obligatory knitted accessories.

This year variety is key. There isn’t one knitted style which dominates. The trend is chunky, layers, and above all clashing styles. To create a chunkier look buy your jumpers two sizes too big, head into the men’s section, raid your boyfriend’s wardrobe (or even steal a vintage aran jumper from your Dad) and you’ll be right on target. This winter is nonchalant and casual in its attitude to knitwear. Anything goes.

This is obvious in the clash of styles – Fair Isle patterns on cable knit jumpers, or for the brave heavy cardigans with fur necklines. However, the real clashes are done through DIY extreme layering. Put your polo neck under a Fair Isle jumper, and team a jumper dress with a thigh skimming cable knit cardigan, thick woolly tights, and a scarf to boot. Primark has a surprisingly good supply of oversized cardigans and knitted pieces, and you can’t go wrong with Topshop’s winter offerings.

There is fun to be had, and layering can be achieved in the simplest way by your accessories. Finish off your outfit with a swamping snood, bobble hat, mismatching gloves, or even some Fair Isle legwarmers. The more the merrier. This winter is big, brash, and beautiful.

Putin Power

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A big month for Putin: the puppet master par extraordinaire not only announced his plans to run for President once again, but celebrated his 59th birthday across 15 cities, and unearthed two magnificent  ancient Greek urns whilst engaging in a spot of deep sea diving.

Though it may seem a bit bland after the highs of Freshers’ Week and the lows of work-weary 1st and 2nd, 3rd is still a week of a great consequence. 
 Something new has crept into many students’ minds: internship guilt – that creeping feeling that you really should start applying to internships as deadlines start to look far less distant. But if past Cherwells tell us anything, it’s that you shouldn’t worry. Who wants a job in a bank anyway, when you can easily become a porter and spend your time surrounded by intellectual giants? The 28th October 1983 Cherwell revealed that ‘There’s a porter at St. Catz with a philosophy degree… The other porters at the college include an Oxford maths graduate and a lawyer.’ Personally I’m just disappointed that Porters’ Lodges seem to have lowered their application requirements. If your porter can’t also help you with civil litigation or complex equations then what’s the point in having them?
This week also sees many societies taking stock of how successful their attempts to woo freshers in the first few weeks of term really were. Perhaps they should take some lessons from the Oxford University Conservative Association, who were reported by Cherwell, on 25th October 1958, to have been on track for 2,000 members. Maybe that year saw the beginning of their free champagne policy? In contrast, the leader of the Labour Club seemed to miss the point when he thought having the club in the evening for ‘members to discuss socialism over suitably sober cups of coffee’ would shore up their declining membership.
Similarly, by this time in the term it will have been easy to gauge how anti-social your neighbours are. The bane of many people’s sleep patterns and study sessions are neighbours who insist on playing the same bad music. Strangely enough 1925 was no different, with the 31st October issue imploring people not to play the tune ‘Ah, Ha!’ constantly on the gramophone, as it’s ‘a tune which should clearly be played with discretion; it is violent, and full of repetition; very fast and noisy’. Cherwell suggested simply expanding your record collection, even being ‘extravagant’ and having a whopping ‘collection of a half a dozen ‘gems.” I suppose six songs is less annoying than just one.

Admittedly, the urn discovery was staged for viewer consumption, much in the same way we imagine his jovial convivience with Dmitry ‘I’ll let him go for it – he’s more popular than me’ Medvedev to be. As for the exuberant birthday festivities, the most insightful nugget of proletariat support swept up by television reporters seemed to be, “Well I just trust him, just because he is going to be our future president, and we should trust our future president, just because.”

Indeed, the aftermath of his announcement to run was paved with campaigns designed to win the public’s trust. “We must speak openly”, he said during the press conference, “about the dangerous level of social inequality, violence, corruption, about the feeling of injustice and vulnerability that people feel when they are dealing with government bodies, courts, and law enforcement.” That his government is more often than not deemed to be the source of said injustice is of little consequence to pundits who expect his inevitable return; the language of social justice and democracy has minimal currency in a political atmosphere in which the state, and those steering it, wield more power than individual rights.

Corruption under Putin, claims ex-leader of the opposition Boris Nemtsov, has taken on a “systematic and institutionalised form”. Most point the finger of blame at the increased power the state enjoys as a result of policies put in place by Putin himself; Kremlin statistics report that in 2005 alone, the number of bureaucrats jumped astronomically from 143,500 to 1,462,000; essentially one in place for each hundred residents. Given that a law enforced by the Duma in 2009 allows officials to charge for public ‘services and functions’, a move widely considered to have legalised if not at least encouraged bribery, it comes as no surprise that the organ of the Kremlin is mired top to bottom in corruption.

Yet the prime minister and former KGB agent seems to have won the votes, if not the trust, of the Russian people, with polls indicating 41% would be happy for him to rule once again. What, then, really is his secret?

Russian media outlets have played a decisive role in Putin’s enduring success. Although independent press is handled on the whole quite carefully, the three largest television networks, reports the Committee to Protect Journalists, ‘are now in the hands of Kremlin loyalists”. Channel Russia was theirs from the start, with ORT and NTV splitting their stocks between the government, as well as Gazprom, an oligarch-owned natural gas extractor nationalised by Putin in 2000. The prescribed image transmitted from Russian television sets is, more often than not, one resembling strength, manly charisma and dedication to an independent Russia freed from the scourge of the oligarchy and foreign intervention. Given the absence of a weighty and authoritative check and balance system that would otherwise be provided by the media , the cult of personality surrounding Putin is left open to mass consumption.

In a country in which personality politics prevails, strength and imperviousness are traits that have historically been held in high esteem. As Russian journalist Peter Sadovnik put it, “Whether it’s single-handedly rerouting massive oil pipelines or reorganizing the federal bureaucracy, Putin has not so much resurrected a dead superstate as responded to Russians’ long-festering desire for a ‘strong hand”. His affiliation to the powerful Russian Orthodox Church has also helped him along the way. The latter’s continued presence at state events, matched by his presence at important religious festivals, holds an allure that must not be underestimated given that 65% of ethnic Russians consider themselves to be Orthodox Christians.

One could however argue against presumptuous or even arrogant assumptions on the part of the western press, in response to recent events that have so discredited the Russians’ ability to choose their own leader. Although the bear wrestling, tiger shooting PR stunts have proved to be a noble effort, it would be naive to assume that an election could be won on attributes limited to image alone. Although perhaps an uncomfortable truth for the US press in particular (with some media outlets labelling him “communist” or “Tsar”), Putin has been credited for the country’s recent economical advances. Having inherited a turbulent economy from the government of former president Boris Yeltsin, whose ill thought out policies after the fall of the USSR are credited for giving birth to modern oligarchy as we know it, Putin raised wages and restored pensions, a move that vastly improved the everyday living standards of the population. His intentions to diversify Russia’s economy by dismantling its dependence on oil and gas exports have been well received by the elite and lower earners alike; he intends to target business owners by raising their piffling 13% flat tax rate.

Despite his lasting popularity, Putin  warned the press that the campaign process would be “dirty”. What exactly was meant by this is still to be seen.  “As Churchill said”, he added, “democracy is the worst form of government but there is no better one.” That Putin’s model of democracy will win out is of little dispute. The opposition is weak and fragmented, and any drastic developments in public psyche are unlikely. Come March 2012, the ballots will be scored, most probably dashing any hopes of dislodging Mr Putin for the next two consecutive terms.

 

We’ve got it in the bag

Rachel loves:

MAC Shroom eyeshadow RRP £11.50

Don’t let the modest appearance of this eyeshadow fool you – it really is a staple for any make up bag. Worn on its own it gives a simple, matt and even tone to eyelids, but it is at its best when combined with other colours of shadow. I use it blended in with darker tones with a to create a smudged, smokey eye, or to tone down a glittery shadow, such as MAC’s Gleam, to transform an evening look into something more suitable for the day-time.

Tweezerman Tweezers RRP £20

The shape of your eyebrows can change the appearance of your whole face, so it is really important that your tweezers are up to scratch! These ones from Tweezerman are nicely slanted, meaning that it’s very easy to grip on to individual hairs, and to ensure that your arch is as precise as possible. The fact that they come in a rainbow of colours is another added bonus!

Helen loves:

Vaseline Rosy Lips Lip Therapy RRP £1.99

For days when I need a dash of colour in a flash, Vaseline’s rosy lips is the answer. The classic lip balm updated with an injection of pink gives just enough shine and colour to enhance the look of your smile whilst keeping it natural and protecting you from the elements. Wear it just in the centre of your lips to create the appearance of a fuller pout.

Max Factor False Lash Effect Mascara RRP £10.99

A good mascara is the most essential item in any girl’s make-up bag, and with each brand coming out with what seems like dozens of new formulas every year, each making more exaggerated claims than the next, choosing the right one can be like finding a needle in a haystack. Max Factor is no exception in the bold claims it makes for its False Lash Effect mascara – but this one really lives up to the hype. Just one coat and my lashes are big and bouncy, without any of those dreaded clumps. For my everyday look I prefer the black/brown version, which gives you luscious lashes without looking overdone.

And we both couldn’t live without:

Benefit High Beam RRP £18.50

Whether it’s the day after the essay crisis of the night before, or you’ve simply had one too many at the bop, there are times when everyone’s skin needs a bit of a pick-me-up. Benefit’s High Beam is like radiance in a bottle – just a drop on the top of cheekbones with a smidge under the arches of brows and this highlighter creates a pearly glow.