Tuesday, May 6, 2025
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First night review: The Picture of Dorian Gray

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**** Four stars

 

It is all too easy to lavish praise upon an ambitious production that manages really rather well to transfer Wilde’s keenly critical social view, reflections on the role of art and the artist, and complex relationships and language to the stage. Yet while an admirable adaptation – with a really quite powerful script at times – it was not perfect.

 

Jordan Waller delivers a show-stealing performance as Lord Henry “Harry” Wotton. His initial entrance and earlier exchanges with Basil Hallward (Henry Faber) threatened disappointment as he came across as far too believable a married chap, not at all predatory, and meandered pointlessly across the stage – but he soon warmed up and his every movement took on purpose, his wrists limp as lettuce. Epigrams slid free with all spontaneity from his enticing lips and he owned the stage with each entrance.

 

Dorian Gray, as Jamie MacDonagh plays him, is at his most effective in the second act – commanding and persuasive; however, it is the flaw in his portrayal of the character in the opening scenes that presents the production’s greatest drawback: Dorian is never likeable. In a tale that depicts the corrupting influence of fickle values on either normal or especially virtuous people, there is no blank canvas, no great height from which to fall (to think in tragedic terms). MacDonagh’s Dorian is cocky and arrogant, and far too authoritative from the start for my liking.

 

The scenes with him and Sybil Vane (Nouran Koriem) are fantastic; her suffering at his hands is exactly how you imagine it. It’s Dorian at what we think is his vilest (before we discover that he is actively capable of murder); again, the only issue is that it’s nowhere near as far from the opening Dorian as it might be. “You were the most unspoilt creature in the whole world” Basil tells Dorian in arguably the best-presented monologue of the play, and we want this to be true.

 

Henry Faber as the erstwhile painter, Basil, was certainly the most consistently superb character on stage. From his first appearance he was simply spot-on – earnest, plaintive and then imploring. His death had real meaning and provoked real feeling (as obscured and devoid of passionate as it was).

 

The chorus. Special mention goes to the actor and actress playing Alan and Mrs Vane respectively. The chorus seemed to be the ‘risk’ element – an innovation entirely of the directors’ own, it was the main area in which directorial liberties were taken. Sometimes it worked – and certainly provided much comic relief – but it often felt as though Lucinda Dawkins and Adam Scott Taylor were simply giving them things to do. The device of Sybil’s suicide letter, for example, seemed unnecessary, being related twice before enacted. Some of the synchronised speech seemed pointless, which reduced its effectiveness when used cleverly, and synchronisation in flourishes (e.g. with chairs) was a little off – often the chorus members looked unsure of their cues.

 

Anna Lewis has designed a wonderfully conceived, magnificently multi-purpose set. Yet it feels unfinished, bare and, consequently, a little bland – there’s nothing of the excess we might expect. The only suggestion of decadence is in the paltry chaise longue, hiding coyly beneath a raggedy sheet for the majority. The same goes for some of the costumes, notably Wotton’s. None of his florid outward nature is reflected in the bright, simple clothes he wears. It felt very Americans-doing-Shakespeare and lacked warmth or character.

  

Pace throughout the drama was hit-and-miss. The domestic scenes with the Vane family were agonisingly slow and I became almost intolerably aware of the litany of coughing and ill noises in the theatre.

 

There also were a few problems with projection and with the shrieking violins overpowering the chorus, and the lighting was often questionable, although whether this was inherent in the design or simply due to technical difficulties, I can’t be sure: large patches of unfathomable darkness swallowed characters when they were speaking, and not ominously. A wonderful patch of darkness enveloped MacDonagh as he sat, despairing, on the chaise longue for Hallward’s ill-fated final visit, only to be vanquished seconds later by bright, inappropriate spot.

 

To pass judgement on this show is difficult, since it is one heck of a feat to accomplish. For a student Playhouse production, it was impressive. The direction is clever and individual performances make a lasting impression.

 

 

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Cut-throat Cutrone talks strict business

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Kelly Cutrone is sitting in front of me, all black hair and black clothes. She’s just finished giving a speech at the TEDxOxford conference about how a girl from a small village in New York State where the kids used to go cowtipping ended up as a well-known tarot card reader on Venice Beach, then began training as a nurse until her very first patient died on her, only to become one of the most influential fashion publicists, setting up the renowned fashion PR firm People’s Revolution in 1996.  With a capricious career path following a marriage at 24 to pop artist Ronnie Cutrone, and a recording contract thrown in somewhere along the way, Cutrone’s life experience has paved the way for a high-flying career in the fashion industry, and on a personal front, her own reality show and best-selling books.  

Cutrone first snuck onto our screens as Lauren Conrad’s boss in The Hills, an appearance that made her a household name with her cutting, straight talking, no bullshit attitude. Her stinging remark, ‘If you have to cry, go outside’ became the title for her first book which Cutrone previously described as a ‘pop culture fourth wave of feminism’, a book for women who want to achieve but don’t know how. Her ‘Kellyisms’ have earned their own blog and her books have achieved worldwide popularity. Where else are you going to find a woman who discusses a former drug addiction with such candour, while at the same time throwing out such barbed truths as ‘Where do nice people end up? On welfare,’ and, ‘If you’re sensitive and someone hurts your feelings, I don’t give a fuck. This isn’t group therapy.’

While she’s termed as a ‘power bitch’, her book makes it obvious that Cutrone is simply dishing out the brutal but honest truth of being a woman in business today.  Putting her company on television was a huge risk considering its clientele has included Vivienne Westwood, Bulgari, Longchamp, Paco Rabbane and Valentino, but breaking down stereotypes and bringing brands straight to the clients has also been central to Cutrone’s philosophy. ‘At the time, with the brands I was working with, it was considered naff to be on TV. If you were in fashion you didn’t speak to other people, so you certainly wouldn’t go on TV and let the public in. But then I started feeling like that model wasn’t serving the brands so I decided that there was something new in distributing the message straight to the consumer’s home, basically eliminating the middle man, so I did the first season  of The Hills.  I’ve been on TV now five or six years and I make millions of dollars on TV and writing books; it’s been an amazing brand enhancer for myself as a person and a woman, and its been a great way to communicate with young people.’ With her popularity leading to a reality show, Kell on Earth, a position as a contributor on Dr. Phil, and her newly announced role as judge on America’s Next Top Model, Cutrone has set herself up as a guru for young women today. So why does she believe her words have resonated so loudly with our generation?

‘There aren’t that many women who come from the middle of nowhere that have built the kind of company I’ve built, that are available to talk to young women and show them that it’s certainly doable for them whatever their economic or educational background. Oprah’s not doing it. Suze Orman’s not doing it. Who’s really talking to the young people today that aren’t using music or acting to communicate? I’m in that position and it’s something I enjoy because I feel women need to be encouraged and empowered to make money their own way so they can be with who they want, not who they think is going to take good care of them because they’re incapable of doing it themselves. This generation had the post-hippy parents who are like, ‘you can do everything’ and ‘you can be anything’ and my message is, not so quick honey, you might go to Oxford but you don’t know how to take a phone message.‘We need to do a reality check. Young people listen because I’m the antithesis of what my industry represents: I don’t wear makeup, I’ve got black hair, I’m kinda punky and I swear, I’m kind of immature. Maybe that’s why kids like me, because I’m still connected to my child-like self.’

And her Kellyisms, are those reality checks preplanned? ‘No, they’d be a lot better if they were preplanned. Sometimes the things I say make no sense at all. One of the things I said in The Hills was, “The truth isn’t some happy little bluebird sitting on your shoulder, sometimes the truth hurts”. One day when the show was starting to get really big, I walked into a bankers type restaurant, and these banker guys were like, “Sometimes the truth isn’t…” and I was like, “what the hell are you doing watching the show?! You’re not a gay guy or a young girl.” But I do cringe sometimes when I hear them back.’

Having started her TV career on two reality shows, The Hills and its spin-off The City, that undoubtedly glamourised the fashion world and its inhabitants, Cutrone’s antithetical look is interesting. It’s as unique as her and her varied career path, something which has made her strive to always be her own boss. ‘I just don’t work well with others. I don’t like the idea that someone could fire me any day, that I could lose my house and whole career at the whim of someone else. When you’re an employee you’re always thinking you’re going to get nixed or something and I just wanted to do my own thing. I’m not a corporate girl – I’ve been offered ridiculously huge jobs for millions and millions of dollars, great opportunities with companies that are going to give you two thousand shares worth of stock and are about to go public, and you know the company’s going to blow up and you’ll be the girl who’s in the middle.’ But if it’s not money that has been driving her all this time, what has? It’s easy to look at the successful business woman today and forget the years Cutrone has spent sweating away in a ‘packed and intense industry’. For Cutrone, fashion is ‘the new rock’n’roll, in the sense that years ago everybody wanted to be in a band and now everyone wants to work in fashion. I just really like creating things, and I like the truth, and I like making noise, and I like getting attention for things I believe in and things I think are cool.  I still get off on the fact that if I turn you onto something and you love it, then that message is going somewhere and I can share things that are interesting with people.  And I also really love being able to see deep, deep inside a brand, maybe where the owner or the people who are creating it haven’t been able to see, and really pull out those threads, the DNA of the brand that are going to help it sell. I love watching a company I’m working with succeed.’

Cutrone’s second book, Normal Gets You Nowhere, is another no-holds-barred look at the world of business and what it means to be unique, to hold true to your individuality and make a difference to the world in the process. It’s been quite a journey for Cutrone herself, one that separates her from other self-styled mentors today – through homelessness, drugs and broken marriages, Cutrone’s made that enviable transaction from a small town girl with big city dreams to the lucrative reality.  However harsh her truth might be, that’s a role model.

Interview: The Picture of Dorian Gray

Hannah Blyth and Ruby Riley speak to Adam Taylor, Lucie Dawkins and Anna Lewis about their production of The Picture of Dorian Gray which is currently being performed at the Playhouse Theatre.

Garrincha: Brazilian Football’s Tormented Genius

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On 20th January 1983 at the age of just 49 – a mere 21 years after he was hailed as the greatest footballer on the planet – A Alegria do Povo (The Joy of the People) passed away in Rio de Janeiro penniless and unable to conquer the demon that had blighted his life: alcohol. This is the extraordinary story of an idol who, against all the odds, reached the dazzling heights of success but whose excesses led to a spectacular downfall. 

It was in Pau Grande, a small factory town nestled among the lush mountains in the province of Rio de Janeiro, where Manuel Francisco dos Santos’s physical defect, which was to be transformed into one of the most recognised weapon’s of mass destruction on the football field, was first brought to light. Labelled Garrincha (The Wren) for the seamless manner in which he would come to fly past defenders, he was born with his left leg six centimetres shorter than his right leg – which unnaturally bent inwards – and his spine deformed. And yet for Garrincha, disability did not stand for inability. From a young age he was a footballer with a proven eye for goal, a blistering burst of pace and a remarkable ability for close control of the football. 

The right-winger was not concerned with tactics nor with opponents, instead he played with a freedom of spirit which occasionally led to a complete disregard for the “end product” – something which is difficult to fathom in this day and age where football, given the increasingly high stakes, is, even more so than previously, fast becoming a results-based industry. However, it was the astonishing dribbling skills of the native Indian who grew up in the woods, pulling defenders back and forth and up and down the pitch, which gained him notoriety. Spotted by Botafogo at the age of 18, the 5ft 6 1⁄2 in robust forward-thinking attacker made an instant impact against Bonsucesso on 19th July 1953 by scoring a hat trick. It signalled Garrincha’s arrival and from then onwards, neither club nor player looked back.

During his 12-year affiliation with Estrela Solitária, his imagination and wizardry with the ball was something to behold. And the man, who never trained, had no agent and took little notice of contracts, possessed a remarkable ability to create something from virtually nothing. Playing alongside fellow Brazilian International superstars, defender Nilton Santos and midfielder Mario Zagallo, they guided the club to Campeonato Carioca success on three separate occasions in 1957, 1961 and 1962. Despite terrorizing defences week in week out with his blistering pace, deceptive dribbling and lethal shot, he was constantly overlooked by the Confederação Brasileira de Futebol. His break eventually came in 1958, guiding Brazil to their maiden FIFA World Cup victory in Sweden. But 1962 was to be the year that cemented Garrincha’s place in Brazilian as well as World Football folklore.

At club level he was unplayable. However, it was on the International Stage – regarded by many as the acid test in determining truly great footballers – at the FIFA World Cup Finals in Chile, that Garrincha made his mark. Pelé’s injury in the second game of the tournament against Czechoslovakia ironically came as a blessing in disguise for the man widely recognized as the great number 10’s equal. ‘Mané’ took on Pelé’s mantle as leader of the team and a series of dazzling displays, which prompted Chile’s Mercuro newspaper to question in a headline, “What planet is Garrincha’s from?” inspired Brazil to their second consecutive crown. Finishing joint top scorer alongside being named Player of the Tournament and later FIFA World Player of the Year, underlined The Wren’s status as one of football’s all time greats. 

And yet this superstar image, which he had fashioned for himself on the field, was soon to be overshadowed by events off it. His carefree, selfish and occasionally undisciplined attitude towards football was mirrored in his own personal life. A pinup, who once dominated the back pages, stirring the public imagination, was slowly disappearing from them and instead increasingly appearing on the front pages for all the wrong reasons. He became synonymous with his involvement in countless relationships, so much so that he’s believed to have fathered at least 14 children, squandering much of his earnings and becoming embroiled in a scandalous affair with his singer partner, the great Elza Soares. Alcohol became a fixed part of his life and the hero who once made the Brazilian public smile and laugh, now made them cry.

The icon never again reached the heights of 1962. Despite moving from club to club between 1966 and his eventual retirement in 1973 in a desperate attempt at prolonging his fading career, he was blighted by a persistent knee injury that inhibited his acceleration. His last game in a Brazil shirt came during the First Round of the FIFA World Cup Finals in England in a 3-1 defeat to Hungary. It was the first time he had appeared in a losing team during his 11 years playing for A Seleção. With Pelé absent, it meant that the pair never finished on the losing team together for Verde-Amarelha. Despite withering away from the public eye towards the end of his life, almost 30 years on from his death, the legend of Garrincha still lives on today.

His rags to riches story has come to capture the imagination of a generation of readers who, like myself, were too young to ever witness the great man in action. Nostalgic tales of his natural affinity with the Brazilian fans are still recounted in hundreds of bars across this great footballing nation. All that remains today of the once revered symbol throughout Brazil are grainy images and videos on the Internet that visually portray the true genius of the man. And whilst Garrincha never became an elder statesman of the game like his former counterpart, his biographer Ruy Castro, in his highly acclaimed biography, Garrincha – The Triumph and Tragedy of Brazil’s Forgotten Footballing Hero, maintains that his unique ability to identify with the public earned him his reputation as “the most loved citizen in Brazil”

O Anjo de Pernas Tortas (The Angel with Bent Legs), who remained an amateur who only wanted to play the beautiful game, was unquestionably one of a kind. His humble resting place in his birthplace of Pau Grande is testament to a man who was always true to his roots. Perhaps the message written by a group of fans on a wall encapsulates this sentiment. It simply reads, Obrigado, Garrincha, por você ter vivido (Thank you, Garrincha, for having lived).

Twitter: @aleksklosok

Protest against unpaid internships

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Protesters gathered outside Oxford Town Hall on Tuesday afternoon, to protest against internships and work experience which do not offer a form of payment or reimbursement for any expenses incurred.

The protesting group, Intern Aware, campaigns for greater equality in the field of internships and work experience. They urged the government to scrap legislation which allows companies to offer internships without payment, claiming that these are “highly unequal and unfair”.

The protest coincided with the Advertising, PR and Marketing Fair going on inside, where certain companies advertising unpaid internships were holding exhibitions.

Third year LMH student Hannah Wilkinson is the Campaign Director for Intern Aware Oxford. She believes that prospective interns from lower-income families will be dissuaded from applying for experience opportunities in some fields because of the financial implications involved in travel and living costs during the period of employment. She also feels that it is unfair for businesses to use interns to execute tasks which deserve a rate of pay.

Wilkinson told Cherwell, “Not only is this damaging for social mobility, but what these businesses are doing is often illegal. We’re talking about big companies with profits in the millions. It’s not like they can’t afford it.”

In a statement released following the protest, Wilkinson said, “If you’re working set hours and doing tasks which contribute to your employer’s business, you are likely to be in legal terms a worker, and entitled to pay. Just because your boss decides to call you an intern, it doesn’t change the law.”

When asked what action the government should take to remedy the problem, Wilkinson stated, “The government should do more to enforce its legislation. There are many cases where individuals have won court cases against companies, but it shouldn’t be up to these individuals to take action”.

Indeed, it appears that Intern Aware’s influence is starting to take hold. So far, they have been successful in convincing the University of Oxford’s Careers Service to stop advertising unpaid work experience placements to students which last longer than two weeks. They are now looking to have the Careers Service remove unpaid placements completely, saying, “We are trying to get people to reconsider taking unpaid internships. Firms will be forced to alter their stance if no-one applies.”

OUSU President Martha Mackenzie has expressed similar feelings on the issue, condemning unpaid internships as “one of the last remaining forms of acceptable exploitation”.

Arguably, part of the problem is ascertaining whether an intern is entitled to payment or not. According to Directgov, the name of the position you hold is of no significance in determining whether you are a “worker” and eligible for National Minimum Wage or a “volunteer” and ineligible. The website says that “You can be a volunteer even if you work under the supervision or control of a manager/director, or you have to meet specific standards or guidelines.”

Second year St Hugh’s student Praful Nargund urged the law to clarify these definitions, saying that he has experienced both a paid internship and unpaid work experience and found “the level of the work to be similar”.

However, he does not foresee a decline in the number of applications for unpaid internship positions, saying, “Competition for internships is so fierce at the moment that people will grab anything they can get”.

He described how companies “shouldn’t take advantage of the fact that most young people see internships primarily as an investment in their futures. Indirectly excluding candidates whose parents are unable to fund their expenses will be damaging to the UK in the long term.”

 

Immigration survey by Oxford academics

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The Migration Observatory, a team of academics attached to Oxford University, released a report on Sunday which seeks to uncover the British public’s real opinions on immigration.

The report, “Thinking Behind the Numbers”, is described by the Observatory as “the first systematic analysis of who people in Britain really think of as ‘immigrants’, and of how people’s views differ substantially toward different immigrant groups”.

Based on a survey of 1,000 people questioned in September, the report reveals that “seven in ten people in the UK (69%) support reductions in immigration”, a figure in keeping with previous surveys.

The findings highlight that national preferences for reducing immigration do not focus on the largest groups. Students coming into the UK make up the largest proportion of legal migrants, at 37% of the total immigrants coming into the country in 2009, yet are of the lowest concern to the public.

The report details that, “preferences for reducing immigration are most common where there are more restraints”. The Observatory announced that the “most commonly chosen targets for reductions include asylum seekers (56% of respondents) and low-skilled workers (64% of respondents).”

Dr Scott Blinder, the report’s lead author, comments that, “what this report shows very clearly is that the Government is stuck between a rock and a hard-place”, with the public in favour of reducing the numbers of the groups that the government can do little about.

EU membership and international conventions restrain the government from easily reducing the numbers of either group of immigrants.

The findings indicate that opposition focuses on illegal immigrants, with “a majority of those who wanted to see immigration as a whole reduced felt that reductions should target “only” or “mostly” illegal immigration.” There is also “broad opposition” to unskilled migrant workers, with 64% of the respondents agreeing, compared to only 32% against skilled migrant workers.

Dr Blinder commented saying that, “Blunt questions about whether the British public supports or opposes immigration in general do not capture the complexities of many people’s real views”, asserting that these findings will not give policy makers a real enough understanding of what the majority of the public wants.

The report finds relevance in the University given the number of international students and staff. 40% of the academic staff at Oxford are citizens of foreign countries, whilst over a third of the total student body are not British nationals, including 15% of undergraduates and 61% of graduate students, a total of 8,000 people.

Piotr Galeziak, a history and politics second year, originally from Poland, commented, “We must understand that there is no simple way for a government to limit the numbers or origins of migrants. The solution to the problem is to be found in comprehensive regulations and an education of the English society in the understanding of the potential benefits of immigration.”

He continued, “Having personally spent most of my life as an immigrant, and studied in international milieus such as the European School, or, to a lesser extent, the University of Oxford, I have been able to benefit from the incredible advantages of cultural exchange, but have also been faced with xenophobia, and institutionalized casual racism, promoted even by some major companies in the United Kingdom.

“Immigration can either be succesfully regulated, turning immigrants into tax-payers, or an attempt can be made to cut off the flow of immigrants, which can only result in the increase in illegal migration.”

Douglas Sloan, a second year History and Economics student, criticised the opinions revealed by the study, saying that, “Those surveyed clearly want to see immigrants contributing something meaningful to society. Surely, though, they’ve got to ask themselves if the average Briton would meet those same criteria. When Britain’s underwater in 30 years time do they really want only a few ‘skilled’ Brits to be allowed out?”

OUSU Letting Agency proposed

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OUSU heard proposals last week which could lead to the creation of an OUSU Letting Agency, to cater specifically to Oxford students.

Based on the model of Cardiff Student Lettings, run by Cardiff University Student Union, the proposed agency would connect students with existing rental properties, but only would only include landlords who had signed up to a code of standards put forward by OUSU.

A significant number of Oxford undergraduates have to rent accommodation privately at some stage in their degrees, as at least 15 undergraduate colleges and permanent private halls cannot guarantee accommodation for the duration of all courses.

The motion at last week’s OUSU council meeting was proposed by Clubs and Socs officer Jacob Diggle. He commented, “Where we live has a massive impact on our university experience – in terms of finances, welfare, academic performance etc. A large number of colleges do not provide accommodation for all the years of a student’s course and so many are forced into the private rental market. This problem is particularly acute for graduates, mature students, international students, students with children etc – all groups currently receiving the least support from OUSU.

“The University and colleges will never be able to provide enough space for every student and the private market is an essential tool, but it is unacceptable for letting agents to exploit this demand by telling students to camp outside their offices for days, or provide huge bonds in order to secure a house.”

Cardiff Student Lettings was set up 4 years ago, providing a free service for students but charging landlords an agency fee. The agency has made a profit every year since it began, and it was suggested that OUSU might be able to earn money from the project to fund other student support services. The council resolved to look into both profit making and not-for-profit options.

Diggle told Cherwell, “As well as providing vastly increased protection for student tenants and charging them no fees, the [Cardiff] agency made £100,000 profit last year. Rather than commanding JCRs to push for a rent freeze, setting up an OUSU Letting Agency seems to be a much more effective tool for improving students’ accommodation.”

OUSU Rent and Accommodation Officer Eleanor Brown is currently investigating the logistics of establishing the agency, and expects to have completed an initial report by 6th week of this term. She told Cherwell, “You do find that students are exploited by landlords.” She also agreed that the problem is particularly prevalent for graduate students and international students.

The NUS already has a series of guidelines for student housing providers, but Diggle claims these are often ignored by landlords and agents in Oxford. OUSU has also been planning to release a code of standards for landlords and letting agencies next term, and these will now be considered alongside plans for the agency. Oxford Brookes currently runs a similar scheme to the proposal, linking students with a number of privately let residences each year through their ‘Stu-Rental’ shop.

Opinions at the meeting were divided on the proposal, with the primary concerns being the feasibility and financing of the initiative. Diggle suggested that with some research OUSU could make a strong enough proposal to the university to be awarded a grant for the start-up costs, however OUSU President Martha Mackenzie responded that it could be difficult to secure funding at this time.

Tom Beamont, JCR Vice-President and accommodation representative at Pembroke, commented, “Anything which improves the student experience of rental is obviously a good thing, especially any move towards reducing the extortionate agency fees paid by students in Oxford.”

Nearly half of Britons are ‘Next Generation Users’

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A new survey by the Oxford Internet Institute has revealed that nearly half of internet users in Britain are ‘Next Generation Users’, who routinely access the internet on the move using portable devices.

The researchers defined ‘Next Generation Users’ as people who access the internet using smart phones, tablets, and readers, or own three or more computers. They found that 44 percent of Britons fall into this category which is more than double the proportion found in 2007.

The study also looked at the type of people who were likely to use the internet in this way and found that annual income more than age determines who the Next Generation Users are likely to be.

Among students, the research found that 52 percent were part of this ‘Next Generation’ which was almost identical to the 51 per cent of ‘employed’ internet users of all ages who were Next Generation Users too.

Report author Professor William Dutton from the OII said, ‘There is too much focus on the sales of new products, like smart phones and tablets that miss the big picture captured by the Next Generation User.

‘The rise of Next Generation Users is reshaping how people use the Internet. The internet has become a central part of their lives, particularly in how they inform and entertain themselves. These users are not just passive consumers either; they actively create content for others.’

Co-author Dr Grant Blank from the OII said, ‘We have to think about more than simple access. How people make use of their access also matters a lot. Next Generation Users are changing lives for themselves and others through the use of multiple portable devices to stay connected with the internet, and this is creating a new style of interaction.’

One ‘Next Generation User’ and second year Historian, Elle Costigan, commented, “I have recently broken my blackberry and I feel totally lost without constant internet access for Facebook and BBM.”

Another second year Univ student who recently found himself literally lost on the way back from Lola Lo said, “after converting a good proportion of my student loan into Jagerbombs I sobered up in a cul-de-sac somewhere in the vicinity of Pembroke, and I’d probably still be there were it not for Steve Jobs.”

The report also looked into other aspects of internet usage and found, perhaps unsurprisingly, that young people are much more likely to use the internet. 99 percent of people aged between 14 and 17 use the internet, compared with only one-third of people over the age of 65.

Overall, internet use in Britain has grown from 59 per cent in 2003 to 73 per cent in 2011.

Another key finding was that more women than men engaged in social networking. 63 percent of female internet users compared with 57 percent of men who accessed the internet.

All Souls in library dispute

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A library donated over a century ago by All Souls College to the community of Kensal Rise faces closure after a High Court ruling supported Brent council’s decision to close it. The library was opened in 1900 by American author Mark Twain.

Campaigners are maintaining a 24-hour vigil outside the library to prevent workmen boarding up the building and taking the books away. It is believed that, owing to the covenant under which the library building was given to the community, ownership of the building will pass back to All Souls if the building ceases to be a library.

All Souls is one of the world’s most exclusive academic institutions: it has no undergraduate students, as its membership consists solely of Research Fellows.  Margaret Bailey, head of Brent Libraries SOS, said, “They have their Codrington library –  we should have our library”, reflecting her hope that even if ownership were to revert to All Souls, they would allow the building to continue to be used as a library.

The campaign to keep the library open has garnered much support and has raised over £35,000 towards legal fees. Thomas Seaman, the Estates Bursar for All Souls College, stated, “it is our hope that Brent Council and the campaigners can reach a solution which allows the building to keep on running as a library: this would be the ideal solution for us.”

Seaman added that the college has tried to persuade the council not to close the library by pointing out that the council will not, in any case, be able to sell the building or the land, since ownership will pass back to All Souls if the library is shut.

He warned, however, that if ownership were to revert to All Souls they would be unlikely to keep the library running, telling Cherwell, “All Souls is an institution committed to funding world-class research in Oxford. We cannot justify funding a library in Kensal Rise: that is the ambit of local government.”

Sainsbury wins Cambridge Chancellorship

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Cambridge University has elected Lord Sainsbury as its new chancellor in the first real contest for the post since 1847. The millionaire philanthropist succeeds the Duke of Edinburgh who held the title for 34 years.

While the role is largely ceremonial, the recent choice was more contentious than usual after a number of candidates, including a popular local shopkeeper, were put forward.

Sainsbury is a Cambridge graduate and has donated millions of pounds towards science facilities at the university. He worked for the family business Sainsbury’s, rising to chairman, and previously served as government minister for science – a position he held under Tony Blair’s premiership.

The other contenders for the prestigious title were the lawyer Michael Mansfield QC, actor Brian Blessed and Abdul Arain, owner of Mill Road’s Al-Amin store. While Sainsbury gained over half of the vote, many students backed Arain’s campaign in a demonstration of solidarity with small shop owners.

Campaigning spread to the social networking site Twitter, with a plea that academics cast a vote for ‘Anybody but Sainsbury’. The Single Transferable Vote system used by the university means that a candidate requires a majority of first-preference votes to be sure of victory.

Speaking about his victory, Sainsbury commented, ‘I am pleased and honoured to have been elected as the next chancellor of Cambridge University and would like to thank all those whohave supported me, and the other candidates who have made this such a friendly election.’

Some students were unsurprisingly disappointed in that respect. Matthew Johnson, chairman of the Cambridge University Conservative Association said Sainsbury’s political background was “a drawback for my association”, though he added that he felt the new chancellor was a “charitable, intelligent and successful gentleman”. 

There was some disappointment with the level of turnout for the election. While the University had predicted that 8000 votes would be cast, less than 6000 made it into the ballot box.