Thursday, May 1, 2025
Blog Page 1788

From Europe with Love: The Final Countdown

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Our arrival in Vienna was a little short of smooth: bowling into the city at half eleven meant half an hour before the hostel (which was, helpfully, in an unknown location) closed check in for the night. Thankfully, after twenty five minutes of tripping over various tram rails with our bags, we managed to find it and crash out for the night: it’s amazing how tiring train travel is, and how sitting in a chair for five hours becomes exhausting!

Vienna was a short stop, but we got a chance to see a lot of the city: it’s clean, modern and full of unexpected things for the casual tourist to see. Our first day consisted of being soaked in torrential rain as we walked around the old Hofburg palace and buildings in the MuseumsQuartier of the city; such a contrast to the baking heat of Croatia. The British summer returns, then! Coming to Austria also meant going back to real prices and “real” money- it was all too easy to wantonly spend, feigning a misunderstanding of the Croatian Kuna.

We quickly found out that there are quite a few unmissable things to see in the city, despite Vienna not being one of the more obvious places in Europe to visit. Blagging our way across the baffling S-Bahn system (with, worryingly, only my broken GCSE German to help us) on our Interrail passes, we visited Prater, a huge park which is also a permanent fairground. Admittedly, eight euros is a little painful in exchange for a wooden London Eye lookalike, regardless of the view of the city, but the area is pretty amusing for a couple of hours. Vienna also boasts the Hundertwasser Haus, a crazy architectural feat built in the late eighties: we wandered for about an hour to find it, despite it being dubbed as the “most visited monument in Vienna”. Right. It is, however, astounding: a block of social housing made up of uneven floors painted in an array of bright colours, with fluid lines of metallic brick criss-crossing it, and the odd tree sprouting from a window to boot. It’s eccentric, vibrant and really worth a see! Witnessing all this artistic splendour works up an appetite; we gave into temptation and ate Schnitzel: an escalope which is suspiciously like a chicken burger, but made good preparation for the five hour train to Prague awaiting us that evening.

The Czech capital is raved about by almost everyone who has visited, and I definitely did not want to be let down by this one! Our hostel, the Old Prague Hostel, was a real find, located just a ten minute walk from the main square. It’s amazing how much public transport costs, and it was definitely the time to tighten the budget (what budget?!) three weeks in to the trip! Freed then from the burden of the rucksacks, venturing out into the old town failed to disappoint. Despite crawling with tourists (the most amusing being the large German group taking the segway tour of the city, quoted as “the coolest way to see Prague” by one naive user), the central area is truly atmospheric, and possesses a northern feel which really suits the overcast sky, much as we regretted the lost days of sun behind us.

Climbing the clock tower was an ideal way for us to witness a view of the city, which is so beautiful with terracotta tiled roofs next to sooty stone towers and spires: really evokes a sort of gothic, fairytale feel to the whole area. Prague castle and the cathedral were well worth the visit, sitting on top of a hill across the river, which we crossed via the old bridge: rows of impressive, if slightly scary, statues of saints line the sides, whilst imposing gates with spires frame each end.

Our experience in Prague at night was equally atmospheric, after a near-disaster cooking dinner in the hostel kitchen (a cheap option, granted, but not exactly easy with three groups of six trying to prepare meals at once around one stove and one work surface, with ten plates between us all). Our main focus, however, was on the beer, which was sold at the equivalent of 98p per half litre. And was, unbelievably, very good! We decided to avoid the slightly embarrassing British alcohol-tourist look by ditching the recommended bar and pub crawls which suck in hundreds of tourists each evening in the city, but after experimenting with the supposed local tradition of beating tankards on the table with each new drink it became clear that we were just as cringeworthy.

Booked onto a night train to Amsterdam, we spent our last day in Prague seeing the Communism Museum: a slightly bizarre choice, but a really interesting insight into the history of Czechoslovakia which only split a few years before we were born. The days spent before boarding a night train are always slightly like purgatory, as we were working towards a deadline: the only option we could see was to eat more filling and delicious Czech food and indulge in more of the cheap beer, before buying some additional food for the train (not that we needed it!). In true student style, we were won over by hare pâté at a French market: add a couple of cartons of red wine, and some dark chocolate, it’s the perfect range of, ahem, budget snacks. Or, the bill of fare of several wannabe eccentric academics: perhaps not the best idea of the trip!

The night train was largely uneventful, even if a six person couchette is a huge squeeze. Having never visited Germany before, it was surreal to go through Dresden and Berlin in the evening and to wake up having just left Dusseldorf in the morning, yet this was all part of why the night rail journeys are so important (although making the most of the interrail pass and booking a bed is absolutely essential!) We reached Amsterdam, groggy and hungry, at 10am, where we were escorted as the last ones off of the train by an angry guard, who began by barking “Aus” as it became apparent that we were in no way ready to get out of bed. Nevertheless we soon met another friend from Pembroke who lives in the Netherlands, with whom we would be staying for the weekend: a great opportunity to see the city without panicking over directions!

Amsterdam is picturesque with its network of canals (all of which look exactly the same): this is rather incongruous as streets open up into the red light district, with women in windows even in the morning! Equally surreal was moving on to the Anne Frank house, a completely moving exhibit of Anne Frank’s diary and the hidden annexe: despite having become a clichéd destination for tourists, it was desperately sad and thought provoking. We spent some time in the Van Gogh museum, too, which shows the life of the painter through a chronological exhibiting of his works. It’s a very well thought out exhibition, in fact, as certain famous paintings such as “Sunflowers” do not stand out, whilst you find other brilliant works, such as some of Van Gogh’s oils which take influence from older Japanese artworks.

Staying with our friend’s family meant home cooked meals (heavenly after three weeks of surviving on our own) and great hospitality, but also an experience of the rural area of the Netherlands that is actually known as Holland. Canals are everywhere and the landscape is, as expected, totally flat: we witnessed a change as a huge thunderstorm moved in overnight, in which I saw the most forked lightning that I have ever seen- a really inspiring experience!

Our final leg of the journey took us to Brussels, in which we stayed in the house of one of the companions travelling with us. People have mentioned to me that Brussels is “boring”, but this certainly wasn’t the case! The city centre alternates between modern (and very dominated by the EU presence there) and historic, with the main square being made up of overwhelmingly ornate buildings. Even in September, it seemed Christmassy! The famous sights of the city such as the strange manneken-pis and the atomium pale, however, in comparison with the Delirium Café: a huge multi-story pub which stocks 2004 different types of beer. Quite an experience and a definite crash course in Belgian-beer-for-dummies!

The final visit that we made was to Bruges, an hour’s train away from the capital. The city is most like Toledo and Prague in being very preserved in a tight and quaint historic style, and we saw quite a few old churches: not necessarily the most fun way to spend an afternoon, but the Basilica of the Holy Blood in the centre of the town is really worth a look. We completed the day with a boat tour in what was, essentially, a teacup which was alarmingly tipping at the rear where I was sitting, and more draught Belgian beer in a recommended student pub (having a friend who lives locally is such an advantage!). Such a fairytale city was a fitting way for me to leave the trip, boarding the Eurostar (with a discount ticket procured through a chance last minute booking) back to Britain, home comforts, and the reality of the majority of a reading list and assorted other chores to complete before the next term begins. It’s true, however, that interrailing is an opportunity that you can really make the most of as a student, and I’m sure that the experience will seem like a beacon to me in the middle of an essay crisis next term. Any tips that I can give? Overbudget, as you will spend everything. Always book hostels with provide free breakfast. Do drink the local beer. And always, always wake up on time when on a night train!

Amsterdamned: One

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Now, I’ve been to Amsterdam before, but under quite different circumstances, and with my family. Understandably, this particular jaunt avoided Amsterdam’s more infamous attractions, and focussed rather more on museums and historical sites (apart from one memorably awkward instance when my granddad and I wandered into the red light district, but that’s another story). But this time would be different. This time I was going with my friends Will, Dave and Mark, staying in a youth hostel and exercising our independence in one of the most exciting and debauched cities in the world.

It sort of worked.

As soon as we arrived, we tried to get to grips with the public transport system, and found it infinitely confusing. We found that on the trams you could only buy an hour return ticket, but there was no real mechanism to prevent you from just getting on the bus and then just leaving without paying. Obviously we were good citizens and didn’t take advantage, but I was struck that this was a very different kind of place — where in Britain would they trust you like that? Soon we were at the hostel, The Flying Pig Uptown, and this too was a new experience for me — I’d never stayed in a hostel before. I’ll be honest, I found the relaxed attitude and informality a little jarring at first, but soon I got used to it and really enjoyed the friendly, casual atmosphere there. After a brief unpack we hit up a cheap Italian place for some food, then went to one of Amsterdam’s ‘Brown Cafes’ for a few drinks and some cards. We found this great little place (it didn’t seem to have a name) full of both locals and a couple of tourists, and we stayed there until closing. During our time there we sampled a drink unique to the Netherlands and Belgium, ‘Jenever’, a potent drink distilled from Juniper berries. English gin evolved from the drink, and I quite enjoyed it — it was very strong but malty, and warmed me up for the evening.

Upon returning to the hostel, hoping to get acquainted with our room-mates, we were surprised to find them all tucked up in bed. Instead, we went down to the hostel bar (which was also pretty quiet) before we called it a night.

The next morning we got up at an almost unholy hour for teenage males (10!!!!) to take advantage of our included breakfast, before taking to the pavements to explore the city a little. Unfortunately we’d picked a week of poor weather to travel, so torrential rain put paid to our cheerful ramblings, and after we’d seen the War Memorial in Dam square (and one sodden magician attempting to perform) we took shelter in the ‘Oude Kerk’ (Old Church) of Amsterdam. This church was first consecrated in 1306 but now placed rather incongruously in the main red light district. The Oude Kerk has this massive carved wooden infrastructure, very different from anything I’d seen before and very impressive even though it was going through one of many renovations due to years of disuse. Much of the stained glass had also obviously been pretty beaten up, but it was still quite engaging (although admittedly we paid more attention to avoid the rain outside). Once the rain had eased off a little we headed out and accidentally (honest) plunged straight into the heart of the red light district. Admittedly it was a Tuesday afternoon, so it wasn’t exactly the last days of Rome out there, but we still saw an awful lot of what Amsterdam had to offer. If I’m entirely truthful, I found it a bit off-putting having all these scantily clad women staring at me from less than a metre away behind glass. It was hard not to feel like a bit of a perv just by being there. The rest of the district was a mass of sex shops, sex theatres and weed cafes, but mixed in with very ordinary homes and businesses. I thought that there was a great sitcom idea in the man who opened a bike shop in between two brothels. Make him a strict Roman Catholic and we have a series!

The next day was our day of debauchery, starting with us taking a swing at The Sex Museum. The result was slightly harrowing, not helped by the pneumatic dummy of a flasher or the overweight, naked prostitute dummy that shot out of a wall screaming at me (but didn’t seem to be triggered by ANYONE ELSE). I was also slightly traumatised by all the ancient plates and artefacts decorated with sexual images and phalluses, realising the extent that museums had concealed from me over the years. Still, the Victorian porn was quite funny. Great muttonchops! After all this excitement we reckoned we could use a stiff drink, so we undertook a seven-hour bar crawl. Maybe a bit of overkill, but it was a lot of fun. We flitted between six different clubs and bars, taking what free drinks we could, even if it was just a manly white wine or a cinnamon shot. It was a great night, with loads of great happenings like Dave’s success with some young ladies from Sheffield uni (one, a Cambridge resident, seemed determined to tear into me for being an Oxford student — does the rivalry extend to residents? I didn’t think it did), and Will taking two stomach punches from bouncers for free drinks (one of which he gave to a tall Australian girl like a chump, who disappeared straight afterwards). We found ourselves scraping the barrel of what burger king had to offer at 3 in the morning before we retired to our hostel to further demonize ourselves in the eyes of our room-mates by being noisy. An appropriate end to the night, I think.

To be continued…

Festivals: Do and Don’t

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Having just come back from Bestival, with Reading a couple of weeks before that, I’ve come up with a handy list of ‘do’s and ‘don’t’s that you can learn from for next summer.

Don’t forget that it’s a music festival, not a weekend camping. You may as well see a few bands. You never know, you might even like them.

Do pace yourself. Festivals are more of a marathon than a sprint. While it always seems like drinking everything you can lay your hands on during the first day, when there’s not even music to act as a distraction, is a good way to pass the time, the three day long hangover afterwards tends to get in the way of the rest of the festival. Sleep is another one to watch. While it seems like a great idea at the time to challenge each other, in the spirit of ‘laddishness’, to a contest of who can avoid going to sleep first, with the threat of a quasi-homoerotic bukkake session for the loser, at about six when the sun rises you tend to realise how badly you’ve misjudged the situation. Or just wake up a little bit sticky and with nowhere to shower.

Don’t go in fancy dress unless it’s appropriate. For some festivals fancy dress is practically encouraged, for others it tends to be the territory of those desperate for attention or just so far gone they have no idea what they’ve been dressed up in. However at others, normally the more ‘boutique’ ones (for those fluent in festi-speak), fancy dress is something practically encouraged, and not dressing up immediately marks you out as one of ‘those people’, the sort that turn up to bops without a costume or have just come as ‘insert character here on their day off’. And nobody wants to be one of those people.

Do check the tent before you go. I made the mistake of believing that the tent I had left in the roof of my garage five years ago would definitely be in exactly the same condition that I had packed it away in. I was proved very, very wrong. Having raced to find a campsite and get the tents up before it started raining I opened up the tent bag and pulled out the tent, only to find it tearing like tissue paper. This led to a trip to the nearest camping shop, in the rain that I had been trying to avoid, to buy a tent that I’m pretty sure I paid twice what it was worth. The only saving grace was that after the festival I took back my tent, claiming it leaked, and managed to get a full refund.

Don’t bother collecting cups. While I’ve heard at some festivals collecting cups can be relatively easy, profitable and carries little social stigma, at Reading these points definitely do not apply. While 10p a cup may seem like it initially stacks up, you’ll probably spend well more than that on the £5 pints needed to make the task of clambering around on the floor, picking up screwed up bits of cardboard on the floor (or even worse, begging strangers for their cups) bearable.

Do remember appropriate footwear. If it rains, bring wellies. If you don’t your feet are going to know about it and you’re going to regret it, trench-foot makes for one of the worst festival souvenirs (get a t-shirt instead, if you must). Always remember a comfortable pair of trainers though, or any sort of shoe that is designed to actually fit feet. After four days of wearing wellies you’ll realise the person that designed them must have had an element of masochism about them; your soles will feel as though they have lost a boxing match with the floor while your little toes are not likely to ever be the same again.

Don’t plan to buy all your food and drink there. The local supermarkets will be very busy. Literally, it’s like a nuclear war has been announced and panic buying has set in, except if everyone panic buying was already drunk and unable to push the trolley in a straight line. You’ll get overwhelmed by the choice of food, when all you can really keep for longer than a day is biscuits and crisps (give up on the five-a-day/any sources of protein, carbs are your friend), and while the beer may be cheap, your muscles will not let you forget about it when you’ve carried two crates a couple of miles through the mud. Equally buying your food on-site is a no-go, unless you’ve recently won the lottery. Festival supermarkets charge M&S prices for Aldi goods, and the hot food stands think nothing of charging you £5 for a burger WITHOUT CHIPS. Saying that, if you are buying your food there choose Bestival’s range of freshly made and locally sourced food, which ranges from paella to sausages, as opposed to Reading’s ‘variety’ (the highlight of which is a giant Yorkshire pudding stand).

Do choose your spot carefully. Your spot very much depends on your outlook, as well as the festival. At Reading the further forward you get the less space you get to stand in (until you get so far forward you are just being held up by other people), and as soon as the music starts you will need to use all your concentration just to stay up as everyone decides to drunkenly make some space/surge forward. This will happen in any band. Seriously, I was once forced to mosh to an acoustic Mumford and Sons performance. Further back tends to give you a bit more space and a chance of actually seeing the band/enjoying the music, as opposed to this just being a soundtrack to your survival attempts. At Bestival you’re probably a bit safer, everyone’s too busy skanking to think about anyone else.

Don’t forget to charge your phone. The music is best enjoyed with friends, and I can guarantee that as soon you enter the arena you’ll lose them. I have literally been behind someone in the queue and managed to lose them within five seconds of getting in, and meeting points are a great idea until its five minutes before the band starts and you suddenly realise there is more than one ice cream van by the side of the stage.

Do explore the other things on offer (sometimes). At some festivals the music is just the beginning, at others it’s very much the end. At Bestival I danced to 80s classics in a fake hollowed-out tree, to blues in a grungy bar, heard some reggae and chilled on some hanging benches, all after the main stages had finished. On the other hand when the music ends at Reading you may as well go to bed (unless you want to brave the 500 capacity silent disco, which for a site of 90,000 is a bit small and tends to lead to queuing).

Don’t trust the weather forecast. It’s never right. If it says it’s going to be sunny, bring waterproofs. If it predicts rain, bring a pair of trainers.

Government backpedals on tuition fee policy

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Universities will be offered incentives to lower their fees as part of the government’s recent adjustments to its policy on tuition fees.

A recent study by the Higher Education Policy Institute (HEPI) has outlined several problems that may result from the policy outlined in the initial White Paper on higher education released in June.

When the White Paper was published the government expected that most universities would opt to charge an average of £7,500 for tuition with only a few élite universities charging the maximum level of £9,000. However, the vast majority of Universities have declared that they will charge £9,000 which has caused the government to rethink some of the details of their plans.

Benjamin Maconick, Keble student and co-chair of the Oxford University Liberal Democrats, acknowledged the government’s error of judgement, commenting, “It probably was a mistake of the government not to foresee that a lot of universities would charge £9k as a ‘prestige’ marker.”

Maconick predicted that the situation may correct itself naturally, saying, “I think common sense will work its magic and students will realise that universities such as Southbank are not worth £9k a year, and will hopefully stop applying there.”

The government’s latest proposals aim to discourage universities from charging more than £6000, by limiting the number of students they can take on. However, universities will be free to take as many students as they want with AAB or higher at A-level, as the limitations only apply to students with lower grades.

The HEPI report raised concerns that these plans will leave universities less inclined to admit students with high potential but lower grades which could increase the bias towards independent schools.

The Oxford University Press Office responded by saying that this aspect of the policy will not affect Oxford as the University “will continue to look for those with the ability and potential to succeed here, but with more than 33,000 students getting AAA every year and more than 17,000 applicants to Oxford, the University’s standard AAA offer will not be changing any time soon.”

The HEPI study added that the need for Universities to compete for the top students may cause scholarships to become more “needs blind”, to which the Press Office said, “From 2012 Oxford’s fee waivers and bursaries will provide the greatest support for the poorest students of any university in the country, and this is a fact in which the University takes great pride.”

The government has also recently released proposals to charge penalties to graduates in England who repay their student loans early. The aim of the proposal is to prevent students who don’t need loans taking them out, putting them in an interest-earning savings account and paying them back at a profit.

James Lawson, chairman of the Oxford University Conservative Association commented: “Early repayment penalties are only one idea in consultation. The government will continue to review its policies in order to maximise fairness and quality in education.’

Meanwhile Benjamin Maconick of OULD, though agreeing that “the new system is undeniably progressive”, took a more negative view on this specific aspect of the government’s plans saying that the policy would cause unnecessary harm to “students from less well off backgrounds for whatever reason wanting to pay off their loans early, for example by being particularly fiscally prudent etc.”

In a report submitted to the government on Wednesday, a large group of academics, including several members of the Oxford University Campaign for Higher Education, declared that “the aim of increasing social mobility is likely to be frustrated by devices such as removing the numbers cap for AAB applicants, which will tend to concentrate students from private and public schools in the ‘top’ universities.”

The report is Oxford academics’ second major display of opposition since they voted for a motion of no-confidence in David Willetts in June. In it concerns were also raised about the forcing of market mechanisms into higher education and the encouragement of the creation of different types of higher education institutions including private universities and examination institutions that do not teach.

It concluded that the coalition’s tuition fees policy has “no vision for the medium or long-term and demonstrates a worrying lack of foresight about the foreseeable consequences and level of risk which attends the proposed experiment.”

Review: Bombay Bicycle Club – A Different Kind of Fix

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For a young band to radically change their sound from one album to the next can often be a bad sign, especially in regard to their future. It suggests a fundamental difference within the band about what kind of music they should be making. Think of Panic! At the Disco’s change from the angst-ridden teen emo of A Fever You Can’t Sweat Out to their 60’s pop-inspired sophomore effort Pretty Odd complete with Beatles-esque melodies and hair. They split soon afterwards.

Bombay Bicycle Club underwent a similarly momentous shift from their 2009 post-punk inspired debut, I Had The Blues But I Shook Them Loose, to their second album Flaws, essentially an acoustic folk album. However, upon hearing A Different Kind of Fix, Bombay’s third album, the change in genre makes sense. The electric guitars and the major keys are back but the lush sound of Flaws along with its more mature song structures and frontman Jack Steadman’s soulful folk-developed delivery remain. The result is impressive and the ease with which Bombay Bicycle Club have managed to change their style betrays their extensive musical talents. A Different Kind of Fix is incredibly consistent throughout, and its line-up consists of beautifully melodic songs. Stand-out tracks include album opener ‘How Can You Swallow So Much Sleep’ and the brilliantly infectious and hook-filled first single, ‘Shuffle’, which will undoubtedly have the listener producing a few outrageously dancey shoulder movements whilst mumbling along in an attempt to harness the energy, if not the sense, of the chorus.

The album also exhibits a far denser layering of sound than was present on their previous records with more sophisticated studio techniques being employed. This strengthens the moodier songs, such as ‘Bad Timing’ and ‘What You Want’, by creating the kind of enveloping and atmospheric tone similar to artists such as Wild Beasts, as well as using keyboards and synthesizers to infuse the more upbeat tracks with urgency. There is a nod to Flaws during the simple acoustic verses of ‘Beggars’ but A Different Kind Of Fix sees Bombay Bicycle Club move towards a bigger sound that will surely spark renewed interest in their output.

Review: Laura Marling – A Creature I Don’t Know

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When Laura Marling released I Speak Because I Can in March last year, she had the nation’s music press climbing over each other to lavish her with ever-more stratospherically high praise. At last, one of the starlets of the British ‘nu-folk’ scene had made something both complex and enduring; truer and more nuanced than the Mumfords’ bloated banjo-rock, yet less aggravating than Billy Bragg soundalike Frank Turner. On I Speak, Marling demonstrated how she had matured into a writer capable of creating some of the most poignant, emotive, and mysterious songs of a generation.

While A Creature I Don’t Know marginally fails to match those dizzying heights, it is a more than a commendable continuation – if not a great evolution – of its predecessor. Many of the tracks on here would be at home on I Speak: in particular, ‘Don’t Ask Me Why’ gradually works a pretty opening riff up into a subtle, strings-infused number not dissimilar to the softness of ‘Blackberry Stone’, while on lead single ‘Sophia’, Marling’s voice hits the sweet spot between the flighty, ethereal quality of Joanna Newsom and the huskiness of Blue-era Joni Mitchell. Nevertheless, several of the arrangements on A Creature see Marling at her most adventurous to date: opening gambit ‘The Muse’ dissolves into deliciously jazzy piano licks, while the jaw-dropping ‘Salinas’ cheekily catches one unawares with a crunchy mid-track guitar line. There are times, such as on ‘I Was Just A Card’, when a lack of gutsiness gives the song’s texture a somewhat naff, mum-rock feel, but by and large, each song hits its mark.

Lyrically, Marling plumbs depths yet darker and more difficult than on her last full-length. Her stoic sense of humour and her masterful manipulation of allegory, which blossomed on last year’s LP, has now ripened fully into (whisper it quietly) an almost Dylan-esque writing style. Never has this been heard better than on ‘The Beast’, a sprawling, roiling colossus of a song which conjures the blackest, most animalistic spectre of mankind and infuses it with macabre images of nooses, violence, and female submission. As on I Speak, many of the tracks deal with the burdens of womanhood and her turbulent (and often unfulfilling) relationships with men: ‘He screams in the night/I scream in the day/We weep in the evening/And lie naked and pray’ sings she on ‘Night After Night’, seemingly an unfaithful wife’s lament to a marriage now bereft of love.

Laura Marling may only be twenty-one, but she already possesses a body of work to which an established mainstay of the indie-folk realm would well aspire. A Creature I Don’t Know is another dazzling addition to her portfolio; while many tracks revolve around the sombre, brooding folk music she clearly adores, the blither, fuller instrumentation on much of this new material could represent an interesting point of departure for her future work.

Cows, Combines, and Country Bumpkins

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An old farmer with his Massey-Ferguson. 

 

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Splitting logs. 

 

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Straw bailer. 

 

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Tagging a newborn bull calf. 

 

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Cow and calf. 

 

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Herding cows across the marshes. 

 

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Rounding them up. 

 

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Farmer. 

 

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Blocking the road. 

 

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Show jumping. 

 

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Galloping through the surf. 

 

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Rearing yearling. 

 

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Ramshackle farmyard. 

 

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Yar valley. 

9/11- Ten years on

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Few events have had the impact of the terrorist attacks that occurred on September 11th 2001. At a stroke, the sense of American invulnerability that had been in place since the end of the Cold War was wiped away. Americans and the rest of the ‘Western’ world had to face up to the fact that their own methods of transport, the arteries connecting the globalised world, could be used against them. Ten years on from those attacks makes a convenient point to assess how the European powers and America have dealt with this threat.

An obvious but easily overlooked point is that the fallout from September 11th has spawned measures that have an impact on us all. Airport security was given a radical overhaul (necessary given the failures of September 11th). The previous emphasis on ease of transit was replaced with a desire to minimise risk, however time consuming. In the UK, public spaces have become more closely policed, while unattended bags, once assumed to be innocent things destined for the lost property depot, can bring places to a standstill. Given the number of thwarted terror attacks in Europe and America since 2001, it seems that these measures have had significant success in stopping additional terrorist attacks. At the same time however, Western cities have become more paranoid, increasingly closely policed places. Age old rights such as not being detained for longer than a set period without trial have also been sacrificed (notably in the case Guantanamo Bay). Combating terrorism within European and North American states has come at a price.

Domestic politics in the West has also been moulded considerably by the events of 9/11. In America, for centuries self-styled ‘land of free’, the PATRIOT Act was passed in October 2001, which gave the central government unprecedented power to intrude into individuals’ correspondence and records. Other governments have passed similar measures, infringing upon their citizens’ liberties in an effort to combat terrorism. An increase in Islamophobia, can also be in large part attributed to the attacks of September 11th 2001. Rhetoric aimed at inspiring support for ‘the war on terror’ was sadly in some cases conflated with hostility to Islam in general. Groups such as the English Defence League in the UK have been able to form and find support due to the negative connotations attached to Islam in the minds of some after 9/11. Likewise the Tea Party movement, rooted in Conservative Christian ideology and at times openly hostile to Islam, has become a significant political force in America. In some respects therefore the terrorists behind 9/11 have acheived one of their key aims; an end to tolerant multiculturalism and its replacement with polarised radicalism. European and American governments have been forced to compromise some of their citizens’ most fundamental rights, while multiculturalism has come under considerable strain in some areas. It is perhaps a measure of the West’s resilience that the urge to pass even more oppressive legislation has been resisted and that in many multicultural areas people have united together in the name of moderation.

The shift to an interventionist foreign policy by the NATO powers, recognising that unless they were proactive the threat from Al-Qaeda would only grow, was also heralded by the events of September 11th. Wars in Afghanistan and Iraq arguably defined the decade after 9/11 and led to regimes hostile to the US and NATO being removed and the capacity of terrorist groups to operate being significantly reduced. This success has however been tempered by the propaganda boost given to Islamic militants who have been able to portray America in particular as a ‘crusader’ state and whip up resentment over civilian deaths at the hands of the occupying forces. Obama’s efforts to reach out to the Middle East and the seemingly successful intervention in support of the Libyan uprising may in time help to change the negative views of the West that the ‘wars on terror’ helped to create. The US and European powers may well have successfully mitigated the threat terror poses to them since 9/11 but at the cost of their diplomatic relations and standing in the Middle-East in particular.

Ten years on, the fallout from September 11th has produced no clear winners. Al-Qaeda has been harassed and severely damaged operationally; indeed fewer US citizens died from terror attacks in the decade after 9/11 than they did in the decade before. The death of Osama Bin Laden earlier this year, will have given many renewed hope that the threat of Islamic militants can be crushed once and for all. The still inconclusive situation in Afghanistan however shows the scale of the struggle that is still to come. It might be decades until the ‘war on terror’ is definitively won. The terror attacks of 9/11, abhorrent and devastating, were designed to instil the maximum level of fear in western populations. The security culture the attacks led to, measures such as the PATRIOT Act, which it has been argued infringed too greatly on citizens’ rights and liberties and the rise in Islamophobia can be seen as manifestations of that fear. The last ten years for the West have been a delicate battle between taking measures necessary to stop terrorism and not overreacting and inflaming opinion either internationally or at home. It remains to be seen if they have struck the right balance.

Guardian recognises Oxford journalists

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Oxford publications and writers have been nominated in several categories at the 2011 Guardian Student Media Awards, as the panel drew up their shortlist this week.

Cherwell itself is one of five contenders for Publication of the Year, and will go up against publications from Kingston, York and London universities. It has a history of success at the awards, having been nominated in the same category last year, and having won the award for Website of the Year in 2008.

The Oxonian Globalist, the website of Oxford’s international affairs magazine, is nominated for Website of the Year in the 2011 awards, going up against publications from Birmingham, Warwick, Southampton and Liverpool.

Individual Oxford journalists have also been recognised in the list of nominees. Lizzie Porter, who is editor of The Oxford Student for Michaelmas 2011, has been nominated for Reporter of the Year. Porter has already won the Anjool Malde Memorial Trust award for excellence in student journalism this year.

If she wins the category, it will mark the second year running that an Oxford student is named Reporter of the Year, as Camilla Turner, former editor of Cherwell, won the accolade last year.

In addition, Alex Dymoke, former joint editor of Isis, is in the running for Feature Writer of the Year, while Mehreen Khan (a History and Politics student at Trinity who writes a sports blog) and Helen Robb, a writer for Cherwell, are both contenders for Columnist of the Year.

The final winners in each category will be announced at a ceremony on 23 November.

Hello Stephen: Introducing leggy blonde, Steve Merchant, 36.

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You’ve just started your first stand-up tour, ‘Hello Ladies’. Is this something that’s been in the works a long time, or just a hare-brained scheme to meet women? What can we expect from the show?

I did stand-up after I left university and I was a finalist in some comedy competitions. I was good enough to get paid and I used to gig regularly, but somewhere along the line I lost interest. Once The Office took off, it just seemed easier not do it. I didn’t get enough of a kick from performing to warrant driving up and down the motorway to gigs, eating Ginsters in service stations at midnight. I used to look at Ricky doing stand-up and think, ‘Why’s he bothering? It’s so much effort.’ Then I just woke up one day and I had the itch again. I felt I’d never really nailed stand-up. So I started doing five or ten minute slots here and there and I’ve been pottering around the circuit for a few years now. This tour is the result of that itch. The show is about my failed search for a wife and how I thought fame would be the answer to everything and it isn’t. My life has always revolved around my search for a mate and the show explores every aspect of that, from teenage hopeless ness to the time I got thrown out of a wedding. It’s very confessional.

It’s been a while then since you’ve been on stage by yourself in front of an audience, and the first time since the huge success of The Office, Extras, The Ricky Gervais Show and your other work. How different is it playing to a room full of people who, for want of a better phrase, know who you are?

It’s tricky because different audiences know me as different things; as an actor or from the podcastsor from chat-show appearances – and each of those is different from the stand-up ‘me’. If you go and see, say, Jack Dee, you know that he’s going to be grumpy and dead-pan – but audiences don’t know what to expect from my stand-up show. But basically, as long as you expect something honest and very physical and surprisingly sweaty you’ll be pleased.

You’re a week in so far, with the tour ending in New York just before Christmas. How is ‘The Road’ –and the accompanying rock ‘n’ roll lifestyle that we can only imagine – treating you?

Backstage at a theatre is the least sexy place in the world. The dressing rooms are about as glamorousas a boys changing room after a school rugby match in the rain. If the rock ‘n’ roll lifestyle is a cup oftea and a sandwich from M&S, then yes, call me Keith Richards.

This is your first major solo creative project since working with Ricky. Is it more difficult writing alone, or do you appreciate the peace and quiet?

Writing on my own isn’t a problem, it’s just that writing a stand-up act at all is hard work. I don’t find I can just sit down and write stand-up. It has to evolve over time on stage. Or an idea will occur to me on the way to a gig and I’ll try it out, then refine it each time I go back on stage. The audience is my writing partner in a way, because they tell me what’s working or what’s unclear or what’s simply not funny. Awriting partner that doesn’t get paid, obviously. Make that clear.

Have your podcast colleagues seen the show yet? Have you had much support or feedback from Ricky? And how about from Karl [Pilkington, former producer and butt of the jokes in both the Ricky Gervais podcast and An Idiot Abroad]?


Ricky will probably wait for a free DVD so he can watch it as home in his pajamas. I run ideas past him sometimes but mainly I learn what I need to know from the audience. They either laugh or they don’t.That’s all that you can go on in the end. I don’t think Karl even knows the stand-up show is happening.He’s too busy filming the new series of An Idiot Abroad [Sky1 HD, 23rd September]. This time we’ve made him compile a bucket list – things to before you die. Karl chose things like whale watching and swimming with dolphins. Obviously Ricky and I have meddled as usual, so he doesn’t realize he’ll actually be swimming with sharks.

As well as Hello Ladies and the return of An Idiot Abroad, there is also a new project with Ricky Gervais and Warwick Davis, Life’s Too Short [BBC 2, this autumn]. Ricky has described the latter as ‘the life of a showbiz dwarf’ – can you add any more?

In real life Warwick Davis is an actor – he was in Return of the Jedi, Harry Potter – and he’s happily married and a nice guy. In Life’s Too Short Warwick is playing a fictionalised version of himself. He’s hustling for work and contending with a divorce, a failing career, a giant tax bill and being only 3’6′. Warwick is exceptional in it: great at comedy and drama, tremendous at physical comedy as well. He throws himself about with such abandon. I think people will be amazed at how good he is. Also in the show he often bothers Ricky and I for work because he knows us having appeared in Extras. And like in Extras, big stars pop up on occasion.


The BBC have confirmed an impressive list of guests, including Johnny Depp, Sting and Helena Bonham-Carter, as well as returns for surprise Extras highlights, Keith Chegwin and Les Dennis. Has it got to the stage now that you and Ricky can pick up the phone to work with almost anyone? Haveyou had any rejections from people you’ve been desperate to get involved – or are you standing at the doors like bouncers turning away a queue of disappointed A-listers?

I wouldn’t say they were queuing up but lots of stars have made it known they’d be up for doing something with us. Or sometimes we meet them on our travels and try and persuade them on the spot. I think they enjoy doing it because it’s a great release for them to take the piss out of their public image and defy audience expectations. And they always have fun. Actors love to act and we give them loads of time and freedom to do that. There’s no sitting around in trailers for hours while we get the lighting just right. They come in and we start shooting. It’s a playdate for them.

Have you ever had a guest-star, for Extras or Life’s Too Short, who just didn’t get the joke?

No, because we never spring anything on them. Everyone who agrees to be in our shows knows what they’re getting into. They talk with us beforehand and we explain the idea. It’s not a stitch up. What is more likely is that they will add something during the filming. Johnny Depp improvised some brilliant stuff in the new show. And Les Dennis threw in some extra lines that were hilarious. For instance he was supposed to be making love to a woman in the dark at the end of Extras and he shouted his old Family Fortunes catchphrase: ‘If it’s up there, I’ll give you the money myself…’ Inspired.

 
So we can now add ‘stand-up’ to Stephen Merchant, writer, director, actor, producer, DJ andbroadcaster. Have I missed anything, and what’s next?

If this tour goes well then I’ll be getting married to a gorgeous wife on some tropical beach on Christmas Day. Of course what’s more likely is I’ll be sat at home in pants watching The Great Escape.


Finally, I’ve noticed that articles and interviews you’re involved in tend to carry less than complimentary tag-lines, along the lines of ‘Ricky Gervais’ lanky co-writer’. This can’t help with the ladies, so I was wondering if you could suggest anything more appropriate for this one?

Leggy blonde Steve Merchant, 36.

Stephen brings ‘Hello Ladies’ to the Oxford New Theatre on the 29th and 30th of September. Tickets are available from Livenation.co.uk.The second series of An Idiot Abroad begins on Sky1 HD on the 23rd September. Life’s Too Short will transmit this autumn on BBC 2.