Monday 6th April 2026
Blog Page 1808

Chief Exec of Student Loans Company avoids taxation

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The chief executive of the Student Loans Company has not paid Income Tax or National Insurance on his £182,000 pay packet.

Ed Lester received a new SLC contract in January 2011 but requested to stay on the terms of the temporary contract he had held since taking the position on an interim basis in May 2010.

This agreement saw Lester receive £900 per day for his work, paid by a private firm rather than on the standard SLC payroll. This allowed the parties to agree a deal where tax and National Insurance contributions would not be deducted from his wages.

This agreement was accepted by Universities Minister David Willetts and Cabinet Secretary Sir Gus O’Donnell. The information was revealed on Wednesday night, bringing a storm of criticism of the arrangements in the House of Commons on Thursday.

Labour asked an urgent question on the matter, with Shadow Business Minister Shabana Mahmood commenting that in current economic circumstances “the news that ministers approved the contract of a senior official, which allowed tax and National Insurance to be avoided, shows just how out of touch they are.”

However Danny Alexander told the Commons that he was “not made aware” of any tax benefits in Lester’s contract when he approved it. As Chief Secretary to the Treasury he is responsible for signing off civil service salaries above £142,500 but claimed that in fact the salary level had been “reduced significantly” in the negotiated contract. In response to the criticism he announced that the SLC will now change the arrangements and “deduct tax at source.”

Vince Cable, the government’s Business Secretary, stated that Lester was “an exceptionally useful individual who has helped to turn round [the SLC].” He described the agreed arrangements as “substantial value for money for the taxpayer,” although agreeing that tax issues should be investigated.

However second year Classicist Ben Hudson was less supportive of the positive effect of Lester’s management. He told Cherwell how a paperwork issue had left him with only a non-means tested loan which barely covered half his rent this year, commenting, “I’ve got off lightly, the year before hundreds didn’t get their loans for months and months, including people with no source of income.”

He added, “You expect people to be paid ridiculous sums of money, but the quality of service isn’t improving. It’s our money that’s paying his salary.”

Lizzie Fortin, a Drama student at UWE, added that she had spent “Two years in a row virtually starving because they haven’t got my application sorted.” She commented, “I think it’s absurd that he doesn’t pay tax, and also that money is going into pockets instead of into improving the efficiency of a poorly managed system which leaves hundreds of students without the loans they are entitled to for completely unacceptable periods of time.” Univ college PPE student Alex Lynchehaun added, “A civil servant who earns more than the Prime Minister shouldn’t need to be exempt from tax.”

However Mansfield student Beth Hodgett gave a more measured response, stating, “He is providing a service that is used literally by every student in the UK, if he’s doing the job well he deserves a salary that recognises that he’s running a company that lots of students depend on. I can understand the logic of paying people who are good at their jobs lots of money, if he’s the best person for the job he should be rewarded.”

However she added, “I think it’s unacceptable to have all the benefits of society without contributing towards that by paying tax on their salary. It makes me wonder who else is doing this without being caught.”

The Student Loans Company issued a statement to Cherwell, revealing that they ‘will now be taking forward the changes to Ed Lester’s contract as announced by the Universities Minister, David Willetts.’ They added, ‘SLC followed all government guidlines on the appointment and remuneration of the CEO.’

Summer schools success

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A recent study has shown that attending a university summer school can have a significant impact on university applications among poorer students.

Sutton Trust, the education charity which organises summer schools, found that out of the 1,750 students who attended a summer scheme in 2008 and 2009, 76% gained places at leading universities.

Dr Hoare, who led the research, commented, “Until now the evidence was anecdotal but the findings prove that summer schools really do work.”

The summer schools are held at top universities across the UK including Cambridge, Bristol, St Andrews and Oxford.

After having collaborated with the Sutton Trust for many years Oxford University launched its own initiative in 2010, called UNIQ. A spokesperson for the University explained, “UNIQ is a summer school which takes students from UK state schools who have strong academic backgrounds and allows them during a week in the summer to study subjects in-depth and learn what living and studying at Oxford is like.”

UNIQ has proved to be a success. 507 students took part in the first summer school and the University anticipates that by 2014 the number will have risen to 1,000 students. Of 657 participants in 2011, 185 received offers from Oxford and of the UNIQ students who applied 41% ended up with places, against an overall success rate for Oxford applicants of below 20%.

Jasmine Krishnamurthy-Spencer, a first year Classics student who attended UNIQ in 2010, is enthusiastic about her experience. She commented, “It made me realise that Oxford was a place where I would really want to go, where I could thrive. I was quite sceptical about applying but once I had attended UNIQ I was sure.”

Andrew Hamilton, Vice-Chancellor of the University, released a statement saying, “The UNIQ summer schools are a central pillar of our access strategy and we are delighted to see how effective they are. We have made it more likely that those from under-represented socio-economic backgrounds will choose Oxford. We hope our message is getting across: if you have the ability, Oxford will remove all barriers.”

Peter Blenkharn, a previous UNIQ participant now studying Engineering at Oxford, agreed. He commented, “Without the experience of the undergraduate lifestyle that UNIQ gave me, I might never have applied to Oxford and would have missed out on the wealth of opportunity.”

Spencer added to this, saying, “It gives students who never would have thought of applying the incentive to do so. UNIQ teaches them what kinds of skills are needed, what the tutors are looking for.” She added however that “More infrastructure is needed to give the students who don’t have direct access to the Oxford bubble a way in.”

University places slashed

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The government has announced that university places will be cut by 15,000 this autumn.

In a letter to higher education spending watchdogs, Business Secretary Vince Cable and Universities minister David Willetts also announced that funding for teachers in universities will be cut by 18% this year, which totals £830 million.

Pam Tatlow, of million+, a university think tank, commented that “the reduction in the total number of student places available in 2012-13 is likely to dash the aspirations and ambitions of many well-qualified applicants.”

Figures released this week by the Universities and Colleges Administration Service (UCAS) showed that for the first year of higher tuition fees, with costs rising up to £9,000 per year, university applications from UK students are down 8.7%.

England’s universities have been particularly affected with applications down by 9.9%, whereas Scotland, which does not charge its students tuition fees, has only seen a fall of 1.5% in applications.

Universities Minister David Willets argued that “the dip is far less dramatic than many were initially predicting,” focusing on the fact that applications from those in the most disadvantaged areas of the UK only fell by 0.2%. “It is encouraging that applications from people from some of the most disadvantaged backgrounds remain strong.”

Applications to Oxford have remained fairly steady over the past three admissions rounds, however, with around 3,00 places available each year.

A University spokesperson commented, “Oxford has offered the most generous financial support package in the country for the poorest students to ensure that nobody is put off from applying to Oxford because of worries about the cost. The fact that applications for 2012 entry are barely lower than those for 2011 suggest potential applications have got the message and recognised that Oxford offers a fantastic, world class education and is incredibly affordable as well.”

The news of a drop in UK applicants comes as Unite have published a survey of 1,236 school and college leavers, finding that students are no longer looking for “laid-back” courses at university, but are instead taking a more “savvy” approach.

Jim Everett, a third year Psychology and Philosophy student at Corpus, commented, “the attitude of many students that they are at university to party is abhorrent. University is a place for education; to gain skills and knowledge which ultimately contribute to your country. Students treating the three years as a extended lash-session justifies university cuts and perpetuates the image of most students as drunk scroungers. Which, based on the majority of students, isn’t that unfair.”

Christian Union Mission Week

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In fourth week, Oxford University’s Inter Collegiate Christian Union will hold their annual mission week, entitled “This is Jesus.”

Planned events include talks by Minister Mike Cain and influential American author and cultural commentator Dr Tim Kellar.

OICCU President Robbie Strachan explained that the week aims to “give every student an opportunity to engage with the person of Jesus Christ.” He added, “We want to challenge false perceptions and encourage people to come and check him out for themselves.”

Next week’s event is set to be one of the largest ever, with a £40,000 budget raised from donations from students and alumni. The money will pay for hiring Oxford town hall for guest speakers and ordering an estimated 14,000 copies of John’s gospel to distribute among students.

Justifying the expense, OICCU argue that Oxford students have stated their desire to learn more about Jesus and Christianity. A spokesperson commented, “In an recent survey carried out by OICCU on Cornmarket and in colleges, 70% of students asked considered Jesus to be in some way relevant in Oxford.”

Exeter student Joel Richardson said, “Evangelism has to be important to any Christian; if we believe what we say we believe then it’s naturally really important to share the good news with other people.”

College Christian Unions have been given funds to help them promote the event in imaginative ways. Somerville are to hold a “Text-a-Pancake Tuesday,” where a pancake is delivered to a student along with the answer to a theological question of their choice. Mansfield students have been invited to a subsidised black tie dinner and some colleges are holding “Grill a Christian” forums, where reps are asked questions about faith.

Benjamin Krishna, President of Oxford Atheists, Secularists and Humanists, told Cherwell, “In my opinion evangelical Chris-tianity is lost on a sceptical British public. I think most people in Oxford have grown up learning about Jesus and Christianity and so know enough already to make informed choices.” His society plan to hold their own “Think Week” this term, which Krishna suggested will include “balanced debates and religious perspectives. Most will events end without the neat (Christian) conclusion that you will find in Mission Week.”

Another student argued that the mission week was a “clear waste of resources on those who know about Christianity and have rejected it,” instead suggesting that the money would be more useful to a charity.

Student Andrew Hansford countered this. “Sharing the gospel is fundamental to OICCU’s purpose. We’d love to see people begin to get to know Jesus, but we’re not here to force anyone to do anything.”

Review: On the Line

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There is very little of merit in Oxford IPlayer’s production of On the Line, a new political satire about a Muslim MP embroiled in controversy over plans for the laying of a new railway line through Slough’s local mosque. For a start the play is showing at the Wadham Moser, which, as we all know, is just a glorified badminton court. The writing, when it is funny (which is nothing more than a smirk) relies on stereotype. The Imam, played by Ibrahim Khan, provides most of these comic moments, and his strength of characterisation gives a welcome relief to the abysmal crowd acting and those characters who have been directed to, or just do for whatever reason, shout all of the time, not least Frank, played by Khushall Ved. The acting thus offers little nuance or originality, although there is a glimmer of hope in Miles Lawrence, playing Walter. It is just a shame that he is given such a drab part- not that any other role would howevever have showcased his talent any better. Indeed, I often get the feeling that the actors are just playing older versions of (or just) themselves. 

Scene changes are clumsy, and take far too long, with actors even tripping over the items of set in the dark. Lighting cues are not known, even when it is just a case of lighting one side of the stage, and then the other, and the set, which is just office junk, cheapens the whole performance. Moreover, lines are often fluffed, cues missed and attempts within the script to be profound and meaningful, such as the final line of “Politics. Fucking politics’ or something to that affect, just fall flat. In all, the performance just smacks of amateurishness. I hope things like this will improve over the run, indeed, I was told before the show that the performance had been made leaner after a bad preview (didn’t fill me with confidence it has to be said). Although it is true that the performance now romps along well enough, I am afraid more work still needs to be done to really fill this play’s potential.

 

2 stars  

Messiah Man: Preview

Preview

While scores of scholars clashed in the battle between religion and science, God entrusted one man with a solution to combine the two and bring peace on earth. That man was John Murray Spear. 

Inspired by the true story of this extraordinary 19th century character, two highly animated writers, Matt Fuller and Adam Lebovits, have issued forth a creation that simply needed to be born.

With all the voyeuristic appeal of biography, and all the ironic idealism of a perfectly gauged university production, Messiah Man brings us a tale of obsessive faith, of self-aggrandizing naïveté couched in hyper-innocent charm.

Ben Cohen is emotive and compelling in the role of John. Not leading so much as being led by the play, John is a sympathetic, charismatic soul. In one of multiple layered oppositions in the performance, he evokes the smiling clown, the essential tragedy of the comic character.

Intentional anachronism emphasizes the timelessness of the story, while twisted realism draws out questions of faith, humanity, love, and sanity.

The conviction of the acting enhances the earnest exploration of this well-crafted play, and the writers’ vision shines through in each scene. Performing in the round foregrounds the audience’s role in this fitting homage to a singular figure, following John through a handful of pivotal experiences not too outlandish for fiction.

Come take on your role with the enthusiastic and cohesive cast, in the Burton Taylor Studio, Tuesday-Saturday of 4th week at 9:30pm. Tickets are £6 / £5 concessions, including a glimpse of the incredible God Machine!  

4 stars

 

The man behind the play…

John Murray Spear paces around his machine. Looking through darkness into the eyes of the expectant crowd, he wipes the sweat from his brow. The pregnant volunteer is in position. The crowd is in position. Placing his hands on the glass cylinders either side of the chair, he looks to the sky. The time is now.

You won’t have heard of John Murray Spear. Don’t worry, until recently, neither had we. A 19th century political activist, and one of the first Americans to advocate the abolition of slavery no less, John began life with his feet firmly on the ground. However, marred by his own incompetence and inability to express himself, John’s activism soon petered out. But what was the alternative for a man with a desperate desire to help humanity but no clear idea how? John soon joined the Church.

But this too was met with failure. Naive and innocent, John wandered the country, challenging the orthodoxies of the day – and being repeatedly beaten up in return. Of course, there are only so many beatings a person can take before they either call time on their career or do something radical, so John had a decision to make.

Stay with us, this is where things get weird. Walking a path paved with the ghosts of geology professors and Benjamin Franklin, violent preachers and three hundred lost orphans, John Murray Spear worked his way towards his ultimate work: the God Machine.

The challenge of staging the life of possibly the sweetest and most bizarre man who ever lived was always going to be huge. His bustling, surreal story bursts at the seams of an hour-long show, and this meant that a severe edit was in order. The sex communes and the invention of the ingenious Duck-Boat sadly had to go, but what was left was even stranger.

To perform this story in a conventional style would require a cast of hundreds and a budget of thousands. We have neither. Therefore, we turned to a more picaresque style, with just five actors playing a huge array of characters, and a manic use of music and lights. John stands in the middle of the production, a not-entirely-stable centre around which the madness spins. When the dust settles, maybe this time people will remember his name.

Matt Fuller and Benjamin Kirby

Review: Curse of the Oxford Revue

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A quick note before we start: this curse has nothing to do with either myself or the many others who populate this most illustrious section of your favourite free student newspaper. Very few of us dabble in the occult, to the best of my knowledge. Rather, this curse is rather different. Review is spelt differently. This is the Curse of the Oxford Revue.

Specifically, this curse is placed on a small village called Blight-upon-Cripple, a place that is as strange as it is charmingly-named, and it is to this town that intrepid reporter Kirsty Kirstyson is sent, chasing a story about a vole that bears a striking resemblance to Geri Halliwell. Instead, she stumbles across a town that has been living under the shadow of a terrifying curse for the past three decades. Being the intrepid reporter that she is, she decides to investigate. But none of that matters, to be quite frank. This is a sketch show, in the manner of so many flying circuses and pairs of Ronnies. Plot barely figures. Neither does character. The small troupe display a remarkable range, fleshing out a variety of characters, some one-offs and others recurring figures. An early sketch, and a particularly brilliant one at that has the Brazilian president and his advisor celebrating the rebound of their country’s economy based upon the revival of their most vital export, the Brazilian Darkness chocolate. Another is a song on the subject of the Viking funeral, a truly spectacular piece of verbal acrobatics. You get the idea.

Whilst some sketches are nothing short of genius, however, some fall flat. This is hardly the fault of the cast, who remain polished and professional throughout. One can hardly criticise their sense of timing, or their self-confidence: the troupe act with bombast and poise regardless of the quality of their material. You’ll notice that I refer to the actors here in the plural: it is very hard to pick a stand-out performer, or one who is significantly less talented than the others. Rather, it is the writing that tends to fall flat. The sketches take a Python-esque aspect, hinging around the sheer mass of non-sequitur and sheer inanity that characterises, say, And Now for Something Completely Different. Sometimes, this works spectacularly. Take, for example, the song about Viking funerals that I mentioned earlier: wonderfully, gleefully silly. A sketch depicting two couples playing a game of something called Beaver-ball that involved verbal abuse and interpretive dance had the audience, myself included, in paroxysms of laughter and sheer bafflement, and was arguably the high point of the proceedings. Others, though, less good. Talking about these is slightly harder: they’re just not memorable. It’s not that they were dreadful. The comedy wasn’t dissimilar, the acting was still excellent. They just weren’t as funny.

And this is what makes summing up this review very difficult. Whilst the Curse of the Oxford Revue did contain sketches of sheer, comic genius, acted out by some undoubtedly fine comedians, it also contained moments which just fell flat. In a traditional play, this kind of inconsistency would prove fatal, but the Curse of the Oxford Revue is not such a play; rather, it is a sketch show. Should it be judged by the same standards as a play, as the same sort of unified whole? More crucially, however, should a sketch show be so uneven as to inspire my pedantic musing in search of some form of critical justification one way or the other? Probably not.

3 stars

Interview: Messiah Man

Messiah Man opens at the Burton Taylor Studio on Tuesday 7th of February at 21:30 and runs until Saturday 11th. Tickets are £5 for students and can be bought online at www.oxfordplayhouse.com/bt

Harry Potter sorting ceremony to take place in Oxford

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Oxford’s own start-of-year Sorting Ceremony will take place this week, a term later than expected.
 
The event, organised by the newly formed Harry Potter Society, will see the Sorting Hat delve deep
into students’ minds and place them in Gryffindor, Ravenclaw, Hufflepuff or Slytherin.
 
A formal invitation, sent to all society members, urged them to “take the Hogwarts Express to Harris
Manchester College” and “get to know some fellow Harry Potter fans over a butterbeer”.
 
It also specified a number of questions which students must answer in advance, and which form the
basis of the hat’s decision. These include scenarios like “A Muggle confronts you and says that they
are sure you are a witch or wizard”  and “A very strong man approaches you while you’re eating
lunch and demands that you give him some food. He doesn’t appear to be starving or poor. There is
nobody there to stop him from taking it.” In each case students must choose from a selection of four
responses.
 
Stevie Finegan, one of the society’s “Mugwumps” (Vice-Presidents) explained the need for such a
system, revealing that the Hat has lost many of its magical powers since it sorted Harry and friends.
She said, “Unfortunately its magical element is proving far less cooperative than we would have
hoped. As such we are having to prod it along and help it with song writing.”
 
Finegan promised that the house system will feature in future society meetings, telling Cherwell, “We
do have some events coming up in the future where houses will compete against one another,
including everyone’s favourite, some inter-house Quidditch – so once you’re sorted into your house,
I’d try and suss out who among your number is good with a broom!”
 
She also stressed the importance of school unity, saying, “Once everyone is sorted on Thursday they
will instantly find themselves having to partner up with a student from each of the other houses, in
order to compete in our Three Broomsticks Quiz and win some fantastic prizes.”
 
One student suggested a possible reason for the Sorting Hat’s deterioration in magical ability,
pointing out that “the hat was blown up in Harry Potter and the Deathly Hallows, when
Voldemort sacked Hogwarts.”
 
Meanwhile Imogen Jones, a third-year Classicist at Corpus Christi College, feared that the hat might
entrench élitism at Oxford, claiming, “I’ve heard state school students are twice as likely to be
sorted into Hufflepuff as their privately educated counterparts.”
 
The event will take place at Harris Manchester College at 7.30pm on Thursday 2nd February.

Oxford’s own start of year Sorting Ceremony will take place this week – a term later than expected. 

The event, organised by the newly formed Harry Potter Society, will see the Sorting Hat delve deep into students’ minds and place them in Gryffindor, Ravenclaw, Hufflepuff or Slytherin. 

A formal invitation, sent to all society members, urged them to “take the Hogwarts Express to Harris Manchester College” and “get to know some fellow Harry Potter fans over a butterbeer”. 

It also specified a number of questions which students must answer in advance, and which form the basis of the hat’s decision. These include scenarios like “A Muggle confronts you and says that they are sure you are a witch or wizard”  and “A very strong man approaches you while you’re eating lunch and demands that you give him some food. He doesn’t appear to be starving or poor. There is nobody there to stop him from taking it.” In each case students must choose from a selection of four responses. 

Stevie Finegan, one of the society’s “Mugwumps” (Vice-Presidents) explained the need for such a system, revealing that the hat has lost many of its magical powers since it sorted Harry and friends. She said, “Unfortunately its magical element is proving far less cooperative than we would have hoped. As such we are having to prod it along and help it with song writing.” 

Finegan promised that the house system will feature in future society meetings, telling Cherwell, “We do have some events coming up in the future where houses will compete against one another,including everyone’s favourite, some inter-house Quidditch – so once you’re sorted into your house, I’d try and suss out who among your number is good with a broom!” 

She also stressed the importance of school unity, saying, “Once everyone is sorted on Thursday they will instantly find themselves having to partner up with a student from each of the other houses, in order to compete in our Three Broomsticks Quiz and win some fantastic prizes.” 

One student suggested a possible reason for the Sorting Hat’s deterioration in magical ability, pointing out that “the hat was blown up in Harry Potter and the Deathly Hallows, when Voldemort sacked Hogwarts.” 

Meanwhile Imogen Jones, a third-year classicist at Corpus Christi College, feared that the hat might entrench élitism at Oxford, claiming, “I’ve heard state school students are twice as likely to be sorted into Hufflepuff as their privately educated counterparts.” 

Clare Franklin, a second year mathematician and long-standing Potter aficionado, commented, ‘The sorting ceremony is a rite of passage, and will no doubt be the most important trial any of us face this term. As you would no doubt guess, I would rather suffer through one of Umbridge’s detentions than be in Hufflepuff, and being a Muggleborn, I’d be scared for my safety in Slytherin. But I could be quite at home in Gryffindor or Ravenclaw.’

The event will take place at Harris Manchester College at 7.30pm on Thursday 2nd February.