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Cherwell Staff: Trinity 2019

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EDITORS
Angus Brown
Fraser Maclean

DEPUTY EDITORS
Becky Clark
Ben van der Merwe
Christopher Sinnott
Jennifer Donnellan
Meha Razdan
Simon Hunt

VIDEO EDITOR
Emily Wilder
Eve Bennett
Georgia Tulley
Monalisa Saha

NEWS EDITORS
Amelia Horn
Charlotte Moberly
Sam Millward

COMMENT EDITORS
Gabriel Whitwam
Luke Dunne

CULTURE EDITORS 
Amber Sidney-Woollett
Annabel Jackson

LIFE EDITORS
Eve Webster
Simone Fraser

FEATURES EDITORS
Molly Innes

INVESTIGATIONS EDITORS
Ben Goldstein
Havard Yttredal
Jorrit Donner-Wittkopf
Havard Yttredal

BOOKS EDITORS
Grace Tomlinson
Jacob Ridley

FILM EDITORS
Elise Czyzowska

THEATRE EDITORS
Katie Knight
Reem Ahmed

MUSIC EDITORS
Cecilia Wang
Ella Marshall-Shepherd

VISUAL ARTS EDITORS
Blanca Rivero
Maya Misra

FOOD & DRINK EDITORS
Peter Lewis
Sunny Chen

FASHION EDITOR
Sarah Williams
Sophie Kilminster

SPORTS EDITORS
Cerys Baines
Oliver Donaldson

NEWS REPORTERS
Ana Gheorghe

DEPUTY CULTURE EDITOR
Emma Ball

DEPUTY FEATURES EDITOR
Bianca Vs

DEPUTY COMMENT EDITOR
Nicholas Monaco

DEPUTY LIFE EDITOR
Marina Adami

DEPUTY FASHION EDITORS
Ohla El

ONLINE CONSULTANT
Nicky Crompton

Cameron standoff over branding Oxford as disgraceful

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Downing Street refused to back down last night, as they continue to defend Cameron’s denouncement of Oxford as ‘disgraceful’ based on the figures which reveal just one black student won a place to study at Oxford in 2009.

Cameron spoke out on Monday 11th April, during a local election campaign visit to Harrogate, North Yorkshire. He said, ‘I saw figures the other day that showed that only one black person went to Oxford last year. I think that is disgraceful, we have got to do better than that.’
The University quickly hit back, claiming that the figure on which Cameron was commenting is ‘incorrect and highly misleading’.
Oxford clarified that the statistic is misleading, as it only refers to UK undergraduates of black Caribbean origin for a single year of entry, so is not representative of all Oxford’s students.
The University added that in 2009, Oxford admitted 41 UK undergraduates with black backgrounds, and that year 22% of Oxford’s total student population came from ethnic minority backgrounds.
A spokesperson for the University said, ‘The ‘only one black student at Oxford’ story is a misleading one from last year, and refers specifically to ONLY [sic] UK undergraduates of black Caribbean descent who gave us information about their ethnicity – NOT all black students, or even all black undergraduates.
‘The full picture tells a different story: in 2009 27 black British undergraduate students got a place at Oxford, as did 14 of mixed backgrounds including black heritage.’
However, Downing Street stood by Cameron’s comments: ‘The wider point he was making was that it was not acceptable for universities such as Oxford to have so few students coming from black and ethnic minority groups.’
This media storm has provoked mixed reactions among Oxford students. Ayo Ajanaku, a third year medic and former OULC Co-Chair, said that he found the figure that only one black student was admitted in 2009 ‘not a disgrace in itself, but deeply alarming’.
He said, ‘The overwhelming implication is that scores of young people are being denied the opportunity to achieve standards expected by leading universities, and therefore to contribute their full potential to society. This sledgehammer to social mobility for Britain’s disadvantaged is truly shameful.’
Ajanaku felt that the statistic on which Cameron was commenting on was ‘patently misleading’ but that it did point to some underlying issues.
‘The underrepresentation of black people is inextricably linked to the underrepresentation of poorer households more generally. Black people are more likely to have a lower socioeconomic status than their white counterparts. There is an onus on the university to encourage more able black students to apply, and to constantly review the transparency and fairness of the admissions process.’
Alex Bulfin, OUSU VP for Access and Academic Affairs, noted that the blame for social inequalities cannot be pinned solely on Oxford.
Bulfin asked, ‘Why doesn’t David Cameron find it ‘disgraceful’ that in 2009 only 452 black students in the whole country achieved AAA at A-level, compared to 29,000 white students? Or that black students and their families are disproportionately more likely to come from the lowest socio-economic groups? In seeking a convenient scapegoat, Cameron, Clegg and Lammy are willfully ignoring the deeper issues that are at play in our society.’
The oft quoted ‘one black student’ statistic came about as a result of a Freedom of Information request, put forward by the Labour MP David Lammy in November 2009.
Bulfin said that far from helping the issues of access at Oxford, the manner that such statistics are being ‘flung around by politicians’ is ‘frankly dangerous and irresponsible’.
He continued, ‘There’s no question in my mind that every time the press or politicians target these sorts of comments at Oxford, they make our job of widening access and participation in HE just that extra bit harder. When these stories first started circulating earlier in the year, we immediately noticed more prospective students expressing concern about whether they would fit in at Oxford if they were from a minority background.
‘I think it’s clear that pushing these sorts of messages is all about scoring PR points and pointing the finger; if politicians were serious about access to university for students then they wouldn’t have scrapped AimHigher earlier this year.’
Cameron spoke out on Monday 11th April, during a local election campaign visit to Harrogate, North Yorkshire. He said, ‘I saw figures the other day that showed that only one black person went to Oxford last year. I think that is disgraceful, we have got to do better than that.’
The University quickly hit back, claiming that the figure on which Cameron was commenting is ‘incorrect and highly misleading’.
Oxford clarified that the statistic is misleading, as it only refers to UK undergraduates of black Caribbean origin for a single year of entry, so is not representative of all Oxford’s students.
The University added that in 2009, Oxford admitted 41 UK undergraduates with black backgrounds, and that year 22% of Oxford’s total student population came from ethnic minority backgrounds.
A spokesperson for the University said, ‘The ‘only one black student at Oxford’ story is a misleading one from last year, and refers specifically to ONLY [sic] UK undergraduates of black Caribbean descent who gave us information about their ethnicity – NOT all black students, or even all black undergraduates.
‘The full picture tells a different story: in 2009 27 black British undergraduate students got a place at Oxford, as did 14 of mixed backgrounds including black heritage.’
However, Downing Street stood by Cameron’s comments: ‘The wider point he was making was that it was not acceptable for universities such as Oxford to have so few students coming from black and ethnic minority groups.’
This media storm has provoked mixed reactions among Oxford students. Ayo Ajanaku, a third year medic and former OULC Co-Chair, said that he found the figure that only one black student was admitted in 2009 ‘not a disgrace in itself, but deeply alarming’.
He said, ‘The overwhelming implication is that scores of young people are being denied the opportunity to achieve standards expected by leading universities, and therefore to contribute their full potential to society. This sledgehammer to social mobility for Britain’s disadvantaged is truly shameful.’
Ajanaku felt that the statistic on which Cameron was commenting on was ‘patently misleading’ but that it did point to some underlying issues.
‘The underrepresentation of black people is inextricably linked to the underrepresentation of poorer households more generally. Black people are more likely to have a lower socioeconomic status than their white counterparts. There is an onus on the university to encourage more able black students to apply, and to constantly review the transparency and fairness of the admissions process.’
Alex Bulfin, OUSU VP for Access and Academic Affairs, noted that the blame for social inequalities cannot be pinned solely on Oxford.
Bulfin asked, ‘Why doesn’t David Cameron find it ‘disgraceful’ that in 2009 only 452 black students in the whole country achieved AAA at A-level, compared to 29,000 white students? Or that black students and their families are disproportionately more likely to come from the lowest socio-economic groups? In seeking a convenient scapegoat, Cameron, Clegg and Lammy are willfully ignoring the deeper issues that are at play in our society.’
The oft quoted ‘one black student’ statistic came about as a result of a Freedom of Information request, put forward by the Labour MP David Lammy in November 2009.
Bulfin said that far from helping the issues of access at Oxford, the manner that such statistics are being ‘flung around by politicians’ is ‘frankly dangerous and irresponsible’.
He continued, ‘There’s no question in my mind that every time the press or politicians target these sorts of comments at Oxford, they make our job of widening access and participation in HE just that extra bit harder. When these stories first started circulating earlier in the year, we immediately noticed more prospective students expressing concern about whether they would fit in at Oxford if they were from a minority background.
‘I think it’s clear that pushing these sorts of messages is all about scoring PR points and pointing the finger; if politicians were serious about access to university for students then they wouldn’t have scrapped AimHigher earlier this year.’

Downing Street refused to back down last night, as they continue to defend Cameron’s denouncement of Oxford as ‘disgraceful’ based on the figures which reveal just one black student won a place to study at Oxford in 2009.

Cameron spoke out on Monday 11th April, during a local election campaign visit to Harrogate, North Yorkshire. He said, ‘I saw figures the other day that showed that only one black person went to Oxford last year. I think that is disgraceful, we have got to do better than that.’
The University quickly hit back, claiming that the figure on which Cameron was commenting is ‘incorrect and highly misleading’.

Oxford clarified that the statistic is misleading, as it only refers to UK undergraduates of black Caribbean origin for a single year of entry, so is not representative of all Oxford’s students.
The University added that in 2009, Oxford admitted 41 UK undergraduates with black backgrounds, and that year 22% of Oxford’s total student population came from ethnic minority backgrounds.

A spokesperson for the University said, ‘The ‘only one black student at Oxford’ story is a misleading one from last year, and refers specifically to ONLY [sic] UK undergraduates of black Caribbean descent who gave us information about their ethnicity – NOT all black students, or even all black undergraduates.

‘The full picture tells a different story: in 2009 27 black British undergraduate students got a place at Oxford, as did 14 of mixed backgrounds including black heritage.’
However, Downing Street stood by Cameron’s comments: ‘The wider point he was making was that it was not acceptable for universities such as Oxford to have so few students coming from black and ethnic minority groups.’

This media storm has provoked mixed reactions among Oxford students. Ayo Ajanaku, a third year medic and former OULC Co-Chair, said that he found the figure that only one black student was admitted in 2009 ‘not a disgrace in itself, but deeply alarming’.

He said, ‘The overwhelming implication is that scores of young people are being denied the opportunity to achieve standards expected by leading universities, and therefore to contribute their full potential to society. This sledgehammer to social mobility for Britain’s disadvantaged is truly shameful.’

Ajanaku felt that the statistic on which Cameron was commenting on was ‘patently misleading’ but that it did point to some underlying issues.

‘The underrepresentation of black people is inextricably linked to the underrepresentation of poorer households more generally. Black people are more likely to have a lower socioeconomic status than their white counterparts. There is an onus on the university to encourage more able black students to apply, and to constantly review the transparency and fairness of the admissions process.’

Alex Bulfin, OUSU VP for Access and Academic Affairs, noted that the blame for social inequalities cannot be pinned solely on Oxford.

Bulfin asked, ‘Why doesn’t David Cameron find it ‘disgraceful’ that in 2009 only 452 black students in the whole country achieved AAA at A-level, compared to 29,000 white students? Or that black students and their families are disproportionately more likely to come from the lowest socio-economic groups? In seeking a convenient scapegoat, Cameron, Clegg and Lammy are willfully ignoring the deeper issues that are at play in our society.’

The oft quoted ‘one black student’ statistic came about as a result of a Freedom of Information request, put forward by the Labour MP David Lammy in November 2009.

Bulfin said that far from helping the issues of access at Oxford, the manner that such statistics are being ‘flung around by politicians’ is ‘frankly dangerous and irresponsible’.

He continued, ‘There’s no question in my mind that every time the press or politicians target these sorts of comments at Oxford, they make our job of widening access and participation in HE just that extra bit harder. When these stories first started circulating earlier in the year, we immediately noticed more prospective students expressing concern about whether they would fit in at Oxford if they were from a minority background.

‘I think it’s clear that pushing these sorts of messages is all about scoring PR points and pointing the finger; if politicians were serious about access to university for students then they wouldn’t have scrapped AimHigher earlier this year.’

Cameron spoke out on Monday 11th April, during a local election campaign visit to Harrogate, North Yorkshire. He said, ‘I saw figures the other day that showed that only one black person went to Oxford last year. I think that is disgraceful, we have got to do better than that.’
The University quickly hit back, claiming that the figure on which Cameron was commenting is ‘incorrect and highly misleading’.

Oxford clarified that the statistic is misleading, as it only refers to UK undergraduates of black Caribbean origin for a single year of entry, so is not representative of all Oxford’s students.
The University added that in 2009, Oxford admitted 41 UK undergraduates with black backgrounds, and that year 22% of Oxford’s total student population came from ethnic minority backgrounds.

A spokesperson for the University said, ‘The ‘only one black student at Oxford’ story is a misleading one from last year, and refers specifically to ONLY [sic] UK undergraduates of black Caribbean descent who gave us information about their ethnicity – NOT all black students, or even all black undergraduates.

‘The full picture tells a different story: in 2009 27 black British undergraduate students got a place at Oxford, as did 14 of mixed backgrounds including black heritage.’However, Downing Street stood by Cameron’s comments: ‘The wider point he was making was that it was not acceptable for universities such as Oxford to have so few students coming from black and ethnic minority groups.’

This media storm has provoked mixed reactions among Oxford students. Ayo Ajanaku, a third year medic and former OULC Co-Chair, said that he found the figure that only one black student was admitted in 2009 ‘not a disgrace in itself, but deeply alarming’.He said, ‘The overwhelming implication is that scores of young people are being denied the opportunity to achieve standards expected by leading universities, and therefore to contribute their full potential to society. This sledgehammer to social mobility for Britain’s disadvantaged is truly shameful.’

Ajanaku felt that the statistic on which Cameron was commenting on was ‘patently misleading’ but that it did point to some underlying issues.’The underrepresentation of black people is inextricably linked to the underrepresentation of poorer households more generally. Black people are more likely to have a lower socioeconomic status than their white counterparts. There is an onus on the university to encourage more able black students to apply, and to constantly review the transparency and fairness of the admissions process.’

Alex Bulfin, OUSU VP for Access and Academic Affairs, noted that the blame for social inequalities cannot be pinned solely on Oxford.Bulfin asked, ‘Why doesn’t David Cameron find it ‘disgraceful’ that in 2009 only 452 black students in the whole country achieved AAA at A-level, compared to 29,000 white students? Or that black students and their families are disproportionately more likely to come from the lowest socio-economic groups? In seeking a convenient scapegoat, Cameron, Clegg and Lammy are willfully ignoring the deeper issues that are at play in our society.’The oft quoted ‘one black student’ statistic came about as a result of a Freedom of Information request, put forward by the Labour MP David Lammy in November 2009.Bulfin said that far from helping the issues of access at Oxford, the manner that such statistics are being ‘flung around by politicians’ is ‘frankly dangerous and irresponsible’.He continued, ‘There’s no question in my mind that every time the press or politicians target these sorts of comments at Oxford, they make our job of widening access and participation in HE just that extra bit harder. When these stories first started circulating earlier in the year, we immediately noticed more prospective students expressing concern about whether they would fit in at Oxford if they were from a minority background.

‘I think it’s clear that pushing these sorts of messages is all about scoring PR points and pointing the finger; if politicians were serious about access to university for students then they wouldn’t have scrapped AimHigher earlier this year.’

Fashion Team Profile: Inga

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Name: Inga Meladze

Role: Deputy Editor

Who’s your fashion icon?

Anna Dello Russo for her playfulness and Daphne Guinness for the dedication to her unique style.

Who’s your favourite designer?

Ah, there are so many! If I could wear haute couture every day I would choose Elie Saab as no other designer glorifies and celebrates woman’s body like he does through his impeccably crafted gowns. My eternal love for Marc Jacobs and Alber Elbaz grows with every new collection and from the newcomers I absolutely must mention Hakaan.

Which shops would be on your fantasy High Street?

My newfound obsession is surprisingly Topshop Unique. I don’t tend to shop at Topshop that often as their warm colour palette doesn’t suit my skin tone, but I recently bought a few Unique pieces and now regularly check out that line. I also love Zara for their great quality and H&M for summer dresses.

What’s your favourite magazine?

Vogue, without a doubt.

Who’s your favourite blogger?

Bryanboy! He always writes about the most interesting things in fashion and I also like the simple but very sleek layout of the blog.

Favourite current trend?

Neon

Biggest fashion disaster?

Ugg boots. They should all be burnt. I once bought a pair and even wore them for a couple of days until (thank God) my little sister took them from me. I still get nightmares about them.

In your opinion, where’s the most stylish place in Oxford?

Haven’t found one yet as I haven’t been in Oxford long, but I live in hope. 

Top Tip:

Never spend too much time on your outfit. I always find I look the best when I just throw a couple of things on really quickly, otherwise it looks like you put too much effort in it.

 

 

Oxford supports alumni career changes

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Oxford’s efforts to address almuni career changes have been commended by the Financial Times as “the first initiative of its kind in the UK outside business schools”.

The event took place on Saturday 12th February and aimed at mid-career professionals who would like a boost to their career, or who are looking to “change direction.”

It comprised of panel discussions, talks, workshops and even a CV clinic, with a networking session at the end. A range of topics was discussed, from how to break into International Development to how to start your own business. There was also a session on “the benefits of gaining further qualifications.”

100 alumni paid £45 to attend this event, which addressed mid-career changes.

According to Jonathan Black, President of the Careers Service, a show of hands at the beginning revealed that a third of the attendees were definitely going to change their career, about a third were thinking about it, and a few had to change because they were being made redundant.

According to Dr. Daud Salim Faruquie a graduate student studying Evidence-Based Social Intervention, “people contemplate a switch in their career due to varied reasons”.

Having made a calculated move from academia to policy himself, Faruquie feels that such events are particularly useful in providing a platform where people can “evaluate their contemplations.”

The initiative taken by the Careers Service was a result of a policy changed two years ago to support alumni for life (the previous standard being four years).

According to Black, there are currently about 8000 alumni registered on CareerConnect, the Careers Service’s online job portal, with a number of them reportedly finding jobs through it.

 

Cherwell Abroad: Paris

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When staying in Paris, a visit to the Louvre, the old Right Bank palace-turned-world’s most visited art gallery, is almost obligatory. Pose with the iconic glass pyramid entrance hall, get lost in its endless palatial walkways and fight your way through the crowds to the notoriously smaller-than-expected Mona Lisa. But once the inevitable has happened, cross over the Seine to the smaller but perfectly formed Musée d’Orsay, the Mecca of impressionism and post-impressionism enthusiasts.

A phenomenal collection of art, mostly French and mostly from between the years 1848 to 1915, is housed in the former Gare d’Orsay, a beautiful old railway station with a fantastic Beaux-Arts roof and Victor Laloux clock. There is a dizzying amount to see but thankfully, the collection is divided quite neatly into different rooms corresponding to different periods or artists and, as with the Louvre, 18 to 25 year olds with an EU passport get in free so you can return on several occasions if a migraine begins to kick in.

On entering the gallery, you’ll be confronted with an enormous collection of statues which runs the length of the old station. It’s hard to know where to begin but one piece which may be worth seeking out is Ernest Christophe’s Statue Allégorique dans le Goût de la Renaissance, a larger-than-life statue of a woman which is towards the back of the main hall, near the Courbet paintings. Baudelaire, the celebrated (and subversive) 19th century poet and art critic, centred a poem in his Les Fleurs du Mal on this statue and his own reaction to it, entitled ‘Le Masque’. Viewed from the right, you see an attractive (and quite creepy) woman draped seductively in a piece of cloth but viewed from the left, you see that her enticing (and creepy) smile is in fact a mask, behind which she is throwing back her real head in despair. In despair of what? In despair of living, Baudelaire answers.

The crown jewels of the d’Orsay are to be found, however, in the rooms which siphon off visitors from the main walkway. The Impressionism and Post-Impressionism rooms contain a blockbuster collection of everyone from Cézanne to Vuillard, from Dégas to Rousseau, from Toulouse-Lautrec to Rodin. Expect to spend a lot of time here. Highlights include Pierre Bonnard\’s elegantly dressed croquet players who all but disappear into their idyllic surrounds in La partie de croquet/Crépuscule, Renoir’s excellent use of light in Chemin montant dans les hautes herbes, Pissarro’s striking depiction of blossoming trees in Printemps, pruniers en fleurs, Gustave Caillebotte\’s arresting self-portait, Portrait de l\’artiste (from around 1892), and Émile Lévy’s intensely beautiful pastel of a young girl, Jeune fille en robe rouge sur fond de fleurs. Don’t miss Monet\’s depiction of the Houses of Parliament, merging into a burning sunset refracted by the London fog and fans of Monet should also cross over to the other side of a gallery to see some of his best-known works, including his Coquelicots.

The Van Gogh/Gauguin collection is, as you would expect, exploding with colour and contains more familiar Van Gogh pieces, such as the jagged L’Église d’Auver-sur-Oise alongside lesser known but equally eye-catching compositions, such as Fritillaires dans un Vase de Cuivre. It is interesting to reflect upon the difference between this stunningly painted vase of fritillaries and his world-famous Sunflowers, which attracts so many crowds in the National Gallery, London, and is printed on everything from mugs to umbrellas in the gift shop. Are his Sunflowers more special stylistically or is the hype we give to some ‘masterpieces’ over others a little arbitrary at times?

If you have any energy left, look out for the room of Honoré Daumier’s work: a 19th century French painter known for his choices of ordinary working class people as subjects, such as the laundry woman silhouetted against dazzling sunshine in the beautiful La Blanchisseuse, as well as for his satirical artwork. On display are 36 clay grotesque busts he made of contemporary politicians, entitled Les Parlementaires (Les célébritébrité du juste Milieu), which he used as inspiration for his paintings but which themselves have a pleasing resemblance to the hatchet faces and bulbous noses of the puppets from the ‘80s/’90s satirical TV show Spitting Image.

Unless it’s Thursday, when you can stay as late as 9.15 pm, you may be a little relieved (on behalf of your feet) to hear the warning on the tannoy as it gets close to 5.30 pm and the guards begin to clear the museum of visitors: it’s time to buy an overpriced postcard or two and go revive yourself in a crêperie.

Cherwell Abroad: Rome

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If you decide to visit the Vatican Museum before you tour the Borghese Gallery, you might have become a little unfamiliar with the ability to breathe and generally hold a comfortable circumference of personal space. While the two noted museums share a location and many of the same prominent artists\’ works, the general experience of visiting each vastly differs. The Borghese\’s strict two-hour limit for a restricted number of people can be irritating (especially if you miss a room, like I did), but it does ensure that the hours you spend in that magnificent gallery are not interrupted by the greater annoyance of overcrowding.

Like many buildings built to accommodate beauty, the Borghese is an array of decadence. In the first room, gold ornaments the walls and intricate mosaics form the floor, all to provide the setting for a spectacular collection of sculptures and paintings. It\’s a pleasurable visual assault, with the most arresting pieces coming from the sculptor Gian Lorenzo Bernini. After the Caravaggio exhibition at the Quirinale last year, many people will arrive at the Borghese to cast an eye at the three Caravaggios the upper picture gallery holds, but to speed through the lower rooms and their focus upon sculpture will mean missing what Bernini has to offer. In the lower rooms, you will find Bernini\’s David, Apollo and Daphne, Pluto and Proserpine, and Truth Unveiled by Time, each white marble sculpture standing out from the visual spectacle of color in every other direction. Apollo and Daphne, particularly, is a testament to Bernini\’s mastery as a sculptor. Originally placed in such a way that only Apollo was first visible, the viewer had to circle the statue to discover Daphne fleeing the god\’s grasp as she becomes a laurel tree in her escape. Daphne\’s transformation into a tree is coupled with the transformation of the statue in the viewer\’s eye as the whole picture comes into focus. Upstairs, visitors also find Titian, Raphael, Corregio, and of course, Caravaggio. Titian\’s Sacred and Profane Love is not to be missed, a painting noted for the various interpretations of a moral unintended by its artist.

Cardinal Scipione Borghese began plans for the Gallery in the early 1600s, procuring a myriad of art with a maven-like nature that did not always ring of the most lawful or moral methods. But when you\’re the Pope\’s nephew, there isn\’t much anyone can do. The Borghese is one of those museums where it\’s worth spending the extra money for the audio guide in order to discover some of Cardinal Scipione\’s methods. The history of the collection and the notorious family that put it together just happens to make the art all the richer.

Review: Colin Stetson – ‘New History Warfare, Vol. 2: Judges’

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A horn player by trade, Colin Stetson has worked with a diverse range of artists such as Bon Iver, David Byrne, Arcade Fire, Tom Waits, and The National. His solo work consists solely of single-take recordings of him and his saxophone. Over twenty microphones strategically placed in the studio capture the sound he creates, and from these sounds – the clattering of keys, the opening and closing of valves, the air rushing through the brass chamber, his voice as he sings through the reed, the reverberating, overlapping, fluttering, swirling tones – he creates compositions of staggering intensity and striking originality. With circular breathing, Stetson can prolong his ‘songs’ for minutes on end without pause, an impressive technical feat, especially considering that the whole album makes use of no loops or overdubs. Although not ‘songs’ in the traditional sense, these tracks are worlds within themselves, and invite devoted listening.
The relentless Red Horses uses short percussive breaths for syncopated effect, while Awake on Foreign Shores features the low register of a baritone sax with earth-shattering results. Experimentation aside, Stetson retains a clear pop sensibility, and longer tracks like The Stars in His Head and The Righteous Wrath of an Honorable Man are triumphantly melodic, albeit in his idiosyncratic arpeggiated style.
Minimalist composer Ben Frost’s production skilfully weaves the mic levels to bring out the subtleties of Stetson’s performance: at times the keys are soft clicks in the mix, at others they are deafening thuds. Stetson is accompanied by the vocals of My Brightest Diamond’s Shara Worden and the spoken word of Laurie Anderson (of Big Science fame) on three tracks respectively, but if anything these contributions distract from Stetson’s power. The ‘avant-garde’ and ‘experimental’ labels that will be thrown at this record may well detract potential listeners, but its appeal is surely universal. Without a doubt, Judges is unlike anything you have ever heard before.

A horn player by trade, Colin Stetson has worked with a diverse range of artists such as Bon Iver, David Byrne, Arcade Fire, Tom Waits, and The National. His solo work consists solely of single-take recordings of him and his saxophone. Over twenty microphones strategically placed in the studio capture the sound he creates, and from these sounds – the clattering of keys, the opening and closing of valves, the air rushing through the brass chamber, his voice as he sings through the reed, the reverberating, overlapping, fluttering, swirling tones – he creates compositions of staggering intensity and striking originality. With circular breathing, Stetson can prolong his ‘songs’ for minutes on end without pause, an impressive technical feat, especially considering that the whole album makes use of no loops or overdubs. Although not ‘songs’ in the traditional sense, these tracks are worlds within themselves, and invite devoted listening.

The relentless Red Horses uses short percussive breaths for syncopated effect, while Awake on Foreign Shores features the low register of a baritone sax with earth-shattering results. Experimentation aside, Stetson retains a clear pop sensibility, and longer tracks like The Stars in His Head and The Righteous Wrath of an Honorable Man are triumphantly melodic, albeit in his idiosyncratic arpeggiated style.

Minimalist composer Ben Frost’s production skilfully weaves the mic levels to bring out the subtleties of Stetson’s performance: at times the keys are soft clicks in the mix, at others they are deafening thuds. Stetson is accompanied by the vocals of My Brightest Diamond’s Shara Worden and the spoken word of Laurie Anderson (of Big Science fame) on three tracks respectively, but if anything these contributions distract from Stetson’s power. The ‘avant-garde’ and ‘experimental’ labels that will be thrown at this record may well detract potential listeners, but its appeal is surely universal. Without a doubt, Judges is unlike anything you have ever heard before.

 

The university’s £11.5m health care plans under fire

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St John’s College and Jericho Community Association have voiced fierce opposition against university plans to build a new three-storey health centre on Walton Street in Jericho.

The proposals include a new building to relocate and amalgamate three existing health-care facilities which are currently housed in much more cramped settings.

The £11.5 million project will also see a large three-storey modern building take the place of the former Radcliffe Infirmary.

The controversial structure will also accommodate the University Department of Public Health Care and give new office space to the University Press Office.

St John’s College authorities is objecting to the build predominantly on grounds of the noise, pollution and disruption that it will inevitably cause.

Students have not voiced opposition to the plans and many have reported that they did not even know the new building was being built.

Jericho residents have complained about the number of parking spaces that the new building would require as well as the fact that it would block their view of the 240-year-old Radcliffe Observatory.

Paul Hornby, Vice-Chairman of the Jericho Community Association has said, “Jericho needs a health centre but the building is too high” and has complained that “the university has made no effort to listen to complaints.”

Neither St John’s nor the Residents’ Association have confirmed that they will actively appeal the decision.

However, whether the various objections affect the final decision or not, it seems the university is at least engaging with the concerns. St John’s College Bursar told Cherwell on Friday “we had a very friendly and helpful discussion with the University Estates Office this morning.”

A University spokesperson commented, “The impact of the overall development of the site should be significantly less than when the site was historically used as a hospital.

“The masterplan for the site has been carefully designed to protect the setting of the observatory and frame new views of the tower.

“The university has been careful to take account of all comments on this application and have carried out a number of pre-application consultations.”

Meetings are currently going on with the various branches of the Oxford City Council and the plans will be finalised on 28th April.

Review: Metamorphoses – Fables from Ovid

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Not many plays start with a sung invocation of a muse and although the singing itself wasn\’t perfect by any means the thought that went into its inclusion is representative of the blend of traditional storytelling elements and modern translation which the Hecate Theatre Company has achieved. Metamorphoses is set in a Victorian boarding school after lights out. A group of girls about to be received in society as women for the first time are too excited to sleep and so relive their childhood by acting out stories. Each tale chosen by one of the girls is about abortive love, such as those of Myrrha who found every suitor a disappointment compared to her father, Echo rejected by Narcissus, and of Tereus who by raping his sister-in-law destroyed an entire family. However, a contrast is made by the tale of Arachne narrated by the matron as a morality tale to teach her charges modesty.

You might expect a play based on stories which involve magical transformations to be a lavish spectacle. However, in Metamorphoses the focus throughout was on characterisation and connecting with the audience through the power of the drama alone. That said, there were some simple and effective moments where with only shadows cast on a backlit sheet Arachne grew four extra limbs and Tereus cut out Philamela\’s tongue. The totality of the set comprised of one chair, four pillowcases and five sheets including that used for shadow-casting; remarkably, this was not only sufficient but a perfect way in which the production brought to life the atmosphere of a children\’s game by requiring the audience to imagine that the sheet was a cloak or a snake and therefore insuring the emotional investment of those watching.

Much of the frisson generated by the production was through the combination of evoking childhood games alongside the mature content of the stories and occasionally vulgar language. Occasionally the dialogue seemed as though it was trying too hard to shock and modernise these ancient fables, but this again evoked the uneasiness and desire to impress experienced by teenagers desperate to prove that they\’ve left childhood behind.  The presence of the matron\’s character throughout as an often silent observer was a useful way of generating leniency among audience members at crucial moments.

My friends who were previously unaware of a few of the fables narrated in the play thought that perhaps some rather sensationalist stories had been included, with particular surprise generated by that of Myrrha with its incest and eerie chanted refrain of ‘Father, Father none of them do. None of them in quick black shoe.\’ However I found the spread of tales and transformations representative of the widest possible range of relationships and representative of Ovid\’s ‘epic\’ in general. It was a sympathetic and selective re-imagining of the work which allowed for the development of the characters of the storytellers above all else.

 

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