Tuesday 10th June 2025
Blog Page 1878

Handing them it on a plate

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As editor of the sport section at Cherwell I am naturally expected to have an expert knowledge of all the intricacies of Oxford sport. I was therefore shocked, and somewhat ashamed, to find out in the past few weeks that the college rugby cuppers competition is not a straightforward knock out tournament as I had previously assumed. There are, in fact, three different competitions. One (main Cuppers) for those who won their first two games, another (the plate) for those who won their first game but lost the next, and finally the bowl for those teams who lost their first game but won their next.

The thought process behind this setup is obvious and in many ways commendable. In the football equivalent once you lose you’re out, that’s it. In rugby the prospect of a high profile final at Iffley Road is not extinguished by a defeat; the plate or the bowl offers salvation, a second chance. This is how the system should work; the trouble is it doesn’t always seem to happen that way.

I recently discovered that some colleges attempt to ‘play’ the system in order to give them a better chance of winning a trophy and indulging in the drunken and often naked celebrations we all know rugby players are so fond of. The story I heard was of a team that had impressively won their cuppers first round game and had been given a very winnable game next up, a win in which would send them into the main cuppers quarter finals. However they reasoned that the best teams in the University would also be in main cuppers quarter finals (can’t fault their logic there to be honest), and that they would be better off losing their winnable game to send them into the plate with less able teams (still with me?). It was then discovered that their opponents had exactly the same thought and were also planning to lose. Thankfully the two realised that playing a game in which they were both aiming to lose would be farcical (imagine the score), and therefore a contest to forfeit the game first began. One captain won, which meant his team ‘technically’ lost and went into the plate.

This I’m afraid is simply not sport. Sport, and especially a cup competition, is about trying to beat whoever you’re put up against. Imagine if Crawley Town had forfeited their FA Cup match at Old Trafford in order to concentrate on the FA Vase because they would probably lose to Manchester United but could beat Ebbsfleet. I appreciate that rugby is a different sport to football with a higher importance placed on power and strength which makes upsets less likely, but I still wouldn’t want to support the cynical approach of some of these teams. I’d take a glorious failure ahead of a hollow victory any day.

 

Cherwell: Join the Revolution

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Cherwell is now recruiting for Trinity ’11. Join Oxford’s only independent student paper. Join the revolution.

Not Seeing is Believing

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Ever since the hosting of the inaugural IBSA World Blind Football Championship back in 1998, blind football has slowly been growing in scale and stature on both a national and international level. Whilst it is a far cry from modern stadia, extensive television coverage and colourful sonic backdrops, being a game played in absolute silence, it’s a game which is constantly providing men and women of all ages and ability, who are visually impaired, a chance to find solace and success in a game free from excess and egotism and instead one full of fair-play and, above all, friendship.

Blind Football is, by its very definition, a very different ball game to mainstream football. It is played in the style of a five-a-side format with the only sighted or visually impaired player eligible to represent the team being the goalkeeper. All outfield players are ostensibly blind and wear eye shields so as to remove any competitive advantage from those players who may have better eyesight than those who have no sight whatsoever. There are no throw-ins as there is a wall surrounding the reduced pitch size (42m x 22m), and each team is permitted one coach to call out instructions from behind the goal. Indeed, the forms of communication that can be made between the players are either through calling out one’s name or by calling out ‘Yeah’ to make one’s presence known. Furthermore, the players must call “Voy” (I’m Here) in order to alert opposition players of their intention to tackle the players targeted. Perhaps the single-most important element of the game is that of the football itself – filled with bearings inside so that players can hear and sense the football coming towards them. Thus, it is a game which lends itself to both constant awareness and technique. 

To start off with, the very dimensions of the pitch require a high quality level of passing and an enormous level of communication between teammates. Command of the ball is ultimately the key, as possession is everything in the fast paced game. Passes cover a shorter distance – they are crisp and simple – and given a well-worked move, can result in a well manufactured goal – something professional footballers would be proud of. The players themselves must make sure that the ball almost literally sticks to their feet – not straying more than an inch or two away from that area. Their footwork cannot be languid, rather, they must be agile on their feet. Furthermore, shooting is just as difficult a skill to master. As well as having good close control, there is a great emphasis placed on having a short backlift when striking the ball thus generating more power behind the shot and giving the player greater control over the direction of the shot. While hypnotic-like footwork and accurate passing is an important element to success in this form of the game, attentiveness is equally important. The rattling ball, a distraction away from the game itself, needs to be heard, lending to a ‘Library at Highbury’-like atmosphere inside the ground. Despite the radically changed atmosphere, it has in no means distracted football fans from going to watch blind football in this country.

In recent years, the blind form of the game has made significant progress. Credit must be given to the Football Association which has generously invested in running both a Partially Sighted England team and a Blind England Football team. As will be discussed below, these teams regularly complete at the European Championships and the World Cup. Furthermore, the Football Association has gone on to form a National Blind Football League which currently includes six teams: Everton, Worcester Blind, Middlesex & Home Counties, Sporting Club Albion, Royal National College for the Blind Academy and, the newest addition to the set-up, Leicester. While this league not only gives these teams an opportunity to compete for the coveted National League title, the Football Association’s regional Ability Counts leagues, also gives players suffering from Cerebral Palsy an opportunity to play regular competitive football, and thus a chance of progressing to the national set-up. Under the stewardship of Tony Larkin, manager of the England Blind Football team, and their talisman, David Clarke, they have overseen the sport’s development which has included a £21,500,000, state-of-the-art sports centre at the Royal College of the blind, home, most recently, to the 2010 International Blind Sports Association World Cup.

Staged at the home of the RNC in Hereford in the surroundings of the superb indoor futsal arena, 2010 witnessed the fifth World Blind Football Championships. Beginning in 1998 with the inaugural staging of the competition in the home of football, Brazil, the competition has, albeit slowly, gained recognition. Nonetheless, very few column inches indeed came to be written about this tournament in the broadsheet newspapers let alone any television coverage. Yet the fact remains that the Championships were the largest disability football event ever to be held in the United Kingdom. In all, ten countries competed, with hosts England finishing fourth, their current world ranking position, after losing the third/fourth place play-off to China. Brazil, the dominant force in world blind football, (surprise, surprise) went on to win the tournament, racking up a third title, following victories in 1998 and 2000 and in the process, guaranteeing their qualification for the Paralympics in London 2012. Nonetheless, the very staging of the event as well as the funding given to the sport reflects that international tournaments, in this case the World Cup, can be held here in the United Kingdom and that the Football Association is committed to investing in disability football – something which we will hopefully come to see more of in future years to come.

While the National Blind Football League has been established for a few years, the England set-up still lags behind other established footballing countries. In Brazil, both the Brazilian Football Association (CBF) and the Brazilian government have extensively funded blind football – the fruits of which have been shown through the emergence of around one hundred blind football teams. In Brazil, Argentina, France, Spain and China, the players are full-time professional unlike here in the United Kingdom. Furthermore, the majority of these countries have invested in a full-time manager, with Spain having an impressive six regional blind football leagues. For many amateur professional footballers, life is difficult, especially with an added disability – often having to juggle family life while adhering to a fitness regime and weekly practice sessions. Whilst there is admiration for the work done by the Football Association, the reality is that it still has some way to go to ensure that the message of blind football is spread far enough, in particular to different demographics, as in other parts of the world where there is active encouragement at all ages. However, the one thing in common with all the countries is that they are giving people with disabilities a chance – a chance which is being grasped at all levels. Nonetheless, the successful staging of the Blind World Cup has provoked a reaction in three senses: firstly, it has given more exposure not only to blind football, but blind sportsmen and women; secondly, it has acted as a catalyst for the 2012 Paralympics and thirdly, and perhaps most importantly, it has brought home the message that disabled people aren’t interested in talking about their disability rather, they want to continue to live and enjoy the beautiful game and life without the ‘disability label’ attached to them.

Attention is not something this form of the game craves; rather it is something with which it should be rewarded. The group of players representing the England Blind Football Team not only exhibit a remarkable strength of character and are inspirational role models to others but they are a credit to this country’s football heritage – perhaps something the full national team can come to learn a thing or two about. Exposure to blind sport should continue to be actively encouraged and perhaps we should not come to see them as blind sportsmen and women but simply as sportsmen and women. What this team, and millions around the world have shown and will continue to show, is that impossible is nothing and that not seeing is believing.

Shark Tales Episode 3

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Barnaby Fry once again dons his dufflecoat and wades through the staggering masses outside Park End to find those kernels of insight, shining brightly out of the abyss of slurred banalities and questionable sexual moress that characterises a Wednesday night out in Oxford.

 

This week features among other things a selection of impromptu musical numbers, an apology for last week’s condemnation of ‘gay’ cocktails and the return of Oxford’s very own European tetris champion. 

Sweet dreams are made of this…

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(Silk slip – Vintage, Knitted cardigan – Topshop)

 

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(Sweatshirt – River Island, Shorts – Topshop, Socks – Topshop)

 

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(Nightshirt – Marks and Spencer, Socks – Topshop)

 

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(T-shirt – Gap, Socks – Topshop)

 

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(Nightdress – Gap, Dressing Gown – Model’s own)

 

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(Bralet – Model’s own, Lace skirt – River Island)

 

Photography: Rebecca Nye

That 70’s Style…

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Florals: Wear florals boho or festival style in bright bold colours to tap into a big trend.

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(Dress – Primark, Shoes and bangles – Topshop, Necklace – Vintage)

 

Pleats: Don’t worry, not in the schoolgirl sense. Think long flowing skirts and romantic dresses: cinched in waists with pleated details are a must for Spring.

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(Dress – Topshop)

 

Lace: Embrace the romantic style with lace, lace and more lace. From daring, barely there lingerie looks to sweet and pretty dresses, lace is a versatile fabric that is guaranteed to crop up every season.

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(Jeans and bangles – Topshop, Top, shoes and hat – Primark)

 

Wedges: Fashion has fallen for the wedge heel. Forget tottering about on stilettos and instead head for this reliable yet stylish shoe.

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(Top, skirt, shoes and bangles – Topshop)

 

Wide leg and flares: Take a break from those skinny, almost painted-on jeans and go for some universally flattering and sophisticated wide leg trousers or flares for that seventies edge.

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(Top – River Island, Trousers and shoes – Primark)

 

Print: There are no limits to this mini-trend, whether its the more ‘traditional’ animal prints that made their presence known across the catwalk or the more bizarre fruit-inspired orange and banana prints seen at Dolce and Gabbana and Stella McCartney.

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(Jumpsuit – Topshop, Shoes – Primark)

 

Photography: Maryam Ahmed. Model: Tegan McLeod.

DIY Fashion

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Fashion is such a paradox. Your aim in life is to be cool and individual, yet as soon as something hot comes out in Topshop you’ve snapped it up along with ten million others in the exact same plight. The answer? DOY. Our fashion shoot this week shows you how our team managed to customise boring basics into cool, oirginal pieces. Plain pair of black heels? Glam it up old-school style with antique looking brooches – 50p each from Primark. Dull old T-shirt? Tap into thr cut-out trend and take a pair of scissors to it. And strategically placed patches on a cheap looking jumper instantly make it look preppy, vintage and just plain stylish. There’ll be no one out there who looks quite like you…

 

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(Original jumper – Marks and Spencer, Tights – Debenhams, Shoes – Primark, Brooches – Primark, Headband – Topshop, Skirt – Model’s Own)

 

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(Original T-shirt – Primark, Lace camisole – Primark, Necklace – Primark)

 

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DIY Fashion – Laura Butterfield, Emma Milner, Grace Goddard. Photography – Maryam Ahmed. Model – Holly Creevy.

Come Dine With Oxford Episode 2

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Five Oxford students compete to outdo each other with their culinary elan and hospitality. This week it’s Emma’s turn to host; with a theme of ‘sex on legs’ the night is set to be hot, but can she handle the pressure?

Can Emma remember how to cook any of her dishes without?

You can do WHAT with a cheese-grater?

Is romance in the air between Gemma and Alex?

Find out on this week’s episode of 

Come Dine With Oxford

 

Narrator: Andrew McCormack

Producer: Jake Mellet

Asst. Producer: Max Gil

Creative Director: Evie Deavall

Editor: Declan Clowry

Asst. Editor: Sophia Gibber

Review: After the Dance

There is a balcony on stage and a most elegant piano on the side. Everything you need to picture the 1939 wealthy London society. The scene is set in a house owned by thirty-something David Scott-Fowler, a rich historian, and his wife Joan. They have been married for twelve years, building their union on the secure groundings of companionship rather than love. Many characters revolve around this luxurious drawing-room: John who lives as a parasite off David’s money and bar , Peter a young and promising Oxford graduate who is helping David with his project for a book,  and Helen, Peter’s fiancée, a young and square-minded girl.

 

The first scene introduces Peter and John, the latter obviously recovering from one of the many drinking nights in society, and Peter earnestly working on David’s improbable book. Later, Joan (Rachel Dedman) enters the play as a sophisticated socialite, a veil of melancholy colouring her faint smile. Helen and her brother George (Will Todman) join us, and the girl shows all the devastating energy of the manipulative young woman she will soon turn to be.

 

In this alluring society characters drink their way to oblivion, in a earnest attempt to forget the world around them. Peter (Christopher Hayes) and Helen (Bess Roche) seem to be the only two young beings who still live with illusions and simple dreams of happiness, but is it all as it seems?

 

Little by little Terence Rattingan’s drama depicts a society of the time: it is all about painfully suppressing the emotions of oneself. Rachel Dedman’s acting as Joan is of high quality as she subtly shows the emotions of a woman entertaining her guests while carrying the heavy shadow of her repressed feelings. Avoiding facing discomforting feelings is exactly what David Scott-Fowler does: he is the epitome of this society as well as the centre of the whole play, trampling on his friends and family for the sake of getting what he wants, whisking away whatever is in his way, a difficult role to undertake for any young actor and Max Gill makes the best of it.

 

As Joan expresses it, in the elegant tone which is very much obligatory: ‘When you know something is going to happen, it makes it seem further off to joke about’. It is in the fashion of this society to have what she describes as a ‘quiet little divorce’. In this big race towards disaster, the wave of reality will soon come hitting the setting of their lives.

 

The cast of After the Dance plays the terribly glamorous card game very well, but a question remains: is there a winner? As director Joe Stenson finely implies, there is much more in the unspoken silence than in the witty words of the characters. The fast and colourful dance music fades out, all we are left with is the empty set, where everything seems so stylishly dead. Where is the love, we stand naively asking?

 

 

2nd and 3rd March, 7:30 pm, St John’s College Auditorium

Cherworld Week 6

“Well, we’ve sorted that out, now onto world poverty. Tune in next week, when we’ll be, I don’t know, solving global warming? I think we can solve global warming.”

“Week 6 Oxford, Week 7 – the world.”

 

News Editor Beth McKernan and Comment Ed Robin McGhee are back with an incisive vengeance to discuss Cherwell’s revelations that a third of all university bursaries are paid to students who attended private schools.

 

Produced by Evie Deavall and Oliver Moody