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Review: The Dumb Waiter

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Verdict: Funny – but perhaps for the wrong reasons

Despite the hotch-potch settings of the preview of The Dumb Waiter, and the notable absence of its eponymous prop, this performance will thrive given the right setting – which I am sure the dark chambers of the Burton Taylor will provide. Forming part of what seems to be a renaissance in the staging of Pinter’s plays (with this particular play having been revived at both the Oxford Playhouse and Trafalgar studios in London in 2004 and 2007 respectively), Wiretap’s production brings about all the delicious fourth-wall dissolution discomfort reminiscent of Beckett’s Waiting for Godot.

Interestingly, though perhaps not purposefully, it also seems to include some slapstick elements, embodied in Gus’s character, played by Tim Coleman. Given that Pinter’s plays are generally associated with a kind of black humour – the kind that arises out of fear or misfortune – it is unfortunate that most of the laughs that I gleaned from the play were derived from nigh-on clowning behaviour. Gus’s repeated sniffing of cushions and conjuring of cigarette packets from his shoes, rather than invoking the ‘subtleties of the comedy’ between the characters, did quite the opposite. After bringing attention to the toilet’s non-functioning ‘ball-cock’ and various bodily odours, the comic side of the play started to verge on becoming scatological.

Whatever the misgivings with regard to the comedy however, the company give an accomplished portrayal of the dread and confusion that Pinter’s script demands. Drawing upon notions of interminable time and restricted space, which, emphasized by Ben’s silences, are wonderfully executed by Vyvyan Almond. Volatile tensions are built up, leaving you aching for resolution in this eclipsed microcosm, in which only tabloid news of human tragedy and football fixtures serve as references to the outside world.

Although the play got off to a slow start, and the comedy was somewhat different to what I was anticipating (though perhaps this would make for a provocative adaptation), with over a week to go until the premier, there is ample time for Wiretap to deal with these minor issues. Given the sun-soaked, antithetical settings in which the preview was performed, the cast and crew dealt with these issues well, performing with characteristic bleak Pinter style. I look forward to seeing the final production at the Burton Taylor.

Fellows’ free food furore

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A former government minister has criticised Oxford for providing free lunches for college dons as students face a massive rise in tuition fees.

David Lammy, former Labour minister for Higher Education, called the provision of free meals “antiquated” and said Oxford academics should not be allowed a “free lunch on the taxpayer”.

The tradition of dons dining together is long-standing at Oxford, although arrangements vary from college to college.

Speaking at question time in the Commons, Mr Lammy said, “Can it be right that we are asking students to pay more when there are clearly some universities that have not sorted out their inefficiencies?”

He added, “If universities want to charge students treble what they are paying now, they have to do their bit to make the degrees value for money.

“It can’t just be the students that foot the bill. The dons have to give up their perks too. If all the cuts are being passed on to students, then there has to be a review, not just of access but also of antiquated practices.”

However, a spokeswoman for the University said, “Oxford college lunches are not funded by the taxpayer, nor by student fees. The public funding colleges receive for undergraduate teaching nowhere near covers the costs of undergraduate teaching, let alone covering any other college costs.

“In fact, both the central University and the colleges heavily subsidise the cost of undergraduate teaching from their own private funds, and will continue to do so under any future student finance arrangements.”

The University said entitlement to meals in college was more than “just a job perk” and that it is “part of the close-knit and interdisciplinary nature of Oxford’s unique college environment where academics from different disciplines can gather and share ideas.”

Alex Wright, a second year History student, said, “Dons deserve a free meal every now and then. Oxford is a world-class university, and these traditions are part of its history. David Lammy is missing the point.”

Corpus gets a royal respite

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Students at Corpus Christi will join the rest of the country in getting the day off for the royal wedding, meaning that many will have to return earlier for Trinity collections.

Senior Tutor John Watts explained in an email to students that no collections would be held on Friday 29th April, the date set for William and Kate’s nuptials, “to allow loyal subjects to celebrate the royal wedding”. The date was declared a bank holiday after the couple announced their engagement in November.

Watts told Cherwell, “We were just mindful that it’s a public holiday and that, as a result, there won’t be any clerical or administrative staff around on Friday and Saturday when we would normally have held collections.

“We also thought students might have felt rather sore at having to sit exams when most people are enjoying the day off and some will be watching the celebrations.”

JCR President Jack Evans said, “Students don’t get many bank holidays in Oxford, so I’m sure that the JCR are going to celebrate appropriately. We have huge plans which are secret at the moment, but I can tell you that they will be tortoise-related.”

He explained that the JCR respect that the support staff are entitled to a bank holiday and that the tutors are unable to man the collections by themselves.

However, the news has not had a positive reception from all students. Upon discovery that he may have to cut short his Easter vacation to take exams, one Corpus PPE student, Sam Kelly, said, “Disgraceful. Yet another argument for republicanism.”

"Shifty" suspect sacks Exeter

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Exeter College was victim to a series of thefts last Sunday, carried out by a female intruder posing as a member of the MCR. Wallets, mobile phones and a laptop were stolen from inside the college, including from its library and chapel.

The College’s Junior Dean, Michelle Fernandes, warned students about “a series of thefts by an unidentified person” in an email on Sunday afternoon and urged them “to take necessary precautions to ensure the safety of valuables”.

A group of first years reported seeing “a very strange woman, looking shifty and confused, like she might’ve been on drugs.”

The intruder made her way seemingly at random around the College, striking the library between 4.24 and 4.27pm.

Michael Wilson, a second year medic whose laptop was stolen, told Cherwell, “It’s really very annoying. Incredibly lucky I backed up my laptop before this term but it’s a lot harder to work now.

“I was working in the library when I went to get some water from the JCR. On the way out I met a woman in the corridor, so I stopped to let her pass! She was a short, large woman wearing several coats, the outer one black. I returned to the library 3 minutes later and my laptop wasn’t there. At first I thought it was a prank.”

College CCTV shows the thief managing to enter the library without a swipe card and walking past other students in an effort to pose as a member of the MCR.

Members of the College choir also had their lockers raided during evensong. Matt Stokes, a first year linguist, had his Dolce & Gabbana wallet stolen, including all of its contents.

“We always leave our stuff near the chapel when we sing because we can’t take it in, and when we returned on Sunday we realised five wallets and two phones had gone. They’d been through pockets and bags and taken everything they could.

“I was lucky because I had no cash in there, but the wallet was worth £150 and is one of the nicest things I own. Plus all my student cards and ID were taken.

“To be honest I’m mostly angry at myself for leaving my wallet there; I knew I shouldn’t have but we just didn’t expect this.”

Matt Stokes said, “The College were really good about sorting stuff out and made sure we’re all right for money. They’ve given us insurance forms to fill in and seem to be determined to do as much as they can to sort it out.”

Reports of the thefts appear to demonstrate the woman may have not been thinking clearly.

Michael Wilson explained, “The thief was not put off by other people. There was even someone the same side of the bench. And I don’t know why she picked my laptop instead of all the others left unattended. It was right next to a MacBook Pro, worth at least twice as much.”

The police have recognised the woman’s description as a repeat offender and the College is hopeful of tracking her down.

In response, other Turl Street colleges have increased security. Lincoln’s Domestic Bursar, Dr Rachel Buxton, has asked the college “to be particularly vigilant. Watch out for tail-gaters following you into College, ensure you lock your rooms, and don’t leave any property unattended.”

Review: Barney’s Version

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Barney is impulsive, selfish and unapologetically offensive and suddenly he falls in love: he then continues to be all these things. Barney’s Version is not about how the relationships of its central character (excellently embodied by Paul Giamatti) change him, but instead about how his friendships, three marriages, and his relationship with his father bring out different aspects of a complicated personality. It is this that gives the film a very watchable authenticity. Barney is not your standard loveable rogue – his awful behaviour is well and truly awful, but he is also capable of believable moments of kindness, charm and, when he meets Rosamund Pike’s character,
love at first sight.

Told through flashbacks, the story of Barney’s romances and offences, from his first marriage through to his old age, illustrates the destructive effect of Barney’s unwavering self-assurance and single-mindedness upon the people he loves, marries, or both. However, he is never simply the villain and the film’s trajectory takes us on a tour of entertaining characters. Minnie Driver’s spoilt daddy’s girl and Dustin Hoffman’s lewd and uncultivated ex-cop both earn their fair share of laughs, whilst Barney blunders through existence and tries to shake off the detective on his tail who is convinced he is to blame for the disappearance of his heroine-addled best friend.

It is an entertaining ride, but not too entertaining. Whilst Barney’s identity is stark and clear, that of the film is less so – not funny enough to be a dark comedy, not dramatic enough to be a moving biography. Set in Italy, Montreal and New York, it is certainly great to look at and Pike’s ability to (almost) convincingly play someone old enough to be the mother of two teenage children is rather impressive. Perhaps, after all, it is the slightly off-centre feel of the film that is the main strength of Barney’s Version. Whatever you feel about its ending and conclusion, there is a certain insidious charm deriving from the fact that if there is a message somewhere in Barney’s story, the
film itself is not going to give you any help in finding it.

Preview: The Seagull

Cherwell attends a rehearsal of Illyria Productions’ new version of Chekhov’s masterpiece, interviewing director Chloe Wicks and actress Laura Nakhla (who plays Arkadina) about their approach and some hints as to what we can expect when it appears on-stage at the Oxford Playhouse in 2nd week.

Review: Biutiful

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Javier Bardem’s powerful presence on screen, his ability to move you with the depth of his eyes and the consistently complex roles he takes on all make me want to draw a comparison with Al Pacino. Bardem has surely achieved his magnum opus in Biutiful, where he plays Uxbal, the dying, run-down father of two, who is desperately trying to juggle looking after his children with his ‘professional’ life in Barcelona’s underworld.

It is, of course, as much down to director Iñárritu as it is to Bardem that Biutiful is as special as it is. With his previous three films – Amores Perros, 21 Grams and Babel – the Mexican has gained a reputation for packing his work with pain that was always nevertheless inexplicably and utterly watchable. When human suffering is exhibited in an Iñárritu film, it is never fleetingly or carelessly considered, nor is it melodramatically underscored with extravagant music. Instead, it is always brutally honest and very hard not to be moved by. The only difference is that, with the arrival of Biutiful, the experimental aspects of his earlier films have been dropped. The innovative editing of the ‘Death Trilogy,’ with its nonlinear narratives and switching between multiple stories, worked incredibly well, but one couldn’t help but think a director with such an eye for raw emotion was destined to end up focusing more intensely on one story as he does in Biutiful.

Before the film started, Bardem said to the audience at the London Film Festival that there are some films you love, others you hate, and then there’s a third type where those words don’t exactly apply in any meaningful sense, and instead you’re left with a piece of cinema that attempts to take you on a journey too heart-aching to be pleasurable, but also too human to detest. Biutiful undoubtedly fits this last category. To watch it is indeed to go on a journey, of a kind very few living filmmakers could ever even hope to achieve.

Diary of a Cherwell Girl

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So it’s a new year, a new term, and a new blog from the Cherwell fashion team. Forget about collections, essays or the hideous thought of lectures that start before midday, what better way to start the term than taking a look at the latest craze to revolutionize the fashion industry – the wonderful world of fashion blogging.

I’m sure if we all cast our minds back far enough, sieving through the cringe worthy memories of dressing like your favourite Spice girl (I blame you, Sporty, for my brief foray into ill fitting tracksuit bottoms), we can remember a time before it was so easy to skim mindlessly through Facebook, Youtube and Sporcle in never ending circles of procrastination. Since then, the growth of the internet over the last two decades has been a huge driving force for fashion, making it possible to bring both high end and high street fashion to every home, with the click of a button and a flash of plastic. Following the popularity of social networking sites like Facebook and Twitter, which enable us to stay in touch whenever and wherever we are, fashion bloggers have been springing up all over the world to interact with the latest trends, showcase individual style and share ideas.

Fashion blogging is not to be underestimated, definitely an area of expanding importance, connecting fashion passionate individuals across the globe through a common interest in what to wear and how to wear it. Successful bloggers have become respected and established figures in the fashion world, invited to fashion shows in the hope that they will spread good publicity for the designer. Two successful fashion bloggers who have cultivated their talent and passion into a career are Tommy Ton the photoblogger behind the Jak and Jil blog who is inundated by requests for his photos and Susie Lau who’s popular Style Bubble blog got her a career as commissioning editor for Dazed Digital, the online faction of Dazed and Confused. In the same way that Youtube can launch a sensation (PLEASE name me someone who hasn’t seen Gap Yah…), bloggers can go from zero to hero in a matter of outfit changes. Take blogging sensation Tavi Gevinson as an example, a thirteen year old school girl and fashion enthusiast with a surprisingly mature and idiosyncratic style that won over top writers and designers, earning her a front row seat at New York fashion week last year and the impressive status as a muse for Rodarte.

As the blogging trend continues to spiral, designers increasingly look to fashion bloggers as serious colleagues to work with. HnM have recently revealed they are releasing a line of clothing in collaboration with Swedish fashion blogger Elin Kling, setting something of a precedent and illustrating the merging together of bloggers and the wider fashion industry. Perhaps the most charming thing about the rise of the fashion blog is that it is slowly readdressing some of the elitism of fashion, enabling unknown writers and photographers to bring their views to a wider audience and to be noticed.

Item of the week: It’s white and it’s lace, two things you’ll be seeing a lot of next season and it’s got a peter pan collar that Alexa Chung would be proud of. So a valid use of the student loan really…

Check it out
here..

Blog of the week: It’s not technically a blog, but as this is the first week, I’m going to recommend Lookbook to those of you that have been missing out. It’s the perfect place to go to for inspiration from photos of hundreds of well-dressed people from all over the world. If you like what you see there are often links from the lookbook profiles to individual blogs – a good way to find lesser known gems.

Magazine of the week: This month’s Elle magazine has a guide to the S/S catwalk collections, so definitely worth a look. If ever in doubt, scan the pages of style.com or vogue.com – something that caught my eye this week was the release of the video of Tom Ford’s much anticipated private showing of his Womenswear S/S Collection, featuring big names, provocative designs and plunging necklines.

Take a look here

Syrian Food: Lifting the Veil

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‘Good lady, are you absolutely sure you are not more hungered?’

Our waiter peered anxiously at us, before energetically slapping his belly in case we didn’t understand. Unfortunately, in Syrian culture, refusal of food is taken as a polite way of asking for more, and likewise, the concept of extreme fullness is often lost in translation. The Syrian stomach is insatiable, and with food as delicious as this, you can understand why. Waving aside our protestations, he bellowed into the kitchen and within moments we were presented with two lahamajene, a bowl of yoghurt, and a fatherly pat on the back. I defy any stomach to refuse a lahamajene. It is the Middle Eastern answer to the pizza, a flat round of Arabic bread thinly layered with delicately spiced lamb mince, the flavours warmed with cinnamon and chilli, and offset with the bitter-sweet astringency of tamarind.

As is often the way in the Middle East, it is the dingiest and most unassuming backstreet joints that offer up the best fare. Avoid the brash hotels with their mistranslated English menus (‘Welcome, you are invite to eat the Middle Eastern foods in a European ambulance’), and head instead to the grubby, cramped workman’s caff buzzing with life. Throngs of noisy male diners leisurely smoke cigarettes and gesticulate over dishes of mezze, as vast tureens of stew steam at the counter and greasy overhead fans wheeze in the heat of the kitchen.

To say food is everything in Syria is an understatement. The clientele of these downtown joints know what they like, and what they do not. Consequently, nowhere can staple Syrian dishes be found closer to perfection. There is no messing about in these kitchens; there are no menus, no presentation and no pleasantries. The whole place heaves with testosterone, a riot of male bantering and jangling Syrian pop music, as old men roar at backgammon boards, chai glasses clink and sweaty waiters slam down food. Workers come during the high heat of the day, lean over the counter and ask for ladles of fasoolya, Syria’s traditional bean stew. Usually eaten at lunch, fasoolya is a meaty tomato-based broth full of large white beans, rich with olive-oil, and fragrant with herbs. It comes with thin strips of sour pickled cucumber, branches of fresh mint and a small saucer of garlicy yoghurt, while remnants of the stew are soaked up by folded discs of Arabic flat bread. Whole baby chickens are spit roast on long skewers which revolve slowly in the window. They are things of almost indescribable beauty. The skin alone is enough to make any Nando’s fan weep with envy. Sticky with rich, caramelised fat, crisp and brittle on the bronzed outside, but moist and tacky underneath, the skin of an Aleppian chicken is a wonderful thing. Before pulling it all off in one, the trick of the dab-hand is to take a circle of flat bread and vigorously rub the carcass of the chicken, as if sanding a desk, in order to soak up all the intense flavour of the juice and meat fat. The bread is then either rolled up long and thin, sandwiched with fresh mint, or dipped into platters of hummus and smoky baba ganouj, which are liberally seasoned with za’tar (a pungent Middle Eastern blend of thyme, sesame seeds and sumac) and peppery olive oil.

The flavours of Syrian food are as rich and complex as the history of the land itself. An aggregate whole, built upon layers and layers of antiquity, Syria is the cradle of human civilisation. It is a dense sedimentation of ancient culture, stationed majestically at the end of the Silk Road. Inhabited in turn by the Phoenicians, Babylonians, Persians, Romans, to name but a few, Syria is an ancient melting pot of diverse peoples, and where today, the settled dust of these illustrious civilisations is stamped down by countless feet in the labyrinth of the souq. In Aleppo, the old collides with the new. It is a living, breathing relic of bygone time, where the frantic motion of the city and the coughing of engines is set, incongruously, against the imposing backdrop of the citadel, in use since the third millennium BC.

The taste of Syrian cuisine is intense, a palimpsest of flavour, blended and deepened over time. Bedouin cookery is a fine example. These nomadic tribe people live in the empty heart of Syria, in the Palmyrene desert, where flavours of food are simplest and most concentrated. My first taste of a Bedouin barbeque was unforgettable. Having, as a desperate last resort, hitched a lift with a convoy of Syrian soldiers on their way to the Iraqi border, the thought of a whole barbequed sheep at the other end was about the only thing that would keep anyone going. The ramshackle bus swayed along the desert tracks as night fell, while spotty army youths wrestled over control of an exploded microwave, apparently a television, which crackled out Syrian hits, as fifty rifles clinked unnervingly behind us.

Through the windows of the bus, the distant fires of Bedouin camps punctured the empty blackness of the desert and drew closer.
It is the first rule of Bedouin culture that strangers are welcomed in with opened arms to share the food of the community. The flames spat with fat as shadowy, stooping figures of Bedouin women slowly turned the lamb carcass, and men reclined in the fragrant haze of shisha smoke, dipping aniseedy ring-shaped biscuits into cups of pistachio coffee perfumed with rosewater and cardamom. As the meal came to a close, our guide, Emed, leant over, with more than a predatory twinkle in his eye, and said ‘Sweet for my sweet, sexyprincess?’ Regardless of his persistent oily advances, Emed’s sweet was worth it. He offered us a plate of fat Palmyra dates, rich with the sun-sweetened stickiness of palm sugar, and then, spreading out a headscarf on the sand, began stacking up a dozen baklava, like pieces of sugary Lego. These pastries are delicious. Flaky, light and dense at the same time, they look like jewels, crusted with bright green pistachio or glazed walnuts, and heavy with the stick of date syrup or honey. Probably best to visit a dentist when you get home though.

Syria is misunderstood by the West. It is pictured in the media as a hotbed of Islamic fundamentalism, shouldered by war zones, as its borders prickle with hostility and obstruction. This is absurd. The Syrian people are not a nation longing for Jihad, but some of the most hospitable people on the planet. Discarding paranoid images of Syria as the bogeyman of the region, and focusing instead on the texture of everyday living, it is food, and the love of your fellow diner, that life is all about. Around the Middle East, Syria is known as the ‘pearl of the Arabian kitchen’, and for good reason. Put simply, Syrians like eating. And if you like eating, you’ll like Syria.