Sunday, May 11, 2025
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Reflections on Rudolph

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As we near the end of eighth week, a collective sigh of relief can be felt reverberating through the Oxford air. As snow lightly dusted our fair city and a wintry chill established itself as a permanent fixture, hats, gloves, and scarves became required garments in every student’s wardrobe ensemble, and all the holiday decorations I’ve been blathering about began to seem just a little more relevant.

And with the holidays here came an institution which I thought I was familiar with, but in fact turned out to feel quite foreign – the seemingly innocuous traditional Christmas carol service. Before any gasps escape from open mouths, let me hasten to assure you that I do indeed enjoy my fair share of Christmas tunes. But my expectations are more in the line of Jingle Bells, Winter Wonderland, Frosty the Snowman, and that good old standby Rudolph the Red-Nosed Reindeer.

I was surprised, upon opening the pamphlets provided at college and university carol services, that these were not the songs soon to pierce the air. While I certainly recognize hymns of the season, Hark! The Herald Angels and Little Town of Bethlehem and all, they don’t comprise the soundtrack of the holiday season as much back home as they do here.

This difference begged a related query, which I proceeded to pose to friends; were our holiday books, or films, in fact divergent as well? They assured me that they had indeed been introduced to the wonderfully corny delights of The Santa Clause and The Polar Express (though many were shocked to hear that the latter derived from a classic children’s book). And of course it goes both ways, as I can attest to viewings of Love, Actually and The Holiday.

But when I probed further, beyond the holiday tales of recent vintage, I found that there were what I considered gaping holes in the holiday canon. I grew up reading (and then viewing) How The Grinch Stole Christmas, a classic Dr. Seuss tale whether in book, cartoon, or feature film form. I’m used to marathons of A Christmas Story every December, with Ralphie’s quest ostensibly ageless. Going back further in creation date, Miracle on 34th Street and It’s A Wonderful Life (a personal favourite) elicited some recognition, but nowhere near the level I expected.

As in all other seasons, and on all other occasions, the carol service reminded me that there are assumptions that just can’t be made when one is speaking in an American tongue. The one consolation is that on both sides of the pond, one can feel free to wish everyone else (including those of you reading this), a happy holiday season and New Year.

Union Election Results

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Ash Sangha has defeated Constantinos Calavrezos by a hefty margin in their face-off for the Presidency of the Oxford Union.

Sangha, this term’s Librarian, beat Calavrezos by 663 votes to 391. He will take on the role of President in Trinity 2011.

Hasan Ali replaces Sangha as Librarian, while Cyrus Nasseri was elected unopposed as Treasurer. Izzy Westbury will serve as Secretary, and the new position of Librarian-Elect will be filled by Lauren Pringle.

Next term’s Standing Committee will be comprised of Isabel Ernst, Rahul Ahluwalia, Kabir Bhalla, Ash Thomas and James Freeland.

All we want for Christmas…

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All we want for Christmas is a fabulous party dress

Cherwell fashion has chosen your Christmas dresses so that you don’t have to.

Fancy modelling for Cherwell? If so, email us for details of our upcoming photoshoots at [email protected]

Cherwell Fashion team get dressed up for Christmas! Wean yourself off the safe LBD and embrace this season’s luxe party dresses – embellishments, rich fabrics and jewel tones evoke the party season with a touch of decadence. Simple one-shoulder shapes are made interesting with feathers, floor-lengths are kept fun with plunging necklines and out-of-the-box outerwear such as capes add a focus point and much-needed practicality. Shoes should contrast – black chunky heels with a feminine frock, elegant stilettoes with an daring dress, animal print with block colours. It’s not just the tree that should sparkle this Christmas!

A simple chiffon cover-up with delicate embellishments is the epitome of class, and will liven up anything you already own.

Mary wears draped wrap, Topshop.

An above-the-knee cocktail dress is a foolproof option, but liven it up by choosing festive metallic tones.

Laura wears gold brocade Whistles dress.

Cream and white is a good, if unconventional, choice for Christmas if you’re feeling inspired by the Royal Engagement…

Jess wears cream floor-length dress, Kate Moss for Topshop. Agnes wears Topshop.

Lucy wears gold Topshop dress and own claret cape, Anahit wears one-shoulder indigo River Island dress.

Schools cuts likely to bleed

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Michael Gove should be one of the heroes of this government. His determination to fix Britain’s broken education system is beyond admirable, and the scale of his plans is beyond ambitious. Much of Gove’s work is long overdue, and should be welcomed with open arms. Some of it, however, needs to be urgently rethought.

Gove has, despite incredible bad luck (see Building Schools for the Future fiasco), done a rather good job. He managed to safeguard the education budget in a last minute rescue attempt, and reallocate funding where it is most needed via the pupil premium. In the education white paper he included plans to allow teachers to, for the first time in years, teach. The National Curriculum will shrink from a dictatorial control freak into a sensibly sized set of learning goals — laying out what pupils should learn, not how teachers should teach it. He included plans to put individual schools and teachers at the heart of disciplinary policy, and give them the discretion necessary to do what’s best for their community of pupils as a whole.

He also scrapped EMA. Though we can all cite the rich friend who get EMA through some obscure loophole and spent it on Smirnoff Ice at bad underage clubs, EMA serves an important purpose. The decision of whether to do A-levels, and which ones to do, determines a child’s future. Pupils whose parents cannot afford to give them an allowance, or who need to financially contribute to the running of their home, face an incredibly tough decision. In some cases this will lead to them dropping out of education altogether, or taking easier subjects to give them time to work longer hours at their job.

EMA is not a perfect system. Paying it direct to students has proven a clear mistake, and payments instead should be sent direct to parents. This doesn’t mean that the all important helping hand it gives to poorer students isn’t worthwhile though. The opportunity cost of Sixth Form is, for many people, remarkably high. Bringing it down will help students from less fortunate backgrounds get more university places, at better universities. If we care about social mobility this is one thing that should not be scrapped.

Gove also scrapped school sport. Here it is hard to see why so much has to be sacrificed for so little gain. The £162 million saved is only just more than the £120 million we spend on debt interest each day, yet the consequence is to hit both health and education. Tales of Cabinet showdowns have detailed ministerial concerns over the health of schoolchildren, and how scrapping the budget for exercise while obesity is rising might not be the best of ideas.

There’s another important problem though. Most of our schoolchildren, despite Jamie Oliver’s best efforts, still survive on an unhealthy high sugar diet. Pupils who snack for breakfast and spend their lunch break munching on sugar are inevitably hyperactive and disruptive in the classroom. The longer they sit still in behind a desk and then at home in front of the television, the worse their behaviour will be. School sport is a great way of breaking the cycle. No pupil who’s just played a proper football match has the energy to disrupt a classroom. Better than unleash the hyperactivity during maths, pupils should be getting rid of it on the sports field.

Time for the tables to turn

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Chris Woodhead, the former Chief Inspector of Schools, recently wrote an article championing league tables and their importance in “giving parents power”. Assuming that he was writing from more than a cynical desire to validate the Sunday Times’ own ‘Parent Power Schools Guide’, published in the same issue, it is a sign of how resilient this view of league tables is against the strong opposition from teachers and schools, and increasingly also from parents and researchers in education. Woodhead labels this opposition a “virus” that has spread from teachers who are only watching their own backs. He pays no heed to the possibility that teachers, being the people who actually interact with children in schools on a daily basis, are best placed to observe the corrosive effects of an excessive emphasis on attainment.

Woodhead responds to many of the criticisms of league tables, but only in generalised terms. He brushes aside the fact that they focus only on the academic results of a school with the statement that “this point is so obvious it should not need making”. Yet when Woodhead gives as evidence for the importance of rankings the fact that the abolition of league tables in Wales has led to a 1.92 drop in GCSE grades per pupil, he fully supports the statement that this is a sign of “reduced school effectiveness”. That the “effectiveness” of schools cannot be measured in anything but exam results is thankfully a view that is dwindling; take, for example, the fact that Oxford shows no signs of taking into account the new A* grade, recognizing that it is of minimal importance compared to the far more telling interview process.

When a school is labeled the ‘top’ with absolutely no consideration of factors other than what that year’s batch of pupils scored in their GCSEs and A levels, it sends a clear message that nothing beyond academic results really matters. Everyone who has been through secondary school knows the result: in the final years of school, working for those exams is absolutely the top priority of pupils and teachers, and initiatives to broaden our education, or to develop emotional and social intelligence – as much as they are supported in theory – are rarely met with lasting commitment.

As serious as this is, it is not the most damaging effect of league tables. The half of us who come out of education with good results will hopefully find time later to scrape together some social skills and wider interests to sustain our lives. The real damage of league tables is their trickle-down effect on the self concept of those at underachieving schools, and of those in every school who fall below the average mark in a world where results are all. Research into the impact of perceptions of failure on future motivation has been around for over twenty years, and a study has recently been completed by a team here at Oxford that fully establishes a causal link between academic self-concept and achievement. It is certainly arguable that the attainment gap between those schools at the top of tables and those at the bottom has far more to do with how the atmosphere of testing and over-emphasis on attainment affects the sense of motivation in the teachers and pupils in the lower half than on the standard of teaching at those schools.

In our effort to push up attainment levels, we have not stopped to question whether in pushing for that attainment we are threatening something more valuable. But until we get rid of league tables entirely and rely on more nuanced means of assessing schools on multiple fronts, we will never know.

Eighth Week!

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Fancy yourself as a photographer?

Want your photographs from around and about Oxford seen by the thousands of people who visit the Cherwell website every day?

If so, why not send a few of your snaps into [email protected]

 

Monday – Endless fields – James Read

 

Sunday – Quite Odd Cow – James Read

Paul Roseby on Telling the Truth through the Arts

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Artistic Director of the National Youth Theatre, prolific director, broadcaster and writer, Paul Roseby, describes his journey in media and challenges students to “tell the truth.”

Wham, bam, Peter Pan

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“Which scene is this?! Shit, am I in it?”

Such was the light-hearted panic I heard behind me as the press preview began. And this serves to nicely illustrate what the Oxford University Light Entertainers (OULES), and what this particular production, are all about. They don’t take themselves too seriously and they have an absolute whale of a time, even regularly managing to churn out plays. The society itself is an all-inclusive casting company, meaning that anyone who auditions, and wants a part, gets one, even if this involves writing in new characters. Moreover, all profits from every production always go to charity (Great Ormond Street in the case of Peter Pan; the Pantomime) and the company take their shows to those who normally have little access to the theatre; nursing homes, primary schools, special needs schools and the like. It is a company that gives confidence to those who may otherwise shy from auditioning for OUDS. Most importantly, it’s for those kids inside all of us that just want to have a laugh, make some friends and throw on a show.

I actually reviewed Worcester’s Peter Pan (Not the Pantomime) last week and so should probably point out that I bloody love Pan. My same point could be made this week; it’s a bunch of people having fun with a great, heart-warming concept. The difference is, as Johnny Simms himself points out (Pirate 7 in Peter Pan-tomime) in The Oxford Student’s nauseating “Thespionage” column, that one has a great array of dramatic talent, and the other, well, doesn’t. So, if I were a cynical Grinch of a bastard, I could happily write a bitchy critique of this play, but this would serve absolutely no purpose, and would undermine the work that OULES do. For what it’s worth, I fully support their ideas about drama and reckon it’s about time that this little troop get the publicity they deserve.

Right, so let’s get the “reviewing” part over. The acting is, generally speaking, what you’d expect but there are some highlights. Marcus Garner-Hatcher’s Smee is fantastic and the comic delight that holds the whole pantomime together (think what the Old Vic’s Aladdin would have been like without Ian McKellen – he’s that awesome). His banter with Hook (Martin Corcoran) is nicely devised and Corcoran himself looks like he’s having the time of his life. Good turns are added by Rory Morrison’s Dame and a sex-pot-secretary-meets-pseudo-gothic-nymphomaniac Tinkerbell, played voluptuously by Asha Hartland. I was also particularly enchanted by a pirate that looked like he’d taken the wrong turn on the way to an Aerosmith concert, clicking his fingers to the music with a manic gesture that made me shiver.

8th week, Moser Theatre, Tuesday to Thursday, what else are you going to do? They strike me as a great bunch, having a laugh and doing some much needed good in the world. So let’s stop sulking about coursework or that end of term cough and all go and have some fucking fun: Light Entertainers Style. Oh and there’s some songs about being happy and not wanting to grow up. I’m there; and I’m bringing my cuddly polar bear toy, too.

Restaurant review: The Jam Factory

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Tucked away just past Park End Road, a street frequented by Oxford students probably more than any other, lies a Jam Factory with quite a different reputation. More niche than any other venue this side of the Cowley-Jericho divide, The Jam Factory delivers everything the name suggests; it’s quirky, cool and pretty damn sweet.

But a candied menu isn’t all The Jam Factory has to offer, as the multi-purpose arts centre boasts an eclectic timetable of buzzing bohemian activity. On booking, the manager informs me there will be a life drawing class at 8pm should we wish to join, and a peruse around the site reveals The Jam Factory is a popular haunt for Scrabble players, ‘World Beer’ lovers, photographers and more. What’s more, they have acquired a live music license a mere two weeks ago and are optimistic about the future, in terms of the potential of the venue. It doesn’t even seem to matter that the art itself is pretty poor, being at the Jam Factory makes you feel like you are out on a Berocca day reading Candide and pretending to be from the Continent.

The décor follows this trend: it’s artsy and modern, if a little confused. The spacious warehouse-like structure and potted plants give it a casual feel, but don’t entirely match with the 60s-style plastic furniture. The bar, on the other hand, is a little more upscale whilst the ‘gallery’ dining room has a toned down, day-time feel. The waitress shows us the workshop used for life drawing, undoubtedly the aesthetic highlight of the venue. The room has a high ceiling and light, lofty atmosphere that has an effortlessly cool aura about it.

One question remained, then: could the food pull it off? The menu isn’t exactly as edgy as The Jam Factory’s image, but it is of a high quality. British Gastropub with the occasional European staple tomato or Asian spice seems to be the slightly muddled theme, but to a large extent it works. The whitebait starter was a little spicy for a first course, and the arancini (risotto balls) were cooked well, but a tad bland. The smoked poached haddock was fresh, supple and delicious, served on a bed of a light and creamy mash. Equally the venison was tender and fragrant.

Although the dessert (chocolate brownie with ice cream) was distinctly average, The Jam Factory again rectified itself with some fantastic coffee. Their menu states they are ‘proud’ of their ‘blend of five different fair trade Arabicas and Robusta beans’ and it’s not hard to see why. Yet that’s not all they should be proud of in the beverage realm, as they boast a sophisticated wine list and the bottle recommended by our waitress was exactly to our taste. The Jam Factory even supports the local independent brewery ‘The Cotswald Brewing Company’, a commended producer of lager and beer made in the hamlet of Foscot, Oxfordshire.

Overall The Jam Factory is well worth going to, irrespective of it being slightly out of the way. The restaurant is not on the tip of many Oxford students’ tongues, but it is this unique and secretive aspect to it that deems it Cherwell-fficially cool. It’s not cheap, but equally not overpriced; a three course meal for two with wine and coffee came to a total of around £70-£80. With a little time its slightly confused identity and minor flaws will be ironed out, and it will become the place to be seen or to mention. So get there quick, if you’re anyone whose anyone. And remember, you heard it here first.

The Podd Couple: week 7

Matt and Ben take on the film of the year, yes that’s the one, do we really have to name it?