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Wadham bar prices rise in cash

Drinks prices in the Wadham bar have risen by up to 25 per cent for those paying in cash, after the college introduced a Bod Card payment system this term.

An email from the college bursar, Pauline Linieres-Hartley, outlined the introduction of the system. “There will be a two-tier pricing system. The lower price will be available for EPOS transactions and the higher price for any cash transactions.”

One Wadham student explained the noticeable difference in prices between the two systems. “Originally we were told that the difference in prices would be relatively small, but they have now altered the prices significantly for those who wish to pay by cash.”
He added, “I bought a double gin and tonic with cash, only to find out that it was £4.75 – as much as, if not more than, the King’s Arms – which is 25% more than paying by Bod Card!”

Another student was worried about how the tabs might be interpreted, “My concern is that if someone has a poor term academically, will they then have their bar tabs examined and be reprimanded or banned?”

St Hilda’s says no to Potter motion

St Hilda’s JCR voted this week not to change their name to Magdalen JCR.

A motion had been proposed to adopt the name as a show of solidarity with Magdalen after the Gryffindor name change controversy of last term.

There was an attempt to make the idea one with green credentials by stating, “Although the name ‘Magdalen College Junior Common Room’ is second-hand, it has nonetheless shown itself to be durable, hard-wearing and enjoyable.”

The motion continued, “It would be neither environmentally friendly nor ethical to consign the name ‘Magdalen College Junior Common Room’ to the dump.”

The motion was defeated by 25 votes to 10.

Plane crash kills two

A light aircraft taking off from Oxford airport crashed close to Bladon at 2pm on Friday 15th of January.

The plane, which had taken off from Oxford airport, burst into flames on impact.
Two men were pronounced dead at the scene and there are no survivors. The men have been identified as Anthony Corr, 54 (a pilot for Ryanair since 2003), and his friend and colleague Richard Leonard, 44.

Corr’s wife and two daughters released a joint statement paying tribute to the “superlative pilot” who will be “greatly missed by all”.

On Saturday, an Air Accident Investigation Branch spokesperson said, “It is not possible to speculate on the cause of the accident at this stage.”

Peace and Contemplation in Naxos

I am plucking away at a Spanish guitar up at the top of the hills overlooking the seas as the sun sinks into the evening horizon. It is calm and peaceful as the wind chimes sing eerily over my chords. My friend and travel companion is reading and the people we’re staying with are preparing our last dinner on our last night here. There is a quiet bliss here – this is what you look for in a relaxing holiday, the silence, which is only broken by the rhythm of the tides or the whistling of the wind, to contemplate life with all of its excitement ahead seeming like the storm out there somewhere in that never-ending water, so distant from the present.

Naxos (the largest of the Cyclades islands off Greece) is a beautiful island and it has not yet been completely invaded by tourists and hotels. Yet there is enough to excite the visitor. The beaches are splendid and are probably the most attractive feature of the place. We spent most of our time at Kastraki as it was nearest to us but the two best beaches were the isolated and

beautiful Pyrgaki beach and the more vibrant St. George’s Bay which was right next to the main town. We spent many lazy afternoons just lying on the beach before going out to the town in the evening and these beaches are just as good as any that you’ll find in the med.

The town is full of bars and restaurants and there are two clubs, one of which was only open on Fridays and the other was impossible to find. We spent most of our time drinking cocktails. I think I must have tried up to 20 different cocktails throughout my week there. Most of the bars were good but the highlight was definitely the one called Bintsi where you could sit right next to the water. However, the nights were hardly wild. When we got drunk we only got merry, not smashed, and we were probably the only people there who were looking for excitement. There was that one night where we probably should have been chucked out of a bar and it was certainly my fault. We were watching the Man Utd vs Arsenal match in a bar and being an Arsenal fan I got very upset when Arsenal conceded two stupid goals and then had a last minute goal disallowed meaning that we lost a game which we had absolutely dominated. Like Arsene Wenger I instinctively had to take my frustration out when van Persie’s goal was (rightly, unfortunately) disallowed. However, unlike Wenger, the cocktail glass which I smashed into the table was a bit more fragile than the water bottle which Wenger booted. Yet it was Wenger who got sent out to the stands while we sheepishly walked away of our own volition. The rest of the evening was spent with me ranting, making stupid phone calls to people back home and nicking crap from the market stalls – this did result in me gaining some pretty nice (almost certainly fake) Ray Ban sunglasses.

Other than the bars and restaurants the main town does have some interesting historical sites with the Sanctuary of Delian Apollo (I have no idea what significance it holds but we got some photos of it as it is apparently the main feature of the island) and a castle also. There were also plenty of shops with all sorts of Greek souvenirs and there were also some very pretty churches. We did go for a couple of long walks around the island and saw some of the villages at the top of the hills in the middle of the island from which we were able to see some wonderful views of the island. There was one walk in particular that will stand in my memory, walking along Pyrgaki and down Kastraki where we walked through the sea whose tides massaged our feet after we had climbed all sorts of boulders to get over the hill between the two beaches. It was a long and yet so peaceful walk which seemed to provoke some sort of meditation in us both and I think that it was doing this that I got the closest to feeling at one with Nature that I have ever come. The longer the walk went on the more it reminded me of Jack Kerouac’s Mount Desolation in ‘Dharma Bums’ – I just wanted it to go on and on as was the feeling of peace that filled me.

This is no place for anyone who looks to holidays as either a means of getting absolutely wasted or of experiencing an exotic culture (incidentally these are the things that I usually look for in holidays), but it was ideal for relaxation and contemplation with the beaches, cocktails and stunning weather (hot but not too hot). It allowed me to contemplate the excitement ahead of going to university (I went last August) and yet like a storm in the ocean, uni seemed so distant to where I was at that moment. It was an ideal place to escape and let go of the usual noise of life back in the UK. It was only football that interrupted the meditative state of that holiday in Naxos.

OUSU in financial meltdown

Oxford University Students’ Union stands to make a loss of about £61,000 this year despite budgeting for a £110 profit. 2008/9 saw the organisation lose £57,000 and OUSU predicts a loss of about £66,000 for 2010/11.

Stefan Baskerville, OUSU President argues, “OUSU is not funded to support its current operational structure”.

OUSU’s income this year was £366,101, sourced mainly from grants. Its total expenditure is increasing year on year.

To make up this deficit it has been proposed that OUSU ask the University for an increased grant of £390,000 for the year 2010-11, as the current grant of £233,000 is not sufficient.

When questioned at OUSU Council on the issue of autonomy when asking the University for a block grant, Baskerville stated, “How much autonomy do we really have when we’re predicting 66k deficits for the next year?”

The main sources of expenditure are elected officers (£121,182 per year) and buildings costs, which amount to £129,095. Baskerville admitted, “OUSU spends an excessive portion of its income on costs associated with its premises.”

He added, “OUSU would place a higher priority on maintaining services to students than on services costs.”

Some of OUSU’s costs are soaring – in 2008/9 OUSU publications only cost the organisation £120. This year OUSU estimates it will have spent £12,000 on its publications.

Elections are also costly, with £2,650 spent on them this year, £1000 more than estimated. These costs are generated from OUSU’s decision to use mi-voice software. Despite the introduction of this software and OUSU’s “Get Involved” campaign, voter turnout continues to be disappointing. The software is also used by several common rooms.

Officer training this year is set to cost £180, while next year OUSU will spend £3,710 on training. Conference attendance has set OUSU back £905 in 2009/10 and looks set to cost £1,235 next year. Lack of funding has prevented OUSU officers from attending conferences in the past and OUSU claim in their guide to the 2010/11 budget, “This means that we simply don’t find out about developments in other SUs and don’t therefore take advantage of initiatives which are being launched elsewhere.”

One third year Classics student said, “It would be nice if OUSU were more relevant than it is but it’s inevitable that it won’t be because of JCRs. People don’t know where their money is going and perhaps the University should split up these funds amongst JCRs.”

The finances for OSSL, a subsidiary of OUSU that is responsible for running Freshers’ Fair, Oxide Radio and various publications including The Oxford Student and the Oxford Handbook look much healthier. The OSSL report, however, doesn’t provide any running costs and only shows estimated costs for 2009/10 and next year’s budget.

The OxStu’s projected income for this year is £9,000 and OSSL predict it will almost double next year to £17,000. OSSL have cut printing costs for their publications and seen improvements in advertising, which they consider to be a direct result of employing a long-term Advertising Co-ordinator.

However Oxide has a deficit of £1,500, and next year the station is expected to cost a further £1,000. Oxide has faced financial difficulties for years and in 2006 OUSU cut Oxide’s budget of £5,700 completely. This resulted in presenters being forced to pay for their own shows.

One third year St. Hilda’s student said, “Sadly, I don’t think anyone would really notice that much if they got rid of Oxide”.

In an e-mail to fellow MCR presidents, St. Catz MCR co-president Ben Britton described the OUSU budget as “an improvement on last years offering” but “still substantially lacking and fundamentally flawed”.

He continued, “The current income streams are not sufficient to cover costs, which will compound OUSU’s perilous financial situation. This will only force OUSU to rock up, bowl in hand, and ask our University for a vast grant or loan, no doubt sourced from our University fees, with many potential strings attached”.

Plans for University to bail out OUSU

Stefan Baskerville, OUSU President, has revealed his proposals for fundamental changes to the way the Student Union is funded and organised.

The plans include ending funding from Common Room affiliation fees and depending instead upon a large block grant from the University. The changes are designed to give an institution currently leaking money a stable financial model for the future.

Other proposals include a change of premises from Thomas Hull House to somewhere less expensive with better access for wheelchair users. A location on George Street is being considered.

At the moment, OUSU gets its funding from a mixture of University grants, Common Room affiliation fees and profit from its commercial wing, Oxford Student Services Limited (OSSL). However, OSSL’s income fluctuates year on year and affiliation fees are both unreliable, with regular college disaffiliation, and insufficient.

Current University grants are not making up the difference, leading to losses of thousands of pounds every year.

The proposed block-grant solution would remove the issue of cost from Common Rooms considering their affiliation status and would further end the current two-tier system of service provision. At the moment only affiliated colleges pay for services such as the Safety Bus and Student Advice Service which can be used by all students.

However, the plans have already drawn criticism from some Common Room Presidents, frustrated that their tuition fee money will be spent on an institution they feel does not listen to them.

Ricklef Wohlers, President of Keble MCR said, “I was shocked to have been told that OUSU has a funding problem, rather than a spending problem…I think the OUSU representatives do not understand why common rooms are disaffiliating: OUSU is simply too expensive.”

He believes that many OUSU services are duplicates of services already provided by Common Rooms. He added, “Asking for more is not the solution. It’s spending less.”

Rob Shearer, MCR President of disaffiliated Linacre, argues that OUSU is behaving as if Common Rooms do not exist, and that this proposal “institutionalizes OUSU’s unwillingness to respond to genuine democratic messages.” He described it as a move “to permanently enshrine the status quo. As the increasing ranks of disaffiliates will attest, the status quo is the problem.”

The changes further raise serious questions about OUSU’s autonomy and independent status. Baskerville insisted, “There is no evidence to suggest the Unviersity would want to interfere with students decision-making. Almost every other Student Union in the country is funded by a block grant. Student Unions always need to make sure they are representative of students and maintain their autonomy of decision-making.”

Sabbatical officers have stressed that decisions on all these changes need to be made urgently, and will be taking the proposals to a vote in OUSU council in 3rd week.

Shearer described the tight schedule as paying only “lip service to consultation,” arguing that “this is the kind of consultation that precipitated the Lincoln MCR disaffiliation.”

There is no certainty that OUSU will be able to negotiate block-grants from the University, particularly considering the failure last year of an alternative funding model.

Guilty Pleasures

Defending Flash Gordon isn’t easy. It’s a film which I have to concede is neither big nor clever. If you need proof of this, look at the special effects and the script in general. To summarise the basic structure of the film, Earth is being attacked by an alien named Ming and Flash Gordon stops him. I’d tell you what happens in between but to be honest, it’s not the tightest of plots. Bear with me. If you can get past these hurdles, you’ll find a hilarious, camp and continually entertaining cult classic.

If you’re nervous about openly embracing the ‘so bad it’s good’ mantra of cult cinema, you might still be able to acknowledge some aspects of the film as formidable. It’s impressive alone for the myriad of sexual innuendo it manages to fit into 100 minutes of PG rated screen time. And I’m not talking about subtle allusions; I’m talking about references to necrophilia, one nymphomaniac princess and multiple sadomasochistic set pieces including an almost entirely random whip fight because, obviously, on an alien planet the whip would be the natural weapon of choice for a deathmatch.

But genuinely, Flash Gordon is a film with merit beyond the number of laughs it offers. It is now, more than ever a refreshing example of its genre. We seem to have hit a phase in the film industry which involves the churning out of apocalyptic films which, as important and chilling as they are, do tend to leave the average cinema-goer overcome with guilt and all kinds of other not so warm and fuzzy feelings. And Flash Gordon is the antithesis of that. The coming ruination of the planet and all its peoples is not self-inflicted; no one is trying to cast the audience as the perpetrators of a crime.

We have a simple all-American hero fighting a psychotic alien king and as much as we rave about the depth of character in cinema, there’s still something totally disarming about an old fashioned good guy versus bad guy. Sometimes we don’t want to explore the inner workings of a hero’s psyche or sympathise with our villains. Is it so wrong that we might occasionally just want a raging maniac who decides to throw ‘hot hail’ at Earth because he’s bored? And if that plot point hasn’t convinced you of the absurd brilliance that is Flash Gordon, I don’t know what will.

Review: Precious

You would be forgiven for walking into Precious thinking you’re about to see your average uplifting rags-to-riches story. But the word ‘uplifting’ might not be one that immediately springs to mind after seeing this, and rags-to-riches does not at all suffice as a description. But more importantly, there is nothing average about this film.

Precious tells the story of 16-year old Claireece Precious Jones (Gabourey Sidibe). To say she has problems is a gross understatement. Severely overweight, a single mother, pregnant with her second child, she lives in Harlem with her violent and abusive mother (Mo’Nique). As if her present situation wasn’t bad enough, her past is one of abuse in all its hideous forms.

That’s a rather daunting set-up for any story. The filmmakers could easily have turned this overwhelming list into a teary-eyed melodrama. When Claireece is sent off to join a special education program with an inspiring young teacher you might think that this is exactly the path that the film will take. But it easily avoids that trap. The director, Lee Daniels, doesn’t pander to the audience. He doesn’t give you what you think you want to see, a happily-ever-after ending. Often, Claireece dreams of becoming a music star – it shouldn’t take you long to realise that’s not going to happen. Daniels hasn’t created a story so full of raw emotional power only to completely undermine it come the end. It’s not that kind of film.

Other directors may try to hide some of the harsh and brutal details of their heroine’s plight, but there’s no such capitulation to the audience’s sensitivities here. Daniels doesn’t dress-up the horrendous situations faced by Claireece by breaking out the violins. Indeed the lack of overwrought music is rather refreshing. He doesn’t use it to try and tell the audience how they’re supposed to feel, we’re left there to work things out for ourselves. Where you might expect some uplifting music to kick in, he holds back, letting us, or perhaps forcing us, to really watch and listen.

I said there was nothing average about this film, and nowhere is that more true than with the acting. Across the board it is utterly superb. In the lead role, Sidibe is never less than convincing, whilst playing her mother, Mo’Nique has managed to retain some humanity in a character that could otherwise so easily have been turned into a monster. Even Mariah Carey, playing a social worker, is entirely believable, producing a remarkably naturalistic performance. It’s little surprise that the awards have already starting rolling in for the cast.

If you leave the cinema feeling a bit confused, ‘was that a happy or a sad ending?’ then the director has done his job. This isn’t your standard tearjerker. Reducing a cinema audience to tears is easy, and so it’s often used as a quick and simple way of eliciting an emotional response from them. Any director can make an audience cry. A few can make them think.

4 stars

Feature: Apocalypse Now

The question ‘what if?’ has been the origin of innumerable flights of science-fiction fancy from Hollywood. Right now it appears there is a preoccupation with one particular formulation of this very question: what if it all ended tomorrow, the world as we know it snuffed out overnight?

Certainly, the amount of films either recently released or imminent dealing directly with an end of the world scenario, or set within a post-apocalyptic environment, is remarkable. We’ve already had the disaster movie 2012, the decidedly more understated Carriers and the computer-animated 9, which offers an irreverent take on familiar material by substituting woollen puppets as the survivors of a holocaust for the more traditional human protagonist. This January, meanwhile, saw the much-anticipated arrival of The Road, an adaptation of Cormac McCarthy’s acclaimed novel, and the less highbrow The Book of Eli, an action blockbuster starring Denzel Washington and Gary Oldman. Thematically the two films are almost interchangeable: they both address what happens to human nature under extreme duress when the boundaries of civilisation are removed, although The Book of Eli is likely to address these concerns with considerably more in the way of explosions.

It is telling that the release of two of these films was significantly delayed. The Road was completed over 12 months ago, whilst Carriers has been sitting on the shelf for two years. Is it a coincidence that they have been postponed until now? I think not. For many, standing on the cusp of the new decade feels more like teetering over a precipice, and the films that herald its arrival reflect a Western world scrutinising itself in a cinematic mirror in anticipation of meeting its maker. The brutality and callousness on display in many of these films, few of which offer much in the way of optimism, suggest that disillusionment with human endeavour will figure heavily in popular culture as we enter an even greater period of uncertainty.

Or maybe not. Indeed, it should be noted that besides 2012’s respectable revenue, none of the aforementioned features have set the box office alight in America. Although Hollywood is clearly interested, even invested, in the allure of the apocalypse, it would appear audiences are less enamoured of visiting the pictures to be reminded of the bleak prospects outside. It is quite possible in fact that the modern apocalypse movie is already on the way out, only to receive the occasional light-hearted gesture in knockabout comedies like Zombieland, or superficial lip-service in blockbusters where the cosy survival of the American percentage of humanity and all its adorable household pets is ensured from the opening frames.   

If so it’s a shame, since an apocalypse movie capable of catching the zeitgeist and captivating large audiences would be welcome. Sure, it may address the issues confronting us in broad terms, but people are surely likelier to take an interest if the future of our world is being discussed in a medium with the universal power of cinema. A medium that makes apocalypse feel frighteningly plausible. Just ask yourself…what if?

Drowning in money

The New York Times headline reads “Obama Turns up Heat.” As a President under fire himself, from angry tea-partiers and ex-Cosmo centerfolds to the voters of Massachusetts, he better have something good to be cooking. How ’bout the Supreme Court?  

There is at least one Republican in the Senate who will, finally, like the smell coming from Obama’s kitchen – former campaign rival turned critic-in-chief John McCain. Why? Because Obama is all het up on account of a 5-4 decision by the Court to overturn vital parts of the Bipartisan Campaign Reform Act of 2002, otherwise known as McCain-Feingold.  The ruling means that limits introduced in the Bill on corporate spending in US elections will no longer hold.

“Mid-terms should be interesting, and good luck passing healthcare.”

The Majority decision makers called it a vindication of free speech. Obama called it a victory for oil producers, health insurers, and wall street banks. It isn’t too hard to see why he’s peeved—the decision comes just as Obama loses his filibuster-proof Senate majority, and given his anti-health-insurer, anti-wall street agenda, it’s a safe bet that most of the extra cash sloshing around won’t be going his way. Put simply, mid-terms should be interesting, and good luck passing healthcare.

However, we shouldn’t be too cynical. There are good, nonpartisan reasons to disapprove of this decision. The question is what we really think free speech in the political arena should be. Everyone knows that free speech is not absolute – you can’t yell fire in a theatre, you can’t lie in court, so far, so obvious. But there is an attitude that expression in the political realm should be unfettered. In a certain sense, that’s a good attitude. Yet between this attitude and the idea that campaign finance should be unrestricted lies a litany of miss-steps and conflated ideas.

The most wrong-footed amongst these is the equation of spending with expression. There is, perhaps, something to be said for the idea that by sponsoring a candidate, or paying for an advert, one is expressing a political view. But spending is still not expression. Not quite. It’s an issue of range versus scale. When we protect political speech, we say that there should be no limit to the range of ideas that can be communicated in the political realm. When we protect political spending, we say there should be no limit to the scale those ideas are expressed at.

“Unlimited campaign finance is, in effect, contrary to free speech.”

The two aren’t actually compatible. If there is limited space for ideas to be expressed – say, advertising space, then allowing those that can afford it unlimited spending will inevitably limit the range of ideas being expressed. Unlimited campaign finance is, in effect, contrary to free speech. This is what Obama is talking about when he says that the decision will  “drown out the voices of everyday Americans.”

If you were having a discussion at a dinner party, and a drunken, ruddy-faced, bemoustached middle aged man started to, at arms length, scream directly at your face in a torrent of spittle and vitriol, you wouldn’t be accused of violating free speech if you, wiping your spectacles, asked him to keep it down a bit. You would merely be ensuring that everyone could be heard, and a meaningful conversation had. What the Supreme Court has defended is the age old right of American Corporations to spit in American Faces. It’s in the constitution, look it up.