Legendary Scottish folk-rock duo The Proclaimers have retained a presence on the fringe of the British music scene for over 25 years. “You always assume that a lot of people consider you a novelty”, Charlie Reid told me; but it quickly became clear that behind the upbeat, heavily-accented pop lie more seriously minded musicians. “There’s two things you’ve got to do,” thinks Reid: “you’ve got to stay on the road; and you’ve got to write new material” – a philosophy which has ensured that in 2009, the identical twins can still pack out the Oxford Academy’s main room while on a hectic national tour.
In terms of keeping their act fresh, “we change four parts a night in every set”, Charlie explains, before his brother adds that “the live thing is the primary thing for us, by a long way.”
Their latest album, ‘Notes and Rhymes’ reflects this focus on the live show. As a two-disc special edition featuring acoustic and live versions of their newest material, the brothers wanted “to give people as much value for money as possible” in these tough economic times, with illegal file sharing adding extra pressure on the entire music industry. It’s a strategy that seems to have worked. The new material is selling well; “it’s been well received; the reviews have been great,” glows Craig with evident pride.
His enthusiasm continues as I mention their recent cover of the Kings of Leon track ‘Seventeen’. “We were looking for a contemporary American song… we’ll do something to open up people’s ears.” The cover works well, sounding surprisingly natural considering its migration from Southern American rock to Scottish folk. This is, of course, not the only engagement that The Proclaimers have made with twenty-first century culture.
Lending their most famous tracks to movies has helped to introduce their music to new generations: “Shrek especially, [it] replenishes your audience, you do get younger people coming along”.
These “younger people” are also notable at the summer festivals that The Proclaimers find themselves staple acts at. “We were on the bill with Glasvegas at South by Southwest,” Charlie explains, delighting in the current “golden age” of Scottish music – “between Paolo [Nutini] and Glasvegas; there’s really something going on there, culturally as well, with the accent and everything.”
Their Scottish pride is not contained to their appetite for the country’s music, however, with both brothers keen advocates of Scottish independence: “We’re not Nationalists, [but] we’ve always said it when we’ve been asked about it… it’s an economic thing, it isn’t particularly glamorous.”
This topic touches upon the political songs littered throughout the band’s back catalogue. “If you are moved to do it, do it” they say of protest songs. “If we had a whole album of political songs, we’d put it out, no problem at all”.
The lack of other politically-driven music does worry them too, “I think it’s pretty bad… maybe Thatcher won.” Songs like ‘Free Market’ on their latest album reflect this edge to the band, but the love songs and upbeat singalongs that their fan base know and love remain ever-present as well.
For the gig itself, the brothers put on a showcase of their two and a half decades in the music industry, with all the variety of their views and tastes. Epic love songs, a notable punk cover, and the crowd favourite ‘I’m Gonna Be (500 Miles)’ all feature, as does the friendly charm of the Scotsmen on stage. A band with depth that may well surprise the casual listener then, The Proclaimers demonstrated it all – from misery to happiness – today.
Guest Column: A right-wing libertarian renaissance
I have been known to say that I’m the Telegraph’s token liberal. I’m like its inoculation, a sort of liberal antibody that keeps its immune system robust.
It’s not true of course. While the Daily Telegraph is a conservative newspaper (and that small “c” is deliberate), it’s also a broad church. There are social as well as economic liberals aboard. And political liberalism is, in any event, a moveable feast; while “liberal” is usually a badge for those on the Left, the collapse of economic liberalism and free markets over the past year is a seizure at the heart of the Right. And there’s nothing like a crisis to bring out a political fundamentalism. So we’re witnessing a right-wing libertarian renaissance, especially in the blogosphere where the Right enjoys a virtual hegemony, enraged or encouraged (much to his potential embarrassment) by the prospect of a David Cameron victory at the polls next year.
These are what I call the new “Righties”. Just as “Lefties” were always a caricature – social workers in sandals with wispy beards raising grants for lesbian workshops – so are Righties a grotesque exaggeration of neo-conservatism. They are, quite literally, enemies of the state, in that they believe that the Government should barely play any role in their lives.
‘Righties are defined by a kind of raging intolerance’
Righties will call any mention of social justice or welfare “political correctness”; they blame Lefties for wanting to ban stuff, but are very keen themselves on proscribing state institutions such as the BBC and the NHS. And Righties, of course, honestly believe against all statistical evidence that Europe is poised to be overrun by Muslims establishing a new caliphate. Righties sometimes aspire to a nostalgic, bun-throwing, sub-Brideshead poshness, taking hunting lessons and holding weekend house-parties, where they affect nicknames such as “Binkie” and “Toots”, with some rather less cute nicknames for people of a different ethnicity. I gather Oxford’s Conservative Association hasn’t been immune from these nobs – though maybe that should be spelt with a “k”.
These Rightie clowns should be little more than a potential embarrassment to the liberal Cameroons. But I have noticed a more worrying development. Righties are defined by a kind of raging intolerance. Righties are always right. And that is far from confined to the political right-wing. Take Evan Harris, the Liberal Democrat MP for Oxford West and Abingdon. Now, Evan and I have had something of an online ding-dong on the subject of assisted suicide. But rest assured this is not about to turn into a “Don’t vote for Harris” piece.
All I want to point out is that much of Dr Harris’s political career seems motivated by a sort of missionary zeal for driving religion out of the political sphere. Whether he’s publishing his bill to abolish the Act of Succession, promoting late-term abortions or championing euthanasia, there appears to be an undertow of disestablishment of the Church of England and denial of a voice for people of faith in public affairs.
Now, there are many good reasons for disestablishing the Church. But denying religious people a public voice is not one of them. Pluralism is endemic of liberalism and it doesn’t seem very liberal of Dr Harris to discriminate against people on the basis of their religiosity. Nor, as it happens, does it appear very democratic, having failed to get assisted suicide legalised in parliament, to set about achieving the same aim through a ginger group of Law Lords and their “clarifying” directive to the director of public prosecutions.
But no matter. What I really want to know is where this rabid intolerance comes from. I’m a priest in the Church of England and one of the attractions of Anglicanism historically has been its broad-based tolerance of others (though there is a disturbing strain of a protestant fundamentalism which we too must resist). I sense that no such reciprocal tolerance is extended to us and those of others faiths by the more militant secularists and atheists, who are Dr Harris’s friends. I hope a fresh liberal tolerance will emerge in next year’s election. But it won’t if the Righties prevail. And you won’t find them only in the parties of the Right.