Tuesday, April 29, 2025
Blog Page 2190

Impeachment proposed for fake degree minister

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More than 20 members of the Iranian Parliament have petitioned to impeach Ali Kordan, the Iranian interior minister who claimed to have degree from Oxford. Discussions into Kordan’s fate will begin on October 26th when the Iranian Parliament reconvenes. The parliament speaker has said that impeachment will only be used as a last resort.

Kordan denies knowing the Oxford degree was a forgery, although he has not commented on recent revelations that he does not hold either a bachelor’s or master’s degree from Iran’s Open University.

President Ahmadinejad could be the first president to face a vote of confidence of all members of his cabinet. The Iranian Constitution decrees that if 10
cabinet members are dismissed, Ali Kordan being the 10th, a vote of confidence must be held.

Alan Bennett’s drawings discovered

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The drawings and witty asides of Alan Bennett, author and playwright, have been unearthed in a new publication of Exeter college’s ‘JCR Suggestions book’.

The find not only displays the promising talent of some of Exeter’s most celebrated alumni but offers a rare insight into life at Oxford in the fifties. Other famous contributors include television writer and director Ned Sherrin as well as presenter and broadcaster Russell Harty.

The rector of Exeter college, Francis Cairncross, described the book as “a work of both literary genius and school boy humour”.

What OUSU needs

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When Peter Bowden ran for OUSU Rep at Lincoln College, his manifesto was deceptively funny. He promised to make all the good things OUSU did better, and make all the bad things go away. And that’s not a summary.

But as with most of the stuff he writes, beneath the acidic, controversial humour, there is a rich vein of potent criticism and commentary. What he was saying was what a lot of people have been thinking for a while now: that OUSU is all petty politics and no action.

This is why Iwu’s election last year was, in my opinion, a step forward for our student union. Let’s take an example: when I first heard about student-run clubbing-venture ‘Pulse’ last Trinity, I was cautiously optimistic. When I found out that OUSU had last week entered into a partnership with them I thought, “OUSU have actually got something right”. For that Iwu deserves applause.

From the current early marketing campaign, it is clear that Pulse is run by two enterprising, experienced students who have a clear understanding of the Oxford nightlife scene and who are willing to outthink their competitors.

Are these two guys, though, the first ever Oxford students to have this entrepreneurial flair and experience of club promotion? I remain unconvinced. So why the hell hasn’t OUSU – in the face of a mammoth Rock Oxford and a sickly looking Zoo – not attempted this sort of venture before? Why have we been relying on Business Managers and VP (Finance)s of previous years to run our club nights? Rock Oxford’s success has been based on a network of student promoters. OUSU could have contracted their Zoo nights out to some of these people years ago, by simply offering them better incentives to defect. Instead it waited for these promoters to come to OUSU, with a viable policy thankfully served up on a platter. That’s just not good enough, and is a blemish on past OUSU Exectuives.

When the potential candidates in the OUSU Presidential contest become evident in the next few weeks, I want to see someone coming forward who has the initiative to propose these kind of schemes. I don’t want woolly phrases or simple platitudes; I want the kind of serious proposals that students can assess on a logical basis.

Hand in hand with this hope is the assertion that an OUSU President has to be competent. Anybody can stand up and claim an idea as their own, but what Oxford students deserve is a candidate who can prove that they have been a success in the past, and will continue to be a success in the future. Given that, for instance, welfare service provision is dependent on OUSU, there’s no room for mistakes, and no room for ineptitude. In short, we can’t afford to see OUSU suffer through a series of debacles that, say, the Oxford Union has been subjected to in recent years. In a university where thousands of the brightest young minds in the world are congregated, how hard can this really be?

Most importantly, I’ll be looking for an OUSU President that cares. And I don’t mean about OUSU or – whisper it quietly – about themselves, and their political aspirations. I mean about the students of Oxford; the services they receive, the support they get and the faith they have in their representative body. This point shouldn’t be underestimated; being OUSU President is an unglamorous job. Early mornings; hard work; constant criticism. We have to look for someone who’ll cope with all that, and still negotiate for endless hours to implement the plans they’ve promised us, the students they represent.

It is my full belief that there must be a student who fulfils all these criteria: initiative, competence and passion. But mixed in with this belief is the knowledge that only the average student – you and I – can elect him or her. If we truly wish to see a resurgent OUSU continue along its upward trajectory, we must admit our own responsibility to ensure this; we must find the right candidate, and not content ourselves to be fooled by the shiny signs that inevitably find themselves outside our colleges come election day.

In defence of OUCA chauvinism

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Most people probably missed it walking past. Yet it apparently caused such a furore that Ann Widdecombe decided to weigh in on the matter. I am, of course, referring to the “controversial” OUCA poster at this year’s Freshers’ Fair. I’d just like to clarify something before I proceed: I am not a member of OUCA, nor do I lie anywhere near them on the political spectrum. But I do think they have every right to display the poster.

I do, however, think the poster is sexist. But I do not think it is offensive. It is a picture of an attractive girl with a mild sexual innuendo for a caption- have we really all led such sheltered lives as to be outraged by this? Set aside politics, just for a second, and it is no more offensive, (indeed less so), that a Lynx advert or any one of the thousands of products advertised by a picture of an attractive woman. So then it must be a political organisation being linked to sex that is causing such alarm? It is no wonder such a novel idea has produced such a backlash…

Yes, I think the poster conveys a negative message. But please do not make the mistake of thinking it is the message that women are objects to be used (as has been reported), but rather that OUCA is well on its way to becoming an archaic, outdated society. When I saw the poster, it did not scream “Women are not people, they are objects”; rather it, whimpered – the confused noise of a society that doesn’t know where it belongs, caught between the nostalgia of the “glory days”, when political correctness was simply not voting for the opposition, and the fear of Cameron’s hoodie-hugging future.

So I stand by my earlier statement: OUCA should not be criticised for displaying a poster of a pretty girl and the slogan “Life is better under a Conservative.” If this is the ethos of the party, then let no man (or woman, lest I be accused of sexism myself) dare to stop them. A society whose principle means of advertising involves promoting the idea that women are no more than objects will drive away the majority of the well-informed, intelligent students this university has to offer. They will be their own downfall, and such a Shakespearean end is only fitting for a group which takes its views of women from that period.

2nd Week

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An irredeemably poor week for releases, this, so let’s hurtle through it like a noisome, grotty, ‘rock n roll train’…

AC/DC Rock N Roll Train *

I feel totally unqualified to talk about this sort of music, but then I feel totally mystified as to why the hell AC/DC are releasing new music at all. This single doesn’t enlighten me. This is far too bloated, pedestrian, one-dimensional…the guitars chop and splurge, the drums thump on heterosexually – musically, it’s inoffensive. But the constipated squeal of his voice alone is enough to damn this record.

Keane – The Lovers Are Losing **

Can I be controversial and claim to love Keane? It’d be original enough. Frankly, no, but I can at least flag up something that’s very, very unfair. Kings Of Leon spend their last two albums trying to sound exactly like U2, and are feted and adored for it. Keane do the same thing here, but far better, in that they actually sound so ridiculously like U2 in the 1990s that you think Bono’s practicing ventriloquism with his hand up Tom Chaplin’s arse. Apart from that, the second line of the chorus is quite nice and sounds more like Delays. If it weren’t that my father once bumped into Chaplin practicing his swing on the driving range, I’d admit to liking this song.

Fall Out Boy – I Don’t Care **

The intro has that chugging, raunchy beat favoured by Kasabian and Kylie (remember ‘2 Hearts’?) So this is jolly emo then. Yes indeed. ‘The best of us can find happiness in misery.’ Happiness and a lucrative musical career, it seems. The chorus starts like really bad Green Day, but ends in an altogether more sophisticate place. The lyrics veer from the contorted and spoilt to the mildly interesting. Obviously, I can’t stand this band. But the song’s not bad at all.

Girls Aloud – The Promise ***

This should be brilliant. This time, pop’s most consistent sonic innovators capture something simultaneously eternal and really retro. It’s glitzy, cinematic, and does that thing with a minor 4th chord that screams vintage class. The hook is giddy and impulsive; the strings giggle and flirt in the background with assured, macho brass. It takes a little too long to get going, but once it gets into its stride, this is truly swoonsome. But it only gets three stars, since the key change three and a half minutes in is unforgivably clumsy. Where’s their attention to detail gone?

Top of the Ox: Local Tune of the Week

You’ve probably heard of Borderville, but they’ve sort of been away and come back this year. So I may as well mention them again now their sure path to success seems to have meandered somewhat. They’ve got a new bass player and new songs, and I can’t make up my mind whether ‘Lover I’m Finally Through’ or ‘Silence and Violence’ is better. These two, now playing on their myspace, thus compete for tune of the week; a motley brace of urchin-folk songs that sound like a travelling circus pitched up outside a Victorian music hall. Their energy, eclecticism and way with a swashbuckling melody recall folk pioneers Bellowhead, but these tunes have a ragged ferocity all their own.

Cat’s Cream: Week 2

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Live Music

This Monday, get yourself down to the Carling Academy to see Noah and the Whale. Since the release of their debut album this summer, Peaceful The World Lays Me Down, the folk rock band have received much positive critical acclaim.

You might recognise them by their song of the summer ‘5 Years’ Time‘. A twee indie folk tune, that repeats the words ‘love’, ‘sun’ and ‘happy’ a lot, it epitomises the endearing cuteness of this London band. Judging by the simple quirkiness of their videos, this show will certainly be entertaining.

So, as the work begins to set in this term, give yourself a break and have a frolick. You certainly won’t regret it in five years’ time.

Club Night

Wednesday – always a tricky one for choosing your clubbing alliances. Are you a ‘Shark Ender’ or not?

Well, this week there are two alternative options for you to try. Free Range, Oxford’s the new dubstep, hip hop and drum n bass night, will be returning to The Cellar for a dubstep special with N-Type DJing. This relatively new phenomenon has certainly become the fashionable dance music genre to namedrop, but Wednesday should still provide some dark and dirty beats.

Alternatively, it’s Action Stations number 7 at Baby Love Bar. Playing a mix of retro rock n roll, blues, ska, reggae, swing and surf rock they’ll have something to delight anyone’s palate.

Except for those of you who like cheese and r n b, but we all know where you’ll be hiding. And that is something you’ll regret in 5 minutes’ time.

 

First night review: Agamemnon

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Aeschylus’ Clytemnestra (here played by Kassandra Jackson) is a perfect example of Hall’s Law of Greek Tragedy: “women who don’t get bonked go bonkers”. Incensed by her husband Agamemnon (Tom Mackenzie)’s sacrifice of their daughter to guarantee a favourable wind to Troy, Clytemnestra takes advantage of his long absence to seize control of the city, extending silken threads of power that allow her to avenge her daughter’s death on his return.

The first thing which strikes the audience about this play is its appearance. The director’s brave decision to clad all her actors in masks leaves them somewhere between Greek vase paintings and deranged Disney cartoons; it provides a connection to the history of the play and vividly underlines the personalities of Aeschylus’ characters. Excellent use is made of a Playhouse stage left almost naked but for a large central door and powerful lights to focus our attention on these uncanny characters.

While it may be a truism to say that bright lights of the Playhouse can both illuminate and bring out flaws, it is also true. It is likely that almost all of the actors will have found this one of the greatest challenges of their career. They must perform in a language that is native to none of them, and with the added handicap of masks which force them to act entirely with their bodies. Especial strain is placed upon the chorus, and they sometimes struggled to rise to the challenge. The decision to give Aeschylus’ own metre a back seat, setting the choruses in a style that will be more familiar to attendees of the Oratory than students of the Attic Orators might have brought dignity. In reality it gave effects that were sometimes bathetic (some falsetto sections caused outright laughter) and always lacked the rhythm necessary to keep the dancing members of the chorus in time.

On the other hand, some performances were so enthralling that all such considerations, not to mention supertitles, were ignored in favour of the unfolding spectacle. The Herald (Raymond Blakenthorn)’s physically vivid and tonally varied performance perfectly mingled the bitterness of war with the sweetness of the return. Cassandra (Emma Pearce)’s almost sexual subjugation to Apollo, swinging from the ecstatic to the terrified, inverts the famous line ‘learning through suffering’ to show us a woman who is suffering through what she has learnt. The audience, wrapped in the Aeschylus’ rich irony, empathises completely. Unfortunately Clytemnestra, who should be the central presence of the play, showed significantly less vocal and physical range than other characters. Whether through a desire to underline her constant dissimulation or simply because of the difficulties of projecting through a full mask the audience was left with an impression of very small spider at the centre of a very large web.

Despite this, Agamemnon turns out to be larger than the sum of its parts, and some of these parts are great in themselves. Individual weaknesses are the exceptions in a good performance of a great play that holds its audience spellbound for over two hours. Classicists must see it; for all others it is highly recommended.

 

Interview: Johann Hari

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An Orwell Prize Winner in his twenties, Johann Hari is a model of what aspiring young writers can become. He started writing for the New Statesman soon after leaving university and by the age of 23 had a twice-weekly column in The Independent.

Despite his rise, he is cautious in his understanding of what someone in his position can achieve. He speaks, in our quiet Aldgate café, of two types of political columnists: those “who think they’re talking to politicians and ones who think they’re talking to the readers.”

He recounts a story of former Times columnist Antony Jay: “A reader wrote to him and said, ‘I didn’t understand what you were saying,’ and Jay wrote back to him – ‘Since you’re not the Prime Minister, the Chancellor of the Exchequer or the Governor of the Bank of England it doesn’t matter whether you understood what I was saying. It wasn’t written for you.'”

So Hari understands that to effect change, he must persuade readers and put them in touch with pressure gorups. “Some of the things that I say aren’t things you’d normally read in a newspaper. A lot of times people write to me and say ‘Oh I’m so glad, I thought I was mad for thinking like that but actually now I realise it’s quite a rational thing to say’.”

But in the era of podcasts and blogs, is his role as a traditional newspaper columnist under threat? Not only are newspapers seeing their circulation and profits drop, but their authority as the nation’s news-breakers is being cut away by every internet exclusive.

He claims not to be worried by the financial future of the press: “I cannot make newspapers more economically viable than they are. So, I don’t spend a huge amount of time sweating about it”.

Hari is combative regarding the relative quality of new and print media: “When blogs first began I thought they would be like columns: with a fairly rational argument. I thought the medium they would most resemble would be column writing. Actually I think the medium they have ended up most resembling is talk radio. It’s consumed in small bursts and there’s a premium on aggression, shouting and being more extreme than the last person.”

He bemoans the declining standard of Nick Cohen and Melanie Phillips’ writing: “People who actually write blogs are quite atypical of your readership, but someone like Nick Cohen gets congratulated for his most right wing views by blogs, so he will air them more and more and get more and more positive comments. It’s like a sort of electronic circle jerk, where you get trapped in it.”

True newspapers boast not only quality control but also the willingness to pay to send writers across the world to report, something Johann recently did in Bangladesh. His experience of the impact of climate change left a deep impression. He talks of seeing trees emerging from the sea where just two years ago there were houses. “The biggest island in Bangladesh has lost half its mass in the last decade”.

A creative analogy demonstrates the nature of the threat and the imperative to deal with it: “Imagine if tomorrow we discovered that Osama bin Laden had a machine that could flood some of the most important global cities, make the oceans more acidic, cause the ice caps to collapse and drown Bangladesh.

“Then we’d do everything we possibly could to stop Osama bin Laden from using this machine. We are that machine. We are doing that. But somehow it’s not personified in the form of an enemy. If it’s all of us doing incrementally it’s much harder to deal with.”

He mentions Bill McKibbin, an American environmentalist author who explains human inability to deal with climate change as a function of evolution: we are not evolved to think that “we do the weather to ourselves”.

Our conversation moves on to another man-made disaster, according to Hari, the ‘War on Drugs’. Opposition to drug prohibition crosses traditional ideological lines, including libertarians and conservatives. Hari, a self-proclaimed social democrat, is another joining the calls for legalisation.

“There was a great line of Milton Friedman, not someone I’d normally quote approvingly: ‘Drug addiction is always a tragedy for the individual addict but drug prohibition makes it a tragedy for the whole society’. Drug prohibition causes more problems than drug addiction. It doesn’t actually stop very much drug addiction.

“We know that in the US when, in the 1970s, they decriminalised cannabis in three states, cannabis use did not go up, it stayed the same. We also know that countries that are the most prohibitionist, like the US and Britain, have more drug addicts than liberal countries like the Netherlands.”

But this is an issue in which the actual words used by those advocating reform are working against them. “If you look at the opinion polls, in the Daily Mirror for example, the word ‘legalisation’ gets very little support. If you ask people if they support legalisation about 10-20% of them do.

“If you ask them ‘Do you think drugs should be taken away from criminal gangs and handed to off-licenses and pharmacists?’ about 80% of people say yes. So I think the word ‘legalisation’ has a certain contamination around it. Which is unfortunate.”

Consistent in his other views, Hari has radically changed his mind on the Iraq War. In the months leading up to the invasion, he was one of a number of left-leaning writers who supported the removal of Saddam Hussein. But almost six years later, he regrets his initial position.

“What I got horrifically wrong and should have known in advance, as some people did, was that because the American invasion was motivated primarily by a desire to monopolise the oil resources it would be an invasion that was run in the interests of the oil resources, not in the interests of the Iraqi people.

“If you look at what happened in Venezuela, another country I’ve reported on, a year before the invasion they [the US] supported a coup against Hugo Chavez, the democratically elected President, because he was trying to control the oil supply himself, and use the profits not for American multinationals but to enrich people in the barrios [slums]. So I should have looked at evidence like that.”

In abandoning and apologising for his pro-war position, Hari has parted company with Christopher Hitchens, the man whom he credits with inspiring him to become a journalist after his denunciatory ‘The Missionary Position: Mother Teresa in Theory and Practice’ was published in 1995. “I remember being absolutely exhilarated by it and thinking ‘well I want to do this.'”

Hari’s secularism is as strident and assertive as that of Hitchens. “70% of the British people never attend religious ceremonies. But the people who are religious are very concentrated. 70% of British people think faith schools should be abolished, but the 30% who support them really really fucking support them and if the faith school is shut down will go crazy and lobby and hold protests.

“Whereas the 70% who are against them are just mildly against them because they’ve got better things to do with their lives because they’re not superstitious lunatics.”

With his witty writing and combative agenda, Johann Hari shows us that real, traditional column writing is alive and well.

 

Second Look 1st Wk: Burial at Thebes Exhibition

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‘The Burial at Thebes’ opera will be at the Playhouse on Sunday 19th October at 7.30pm.

The exhibition of Walcott’s sketches is at the Stelios Iannou Centre for Classical and Byzantine Studies on St Gile’s (just behind the Ashmolean museum).

5 Minute Tute – The EU Crunch

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United Kingdom

After vacillating for months on Northern Rock before deciding to nationalise, this time Gordon Brown has impressed with his swift actions. After abrupt drops in the share prices of RBS and HBOS on October 7th, Brown announced a three-part plan to relieve the economy.

The Treasury will offer £50bn to banks in exchange for shares; the Bank of England will double the size of its liquidity program, stockpiling £200bn of Treasury bills for which banks can trade less liquid assets; and the Treasury will back £250bn of new funding obtained by banks.

The government also raised the limit on its protection of retail deposits from £35,000 to £50,000 and moved to secure deposits at Icesave, a British branch of a failed Icelandic bank. The government later stated that it would also extend further funding totalling £37bn to RBS and the merged HBOS/Lloyds TSB.

Germany

On October 13th, the German cabinet unveiled a €500bn economic rescue plan: a €100bn market stabilisation fund and up to €400bn in credit guarantees. The guarantees are designed to calm the fears banks have of lending to each other, which is one of the key problems perpetuating the crisis.

The fund will allow the government to buy assets directly from banks. But recipient banks will be subject to government oversight over management decisions, perhaps including a €500,000 ceiling on executive pay and a ban on large bonuses.

France

Also on the 13th, France announced a €360bn plan comprised of €320bn in credit guarantees on interbank loans and €40bn set aside within a state-owned company to aid bank recapitalisation. France had already taken action last week, guaranteeing the debt of Dexia SA, the world’s largest lender to local governments.

In addition, French banks may profit from the crisis: BNP Paribas, has recently agreed to buy the stricken Belgo-Dutch bank Fortis for €14.5bn. President Sarkozy has called for the easing of accountancy rules and for salary caps at banks, and has led in the efforts to coordinate European bailouts. At a Eurozone meeting in Paris, Sarkozy echoed Gordon Brown in warning that ‘the greatest risk is inertia.’

Iceland

Iceland’s top three banks – Kaupthing, Landsbanki, and Glitnir – began experiencing financial troubles as early as 2004. Since 1991, the government had been dismantling the historic system of high taxes, high tariffs, and centralised price-setting. The result was economic expansion – easier credit, soaring stock and housing prices – plus a wave of overseas buyouts backed by foreign banks – including Barclays and Deutsche Bank.

Yet because so much of the Icelandic banks’ funding came from overseas lenders, they were vulnerable to changes in interest rates, exchange rates, and lender stability. In 2007, Kaupthing took steps to reduce its exposure to the risks of borrowing from the credit market: cutting costs, selling assets, and avoiding new acquisitions.

But the credit crunch still left the banks unable to secure further funding and burdened with $61 billion in debts, almost 12 times the size of Iceland’s economy. Therefore, Iceland has nationalised the big three banks. This has led to conflict with the UK, whose institutions, including local councils, had £800m of deposits in the Icelandic banks.

Iceland and the UK have come to an agreement over redeeming the deposits, but are still threatening to sue each other over their respective roles in the bank failures. The Icelandic stock exchange halted trading for a time but has reopened.

Spain

Spain was the third country to launch a bailout on Monday, guaranteeing up to €100bn of debt issued in 2008 and perhaps early 2009. Prime Minister Zapatero also revealed a measure allowing the state to buy shares in banks if necessary, though this has not happened yet.

Spain had already created a €30-€50bn fund to buy assets from Spanish banks and to provide capital for continued lending. Cautious regulation from the Bank of Spain limited the crisis’ regional impact, but easier borrowing since the 2002 introduction of the euro still led to a tripling in house prices and an overuse of debt. Mortgage rates, inflation, and unemployment have risen.

Yet, as in France, some Spanish banks still in good health have taken advantage of the situation; Banco Santander, the biggest bank in the EU, has agreed to buy all ofUS bank Sovereign Bancorp.

Italy

Italy’s financial plan resembles that of France; it includes guarantees on new bank loans with maturities of up to five years, asset-swapping measures to help recapitalisation, and insurance of loans to private companies. However, the government, unlike its European counterparts, has not set a specific figure for the cost involved.

Prime Minister Berlusconi claimed on Sunday that Italian banks have less to fear than their European peers and that UniCredit SpA, one of Italy’s biggest banks, is the only bank to require direct government aid. UniCredit has is exposed to more foreign risk than any other Italian bank. The government had passed an emergency plan the previous week, purchasing stakes in banks needing extra capital and extending a guarantee on bank deposits.