Wednesday, April 30, 2025
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Live review: Roots Manuva

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Roots Manuva, aka Rodney Smith, is the best British hip-hop act of all time. Admittedly it isn’t a very crowded field. Manuva is one of a handful of artists who have managed to defeat the institutional prejudice that keeps black British music in genre-ghettos. They are ‘grime’ or ‘garage’ while the mainstream is flooded with simpering guitar indie and the insipid, bloodless ‘soul’ peddled by Adele, Duffy, etc.

Unlike in the States, where monster labels like Def Jam and Roc-A-Fella are household names, there is simply no infrastructure to give this kind of music the sort of exposure that will come so easily to the next baker’s dozen of tousled, gobby little neo-Britpop toe-rags to slouch onto the scene.

This frustration is expressed by tonight’s support, Jimmy Screech, a cohort of Manuva’s ‘Banana Klan’ artistic collective. Screech is a prime example of the dilemma facing any young performer trying to make a living from rap-based music on this island. His buoyant reggae-funk is winsome, radio-friendly even, but his lyrics express disbelief at the unrepresentative state of mainstream broadcasting.

Of course, relative obscurity has its benefits. Tonight’s crowd really likes Roots Manuva. The place looks half-empty until, inexplicably, about five minutes before Smith takes to the stage, hordes of hip-hoppers surge to the front in fervent anticipation. A lonely-looking fellow standing in front of me is so good a dancer that it seems to have cost him his friends.

As soon as the reggae lope of ‘Again & Again’ kicks in, he starts skanking so hard it seems that by the end of the gig I’ll only be able to see the top of his baseball cap bobbing furiously like the head of some electrifyingly funky mole.

Manuva is an odd stage presence, sauntering around the stage with an enigmatic, stoned grin, sometimes almost horizontal in his laid-back demeanor, sometimes apparently uncomfortable with his position. His best songs, though, have a gospel-like resilience that more than carries them through with the help of a tirelessly enthusiastic audience. He almost starts a riot when he cuts off his biggest hit, ‘Witness (One Hope)’ after a single squelch of its inimitable space-age beat; when the song begins in earnest, pandemonium ensues.

The sound is an eclectic mix of hip-hop, dub and electronica, operating as a three-pronged assault. The singalong choruses make for the heart, the dense lyrics work their way into the brain, while the weapons-grade bass is aimed directly at the groin. Live, the simultaneous secularism and spirituality of his sound is thrown into sharp relief by the congregation of flailing arms reaching up to the stage in supplication.

Roots is an artist powered by contradiction and ambivalence. The new album, Slime and Reason, explores the conflict between acting according to our conscience and the compulsions of our slimy earthly frames. Manuva’s music has an exultant, gospel quality to it, yet he is also an introspective figure, describing on ‘Again & Again’, one of the new record’s more exuberant cuts, how ‘…the pain that break me is the pain that make me, and the pain that take me is the pain that help me maintain…’

He has a Graham Greene-esque relationship with religion (his father was a preacher), often feeling the need for spiritual comfort, but finding holiness difficult to reconcile with the slimy reality of day-to-day living.

Tonight, he ends with new single, ‘Let the Spirit’, an instant classic that starts with a synth that sounds like the music from some old Nintendo game, building into a euphoric chorus celebrating the transcendent power of shared musical experience. With sermons like this it seems entirely possible that this conflicted preacher could yet obtain the ear of a larger flock.

Interview: Victoria Hislop

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She is an internationally best selling author, the wife of one of Britain’s most notorious political shrews, a well respected journalist and a one-time-Fordy to boot (she read English at St Hilda’s in the late seventies).

Over the summer I sat down with the lady herself, Victoria Hislop, to discuss the release of her newest fictional venture, The Return (published in June by Headline Review), the incredible success of her first novel The Island, her plans for the future and her memories of an Oxford past.

Discussing her new book first, Hislop is as enigmatic as any author when it comes to giving away the plot, but once I assure her that I have read the passion-fuelled beach romp we come to a speedy accord about the book’s darker corners. The Return is essentially a novel about ‘a woman who falls in love with the Spanish culture’ through the medium of dance, ‘discovering many hidden secrets’ beneath the fringes of the famous flamenco dancers’ dresses as she delves into the history and politics of Granada.

A tale of pain of loss

Externally, the work appears very similar to The Island, Hislop’s first novel, a beautiful tale of pain and loss, which dominated the paperback charts for more than eight consecutive weeks during last summer. Selling over one million copies in the UK alone, the novel furnished Hislop with many avid fans, to which she claims ‘you never become accustomed,’ as well as an award for ‘Newcomer of the Year’ at the Galaxy British Book Awards in 2007: an award she collected in plaster due to a rather serious skiing accident that saw her dancing shoes relegated to the wardrobe for some time.

One of the truly unique things about The Island is the acuity with which the author forms her visual world and the emotional connection that she is able to create through an unparalleled understanding of the landscape and natural terrain within which her characters exist.

Inspired by travel

Hislop, whose fictional roots are firmly planted in her beginnings as a travel journalist, agrees that little speaks to her so much as location: ‘I have always been inspired by places and have always been very aware of atmosphere – and how it changes from place to place and I think this was the case from a very early age. I always had strong likes and dislikes for places. I am never neutral about how a location makes me feel. And this has definitely been an inspiration for all of my writing, fictional and otherwise.’

Indeed, neutrality does not seem to be a Hislop family trait, and yet one has to admire the cultural fires that burn in each of Victoria’s novels and the way she describes them. I was so overtaken by the story of Spinalonga and its lost people that I was inspired to visit the island during a stay in Crete last year.

Victoria, who was presented with the keys to the city, mentioned that the success of her first foray into fiction was ‘a wonderful surprise. It seemed unlikely that a story about a leper colony would be such a commercial success, but people reacted very strongly to it, even when it first came out. Very gratifyingly too, the Cretan public, and the Greeks as a whole, identified very strongly with the characters and the situations. I am continually asked in Greece, “How did you know all of this?” And I always tell them that I just soaked up their atmosphere and the result was this novel.’

Despite the success that Victoria has experienced in all areas of writing and journalism, she seemingly cannot help but complement a landscape full of her competitors. ‘I think the fiction market is in a very healthy state at the moment. There is masses of new fiction of every kind – and nobody can have the excuse that they can’t find something to read – perhaps the only reason for not reading is that there’s too much choice. And it’s not just quantity – it’s quality too. And a good novel costs the same as a cappuccino and a slice of cake in Georgina’s in the covered market – I know it’s still there because I went there with my niece who is at St Catz.’ However, a book about the university itself does not seem a likely proposition: ‘All I can say is that I am unlikely to be inspired by anywhere cold, grey or wet,’ a censure that sadly few English locations were likely to avoid this summer.

Oxford memories

Despite the weather, it is hardly surprising that throughout our interview Hislop’s mentions of Oxford are familiar and somewhat longing. She recounts how she was introduced to her husband, with whom she lives in Kent with their two teenage children, whilst at Oxford. ‘We were in the English Faculty Library,’ a place where more than just a love of literature was born, ‘and a mutual friend just sort of stuck us together.’ The editor of Private Eye, Ian Hislop, and his charming counterpart have been together ever since and were married in 1988.

Hislop also attributes the necessary discipline that allows her to write to her time at the hallowed institution, although perhaps not that spent in the library. She worked three years in the creation of her second project – devotedly sitting down to write every day even when she ‘did not feel like it.’

Thankfully for those of us who flit around the English Faculty Library, or indeed any other with less discipline, Victoria assures me that she had no real plan when she left University other than that she liked to write. ‘I never project that far ahead – and never have. I think about one year at a time is enough, because so many unforeseen things can affect your life. I always shudder when I hear people admit to anything like a ‘five year plan’ or even worse, a ‘ten year plan.’ Life is potentially much too exciting day to day to plan it too much.’

Hislop tells humorously of her one foray as a Cherwell journalist, the only attempt she made during her schooling. ‘I wrote for you guys once! I wrote a story about some kind of embezzlement that had been going on in a college. It was under the editorship of Harry Thompson (who sadly died two years ago) who later became the first producer of Have I Got News For You. He never commissioned me again – though it was the front page story!’

Girlish enthusiasm

Despite no instant journalistic success, she does claim that she always felt writing was for her, and when asked about what inspires her and what she loves about the process of writing Hislop speaks with a kind of girlish enthusiasm which makes you want a piece of whatever she has. ‘The best part of being a writer is feeling your imagination coming to life, and then ‘meeting’ your characters.

The worst part of creation for me is that it is very solitary.’ As for adored writers and literary brain food, ‘though she only wrote one novel, Emily Bronte really inspired me – there is someone who conveyed the spirit of place superbly – her poetry is astonishing too. I also hugely admire Andre Gide, Maggie O’Farrell, Rose Tremain, George Orwell and Joseph Conrad and many many more!’

Thus those politicos worrying about the state of the book market are reassured that budding novelists may continue to search for love in cold climates with impunity, while those of us with ten year plans are off to Georgina’s and the rest might just enjoy the return journey.

Choral Prof scoops Gramophone Award

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The leader of New College’s choir has won a Gramophone Grammy Award.

The prize is often referred to as “the Oscar for classical music.” It is the latest triumph of the summer for Edward Higginbottom, after he was also appointed as Britain’s first ever Choral Professor.

The 61-year-old became New College’s Director of Music at the age of 29. Under his leadership, the college Choir received the Gramophone Award for its recording of a piece by the 16th century composer Nicholas Ludford. He said of his appointment: ‘This shows choral music is a fully integrated part of the academic activity of the University.”

 

OED celebrates 80th birthday

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The Oxford English Dictionary, labelled as “the greatest humanistic project in the world,” has celebrated its 80th birthday.

At a meeting to mark the anniversary, participants praised the book, which currently lists 415,000 English words.

The first OED is credited to Dr Samuel Johnson who compiled it during the 18th century, but panelists argued that his work was actually quite sloppy by today’s standards. According to Simon Winchester, “Johnson seems to get ‘sex’ into as many definitions as possible….”

 

Fast food trader serves glass

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The owner of an Oxford fast food stall has been fined after a customer was served food containing pieces of broken glass.

Mohammed Ali was ordered to pay £3000 at Oxford Magistrates’ Court after his Falafel House in Gloucester Green was caught serving the substandard food.

The unfortunate customer, who cut his mouth trying to eat the dodgy produce, was also awarded £100 compensation. An environmental health investigation later found that food stored under a heavily chipped glass shelf was the cause of the problem.

 

Green and Templeton colleges merge

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Green and Templeton College have merged to create one postgraduate college.

The move comes after Oxford declared its strategy to increase its provision for postgraduate students. It is the first such joining of colleges in the modern history of the University.

The new college will be located at Green College’s Radcliffe Observatory site, and Templeton will relocate from its original site, three miles from the city centre. The merger was approved by the University’s Council.

 

Interview: Iris Robinson

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For a brief moment this year, Iris Robinson was at the eye of her own personal media storm. The controversy centred on remarks made concerning the mental health of homosexuals. She suggested that homosexuals ought to have psychiatric counselling to help cure their ‘disorder’.

The subject raised important questions not only about the problem of homophobia in Northern Ireland, where the PSNI recorded a 3.2 % increase in homophobic incidents and recorded one murder alongside 53 assaults and woundings in the past year, but wider issues of free speech and what some perceive as the marginalisation of Christian belief.

Misrepresented?

The Strangford MP and wife of First Minister Peter Robinson has since attempted to draw a line under events, subsequently claiming her remarks were misrepresented. But she refuses to show contrition in the aftermath, stating, ‘I make no apology for what I said, because it’s the Word of God … and if anyone takes issue they’re taking issue with the Word of God.’ The subject is emphatically not up for discussion.

Yet the public uproar, evidenced by mocking Iris costumes worn at Pride week in Belfast, makes it clear this will follow Mrs. Robinson for the foreseeable future.

Iris Robinson is no stranger to controversy. In November 2007 she was suspended from Stormont for a day for unparliamentary, though some felt fair, remarks directed at Health Minister, Michael McGimpsey. In a debate over the draft budget, she accused Mr McGimpsey of ‘lacking the bottle to make decisions.’ Speaker Willie Hay, a fellow member of the Democratic Unionist Party, barred her from the chamber for twenty four hours.

An evangelical public servant

It is clear that her evangelical faith is integral to her role as a public servant. It was her desire to ‘serve those who couldn’t help themselves’ which drove her to join Reverend Ian Paisley’s DUP after leaving Castlereagh Technical College. She is quick to cite ‘those in the media who use their own bigotry to castigate those in Christian circles’ as a pet peeve. A practicing Pentecostal Christian, she is actively involved with the Multiple Sclerosis Society, amongst other charities. Some consider her prickly public persona at odds with this religious streak.

Perplexing as it seems, Mrs. Robinson’s zealous beliefs and directness are probably her greatest asset and simultaneously her Achilles heel.
Her Strangford constituency, which she represents in both Westminster and Stormont, contains a sizable evangelical community. They have proved receptive to Mrs. Robinson’s views on issues such as abortion and homosexuality.

However, as recent events demonstrate, such views also ensure a fractious relationship with a generally secular media, whilst potentially alienating other elements of the electorate. However, it must be noted she draws support from a much wider group than merely the evangelical community. One should certainly be wary of writing her off simply as a religious extremist.

It cannot be overlooked that she holds top positions in the country’s biggest political party and as such is a major political player. She is the DUP Deputy Chief Whip and Health Spokesperson. Moreover, she is married to Peter Robinson, Ian Paisley’s successor as both DUP Leader and Northern Ireland First Minister. Mrs Robinson herself won 56.5% of the vote in her constituency in the 2005 general election, with a majority of 13,049.

That is what made the remarks, made in June on BBC Radio Ulster’s popular Stephen Nolan Show, and the ensuing police investigation all the more potentially embarrassing for the party. Some critics feel that Mrs. Robinson’s strong position within the party ensures that a public retraction or apology will not be forthcoming anytime soon.

A strong female figure

In a field overwhelmingly dominated by men it is hardly surprising that Mrs. Robinson is no shrinking violet. One could surmise that her toughness has been essential to her survival as a public representative since first being elected in 1989 to Castlereagh Borough Council. In the 2005 elections a paltry 19% of candidates fielded in Northern Ireland were female. This statistic makes for dismal reading especially when compared to a national average of 23%.

Mrs. Robinson is quick to point out that there are a number of factors which would deter young women who aspire to a career in politics. She identifies the media treatment of Republican Vice Presidential candidate Sarah Palin and, closer to home, the tone of the campaign against fellow unionist Arlene Foster in Fermanagh as indicators that the media is more ‘critical’ where female candidates are involved. She doubts that it would help or encourage any woman to pursue a career in politics.

From this list a sense of pride at her achievements in a hostile field can be detected. She takes some satisfaction from the fact that attitudes are changing, albeit, slowly. The admiration that several members of her office staff expressed for her handling of a busy schedule when I phoned to arrange our interview and the numerous satellite surgeries made available to her constituents indicate a relentless commitment to her electorate and a formidable work ethic. Indeed, she seems to relish the challenges facing the Executive.

The future of the party

When asked if she believes the Democratic Unionist Party can hold on to its diverse electorate as the executive becomes less divided along sectarian lines and increasingly focused on bread and butter issues such as education and health, she replies, ‘We have as a Party always earned the respect of our electorate as these issues have been at the fore.’

Chief amongst her current concerns are ‘the underspend of Direct Rule Ministers over 30 years and the unfair price structures for energy compared to the rest of the UK.’

So our interview ends, for as Mrs. Robinson informs me, she has constituents to attend too. There is very little love lost between herself and the media. She has fought hard to reach her position and it is clear that she will not easily relinquish it no matter how great the public uproar. It would seem she lives to fight another day, unrepentant and unfazed.

Oxbridge access drama reaches TV soaps

Rows over university access have hit national television after EastEnders featured an Oxford admissions storyline.

Oxford University officials have already been in contact with the producers of the BBC One soap regarding the direction of the plot, in which teenagers Libby Fox and Tamwar Masood consider applying to Oxbridge.

The move followed revelations earlier this summer that Cambridge University had approached several television programs in a bid to try and challenge ancient perceptions about the institution.

Officials suggested storylines to the writers of EastEnders as well as its rivals Coronation Street and Emmerdale.

The makers of Top Gear were also asked if Jeremy Clarkson & Co. would be willing to recreate an infamous 1958 stunt in which engineering students winched an Austin Seven to the top of Cambridge’s Senate House.
A spokesman for Cambridge University explained that measures comprised an attempt to tackle myths about elitism at the university before its 800th anniversary in 2009.

However, a spokesperson for Oxford University added that the university did not and would not be following Cambridge’s active attempts to control the institution’s presence in popular culture.

“We do not have a policy of contacting scriptwriters to place stories about the university in television programs,” she said.

“We would, however, work closely with production teams if the university was part of any storyline.”

The spokesperson also addressed fears that the new adaptation of Evelyn Waugh’s classic novel Brideshead Revisited would reignite age-old perceptions among prospective Oxford students of outdated customs and snobbery at the university.

She admitted that, “sometimes the beauty of Oxford can work against us.”
“We want to work against the ‘Brideshead’ image – people think it is all about impressive old buildings but there are actually very modern things going on here. Beauty and tradition can be enjoyed whatever your background.”
However, asked to comment on Cambridge’s approaches to television programmes, OUSU’s VP for academic and access affairs, Paul Dwyer, was sceptical as to whether more modern portrayals in the media would make much of a difference.

The VP for Access and Academic Affairs elaborated: “While a Doctor Who storyline based in Oxford might make compelling viewing, it is more likely to be schemes such as the Sutton Trust Summer schools and the Young Ambassadors programme that reach out and help widen participation.”

Chancellor calls for limitless tuition fees

Oxford University’s Chancellor has fuelled the continuing debate over Oxbridge admissions by arguing for a complete removal of the cap on university tuition fees.

Speaking at the Headmasters’ and Headmistresses’ Conference annual meeting on 30th September, Lord Patten called the government’s fee capping “intolerable” given the paucity of UK university endowments.
He said that the government should not demand that universities, “make up for the deficiencies of secondary education,” claiming this was “a fool’s mission.”

Un-capped fees could leave graduates with up to £50,000 of debt.
Patten argued, “it is surely a mad world in which parents or grandparents are prepared to shell out tens of thousands of pounds to put their children through private schools to get them in to universities, and then object to them paying a tuition fee of more than £3,000 when they are there.”

However, the university has distanced itself from Patten’s comments in official statements, saying that he had made the remarks purely in a personal capacity.

‘Oxford hasn’t made any decisions’

A press spokesperson said, “Oxford University hasn’t made any decisions” on the issue of fee capping and that a working group to discuss tuition fees policy is in “very early stages.”

John Denham, the former Secretary of State for Universities, has responded, accusing Lord Patten, of having “outmoded views of the central issues.”
Speaking at the Aimhiger Awards, a scheme which tries to widen access to higher education, Denham insisted that most universities now accept that, “the current system does not yet capture all the talent that exists in young people across the country.”

Paul Dwyer, OUSU VP for access and academic affairs, said that OUSU policy was against any lifting of the cap but recognised the need for “a contribution from graduates in some form.”

Concerning the question of the university’s role in correcting inequality, he said that “education is an extremely important tool” for social equality but added that the burden of responsibility “should not lie solely with the university.”
He said that, although Oxford required funding to continue its work, the current cap on fees was “certainly not intolerable.”

Unsurprisingly, students have not welcomed the suggested rise in fees. A Magdalen fourth year labelled Patten’s suggestion “massively, massively unfair.” She also accused the chancellor of being “more interested in money than students.”

Patten used his speech to rebuff government attacks on Oxbridge elitism, saying, “we are an easy cheap shot for left-wing politicians on a quiet weekend.”

He added, “It is odd that Oxford and Cambridge take a regular drubbing. They are after all among the few world-class institutions we have in this country.”
Patten’s remarks are the latest highlight of an admissions row that has raged all summer.

Postcode controversy adds to debate

Oxford University attracted attention from the national press during August when the university announced that admissions tutors would screen future applicants’ postcodes as a way of determining what students were applying from disadvantaged social backgrounds.

In response to controversy over the plan, a university spokesperson said that the move was not about “massaging our figures” but “finding the brightest students with the greatest potential to succeed at Oxford.” She insisted that academic excellence would not be compromised.

Tutors will also look at the collective results achieved by the applicant’s school, whether the student has spent time in care, or attended a program for disadvantaged pupils.

Any sufficiently able student who is flagged up in at least three of the criteria will be interviewed.

Oxford insisted, however, that the screening would play “no part in deciding who will receive an offer, or what that offer is.”

Following the announcement of postcode screening, Oxford’s Director of Admissions, Mike Nicholson, attempted to silence claims that the university failed to attract enough students from disadvantaged backgrounds by saying that the majority of candidates eligible for Oxbridge places already apply.
Nicholson said that, of the 28,000 students achieving 3 A’s at A Level, 11,000 already applied to Oxford, and a similar number to Cambridge. The remainder, he suggested, often wished to study subjects such as dentistry, which neither university offers.

Nicholson was responding to a recent Higher Education Policy Institute (HEPI) report which advised that a national bursary scheme be set up to help poorer students.

The report concedes that such an arrangement would “would benefit some universities and disadvantage others” but argues that the current system penalizes, “those very universities that recruit the most students from poor backgrounds.”

Beyond Oxbridge barred from Freshers’ Fair

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The Oxford University Students’ Union has been strongly criticised following a decision to ban a company from the Fresher’s Fair because it is not in their own commercial interests.

Beyond Oxbridge is an independent careers website providing job vacancies, internships and careers advice for Oxbridge students and graduates. However, OSSL, OUSU’s business arm, also have a similar website, called Oxbridge Careers.

OUSU claim that the two are in direct competition and have therefore banned them from the fresher’s fair – despite having initially granted them a stall.
Members of the Beyond Oxbridge team have expressed outraged at the decision, saying that it has left a “bad taste” in their mouths.

They also criticised OUSU for being “hopeless” and for “picking fights to try and demonstrate their own importance.”

One law student from Merton added, “I think it’s OUSU just trying to throw its weight around to try and get a bit more recognition.”

Beyond Oxbridge was initially granted a stall by Jake Leeper, organiser of the Freshers’ fair, but the offer was later overturned by Ed Batty, the advertising co-ordinator for the fair.

An OUSU representative told Beyond Oxbridge managers that because their company ran in direct competition with Oxbridge Careers, they would not be allowed to sign up new students at the Freshers’ Fair.

The representative stressed that this was not intended to single out Beyond Oxbridge, but was in line with OUSU’s firm anti-competition policy.
Jessica Bland, part of the Beyond Oxbridge team expressed her anger at OUSU’s actions, suggesting that theirs was a venture that the Students’ Union should be supporting.

Bland also questioned OUSU’s claim that the sites are even in direct competition, citing a lack of content on Oxbridge Careers.
“They haven’t filled the site with anything,” she said. “They may do very soon, but right now it’s not populated, it’s not providing the service they said it would do.

“And if they’re not providing the service then why exclude another graduate-run website that is providing it?

“OUSU tried to shut us off immediately, there wasn’t a negotiation, they just said ‘no you can’t have any contact with students’, even if we were willing to pay to have a commercial stall like every other commercial company.

“We thought this was something that needed to be there because it wasn’t there. To suddenly have part of the university turn against us left a bad taste in my mouth in my last few weeks at uni.”

OUSU President Lewis Iwu admitted that the decision had been taken in line with their “anti-competition policy,” which is in place to ensure what is commercially best for the organisation.
He stressed however that this was not only reason the booking was overturned.
“We have a strong anti-competition policy because we also provide a service through the careers handbook and the website,” he said.

“We don’t allow people providing a similar product to what we’re providing to provide that at the Freshers’ Fair.

“We’ve had discussions in the OSSL board, and the board as a whole felt that there was a conflict between the aims of OSSL and Beyond Oxbridge.”

Iwu also claimed that another reason for Beyond Oxbridge’s exclusion was “to ensure that there are no conflicting messages presented at the fair.”
He said that the overturning of Leeper’s decision was a routine review of the bookings for the Fair that was conducted throughout the summer.

He denied that OUSU was officiously stamping on student enterprise, saying: “across OUSU we recognize the importance of student enterprise but that doesn’t mean that sometimes we don’t have to take a holistic approach and it might mean enforcing our anti-competition policy.”

However, Iwu has been criticised from within OUSU. An OUSU College rep who wished to remain anonymous said, “the Freshers Fair should be about helping new students to get involved in university activities, not an exclusive promotion exercise for OUSU-sponsored enterprises.”