Saturday 12th July 2025
Blog Page 2265

Matmos – "Supreme Balloon"

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Matmos’ label, Matador Records describe Supreme Balloon as ‘a holiday from conceptual responsibility.’ The duo’s recordings in the past have been famed for the use of unlikely instruments, ranging from amplified crayfish nervous tissue to a recording of aspirin tablets hitting a drum kit, however this album provides a stark contrast – a record made solely out of synthesizers.

It might initially seem unimpressive that an electronic band has made an all-electronic album. But this album is to electronic music what the Queen and Rage Against the Machine albums with ‘No synthesizers were used’ written in the linear notes were to rock and pop music.

Has this creative restriction led to a coherent album or a self-indulgent experiment? The answer lies somewhere between these two extremes – whilst the album strives to take the listener on a journey from the rhythmic 8-bit pop of the first four tracks to the sprawling epic of the title track, it lacks sufficient cohesion to achieve this.

The album stumbles as Matmos give their electronic take on baroque composer Francois Couperin’s ‘Les Folies Francasies.’ However this lapse is more than compensated for by the following track, ‘Supreme Balloon’, clocking in at just under 25 minutes long, which passes elegantly through several movements building up to an ethereal climax entwined in swirling arpeggios.

Whilst Supreme Balloon makes for very enjoyable listening it is hindered by the unique creative restriction Matmos placed upon themselves in creating it. It is telling that the most interesting and original aspect of this album is its method of creation rather than the music itself.

3 stars out of 5

Tindersticks – ‘The Hungry Saw’

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Generally speaking, when musicians possess the boldness to start an album with an ambient, drifting first track, this often alludes to greatness. Unfortunately for Tindersticks’ latest album The Hungry Saw, this shimmer of audacity is shattered by the lift music which follows.

If my Uncle wrote doomed romance ballads – and for a greying Mortgage broker with little-to-no musical talent, this would be quite something – it would probably sound almost as dire as Tindersticks.

This is in no way music for the young (even of heart); if it is to be popular, it will become the steadfast favourite of the middle manager travelling in his Mondeo from his office in Basildon to the nut factory on Hull, a means through which to comfort his sense of failure and alienation. The Hungry Saw is an album which conjures up that gloomy feeling; the feeling when, as a child, you woke up on the morning of sports day, only to find the weather was miserable. In short, it is depressing and dull.

Of course this is a shame. No-one likes to see failure. Apparently Tindersticks are a fairly famous band. All the same, before reviewing this album, I hadn’t heard of them.

This is probably a good thing. If The Hungry Saw is anything to go by, then listening to this band as a child would have had devastating consequences. I would have lost all drive and passion by the time I was seven.

The band’s publicity people seem to be under the impression that the second track on the album, ‘Yesterday’s Tomorrow’, (what does that even mean?) ‘bursts out and hits you with the unabashed hunger of a forest fire’.

Yes, perhaps. But only insofar as it makes you want to gag, fear for your life and run away in a sickened frenzy. This encapsulates the entire Tindersticks experience.

1 star out of 5

Mixed signals over iPlayer

Students have reacted angrily to the decision of a handful of colleges to enforce a University ban on the BBC’s iPlayer and Channel 4’s 4 On Demand services.

The programs, which allow users to watch television programmes on the internet after they have been broadcast, use ‘peer-to-peer’ technology and so are banned by Oxford University Computer Services (OUCS).

However, colleges have been inconsistent in enforcing the rules, leading to double-standards which have angered some students.

OUCS says ‘peer-to-peer’ file sharing uses up large amounts of bandwidth meaning that the internet becomes slower for other users, and that the technology could allow the illegal distribution of software, music and videos.
Several colleges have clamped down on students using the services, fearing that they might overwhelm their networks.

Paul Martin, Computer Officer at Wadham, said, “Peer-to-peer file-sharing technology, including BBC iPlayer and 4oD, are against the University’s ICT rules. Wadham, like any other college, connects through the University network and follows those rules.”

Somerville College is currently the only college with a web-filter that blocks students from accessing the iPlayer and 4oD sites. Somerville’s IT  Manager commented, “The college has a 100Mb connection to the University backbone. ‘Peer-to-peer’ applications will use as much bandwidth as they can get. We try to keep all our students updated and informed about the limitations of internet use within the network.”

Students at Somerville College have even been warned about having the programs installed on personal computers because they continue to run data transfers when not in use.

An email to undergraduates and graduates read, “It looks like a few people who have been downloading music and videos using ‘peer-to-peer’ programs over the vacation have forgotten to uninstall them on return to college […] If you do still have any of this software on your computer then you should take action such as uninstalling it right away.”

The blanket rule against ‘peer-to-peer’ programs was put in place by the University proctors over five years ago. IT Manager of Jesus College, John Ireland, warns that action may be taken against students who breach the rule, “The use of ‘peer-to-peer’ software can be detected and traced back to an individual who has accepted responsibility for the computer that the software is running on.”

“This does constitute a breach of the Proctors’ ruling and, depending on the college/department/details of the case, action could well be taken through standard disciplinary proceedings,” Ireland continued.

However, some college authorities have not enforced the University’s regulations.

One second year at Christ Church said, “It’s just really convenient to use iPlayer on such a fast internet connection and not being stopped from using it makes us feel really happy with the college. I use it at least a few times a week and don’t think twice about it.”

Another student, a Wadham historian, said, “lots of people use iPlayer at college. We’re all too busy to watch TV at set times each week so it’s nice to be able to relax and watch our favourite programmes when it suits.”

The success of BBC iPlayer has already drawn national media attention for putting severe strain on the internet and threatening to bring the national network to a crunch point.

On 9 April, it was reported that there had been a clash between Internet Service Providers and the BBC, due to the increased load that TV-on-demand sites are placing on network providers. An hour of iPlayer video downloaded at peak times would cost them on average 67 pence, and many internet providers are unwilling to absorb these costs.
 
Both the BBC iPlayer and 4oD applications use technology where users download files from one another, rather than from a central server.

 

Tansey cancels Langham invite

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 Union President Ben Tansey{multithumb}
 
Oxford Union President Ben Tansey has withdrawn the Union’s invitation to disgraced television actor Chris Langham, claiming that he doesn’t want “needless controversy.”

Tansey had previously defended the decision to invite Langham after coming under criticism from the child protection charity Kidscape.

Langham had been invited to speak at Frewin Court on 29 May to discuss his ‘vilification’ in the media. The BAFTA-winning comedy actor is best known for his performance in BBC Four comedy “The Thick of It”. He was jailed for ten months at Maidstone Crown Court last September after being convicted of 15 counts of downloading images of children, some of whom were as young as eight.

He spent three months in prison but was released on appeal in November.

Tansey said that he had “literally spoken to hundreds of people to gauge their thoughts on Chris Langham speaking at the Union,” and that the issue had been “considered seriously”.

He added, “we’ve put together a great termcard, the committee has worked very hard to make it an exciting term and we do not want any needless controversy. We do not want dissidence to take over the forum.” He described the decision as a “purely functional” one.

Tansey had previously been criticised by child protection agency Kidscape who called the invitation a “publicity stunt” and “very disappointing”.

However, Chief Executive Michelle Elliot has now commended Tansey for his decision. She praised the way the Union had “looked at the arguments surrounding the invite, reconsidered the issue and were not afraid to admit that they made a mistake.

“It is very interesting, as Kidscape had never called for the Union to revoke the invitation.”

She continued, saying that it was “important for victims of such crimes that the perpetrators are not given a platform to explain or justify their actions for their own ends and means.
 
“Hallelujah for common sense!” she added.

Earlier Tansey had defended the original decision to invite Langham. He said that the invitation had not been extended for the publicity value but for the debate the talk would provoke. He stressed that he had never intended for the speech to be a chance for Langham to justify his conduct.

He said, “it’s not going to be a platform for him to turn up and defend his actions or to make his conviction out to be something else. We understand that he is a [criminal], he has gone to jail – he has done that.”

Tansey had explained that the debate would be dealing with the judicial system and its role in society, “a principle of liberal democracy, where once you have done your time you are absolved. At what point do we turn around and say [to criminals who have served their time], ‘Yes, you are member of society again’?”

He added that he thought that the vilification of sex offenders in society was an interesting point for debate, but stressed that he had had reservations about the debate from the beginning due to the message it might send out to those affected by the issue.

Despite the cancellation, he said, “the debate itself and the reasons itself for the invite are valid and I think people do recognize that.”

Several students have expressed disappointment over the cancellation of the invitation. One Christ Church historian, who wished to remain anonymous, questioned the Union’s decision, saying, “I understand the controversy surrounding the issue and the fact that the Union do, eventually, have to take a stand over something, but I feel that they have tried to make their point over the wrong issue.”

He suggested that the time to revoke a Union invitation would have been more appropriate two terms ago and questioned whether downloading child pornography is morally worse than being a Holocaust denier.

However, Tansey said that the press reaction to the invitations extended to Nick Griffin and David Irving last year influenced his decision. He said, “having looked at Luke’s term in Michaelmas, we have learned that not all PR is good PR. We obviously did think about the message this invitation was going to send.”

Chris Langham could not be reached and his agent has refused to comment on the matter.

Oxford tops league table again

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Oxford University has come top of The Good University Guide’s national league table for the sixth time in seven years.

 

Vice-Chancellor John Hood said: "Oxford’s top position is the result of the commitment and enthusiasm of our outstanding scholars and students, assisted by committed administrative and support staff."

 

The University also came first in the subject tables for Geology, Middle Eastern and African Studies, Music and Politics.

 

More from The Independent

Varsity heartbreak: interview

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As impressive as Oxford’s fighting spirit was, it only made defeat harder for
the first year Queensman, who said "it was gutting to lose having come back
from behind three times, especially after we had a period at 3-3 where we were
dominating". It took Oxford a while to find their feet, something Kelly
attributes to inexperience: "The fact that eight out of our starting eleven
were making their Varsity debuts probably accounted for our nervous start, but
after we settled down we played some good football".

 

Kelly played on the left wing, where he impressed with his vision and passing
range, scoring Oxford’s second equaliser. He declared himself "thrilled to get
a goal", but made clear that the team was most important to him.

 

Despite this year’s dissapointment, Kelly is confident for 2009’s Varsity match,
saying: "as Martin [Keown, OUAFC coach] pointed out after the game we’re only
losing two or three of the squad of sixteen next year, so we should come back a
much stronger and more experienced side next year having taken part in this
game."

Remote-controlled love song

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An Oxford scientist, Professor Gero Miesenböck, has made female flies produce the male courtship song using remote brain control.

 

The brain control techniques, which Miesenböck pioneered 3 years ago, use a laser to trigger certain actions. The ‘song’, which flies make by vibrating a wing, is never produced by females, so the findings indicate an astonishing similarity in male and female fly brains.

 

“Anatomically, the differences are so subtle,” Miesenböck told the Telegraph, “How is it that the neural equipment is so similar, but the sexes behave so differently?”

 

Researchers suggest that fly brains may have a ‘master switch’ that determines male or female behaviour.

Stepping back from the bitchy brink…

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It looks like a new lease of life is to be breathed into Oxford Media Society this term, with a couple of good speakers already lined up in the form of John Witherow (Editor of the Sunday Times) and Nick Davies (of Flat Earth News fame).

But it’s going to have to host something a bit more exciting than speaker meetings if it wants to distinguish itself from the Union et al. Aldate would like to see workshops in law, new media, and perhaps even regular shorthand classes.

 

Imagine how thrilling* the OxStu/Cherwell rivalry could become if it were extended to competitive speed writing…

 

 

*insert pinch of salt here 

A castle in the air

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‘Some day my prince will come,’ may have been Snow White’s anthem, but it is a fair assumption that at least some rather more earth-bound ladies share her sentiment, if not her falsetto warble.

We may not all be on the brink of empoisonment by a snaggle-toothed old crone with a shiny red apple, having escaped from a woodsman who’s told us to come and frolic in his glade while actually intending to cut our heart out and feed it to our psychotic step-mamma – but there are elements of life from which everybody feels they need rescuing, and it is an all-too-compelling prospect to think that a fine-looking member of the opposite sex, spring in his step and song in his heart optional, will be the one to do that. 

This does seem to be the central tenet of most fairy stories, and even Hans Christian Andersen or the Brothers Grimm’s darker offerings far more often than not take as their premise the existence of true love, albeit fatal on occasion, between characters.  So when we hear the phrase ‘fairytale romance’ it might be worth asking ourselves if its use to describe an affair between two human beings just the preserve of the unrealistic and excessively imaginative, or might it actually hold sway in this day and age too?

  While not all of us may subscribe to the views of the embitteredly entitled Facebook group ‘Disney gave me unrealistic expectations about love’ (I prefer ‘The Beast can lock me in his tower any day’, but call that a personal perversion), few of us can claim utter immunity to the allure of a handsome prince galloping up on his steed (or, like, his bicycyle) to save us from whichever piece of adolescent angst we happen to be suffering at the time.  Of course, Disney princesses usually have slightly more than essay crises to worry about – whether their dress will be pink or blue, for instance, or whether their mousy friends will be able to make their ball gown to the design’s exact specifications – and their princes are consequently more heroic, but the impulse is the same.

We shy away from it, probably (or at least those of us not looking to be roundly condemned for ignorance and misogyny might do) but it is a blessed thought to be able to abdicate responsibility even for a time, and to know that if we happened to prick our finger on the spindle of, say, a particularly sneezy kind of cold, then our very own Prince Philippe might charge up to our staircase with some Lemsip and maybe, if we’re extra lucky, a tuneful rendition of ‘Once Upon a Dream’.

That said, there are those who quite straight-facedly condemn Disney for the relationship paradigms with which it presents us, and would say the same of any fairy tale, for that matter, which might strengthen the idea of a damsel in distress needing to be rescued.  Attempts have been made in recent years to redress this, we can see from films like Shrek or the recent, brilliant, Enchanted, and to show heroines just as gutsy and capable as any of their paramours might be.  In fact, both Shrek’s and Enchanted’s handsome princes are sappy fops, whose courtly blandishments and gilded attire make them less capably chivalrous than risibly girly.

But this is not really progressive so much as it is pretending to be so, because all that both of these films do is then provide us with another hero, yes less conventionally attractive, but no less worthy of the heroine’s love nor less capable of saving her, and then propound the message that it’s what’s inside that counts.  But I cannot have been the only one who was disappointed at the end of both Shrek films when the ogre and ogress passed up the chance to be transformed into humans, and look not only absolutely normal, but actually quite hot.  I can’t help but think that this means we would rather fairytales were not too updated, did not too unequivocally redress the age-old premise that, as one of my friends assures me, there’s a lid for every pot.

Possibly the most instructive, and one of the most touching, fairy tales has to be Beauty and the Beast.

Whether you prefer the fuller, and more disturbing, original legend (Belle has sisters?  And a back-story?), or the film version (and I maintain no cinematic experience matches the glee one feels at hearing a couplet such as – ‘She glanced this way, I thought I saw, / And when we touched she didn’t shudder at my paw!’), this story is both romantic in that slightly shameful, bordering-on-the-excessively-patriarchal way, and a genuine lesson for us all.  Belle has brown hair (not to impugn those naturally blonde fairy tale fans), she likes reading, she’s got sass, and it’s her capacity for pity and love – neither of which are intrinsically girly qualities – which means she chooses to stay Chez Beast and save her father from imprisonment.  When Gaston blunders his way onto the scene (don’t get me wrong, he’s amazing too, with such lines as, ‘I’m especially good at expectorating…’), we are struck by his inelegance when compared to the Beast, his lack of intelligence and sensitivity, even though of the two of them, he is not the one with horns, fangs and a dubious quantity of body hair.  Oddly, then, the Beast is both Belle’s heart’s victim and its torturer, her rescuer and the person from whom she needs to be rescued, and someone she saves as much as ever he saves her; and this is probably a far apter evocation of most modern-day relationships than any of us might initially think.

Women may not always wear the breeches in fairy tales, but there is no harm in a modern gal delighting in the froth and frippery of it all – especially not when the real world has thus far failed to furnish you with a prince of your own…

Magdalen reaffiliate to OUSU

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Magdalen College voted by 98 votes to 28 on Tuesday to reaffiliate to the student union.

 

The college has been disaffiliated since Trinity Term 2007.