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Rehab centre, homeless shelter or childrens’ home: Oliver Brock in Nicaragua

A fountain trickles in the front courtyard, and the sun is shining in Nicaragua's capital, Managua.

Members of staff punch their attendance cards as they walk past the guards' booth: the day is beginning. In the culture and sports office (a cupboard stuffed with footballs, guitars, and brightly coloured dresses) fourteen year-old Manuel Flores is giving me a blow-by-blow account of a dream he had last night. "So then I'm running away, right, and I hear she's shouting my name, and I see she's been stabbed – and then there are the gunshots, right?" I gingerly ask who 'she' is. "Katerin Orozco man, who else! You're not listening, teach," he exclaims exasperatedly, before laughing and carrying on. Was the dream a subconscious reflection of the gruelling experience of living in an residential rehab centre? I needed to think more literally. It's a night-time reliving of the perfectly real gunfight in which Manuel got hit by four bullets.

Rehab centre, homeless shelter, childrens' home: call it what you will, Casa Alianza can certainly look like fun on a first visit. Nicaraguan youngsters – from the meekest of twelve-year-olds to burly young adults in jeans, vests and chains – roam around mopping floors, playing basketball, and chatting in small groups. A shout goes up, and the door of the art room bursts open. Out floods a stream of kids, heading for the noisy elevenses queue.


 New arrivals are easy to spot – they are usually sitting quietly, by themselves, not quite knowing where to turn. If we can imagine what they're going through, it may be something half way between a first day at school, and a first day in prison.

Miguel Moncada has just arrived from neighbouring Honduras. I ask him what he likes about the place, what he would change. He says it seems OK so far, but he loves drawing, and wishes there were art classes. There's a bigger question to address though; a sort of elephant in the room. And it's difficult to phrase without making him sound like a criminal but, well, what was he in for? It can be difficult to answer as well. After a series of shrugs and mumbles, he suddenly becomes more concentrated. "Daemons", he says, vacantly. "They only come at night, and I'm the only one who can see them."

It's easy to forget that for every one of these teenagers, behind the tidy exterior of anti-violence workshops, social education and music classes, there is a long, detailed, and terrible story. Casa Alianza began as a shelter for children living on the street, but now opens its doors to all sorts – as long as the entrant is willing to make a change. So ex-prostitutes, teenage mothers, abuse victims, drug addicts, gang members and the mentally ill, all rub shoulders in this melting pot of scarred youth. But how do you understand suffering on such a scale?

One way of putting a picture to the story is to go out with the 'street' team, who patrol the worst areas of town for kids they might help. In dark hovels between market stalls, lives the underbelly of Managua. One girl shows us a deep machete scar on the back of her neck, given to her by "some men". Another boy has a split down the palm of his hand, clubbed by a “volunteer policeman” – a flattering name for the thugs who force market sellers to pay them a fee for "protecting" their stalls. And almost all the kids – much as they might tell you they don't – will take any opportunity to inhale deeply from a pot of intoxicating, poisonous glue, available to anyone for a few pennies. The children, widely misperceived to be living on the street through some fault of their own, are almost invariably there through rejection, mistreatment and misunderstanding.

Raul de los Angeles, 14, was scorned by his mother from the start, on the absurd grounds that his skin was too dark. Tired of the beatings and verbal abuse, he slipped away and made the journey to Managua from his home on the Costa Rican border. On the first visit he made back home, his mother tore up his visiting slip, and decided to be more vigilant. When she caught Raul trying to run away again, after he had begged and sung on buses enough to afford the journey, she burned a mark into his leg with a branding iron. On a third attempt he was successful again, and managed to escape – from his real home to a rehab home.


Gustavo López, 18, says that his father has killed twelve people, some of them in front of Gustavo and his younger brother Luis, whom the father cares little for. Feeling no protection or acceptance from his family, Manuel looked for these in a gang. He checked himself into Casa Alianza the day he threw a rock at his mother's head, and tells his story with the maturity of a middle-aged man. His main worry now is his brother, who admires and glorifies their father's behaviour.

So what can be done to help the dispossessed young of Latin America's poorest country? Caught in a trap of stunted education, family breakdown and substance abuse, not to mention the back-biting daily struggle for a living, it seems they are in an endless cycle. But with years of experience, and homes in four Central American countries, Casa Alianza has designed a comprehensive programme to care for the children. First, crisis treatment: healthcare, shelter, clothing and food. Next – and longest – is rehabilitation: the youngster will attend workshops and classes that teach compassion, respect and non-violence. This will be combined with some vocational preparation. And then, finally, “re-integration”. This may mean returning to parents who have attended workshops themselves; or if they have no parents, or are old enough, renting a room in the city, which they will pay for by working with their newly-learned skill. Many of the youngsters, of course, do not get this far with their programme. Anything from drugs and desperation, to a lost love on the outside, can lure them away before enough progress has been made for them not to fall back into old habits – and back into the cycle.

What makes it all seem worthwhile, though, is their seemingly endless energy and hope against the odds. Each battling with his or her memories, the kids struggle through dance classes, sports days and school, adeptly concealing what lies beneath. Their capacity to carry on getting up every morning, to write poems or collapse with the giggles, is a true inspiration. What they must work out is not how to block their memories out, but how to live with them, and integrate the past into a more hopeful, capable present.

On my last afternoon in the home, I sit down next to Miguel again. Having come from Honduras, he now doesn't have the money to get back home. He is resolved to leave the centre the next day, and wander the streets of Managua, indifferent to what might happen. I give him the standard line, and try and convince him to stay. But, of course, I don't know what he's going through. "What do you lack, really?" he asks. "Up to now, what am I? What am I worth?" The awful insinuation is: nothing. "Sometimes I go for days on end without eating", he adds.


A week later, on the morning of my flight back to England, I stop by the centre for breakfast. Something small, but significant, has changed, or rebuilt itself – there is Miguel, smiling and talking to his neighbour as he ate.

New crackdown on drink and drug-fuelled crime

Freshers are the targets of a new Oxford City Council campaign to crack down on drink and drug-fuelled bad behaviour in the town. Leaflets have been sent to all freshers declaring the penalties for alcohol fuelled anti-social behaviour and an advertising campaign on buses and local radio has been launched.The campaign is running in conjunction with Operation Bratwurst, which aims to cut drink-fuelled crime in East Oxford. Police officers and community support officers are on hand at night in East Oxford to inform people about responsible drinking and the dangers of excess.Officers will be visiting pubs and late-night venues and giving advice to staff on how to deal with drug misuse on their premises. A drug dog detection team will also be out in East Oxford for two evenings.The radio campaign, which is launched today, will cover a number of aspects associated with people having a safe night out in Oxford including interviews with the police, drug dog company and A&E staff. There will also be interviews with people who have abused drugs and alcohol.

Cherwell Pubcast Week 1: Mark Cartwright and Kieran Hodgson on Oxford Drama

Ben Lafferty and Rob Morgan talk Oxford drama with Mark Cartwright, President of OUDS, and Kieran Hodgson, President of the Oxford Revue.  
Part One: Introduction
Part Two: Mark Cartwright
Part Three: Kieran Hodgson
Check back weekly for new episodes! 

Does absence make the heart grow fonder?

By R. Smith 

When my boyfriend, in his most reassuring and pacifying voice, said “Don’t worry, it will all get easier when we are back at uni”, I just wanted to cry.  His university is across the country from mine. I just couldn't see how it could be in any way reassuring to imagine that things would be better when we were apart. Yet looking back, I suppose he had made an interesting point: do long distance relationships work better than ones where the couple live near to each other? In fact, do relationships “work” at all?The idea of a long-distance relationship may seem like a recipe for disaster to those who have never been in one, but the reality is that they are becoming increasingly popular. More and more jobs now require you to travel long distances, often across different countries and different continents, and this is especially true for highly-educated workers. Perhaps the LDR (Long Distance Relationship) will be the standard model of the future? Greg Guldner, the director of the Center for the Study of Long Distance Relationships, estimates that 14m Americans are in LDRs and a recent survey carried out by Orange Broadband revealed that as many as 1 million Britons are currently involved in an LDR.

So how do we measure whether a relationship is successful – be it long or short distance? Is it in relation to our parents? Perhaps not: the Office for National Statistics says that more than one-third of marriages end in divorce. Or is it in relation to some idealised notion, perhaps from the media, about ultimate fulfillment, romance, and the unity of two beings into one? How can we correlate that rose tinted portrayal of love with the bleak reality that fewer and fewer relationships are now life long?
Perhaps this is where long distance relationships get their edge. Someone who you see only once a week, fortnight, or even once a month, stands a much better chance of being the kind, attentive, loving person that society leads us to believe that we deserve. Distance makes the heart grow fonder and all that. Not that this is to say long distance relationships are easy. There is always that lingering belief that our partner would be this “perfect” all the time should we be lucky enough to see them. Damn those blessed with a boyfriend/girlfriend nearby!
Yet those who do see their partner on a regular, if not daily basis, often moan about lack of quality time, and say that mere quantity is hardly anything to pine for. Your partner becomes your sounding board for all manner of petty daily annoyances, and you end up simply venting all your anger out at the one person you love instead of truly enjoying each other’s company.Yet if you concede that your relationship works better when you are further apart, isn’t that the same as saying that the relationship doesn’t actually work at all? Is it honest to say no one can stand someone they see all the time, or is that just a defensive mechanism we employ to reassure ourselves that our relationship is as good as everyone else's?
Perhaps it is romanticised idealism to imagine that relationships should work wonderfully on a daily basis. Maybe we just need to accept that a relationship that “works” does not need to be a constant source of joy and delight. In fact, perhaps a constantly joyful relationship is working less well, because there is no real reliance, no team work to struggle through difficult things together.  Surely that is the makings of a truly solid relationship.
In an age where people are increasingly living apart from their partners it is interesting to ask why, and how, this is providing them with fulfillment. Is the idea of sharing a common life with someone no longer an ideal, or can it be achieved despite distance? Has the increasing value placed on independence come at the price of prioritising proximity, both physically and mentally, in our relationships? Perhaps the time has come to accept that for a growing number of people an ideal relationship is one that they can compartmentalise along with everything else in their busy lives.  They can enjoy it for short periods and then put it away to get on with something else before it gets too dull.   

O3 Gallery-Preview: Marc Allen, Light Plays

 by Sally Caswell
Exhibition: 13th October-11th
November 2007

The dark grey, cavernous walls of the O3 Gallery provide the perfect foil for the vivid colours of Marc  Allen’s photography. The eighteen 20 x30" images are unfocused, abstract and infinitely mysterious.  Certain associations are triggered when you look at some of the pieces, but for the most part the enjoyment of the exhibition comes from the aesthetics. The colours and the general compositions  satisfy something within oneself and make the visual experience very worthwhile.
Untitled C particularly stands out for me. It’s a haunting piece with drifting, smoky effects. It appears to  be a scene looking across a river at a building on the opposite side. However,  Allen creates such  abstract effects that one can never quite be sure. Instead of being irritating, as I thought such uncertainty would be, the result was a slight unsettled sensation which kept me guessing and left me  intrigued by his technique. The titles offer little in the way of explanation, ‘O4’, ‘Rookery 25’,  but on  talking to Allen it soon becomes apparent that the titles are more a part of a system of identification, than means of providing any clues to the picture.Having spoken to Allen, his photographs became a lot clearer, or, at least, the motivation behind them  did rather than the photographs themselves. He describes his work as “drawing with light”. Indeed,  photography literally means this, ‘photo’ originating from photons regarding light, and ‘graph’ being Greek for drawing.  It’s a description which suits his work very well. Light is his medium as much as  paint for a painter is their medium. Despite the abstract nature of the works he doesn’t use digital  manipulation to achieve the effects, relying instead on time exposures. In this way he is using pure light. He invokes the style of Picasso and Braque in his work, explaining that whilst the painters painted  things from different angles, they all looked at various perspectives in one piece. Allen does this  through the time exposures on his camera; as the light moves across the object, the perspective  changes and he captures this in his art.

Photography Exhibition: David Whittaker, Stonelight

by Michael Bennett

David Whittaker: Stonelight. The Jam Factory, main gallery, until November 3rd.

Two years ago, Lancashire farmer David Whittaker started taking photographs of his local area. Although most of the images in his exhibition in The Jam Factory on Hollybush Row come from the Cornwall area, they still have a sense of local knowledge; hidden and unnoticed natural beauty recorded for distant audiences. The exhibition is small, a single room of pictures, and didn't take long to investigate. Along one wall are pictures of stones, presumably to promote Whittaker's forthcoming book 'Stonelight'. But it was the wider landscape pictures, which drew my attention much more.

One of Whittaker's strong points is his use of light. Some of the best pictures are taken towards the sun with objects such as rock formations (or more interestingly, abandoned bikes) in the foreground. Many of the best show the Cornish coast, especially when the stony ocean background is given real texture. Textures are a strong suit, and apparently innocuous objects like rusted metal fence posts and timber are shown to be beautiful.

Textures, however, are not enough to make the images of pebbles more interesting than they sound. Apart from anything else, photographing pebbles is hardly a very new idea, and has been done far more interestingly elsewhere. In general, Whittaker's work is not very original and is often cliché or predictable, even when it is beautiful. The worst and best pictures both illustrate this. Respectively, the first shows a set of barrels lined up against a wall, whereas the second is entitled 'Buddha and Disciple' and shows a seated Buddha statue with a frog perched in his hands looking up at his face. Gimmicky, yes, but you can’t help laughing and it certainly does stand out from the rest of the collection.

The room next door displays the art of Geoff Clifford, and is perhaps more interesting than the main exhibit. Clifford's line is in large canvases of abstract curves in colourful shapes and loose patterns. His work fits in excellently with Whittaker's coastal theme, and his colourful and stylised pebbles were much more exciting than the real thing next door.

All in all the exhibition is hardly sensational, but is certainly worth dropping in for a coffee and a wander round if you find yourself nearby with enough time. Few people will not enjoy the calming landscapes currently on offer at the Jam Factory.

Fire at St John’s

Firefighters were called to St John's College on Friday evening, after a fire broke out in one of their student kitchens.The incident occurred when a fire broke out in a dishwasher in the first floor kitchen of the MCR. The fire was quickly detected and extinguished, leaving little damage.A spokesman for Oxfordshire Fire and Rescue Service said that the college's adherance to simple fire and safety precautions prevented the incident from becoming more serious.

Oxford: A Week in Pictures MT 2007, week 1

Post-Matriculation celebrations at The Turf
 

 
 
Share YOUR matriculation photos –  send them to online(at)cherwell.org!

Want to work on Cherwell24?

Want to work for Cherwell24? Updated daily throughout term time, Cherwell24 is the most up-to-date news-source in Oxford.We're looking for writers, broadcasters, photographers, and new ideas. If you want to get involved, e-mail the section editor below at
online @ cherwell . org or come to our weekly meeting on Sunday at 11:30am, held at the Cherwell offices on St Aldate's (red building, opposite La Croissanterie and The Old Tom. E-mail for further details.)Editors: Fiona Wilson (Hertford) and Leah Klement (St Anne's)
Deputy Editors: Leon Harrington (New) and Selena Wisnom (St Hilda's) News: Laura Pitel (St Anne's)Features: Charlotte King (Balliol) and Sam Harding (Christ Church)Stage: Sinead Mattock (Brasenose)Music: Vikram Joseph (New) and Joseph Rowan (Balliol)Books/Exhibitions: Daisy Dunn (St Hilda's)Science: Connie Han (Madgalen)Sport: James Beard (Wadham)
Comment: Matthew Burn (Wadham) and Samuel Counsell (Trinity)

Want to get involved in the print edition Cherwell?
Meetings are as follows…
News Monday, 1.15, Pembroke
Features Saturday, 2, Worcester
Lifestyle Monday, 6, Kings Arms
Culture Wednesday, 2, Merton
Sport Friday, 5, Kings Arms

Got any news? E-mail news @ cherwell . org

Oxford to Cambridge by Airship

The future of travel between Oxford and Cambridge lies in airships, according to World SkyCat Ltd.The SkyCat helium balloon would carry around 200 passengers, and travel at around 100 mph, making it ideal for the Oxford-to-Cambridge run. The journey would last around an hour, proving a speedy alternative to congested road-travel. What's more, the vehicle's design would mean that it could land nearly anywhere.Plans set the launch of the balloon for two years' time, although developer and author Michael Stewart, of World SkyCat Ltd., is still looking for investors to provide money to fund the venture.Emphasising the green nature of the project, he said: "The emissions are less than ten per cent per tonne per mile of an average aircraft."