Supernatural ImagesThe Ashmolean MuseumEnds 15th JanuaryYou almost expect church bells and choir music when you wander into the Supernatural Miracles Eexhibition. The exhibition does not simply hang images of the Virgin Mary but createsa shrine-like display which puts you in the position of worshipper. Eeach small photo is hung behind a wall which is perforated with holes, just large enough to see the whole picture contained inside. Bathed in light and barred by the wall, each small photo makes a demand for the viewer’s reverence.The exhibition displays photos of certain statues and paintings which are believed to have had the supernatural power to cure the sick or save the damned. Behind each image of Mary or Christ is a personal story of divine intervention; possessed by the devil, caught in a storm at sea or impaled by bull’s horns, cult-worshippers believe a supernatural presence, embodied by the image, helped snatch them from the jaws of death. Together, the miracle stories, the shrine-like display and the rich embellishment of each picture combine to create a very intense and individual sense of the power that the Virgin Mary has had over history.Most striking is the humility and simplicity of the pictures – a mother tenderly holding her son, looking out with a serene, almost plaintive expression onto the viewer. Yet most of the images have been hyped up, literally hoisted up onto a pedestal, decorated with the most luxurious materials and exuberant colours. The pictures are surrounded by a throng of plump cherubs, rich ornamentation, crowns and jewels – all the pomp and ostentation which runs counter to the very meaning of the image itself.Of all the images in the exhibition, it is those that have been neglected over time, abandoned by their original cult-worshippers, that are the most intriguing. When the relic has grown old and battered, the impact of the image and the story behind it takes on a more poignant, more human edge. For instance, a wooden statue of Christ on the crucifix was about to be burned before the statue apparently opened its eyes like a living person. The sculpture has aged but the facial expression is still pained, plaintive and strangely restful. Its worn condition only intensifiesthe sense of Christ as once a human in suffering.Along with the religious statues, there are depictions of the miracles themselves. The variety – an eighteenth century photo of a possessed woman or a modern painting of a man falling out of a high-rise building – all share in common an apparition of the Virgin Mary, enveloped in a puff of smoke and hovering over the human activity below. Her cult-worshiptranscends history, providing a powerful figure for refuge from the turbulence of the lives of believers.Glorified with rich ornamentation, the images have become like divine beings in themselves, testified by the way in which strange curative powers have been attributed to them over the years. Many of the images have lost their poignant, human touch, saturated by the grandeur that goes with it. But the ingenuity of the display, and the stories provided with each image, bring the viewer closer to a sense of the mysteries that have enthralled so many.ARCHIVE: 4th week MT 2005
The Sun – should we love it?
Against: Paul Sagar, a first year PPEist at BalliolThe Sun is offensive. It offends women, immigrants, asylum seekers and also those who
are simply offended when others are offended: those who do not wait till they personally are
attacked before believing something to be abhorrent. No matter how good The Sun’s
football coverage may be, it in no way compensates for its odious nature. With such an
issue, we would all do well to heed the words of Mill’s Harm Principle, that one is free to act
as one wishes until their behaviour causes harm to others. I can hold no objection to
somebody purchasing The Sun with their own finances and reading it in privacy. However to
propose that it be bought with collective finances and displayed in a JCr cannot be
permitted, because no matter how great the pleasure derived by the readers of The Sun
may be, if even one person is offended by the material printed within it, the offence caused,
which I would go so far as to say constitutes harm, far outweighs that pleasure gained. It seems best to begin by refuting the three most common arguments for stocking The Sun.
Firstly, that it makes for a more diverse JCr. The thrust of this argument seems to be that all
the newspapers currently stocked here in the Balliol at least, are of the same sort. However
one can easily point to the presence of the Independent, the express, the Guardian, the
Mirror and the Morning Star to cast serious doubt upon this argument. Furthermore, there
seems something odd about championing. The Sun as a source of diversity: let’s not forget
this is a vehemently right-wing publication, has repeatedly targeted ethnic minorities and
immigrants. The Sun is the antithesis of diversity, to claim otherwise
would be twisted logic indeed. Secondly some argue that the presence of The Sun will
diminish Oxford’s eliist image. This argument rests upon the view that the enough
people will visit our JCrs so as to convince the entire nation that because we read The Sun,
we’re all very normal. even if one accepted this as a possibility (albeit an unpleasant one,
as our JCrs, and not just our quads, would all be full of camera-wielding tourists), then one
must accept the other implications that go with it. While people may think that Oxford
students are more “normal” than the current stereotype allows, they may also think that as a
community we condone some of the other features of The Sun, for example misogyny and
sexist attitudes. I’m all for the world knowing we’re not snobs, but I don’t want to be
considered a chauvinist either.Finally, it’s argued that all papers have agendas and tell lies, from the Telegraph’s
accusations against George Galloway to the Mirror’s faked Iraq photos. The crucial
difference is that whereas both these papers picked targets that could defend themselves,
The Sun chooses to victimise minority groups who cannot stand up to the press, and who
are further marginalised by the stereotypes printed in its pages. The Sun categorically
should not be stocked in our JCrs. Firstly, the hegemony of the Murdoch press is a worrying
development in national and global media and is bad for freedom of expression, freedom
of ideas and freedom of information. Most JCrs already stock the Times, so there seems
little justification for further financing the growth of the Murdoch empire. To quote nick
Cohen, “the only thing that sells better than sex is hate”, and The Sun is an expert at this. In
1989, following the Hillsborough football disaster, The Sun ran an article stating that the
crush that killed 96 people was deliberately started by Liverpool FC fans, who then urinated
on people’s bodies and stole their belongings. an inquest later dismissed all these
accusations, but the fact remains that The Sun lied to make money. Indeed The Sun is well
versed in spreading hate: the infamous headline “Gotcha!” to announce the sinking of the
argentine ship Belgrano, which had been sailing away from British waters, is a stark
reminder of its callous and offensive nature. The Sun is not just “another newspaper”: it
spreads hate and bigotry specifically to make money. I for one do not support that. do we
want JCrs where members of our community are offended because some are too selfish to
pay for an offensive publication themselves, or JCrs where the protection from offence, even
of a minority, is considered more important than the desires of a few? I leave it to you.For: Andrew Mason, a second year reading Physics and Philosophy at BalliolI believe that press representation in JCrs is an excellent thing. newspapers are
generally not provided to us by libraries and that JCrs fill this informational
deficiency is a testament to the general engagement of our students with the outside
world. nobody should be excluded from this fundemental service. and yet, twice now,
substantial majorities at Balliol JCr meetings have blocked the provision of The Sun to that
proportion of its members who want to read it. We have just as much right as any other
member to find the newspaper we want in the JCr – telling us to go buy it ourselves
misses the point dangerously. Excluding anyone from core JCr services needs a good
reason. Moreover, omitting sections of the press creates informational gaps: if those
‘opposed’ in some way to The Sun read it occasionally they may appreciate its work for
social integration and breakdown of racial prejudice in the poorest, stupidest sections of
society. Balliol JCr is arbitrarily excluding a minority from service provision in a shameful
way.Consider this: a sizeable minority of a JCr affiliates to a certain political viewpoint that is
highly unpopular with their peers. Wanting to access the JCr newspaper service, they take a
motion to a meeting requesting that the JCr orders their political newspaper, and the
motion is defeated. Surely the reader agrees that a bad thing just happened, that this
minority ought to access this JCr service just as everyone else, regardless of political
affiliation. For is not the protection of such minorities precisely what constitutional
democracies like JCrs are designed to guarantee? At both Sun debates powerful cases
were made that spending JCr money on the newspaper would mean an endorsement of
what people perceive to be its values, including but not limited to murder, racism and
homophobia, gypsy-tipping, rape and pillage and general societal mischief-making. This is
fair enough, and admirable in its way. But it’s also completely misguided. If I buy every kind
of chocolate in a shop, one couldn’t say I endorse anything whatsoever (except
comprehensive chocolate buying!). If a JCr buys newspapers supporting every possible
viewpoint, how can it endorse one in particular? Moreover purchase of a newspaper entails
no endorsement at all. London Underground commuters bemoan late trains, dirty
platforms and endless upgrades on the Circle Line, and certainly don’t endorse their mode
of transport, yet tomorrow they will buy tickets as normal: it’s the only way to get to work. No
economic choice is being made. JCrs choose to provide newspapers that members want
to read, not to provide certain newspapers and not others. A clear case for political
newspapers, but The Sun is not quite the same. Whilst some object to The Sun on political
grounds, the majority object on grounds of distaste. and can we say that the potential
offence of a majority of a JCr is good reason to deny a minority access to a newspaper?Those who gladly read their own preferred newspapers but do not allow another minority to
read theirs are guilty of a critical failure of ‘doing unto others as they do unto you’.
nevertheless, JCrs are small communities, and application of such principles
is not always appropriate. If twenty of its members get really upset at the very sight of their
peers reading the newspaper they want to read, then no matter how ultimately petty we
consider their objection is, that still constitutes a serious welfare issue. But Oxford
colleges that do receive The Sun contain no population of the really upset, even exeter,
which until recently received two copies (now reduced to one to accommodate Private eye).
doubt not: if Balliol received The Sun already, those same people who blocked it at two GMs
would read with a sneer or a smile and without objection. and in the possible world where
St Hugh’s didn’t get The Sun, and a member of the JCr proposed to a meeting that they
should, then of course there is name-calling, JCr hysteria and shouts of derision. Making
things upset us is easy: changing that is not. I contend that society is always a better place
when we swallow our own upsets and let people do what they want. In the real world, taking
offence at others’ activities is called intolerance and the very last thing we do is let it restrict
the activities of others. I don’t care if you think I’m just a dirty bastard wanting to lookat tits. I
am a member of Balliol JCR – can I not have access to its services?ARCHIVE: 4th week MT 2005
Create your own soundscape
Humans share ninety eight per cent of their genes with chimpanzees,but according to researchers at Keele University, the latter show no preferencefor music over dissonant noise. By contrast, all human cultures have developed some form of music, suggesting that an interest in melody is a both a universal human characteristic and one which differentiates us from lower primates.In most societies, music is a crucial part of rites of passage, played at partiesand religious ceremonies. Many tunes therefore carry special emotional connotations and significance for the listener. Studies in which scientists monitored the blood flow to different parts of the brain while volunteers listened to their favourite music showed that listening to music can trigger increased blood flow to neural centres linked to reward, motivation and arousal. Increased activity in these centres is also caused by both sexual arousal and intoxication: sex, drugs, and rock ‘n’ roll all have similar effects on the brain.Before the advent of widespread literacy, songs were used to record and recall valuable information. they laboured on plantations in the South, Aamerican slaves sang songs whose lyricsdetailed the location of safe houses on the “Underground Rrailroad”, the network of anti-slavery activists who helped to slaves to escape to freedom in the Nnorth. Eelizabethan balladeers wrote popular songs which detailed the maritime adventures of Her Majesty’s Navy, and the Queen’s visits to army camps. Music, especially in the form of easily-learnt songs, has also been an effective form of propaganda: Rroyalist balladeers satirized Cromwell mercilessly prior to the Rrestoration.So, music has been a fundamental and almost universal part of human society for centuries. But recently, the way that we access, purchase and consume music has changed. Our route of access to music changed in 1999 when an eighteen year old college dropout, frustrated with the difficulty of sharing music over the internet, stayed up all night to write the code for the program that was to become Nnapster. This program allowed users to share their (legitimately purchased) music with an infinite number of other people, via the internet. The upshotwas an explosion in file-sharing. By making it possible to share music for free, Nnapster encouraged listeners to download tracks they wouldn’t have spent money on, or been able to purchase locally.MP3 file compression technology and new mass storage devices allowed users to fit a shelf’s worth of CDds into their pocket. Aas the capacity of portable MP3 players has risen, so has their ubiquity: twenty two million iPods have been sold since the launch of the first generation of players four years ago. Just as Nnapster revolutionised the way people accessed music, the iPod changed the way people stored it. Used in conjunction, these facilities allowedthe user to rapidly and cheaply construct their own extensive, and eclectic, musical library.Until the release of the Sony Walkman in 1979, music was always a communal experience, whether in the concert hall, church or around the campfire. The arrival of the personal music player individualised the experience, by allowing people to listen to music in isolation from those around them. The iPod advanced on its predecessors by letting its owner have a completely unique and individual soundtrack to their life. Rresearch by the government in New Zealand found that people of all ages spent an average of one hour a day listening to music whilst doing other tasks.The absorbing, distracting, mood-altering effect of background music has been recognised for years by store-owners and marketers. The Journal of Business Rresearch published a study showing that shoppers were left with a favourable impression of shops in which they heard background music that they liked. Aas hard evidence of the effects of music begins to accumulate, even more conservative organisations, such as hospitals, are introducing schemes in which music is used to relax and distract patients before and during uncomfortable procedures. The low set-up and running costs for such projects have led to them being introduced in a wide range of areas, from maternity wards to palliative care facilities.It is evident that any soundtrack we construct will affect our perceptions of everyday life. Given that music can stimulate the same brain areas as sex and drugs, the effect of listening to music could change the way we think and feel about our environment in the same profound and transient way. Evidence showing that this change in mindset can influence behaviour comes from research into the synchronisation of body movement with music tempo during exercise. A team a Brunel University found that listening to music which had a rhythm that matched the pace at which volunteers were exercising improved the subjects’ adherence to their gym programmes by eighteen percent. Eelite athletes have been using this technique for years: the British bobsled team for the 1998 Winter Olympics listened to Whitney Houston as they prepared for the race, and went on to win Britain’s only medal at the games. James Cracknell trained for the Aathens Olympics (where he won gold) whilst listening to the Rred Hot Chili Peppers.The iPod has made it possible for us to consume music in a new way: we can set up playlists to trigger different memories and emotions, using music as a tool to manipulate our experience of the world. When Oscar Wilde wrote in The Picture of Ddorian Gray, 1890: “Life has been your art. You have set yourself to music. Your days are your sonnets”, he captured a notionthat could easily be applied to the iPod generation.Now we all have the potential to become like Dorian, treating our lives as works of art, each day accompanied by backing music. Potentially, this could divorce us from reality, as we take an increasingly detached view of life, absorbed in our music, as it alters our perceptions of the everyday. Aurally immersing ourselves in a more glamorous, passionate world allows us to avoid recognising all that is commonplace and mundane in our lives.Ironically, the capacity to create an individualised sound-scape, that effectively removes the listener from their surroundings, was the result of unprecedented co-operation between strangers. The ability to cheaply construct an extended personal soundtrack depended on the co-operative effort of thousands of people who decided to make their MP3s available to the world through Napster.There was no material incentive to share music in this way: people who made their files available to others received no payment. Nnor did they receive admiration for their generosity:the file-sharing community was too large and anonymous for the value of individuals’ actions to be recognised. The users’ selfless actions are a testament to their faith in the virtual community.The use of the word “sharing” to describe the distribution of music through networks like Nnapster obscures the reality of making music available over the internet. Nnormally the word is used to describe shared access to a single object, whereas when a file is “shared” over the internet, one user offers their MP3 to another as a template, from which a copy is made, resulting in two copies. Biologists would call it reproduction, but the people who make a living from music call it theft.The controversy over the legalityof file-sharing provoked a certain amount of moral relativism, especially where the behemoths of the recording industry were concerned: many people who wouldn’t steal a CD were nevertheless willing to make illegal downloads. When the Roman Emperor Marcus Aurelius considered the nature of plagiarism, he considered it a victimless crime, writing that, in the case of literature, “Thefts cannot harm it, while the lapse of ages augments its value”. In the face of record company fat cats earning millions in profits, many people were inclined to believe their actions wouldn’t affect the recording industry as a whole. There was speculation that in the future, bands would only earn money from live performances and royalties from radio play, rather than music sales.However, the record industry wasn’t prepared to die quietly and severalcompanies launched legal action against people who had downloaded music illegally, and put pressure on internet service providers to stamp down on file-sharing services. High-profile cases have kept the industry’s campaign in the headlines.The record industry is not opposed to downloading in principle: the internet offers them a larger market and cheap distribution, as well as eliminating the risks of overproduction. Aaccordingly, there is now a proliferation of sites which allow people to buy MP3s legally. These sites are becoming increasingly popular, with 2005 seeing a 744% rise in the number of downloaded tracks sold in the UK compared to the previous year.Despite the controversy over the legality of downloading, it is now possible to enjoy a more diverse range of music, more cheaply, and in more circumstances than ever before.This music is capable of altering our perceptions, changing our behaviour, triggering memories and stimulating emotions. Its profound effects may be surprising, but the ubiquity of music in human culture and history is evidence of its power. The iPod may have the capacity to isolate us from each other, but it is also evidence of our desire to share the music that moves us.ARCHIVE: 4th week MT 2005
Society’s gossip columnist
Tatler sits somewhere between House and Gardens and Vogue. Geographically at least:
its offices occupy the third floor of Condénast’s headquarters in London, sandwiched
between the other titles in the magazine publisher’s stable. Geordie Greig, editor since
1999, occupies a corner office decorated with prints of former covers. In a pink checked
shirt open at the collar he surveys his overwhelmingly female staff. The walls of the offi ce
are glass but the ceiling certainly is not: for, as, Greig claims, he “employs 98% women.”
The third floor location and the tough looking doormen employed by Condénast are
perhaps there for a reason, Greig’s magazine being one that everyone seems to have a
hold on. although younger readers have a tendency to elide the definite article that their
parents would have prefaced it with, The Tatler is nevertheless unique, particularly
following the rebranding of Harpers and Queen. “We’ll be the only social magazine left in
Britain. Hoorah,” quips Greig. But what exactly is a social magazine, what is the formula that
has kept Tatler going since its foundation in 1709? “It’s a luxury. Like a fabulous box
of chocolates. deeply desirable, enjoyable. decadent and sometimes a little wicked.” Flicking through the current issue reveals an interview with Paris Hilton in which the hotel
heiress enlightens the reader with her preferred conversation topics with her manicurist, a
short story by the improbably named evgenia Citkowitz about a sixth former at the kind of
girls’ school whose leavers ball photos appear in Bystander, and numerous glossy ads.
advertising is clearly important: “the big brands love Tatler because it’s very english, it’s got
a sense of humour, a very rich readership.” Very rich indeed: there are a mere 86,000 of
them, but in a year they spend a total of £1.1 billion on travel alone. as a magazine Tatler
chronicles society, and Greig is insistent on having writers who “have the inside
track;” hence a list of contributors encompassing both Parker-Bowles children and Lord
Freddie Windsor. But how valid is the notion of society in today’s england of labour
politicians and Pete and Jordan’s OK nuptials? Greig is adamant that “every country has a
society.” He points out that society is, and always has been, accepting of new talent and
(gasp) new money. “There’s no stigma to making money: people like success. The
establishment is always made up of those who do well, who reach up.” as anyone who
has seen Madonna’s current tweed phase will no doubt agree, these people merge. “Who
would have thought rock stars, symbols of rebellion, would be shooting pheasants on
country estates?” Our interview takes place during London Fashion week, and Greig uses the example of the
guest list at donatella Versace’s party to illustrate this new trend: “there were people
from grand houses, people from rock, people from fashion, from the financial industry.” and
do they all get on? “I think people are all rather intrigued by each other.” But nevertheless
Tatler is not just for insiders. “It’s read by probably the widest and most influential circle
of readers it’s possible to have. From Tony Blair’s spin doctors to Saatchis, to fifteen year
olds at schools all over the country.” Certainly not all of these could be classed as
members of capitalised London Society. Even in Oxford it is not only those who can spot
their school friends in the back pages who read the magazine. Greig agrees that there can
be an element of voyeurism involved: in peeking into a different social milieu, a different
world. But the balance has to be kept right. “The insider should feel it’s right and that they’re
more informed, and the outsider should find it interesting and fascinating, and aspire to
know more about that kind of life.” However, Greig emphasises that his magazine is not
totally serious: “Humour is very important for Tatler. I think we need to be mischievous,
ironic, to sometimes bite the hand that feeds us.” It is reassuring to hear that articles
such as ‘Terror on the King’s road: Why Chelsea is no longer safe’ (which appeared, with
unfortunate irony, shortly before the July 7th underground bombings) are not conceived with
a deadly serious public service agenda. But do some people miss the joke? “If they do
they probably don’t read us again,” laughs Greig. “I think most people who enjoy Tatler
enjoy the sense of having fun, including taking the piss sometimes.”But who is this man who claims to “come in every morning thrilled to be here
because there are exciting things to be done?” now in his mid forties,he has worked in
journalism since leaving university at Oxford, although he claims: “I always used
to be rather nervous about calling myself a journalist.” After Eton he read english at St.
Peter’s, but was not involved with the student press. “I had a horrid time doing
journalism at Oxford. When I wrote one piece for the Isis, the editor totally rewrote it,
made up quotes and I had to write a letter of apology. I thought: shit, I’m not going
to do this.” But do it he did, eschewing a job in banking to take up an offer
at a newspaper in deptford. except it turned out not to be an offer: someone at the South
east London and Kentish Mercury merely thought it would be amusing to have someone
whose CV read ‘eton, Oxford, deptford.’ They did, however, employ him as a crime reporter.
Was working in one of London’s poorest boroughs a culture shock? “You have to be
genuine. Normal rules of life: be yourself. People don’t give a monkey’s as long as you are
yourself and you’re comfortable in your own skin.” After two years he moved to the Sunday
Times, who sent him to america. Greig claims: “I loved new York. It was a
real life changer.” He covered “all the fun, froth and trivia,” as well as more serious
events like the Waco shootings. After five years he returned to London as the Sunday
Times’ Literary editor, a position he held for a further five years. What about the job at
Tatler? “I was rung up out of the blue by Nicholas Coleridge, who is the managing director
of Condénast. He said: “Please don’t put the phone down: this is probably the maddest call
you’ve ever had, but would you consider being editor of Tatler?” He admits he had no
idea it was coming at the time, but he eagerly accepted. “Tatler is one of the oldest, most
distinguished magazines, with a pedigree going back almost three hundred years, and it’s
had some great editors who made a difference in journalism.”He mentions how the magazine “punches above it’s weight: we’re a small circulation that
tries to have a big impact. Tatler is an authority on social life.” Certainly the rest of
the media listens. Greig recalls the time “we declared the dinner party was dead. There
were headlines in Korea, Canada, people rang us up.” On another occasion there were
“seven TV stations camped outside (his) offi ce” following an interview with Prince Andrew.
The transition from a ‘gritty, warty newspaper’ to a glossy magazine with a two month lead
in period was a challenging one. “My first three months were quite tense. I thought it was
going to be the same as newspapers, whereas it‘s very different.” How so? “It is less
adrenalin led. You haven’t got that intense sense of ‘we’re going off the press in thirty
minutes.’ Moreover the subject matter is different. at the start, Greig “didn’t know anything
about fashion. [He] thought Pucci was a misspelling of Gucci.” However it was not just the
switch to magazine journalism and the more female environment that the new editor had to
deal with. He also had his own agenda. “I wanted to make it more journalistic and
I wanted to go back to its roots, bringing in great writers, a sense of style.” Under Greig’s
command Tatler has featured work by Tom Wolfe, Kazuo Ishiguro, VS naipaul, William Boyd
and Seamus Heaney. “I have tried to make it more intelligent. I think our readers can take
great writing.” Great writing it is, and in a glamorous showcase. Tatler is the kind of place
where the staff can borrow clothes from the heaps of couture in the fashion department if
they need something smarter for the evening. Aspiration shows on its shiny pages, but does it shine brightly enough in today’s
increasingly homogenized world, where everyone is middle class? I ask Greig if it is still
cool to be posh. He considers for a minute and replies: “It’s never cool simply to be posh,
but it’s fine to be yourself. Whether you’re posh or Polish or from Pittsburgh doesn’t really
matter.”ARCHIVE: 4th week MT 2005
Obituary
THere’S a booming, unctuous voice in the JCr one night: it reverberates off the walls, and in
spite of yourself you’re hypnotised by the talk of rugger, skiing in Val d’Isere, summers at
Rock and stratospheric wealth. Rapt with attention, you edge closer to the source of the
noise. Standing before you is a magnificent animal, from the quiff you could ski off right
down to his smart brown loafers. He might not be wearing a salmon pink shirt, but
for the sake of stereotype he may as well be. His jeans are neatly pressed and belted at
precisely waist height: none of that jeans-round-the-ankles, boxers-on-show chic for this
chap. Should the temperature drop slightly he will invariably produce a classic ralph Lauren
jumper to layer artfully over the smart shirt, or to offer in gentleman-like fashion to his
female companion. This, my friend, is a dying species: he is the public school boy,
and in Oxford we observe him in one of his last natural habitats. The true public school boy
is finding this new modern world a bit of a struggle, really. He’s been forced to
evolve, he’s learnt it’s no longer cool to blurt out his status in the sure knowledge that he
will be welcomed into the club. He has even, horror of horrors, learnt to modify his dress.Those men walking around Oxford sporting artfully distressed jumpers: public school boys
each and every one. It’s a postmodern comment on their stack of gold. No longer will a
school tie attract friends, and mentioning public school these days can be paramount to
social suicide. Oxford courts the state schools, denying its stalwart public schools as much
as humanly possible. Those dastardly chavscum have even stolen, amongst other things,
the polo shirt, the manly colour of pink, and, perhaps most successfully of all, the entire
Burberry brand. When was the last time you heard someone express anything other than
contempt for the well-spoken amongst us? Look at what happened to Charlie from Busted,
when he attempted to break the rock music scene with the inimitable Fightstar. Could he
produce a convincing northern accent? no. Well then he couldn’t possibly be credible. But
we somehow have to retain a grudging respect for the public school boy who unashamedly
announces his background, conforming to the stereotypes. He’s part of the Oxford scenery
and without him our lives would be a lot less colourful. Vitally important linguistic traits such
as the use of ‘yah’ as an expression of agreement in conversation, and the inspired
shortening of blatantly to ‘blates’ would slip into the realms of nostalgia.In recent years society has dictated, more for survival’s sake than anything else, a blander,
more considered and overall more socially-aware public school boy. Only some remaining
specimens have, through the medium of that rhinoceros skin they developed during
the years of bullying and physical violence, survive to be as brash and unflinchingly,
embarrassingly posh as always. Let us salute them.ARCHIVE: 4th week MT 2005
Scouting for students
was six months old when my father started working at St John’s. That was in 1946, and he
worked here thirty odd years, into his seventies. He was a scout. Back then it was all male
scouts. He made beds, brought the coal in, cleaned shoes, and was generally
a skivvy; a nursemaid, I suppose you’d say. It was quite different in those days; it was real
hard graft. My eldest sister worked here, in this building, for about thirteen years. She
left just over four years ago. So there’s been me, my dad and my sister, and actually my
daughter worked here for about five years as well. Back then a lot of families worked here.
The husbands, the wives, the children – that’s how it was in those days. It has changed
now, of course: people don’t stay as long as they used to. When I started, women were able
to bring their children along to work with them during holiday time, which is no longer the
case, and I think that’s why a lot of them did this job. It was a way of working when you had a young family; a way of going back to school when
you didn’t have a career. That was what you did: you either worked in a college or worked in
a school, and because my father was involved in college life it was pretty obvious I would be
too, somewhere down the line. Life’s changed a lot since then. Everything’s got faster. All
this health and safety has come in and there are all sorts of different gadgets for various
things. And there’s now only about three or four of us left who’ve been here for a few years.
When I started I just did one staircase in the block and my sister did the other two. now I do
the whole lot. As long as you’re in a routine, you’re alright. I get in at half six in the morning
and do 36 hours a week. I live 11 miles out of Oxford so although my husband drives me to
work, it still means an early start for me.I was born in north Oxfordshire and lived in Central Oxford all my live until about 8 years
ago. My mother still lives in the house I grew up in, in St John’s Street. I started coming in
early so I could clear up after the bops while everyone was still in bed. There’s usually
loads of rubbish afterwards. It’s surprising how much there is to do, really. I try to pace it
out: I do the loos first, then start going round the rooms at half past eight. Some people are
up by then. I do all the bins and what I can in the rooms when I’m going round. I have my
coffee at 10 o’clock, then start the hoovering on the staircase. The showers and the
bathrooms are the last thing for the day. I’m here all year round but I prefer it when the
students are here. We’ve had a few interesting people staying. There was Jonathan
dimbleby’s son, and Tony Blair was in this building too. I don’t think I was working here at
the time. My sister was, but she can’t actually remember him. Typical of my sister. At the
beginning of a new year it’s diffi cult because I’m quite nervous and the students must find
it odd too. Some students will talk and some won’t and you can usually tell from the very
first time you meet them whether they’re going to speak or not. I’ve been here nineteen
years now, and I’m actually going to retire in March. It’s the end of an era from the family’s
point of view, but it’ll be nice not to have to get up so early in the morning. That is one thing
I’m really looking forward to. Susan Gulliford talked to Julian CotteeARCHIVE: 4th week MT 2005
Eat
Where to go…when you have fifth week blues
Why: It has got to that stage in the term when our summer tans have started to fade, the
winter chill is setting in and the dreaded work load has finally arrived. rather
than visiting Sainsbury’s and stocking up on chocolate, a far nicer and fairly economical
solution to the “winter blues” is to head down to Walton Street and pay a visit
to Le Petit Blanc. This understated and low key restaurant offers the best of what can only
be described as ‘sophisticated comfort food.’ The ambience is warm and inviting and the
food is simply prepared and decidedly homely.What to eat: The menu is fairly expansive, offering a wide range of hors d’oevres including
steamed mussels, foie gras and Thai coconut and lime soup. For your main course you
could opt for rack of Cornish lamb with grilled aubergine and pomme Chateau, or for those
of you taking full advantage of your most recent student loan instalment, the seared king
scallops with roasted fennel is the chef ’s speciality, although it is more pricey than the
other options. It is in the field of desserts that Le Petit Blanc really excels, with
choices ranging from an impressive ‘croustillant of Petit Blanc icecreams and sorbets’ to
the ‘delice au chocolat avec sauce à la cazette.’ Munching on hot waffl es, apple
compote, chocolate sauce and crème Chantilly can assuage even the most severe case of
chocolate cravings and you can almost feel the stress of an impending essay
drift into a vanilla crème brulée oblivion. Raymond Blanc, the celebrated
owner of Le Petit Blanc wrote that this restaurant uses “the finest ingredients, freedom
foods, free range natural and wild produce. These are seasonal and fresh – this is the
foundation of our cuisine”.Where to sit:The restaurant is open-plan so all the tables retain a sense of privacy with
warm lighting and simple, clean presentation despite being quite close together. During
the day the window seats are perhaps the best choice, while the more intimate tables for
an evening meal are towards the back of the restaurant. a fantastic feature of Le Petit Blanc
is the small bar in the foyer where a pre- or post-dinner cocktail can be enjoyed whilst
perusing the extensive wine list. Le Petit BLANC
71-72 Walton Street
01865 510999
Open 12-2.30pm and 6-10pm
(Mon-Fri), 12-10.30pm (Sat),
12-9.30pm (Sun)
Main courses £11.25 – £17.95
Menu prix fixe £12 for two
coursesARCHIVE: 4th week MT 2005
Arms and my childhood
In 1992, a european country was destroyed while the rest of the world watched. Its nucleus,
however, resisted, fought back and survived three years of siege and bombardment. By
1995 over 170,000 people had been killed and several times that many injured. It was
Bosnia and Sarajevo, and a war that substituted for my childhood. The Serbs blockaded
Sarajevo that april: their snipers took positions on high buildings in the suburbs, killing
at random. as Sarajevo is in a bowl-like valley, within days their artillery occupied
the hills surrounding us and aimed down. Soon, the Serbs turned off the electricity, the
freezers begun to defrost and everyone was cooking so the food wouldn’t be wasted.
Simultaneously the bombing started and we began spending nights in the basement of our
apartment building with our neighbours eating all this food, like some strange nocturnal
underground picnic. For a child, it seemed we were in some crazy festival, like the circus had come to town, and
at the end there would be a big meal and the children would play while the adults talked
about how bizarre it had all been. But then water and gas pipes were switched off, the food
ran out and the bombing intensified. The maternity hospital was bombed, pictures of
people shot dead in the city filled the newspapers and from the look in my parents’ eyes I
realised it was time to be scared. The men in the building took turns to guard the entrance
at night, armed with semi-automatic rifles. Bosnia had no real army because the
Yugoslavian army was mostly made up of Serbs, so the government released from prison
and armed some powerful gangsters who formed militias to defend the city. They
essentially saved Sarajevo from falling in the first weeks, before an organised army was set
up. as children we sang songs celebrating their bravery. I still regard them as heroes,
despite their crimes. At home, we abandoned all rooms with windows, leaving us with only
the hall to live, and cook and sometimes sleep in. But most nights we slept in the
basement, sometimes staying there for days. Water was brought from a nearby pump.
Food was scarce and monotonous and before long we were down to one daily meal of rice,
beans or pasta. By the time we left Sarajevo I had forgotten what ice cream was, and whether oranges had
to be peeled. It was all the more surreal because I couldn’t understand what was going on
or why. On the radio, I heard ‘ethnic conflicts’ mentioned, but this seemed like an answer to
a different question, one I didn’t ask. My father is Muslim, my mother roman Catholic, my
best friend Orthodox Christian and my nanny was Jewish. But, as a family we celebrated
the Orthodox Christian festivals with our Orthodox Christian friends,the Jewish ones with
Jewish friends and so on, and probably took them as seriously as they did. Religion served
not to preach, but to bring friends and family together, secure theseties and carry on
traditions passed down to us. How ironic it was then that which had helped unite us
was now being used to divide and kill us. Most Muslims in Sarajevo don’t go to the mosque, don’t know arabic or how to pray, smoke
like chimneys and drink alcohol like the best of them, so the idea that they could suddenly
go on a jihad to establish a fundamentalist Muslim state seemed incredulous even to a
child. However, that’s what the Serb politicians claimed, what they convinced many of their
people was happening and what some in the outside world seemed to (want to?) think.
In reality, I later understood, it was a genocidal, nationalist war, initiated by Milosevic,
Karadzic, and some Bosnian Serbs to make a ‘Greater Serbia’. Bosnia was to be annexed
and the Muslims living there killed or removed. My parents decided to stay in Sarajevo,
partly because they are doctors and most doctors had left. Five anaesthetists served a city
of 350,000 during the war, my mother being one of them. But also because it was Sarajevo:
a city where four religions, the east, the West, capitalism and communism, met to
create an energy that so many thought was worth fighting for. The city was all it was
because it was multicultural and multiethnic, and we wanted it that way.
Perhaps I idealise ante bellum life in Sarajevo. The privileged life that I led there, of
nannies, ballet lessons, winters skiing in the mountains and summers on the coast,
wasn’t a life that many had. There were many problems that didn’t affect us but, still,
there was something unique about Sarajevo, something that made everyone proud to
live there and made so many stay to fight for her. Peter Maas, a Washington Post
correspondent who spent 1993 in Bosnia, wrote “Sarajevo was a temptress,
and it was hard to know which was more seductive, the half-mad look in her eyes, or
the scarlet drops of blood on her extended hand. Temptresses have different allures with
which they entice their victims, and the oddest thing about Sarajevo’s allure was that the
more ghastly she appeared to the outside world, the more her buildings were destroyed
and the more starved her residents looked, the more seductive she was. Sarajevo was
violence and passion.” It was the longest siege in modern times, but for the
residents there was never the option of surrender. Just a sense of defiance, a sense that
in Sarajevo we were right and just had to hold out until the world realised that too. I remember the night when the Serbs set the national Library on fire. My parents took us up
to the roof during the bombardment to see what the cowards with their tanks on the hills
were doing. and camera crews filmed this and the aftermath of massacres and broadcast
the unedited footage on TV, to show the world what was happening. and it saw, but when
the Un Secretary General Boutros-Ghali visited, he just said, “I can give you a list of ten
places where you have more problems than in Sarajevo.” Meanwhile, my parents went out
to work separately, so that a single grenade couldn’t kill them both. But, on Christmas eve
1992, dad and I were leaving the house and he was shot as we walked down the street.
Fortunately he was only wounded while many others we knew were killed. Lucky, everyone
said, that it wasn’t me. The strange thing was how quickly this stopped upsetting us:
by the time they started burying people in football stadiums, death had lost its novelty value.
In war, you see things you don’t want to see. You live through things you don’t want to. You
lose people you love. as a child, you grow up quickly. There are no ‘boogie monsters’ under
the bed, trying to ‘get you’, because you know of real monsters, with real guns, who wake
up every morning with the aim of killing people like you. There is no school because they
bombed it, but it would have been too dangerous to go there anyway. You stay indoors for
months and, when you can go out, you play ‘street wars’ with kids on your street, throwing
rocks and glass at the other neighbourhood kids because you can’t remember the games
you played before the war. After three years my parents decided they had done enough. With the help of some British
friends mum went to england for a job interview and returned. One night, through a secret
tunnel dug underneath the airport and over a mountain, she took my brother and me out of
Sarajevo and to england. aged ten, I had my first day at school, she worked as an
anaesthetist and a year on dad came to join us – a happy ending. But I don’t know whether I
should be happy I lived to tell the tale or resentful that I have such a tale to tell. Probably it’s
the former. I feel privileged to have experienced man at his best and at his worst, risking life
to commit good or evil. But, there is anger that it was allowed to go on: perhaps because
Muslims were being killed, perhaps because Bosnia had no oil, perhaps because even
when Clinton intervened (after 9,000 Muslims were killed in two days in Srebrenica,
a town declared a ‘safe area’ by naTO) it was principally to salvage his image. Politics-
wise, I’m a cynic. But maybe I just can’t believe that mediaeval sieges of cities would be
tolerated in 20th century europe, that the attempted genocide of a people was tolerated
for years only fifty years after they said ‘never again’. I now realise what they meant was
‘should never happen again.’ not quite the same, but how naively we hoped otherwise.ARCHIVE: 4th week MT 2005
Passe Notes
Suddenly I’m not feeling so good. OK, symptoms? Three essays in the crisis queue. Bank
balance numbers increasing with every withdrawal. Laundry so filthy it’s crawling towards
the door even as I try to pin it down with a baked bean-encrusted fork. What’s brought this
on? Four weeks spent at the least funconducive learning establishment on the planet have
cumulated in the realization that your essays will never be good enough and that your effort
and time spent in producing these substandard pieces of work excludes any possibility of
having a social life worth mentioning. Yeah, I’m starting to wish I had gone to Brookes. I still
could have said I went to university in Oxford. But, hey, at least I’ll get a good degree and a
well-paid fulfilling job at the end of this. That may have been so once upon a time. But today
that david Beckham Studies gradate from Thames Valley University will find that his street-
wise skills are better suited to the business environment. and your plumber will be better
paid than you. But you can console yourself in the knowledge that writing 6,000 word essays on ‘nothing’;
that is, the significance of the word in King Lear, was of intrinsic value. Or so they kept
telling you. So, fifth week blues – is it terminal? No, that’s why it’s called fifth week blues. It
may not be terminal, But it is chronic and doomed to repeat itself with tedious regularity until
the end of eternity. Sounds nastier than the Freshers’ flu I caught off the fit rugby captain in
the loos at Jamal’s. Oh, stop talking about that. But it just gets worse, because now you’ve
started on the chocolate cake, doughnuts and the cookies, and soon no one but the
tiddlywinks captain will be showing interest. That virus-transmitting kiss will become a
distant and cherished memory. In no time at all you’ll be reduced to chatting up
unsuspecting strangers in the rad Cam. And what’s the cure? Is there one? Try anything
alcoholic, illegal or immoral (while simultaneously avoiding rustication). OK, I tried alcohol
but now I just feel sick as a dog, have a pounding headache and a horrible feeling about my
lack of memories from the previous twelve hours. Plus I have just thrown up all over my
newly cleaned laundry and my stack of overdue library books. I am in the winter of my
discontent and now I want to cry. Well, they say time is a healer. Maybe. If only because you
can’t have fifth week blues in sixthARCHIVE: 4th week MT 2005
Figs, Figures and Figureheads
“Don’t use the past tense son, like you did in the second chapter, it makes for a sad read,
keep it present, keep it wrapped in the present.” “Why did you hide a harpoon in the kitchen,
dad?” “Because you’ll need it when the rain stops. don’t let me down with the past tense
son.” “Who’s Mary, dad?” “Father.” “Father?” “She’s a scared little girl. She’s a desiccator.”
“a what?” “Something that removes moisture. Keeps it.” The policewoman on my porch
interrupts. Her throat has a dead turkey in it. “dreadfully sorry to bother you dear but we’ve
come to pass on our sadnesses for your father’s sad death.” I see she is accompanied by
her daughter and her daughter. The grandmother points to them, her finger like a boney
laser pen at a power point presentation. The youngest girl is busy cutting stars out of white
card using a pair of safety scissors. She lets the heavenly bodies fall to the mud, fascinated
with the leftovers. all at once the youngest mother opens her mouth and then falls onto the
breakwater of the grandmother in a spray of tears. Her daughter, a white seahorse in her wave, leans forward and says, “don’t cry, mommy.”
She has my eyes. All of this like it is projected by blinking pixels onto a white sheet. They
leave. Wallace’s toes sizzle with cold. That is that. now comes the harvest. Mary and I walk
outside towards the trees; the figs are finite notes in the midst of millions of dreamt
possibilities. notes that never left the head of the composer. I am warmed with
shock like I have alcohol in my blood, but it’s still early and I haven’t had a drop. I have
obstructed and avoided justice, learnt I might have a sister, lost my virginity, found a
harpoon and sent a pack of hounds packing with my apathy. The girl I know because she
stole smuggled parrots from my dead neighbour thieves the branches of my dead father’s
trees. We work in the boughs throwing blood clots into woven baskets as
white blood cells pour down our faces. Mary shouts to me through the infinitude of
transparent librarians all sshhhhing at once. “I THInKs hhhhIT’SshhhhhhhhraInInG!” Her
basket is brimming, her soaking yellow t-shirt is fingering her skin, her teeth flash a keen
white. I get down from the branches. The water divides off her skin and smaller rains hit
me, her broken glass on my shop floor. The water courses down her face like jubilant tears
as she gazes back at a bird’s eye into heaven’s screen-saver. She looks down at me
“Cold?” I shake drops sideways with my shivers. She transubstantiated me with a soaking
smile. We walk on the astro-turf of this ovulating planet as the nowhere-to-be-seen-sun
orbits us. everyone has stopped talking. We are centres of gravity. She stretches out like an accordion of curves, her breasts morphing from spheres to
ellipses. But we haven’t touched in the cold days of light. “Won’t your parents be worried
about you? You’ve been here quite a while.” “no…I live with my granny up the road, I doubt
she knows I am gone. Used to live in London with my parents. They had a car crash. Well,
he crashed into her. She was a teacher at my school, drove me home every
night, she was backing up against the wall of our pokey driveway when myfather’s
vorchsprungdurchtechnique comes careening around the bend and mashes her against
the back wall like one of those cans in those can crushing adverts. I remember the light
playing on her wing mirror as I guided her in. Blinding me. The details are so big. My father
had been promoted…and drinking. death is so…unnecessary.” The rain hangs in
little nooses of respect. In the morning we arose without sleep to the applause of the
cumulonimbus gods above the house. But we haven’t touched in the cold lights of day. We
waited on the porch for Mungo (Ceder, 1975, near the ditches) to pick us up to see my dad
off to heaven or wherever. a decaying white estate car with one working headlight swings
around on the gravel at such a rate that the passenger door comes loose and flies like a
white frisbee for a few feet. Mungo looks through the new space towards us with his single
defiant tooth attempting to grin for its lost colleagues. Mungo’s head is besmirched with
dried blood and sporadic, wiry white stubble. “I’ll pick it up later nick, I ain’t being late for
this.” His enthusiasm is infectious.I sit in the passenger seat watching the rain dribble around the frame of the car – a
diamond tablecloth coming loose at the seams. an empty bag of bereavement in my
pocket. We drive. I look at the lines of the buildings as their frequency increases. Their
coarse bricks and necessary cements frown back towards me through the boughs
of my hair. Then I remind myself that you can use grey to write the word green. See dad, no
past tense. The figs were your melancholy whores. They are all pregnant from you. Thick
waxy hides and vaginal insides. am I your scruff? Your magical thinnings? I don’t want to be
your fruit. I don’t want to be your inverted flower. There is nothing hidden here. If you place
your hand on this page for long enough you will feel water. It’s substance; it’s style – its
mixed metaphors. It’s mine. It’s desiccator.Figs, Figures and Figureheads continues next week……………ARCHIVE: 4th week MT 2005