Tuesday 9th June 2026
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Colour and codification: Eleanor Medhurst on queer fashion

Eleanor Medhurst is a historian of queer visual and material culture, with her website Dressing Dykes creating a space for lesbian fashion, be it past or present. As the June sunshine heralds the start of Pride month, I interviewed Eleanor on the shifting borders of queer fashion – whether it’s intentionally stylish or not.

Obviously, the rainbow flag is the fabulous symbol of pride, but how does colour relate to queer fashion more generally?

Colour is everywhere in queer visual culture, including fashion – these are themes that I explore in my next book (more on that soon!), but which also appear in Unsuitable: A History of Lesbian Fashion. There’s a lot of symbolism within queer fashion: ways to speak with our appearance when it hasn’t always been safe or possible to share our identities out loud. Colour is one of these, often in the form of coloured flowers (like the green carnation or lavender) or shapes (like the pink triangle). These are usually references to queer history, and their incorporation in fashion is a sort of ‘if you know you know’ situation.

How do you think Pride as a celebration has influenced queer fashion?

I think that Pride as a protest has influenced queer fashion in how it’s often a loud, unavoidable event where queer people put themselves on display in order to make queer lives (and queer issues) visible to the general public. A key link between Pride and fashion is the use of bold, slogan t-shirts, which are often handmade and boast activist messages. As Pride has, in some contexts, become more of a festival, references to the rainbow flag are unavoidable; this works as a kind of visual shorthand to assert a queer presence in the world that is recognised by almost everyone.

How do you think queer fashion still grapples with constructs of gender?

Clothing in general is still so regulated by gender. It’s often still taboo for men to wear skirts, for instance, and colours like pink hold especially gendered connotations in our clothes. Queer fashion often unpicks these meanings – usually in a playful, creative way. Queer people are really at the frontline of gender deconstruction within fashion and self-presentation.

How have assertions of the sensible shaped perceptions of lesbian and trans fashion specifically?

Lesbian fashion is stereotypically unfashionable – full of sensible shoes and dungarees, very much shaped by feminist ‘uniforms’ of the 1970s and ‘80s. These are revolutionary in themselves: they carved out space for women to dress in clothes that weren’t always feminine. They made room for comfort and practicality in women’s fashion, letting the borders between gendered styles become less defined. But it’s important to note that this is also not all that lesbian fashion can be – sometimes lesbians dress in clothes that are campy and glamorous, and not at all practical!

In your essay Lesbian Activism and Crafted Fashion you delve into the histories of lesbian knitting practices. What do you think the link is between queer fashion and craft more generally, especially in a world where handmaking is experiencing a resurgence?

This is a pretty big topic to cover, and I’m not sure that I can do so in a single answer: I’m currently working on an entire PhD about lesbian craft! Generally, though, queer people are often drawn to craft because it provides a way for us to shape our own place in the world; in a world that isn’t made for us, this is a powerful thing.

Writing from Oxford (and the backdrop of its academic history) do you think location plays a significant role in different attitudes to queer dress?

I think that location definitely plays a role in attitudes to queer dress, as some places have much more accepting environments than others. This is often based on how queer the population of a particular place is, and how normal it is to see people dressing in non-normative ways!

With the controversy surrounding the Met Gala – and the encroaching power of oppressive voices within fashion – how do you think queer fashion sits within the industry today?

Queer fashions have often been outside of the fashion industry altogether. Sometimes this comes from not being accepted within the mainstream, and others from a place of radical politics. While queer people have always worked within fashion, the fashion industry has also exploited queer style, borrowing elements of queer culture and diluting their meanings for mass appeal. It’s a complicated landscape, and one that is difficult to disengage with: we all get dressed every day, after all. 

You recently wrote a book on Billie Eilish’s style. She has an incredibly distinct image while maintaining the priorities of sustainability. How do you think this can be worked into wardrobes more broadly, as a queer symbol or otherwise?

Sustainable fashion is an important topic for a lot of queer people. It goes hand-in-hand with a DIY ethos, as well as the link between craft and queerness that I touched on above. Sustainability can mean many things, but to many queer people it’s about reinvention: giving things a new life, remaking them, making them our own. 

And last but by no means least, who is your queer fashion icon?

There are so many! Historically, some of my fashion icons include Natalie Clifford Barney, Gladys Bentley, and Madge Garland. In the present day, I’m going to go for the obvious (but correct) choice, which is Chappell Roan.

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

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Crazy Child Productions’ Stories From an Abandoned Warehouse was a surreal, emotionally-charged spectacle that blurred the line between expressionist nightmare and dark comedy. Through its distorted and emotionally charged aesthetics, the production transformed the Michael Pilch Studio Theatre into something dreamlike and unsettling, where memory, grief, absurdity, and humour collided with a startling intimacy. The result was a theatrical experience that felt less like watching a conventional narrative unfold, and more like wandering through the fragmented subconscious of its characters.

As a Spanish speaker, I was particularly struck by director Patryk Winiewski’s in-house translation of the play, which paid careful tribute to Ramón Griffero’s original Historias de un galpón abandonado. Although occasional Latinisms slightly disrupted the rhythm of the dialogue, these moments ultimately reinforced the play’s Chilean origins and lent the production an added sense of cultural specificity. This felt particularly special given that Winiewski’s production is the first time that this work of Chilean fringe resistance theatre has been adapted for the English stage. Rather than distancing the audience, the translation captured the rawness and volatility of Griffero’s writing, preserving both its poetic fragmentation and emotional immediacy. The student cast approached the material with confidence, fully committing to the play’s surreal tonal shifts and expressionist style. 

The Pilch’s stripped back, warehouse-like setting also enhanced the material, honouring Griffero’s original production staged in the titular abandoned warehouse ‘El Trolley’. Griffero’s play was a means of resistance against the horrors of General Augusto Pinochet’s military dictatorship in Chile (1973-90), with the plot reflecting a society fractured by repression and violence. But rather than depicting these realities directly, both Griffero and Winiewski filter them through surrealism and fragmentation, allowing trauma to surface obliquely through distorted characters, disjointed dialogue, and moments of absurd humour. The warehouse emerges as a microcosm for Chilean society under Pinochet, as the omnipresence of the ruling class (‘The Council’) behind a cabaret-style red curtain served as a constant reminder to the audience amidst the rest of the stage’s muted sepia.

Winiewski’s adaptation heightened this tension between political despair and theatrical excess with remarkable precision, embracing a deliberately exaggerated performance style that he described in the programme notes as “the heart of my vision”. In doing so, the production transformed overacting into something active and purposeful. Characters moved with stylised physicality, enhancing the political caricature that Griffero is drawing upon in the original play. These exaggerated elements helped to democratise the production, and as a result, there was no need for background knowledge of Chilean history. Instead, the oscillation between genuine comedy and despair did all the work, pioneered by stellar acting from the whole cast. Each character fits into the production like a puzzle piece, with each line of dialogue contributing to the production’s constantly shifting theatrical rhythms. 

Camilo (Sam Drury) and Carmen (Savannah Lollo), both teachers, are the first to arrive at the abandoned warehouse. Searching for absent students while passionately extolling the value of literature and formal education, the pair embody a fragile belief in culture, learning, and continuity within an increasingly fractured society. Their inability to find anyone to teach reinforces the play’s presentation of characters as isolated archetypes, trapped within identities shaped by occupation and survival. Drury and Lollo’s grounded performances anchored the production emotionally, providing moments of sincerity as the constant arrival of new characters throughout the first half continued to add new layers to the atmosphere of the warehouse. 

The performances by Genevieve Kidd (Lady Carla), Seb Foster (Mr Fermin), and Diandra Kočan (Madame) were particularly compelling. Together, Kidd and Foster brought a decadent theatricality to the stage, with Lady Carla embodying the hedonistic excess of the ruling class through a performance charged with both seduction and menace. Her seemingly insatiable sexual appetite remained deliberately unresolved by the end of the play, adding a strangely human vulnerability beneath the character’s otherwise grotesque extravagance. Kidd handled these competing layers in Lady Carla’s character exceptionally. Paired with Mr Fermin’s fake nails, stiletto boots, and exaggerated flamboyance, the duo introduced an important alternative dimension to the portrayal of The Council. Their performances suggested that authoritarian power in the play operates not only through fear and violence, but also through spectacle, performance, and excess.

Kočan’s Madame is also clearly drawn toward these qualities, ultimately aligning herself with The Council by the play’s conclusion. As an archetype, she exists in deliberate contrast to both Lady Carla and The Woman (chillingly portrayed by Nicole Choi), positioning her between competing models of femininity under the dictatorship: motherhood, submission, desire, and power. Kočan navigated this ambiguity with remarkable subtlety, allowing Madame’s gradual attraction to authoritarian excess to emerge less as a sudden transformation than as an unsettling inevitability. In doing so, the character became one of the production’s most compelling reflections on complicity, suggesting how easily systems of repression sustain themselves through seduction as much as fear. 

Grace Weinburg’s The Child was, arguably, the most memorable performance from the production. Present on-stage in a baby’s cot before the play even begins, Weinberg’s character has a distinct connection with the audience from the outset. Through eerie monologues and consistent interactions with the fourth wall (including rummaging underneath audience members’ seats to find props for the Council’s ‘party’), The Child became a deeply unsettling presence that hovered between innocence and omniscience. Weinburg’s performance captured the play’s surrealism at its most disturbing, transforming childish vulnerability into something uncanny and quietly threatening. This was undercut by the play’s conclusion, as she is cruelly excluded when the Council takes leave, replaced by Madame, despite her undying loyalty to the Pinochet-adjacent dictator, Don Carlos (Henry Cane). 

Crazy Child Productions has staged something genuinely daring. It was not simply a revival of an important piece of Chilean resistance theatre, but a demonstration of the enduring power of experimental performance to articulate political and emotional truths that realism alone cannot capture. Stories From an Abandoned Warehouse embraces excess, fragmentation, and absurdity without ever losing sight of the human suffering beneath them. Camilo’s death is perhaps the production’s most devastating example of this, as his body lies motionless onstage while the surrounding action continues in grotesque indifference. 

Strange, unsettling, and often deeply moving, Winiewski’s adaptation lingers long after the final scene fades – not because it offers easy answers, but because it forces its audience to sit within the instability and contradictions that define both the play’s political world, and our own.

Facial recognition cameras deployed in Oxford

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Thames Valley Police (TVP) deployed live facial recognition cameras on Cornmarket Street on Tuesday 19th May. 

The cameras scan the faces of passers-by in the area and compare them to pre-existing biometric data in a watchlist made specifically for that deployment. Watchlists typically consist of wanted criminals, suspects of crimes, missing people, those vulnerable to harm, people on court orders or bail restrictions, and known violent offenders.

The facial data on these watchlists can come from mugshots, CCTV footage, and arrest photographs. The database can also include people who have not been convicted of a crime, for example, those who have been arrested but not convicted, people of interest recorded on CCTV in relation to crimes, or people associated with crimes or criminal organisations. Watchlists are not publicised by the police. 

If the facial data of passers-by matches that of those on the watchlist, TVP told Cherwell that “an officer on the ground will verify this, engage with the individual involved, and determine the most appropriate and proportionate course of action to take, which may be an arrest”.

Thames Valley Police confirmed to Cherwell that facial recognition technology had been used in Cornmarket Street on four separate occasions since its introduction: 19th May 2026, 20th March 2026, 14th January 2026, and 22nd December 2025. TVP has used the technology multiple times throughout the past couple of years at multiple locations across Oxfordshire.

Signs were used to warn passers-by of the live facial recognition cameras in Cornmarket Street, as required by law, and police officers remained present throughout the usage of the technology to answer questions from the public. Data of people passing by who don’t match the watchlist data is deleted immediately. 

Thames Valley Police told Cherwell: “The Live Facial Recognition technology is deployed, used and managed by specially trained officers who have been through the police vetting system and are subject to Thames Valley Police’s standards of professional behaviour, as is the case with any officer or member of police staff.” 

More than 1,000 arrests were made nationally between 2024 and mid 2025 as a result of live facial recognition technology. The cameras were also recently deployed at a protest for the first time, at the Unite the Kingdom and pro-Palestine marches in London on the 16th May. 

The technology has attracted criticism from civil liberties organisations, including Amnesty International UK, Big Brother Watch, and the Equality and Human Rights Commission (EHRC), particularly over usage at political events and protests. In 2025, the EHRC warned that facial recognition technology could have a “chilling effect” when used at protests and public events, citing concerns over a restriction on freedom to protest. 

Live facial recognition has also been known to produce false positives, occurring when the technology wrongfully matches a face with data from someone in the database. Police reports emphasise that facial recognition technology has very low rates of false positives, with the 2025 report claiming a false positive rate of 0.0003% after the technology scanned over three million people. Thames Valley Police told Cherwell that no false positives occurred in the recent deployment of the technology on Cornmarket Street. 

Of those who did experience being falsely matched with the database, ethnic minorities were disproportionately affected. Eight out of ten of the people falsely identified in 2025 were black. Research also showed that women were twice as likely to be affected by false positives as men. Lobby groups have called for an end to the usage of the technology, as Liberty argued the technology posed a “direct threat to minority communities” and Big Brother Watch stated that the technology “perpetuated existing biases on a mass scale”.

The Oxford students who can’t read books

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In 2024, an essay in The Atlantic by Rose Horowitch tapped into anxieties already circulating across elite higher education with its provocative title: “The Elite College Students Who Can’t Read Books.” The article alleged, among other claims, that students at Ivy League and other elite universities increasingly struggled to complete full books. Professors at Princeton, Georgetown, and Columbia described undergraduates overwhelmed by reading lists that once would have seemed unremarkable. One professor reported students “bewildered by the thought of finishing multiple books a semester”. Another observed that students struggled to sustain attention through even a 14-line sonnet.

At Oxford, the premise initially sounds absurd. It is difficult to think of a university more entangled with the idea of reading. The institution remains organised around libraries, primary texts, and tutorial reading lists that have become semi-mythological in undergraduate culture. Even maths students do not simply study maths; according to their Bod cards, they “read for” a degree. Entire pedagogies here rest on assumptions that students will disappear into novels, criticism, and archives before resurfacing with an essay and an original argument.

Yet, the real concern underlying Horowitch’s article was never simply whether students still technically read books. The students she described were perfectly capable readers in the conventional sense. They could decode texts, absorb information, and write essays. The anxiety centred instead on reading stamina: the capacity to sustain concentration through long arguments, difficult prose, ambiguity, and slow accumulation of meaning. Reading, in this account, had become increasingly fragmented – broken into excerpts, summaries, strategically selected passages, and material skimmed for argumentative utility rather than experienced in full. 

At the same time, complaints about declining student reading stretch back generations. Every academic era seems convinced that the current cohort reads less attentively than the last. Horowitch’s article occasionally drifts toward a familiar genre of civilisational panic disguised as pedagogy. The issue, then, may be less about whether students still want to read deeply than whether universities structurally permit it. 

There is reason to think these concerns extend beyond anecdotes. Research on reading habits suggests that long-form reading has declined over the past two decades, with a study finding that about 55% of surveyed professors said they had cut reading assignments (often because students weren’t completing them). Scholars studying university reading habits increasingly describe students becoming more selective and strategic: reading not necessarily to dwell on a text but to extract enough material to survive assessment.

The explanation offered by many educators is not that students have become less intelligent or less motivated. Rather, educational structures themselves have changed. School curricula increasingly favour shorter informational texts. Universities compress enormous quantities of material into tightly scheduled semesters. Students balance multiple classes simultaneously alongside internships, networking, and extracurriculars. 

This is particularly visible when talking to visiting students at Oxford from elite American universities. Natasha Wipfler-Kim, a third-year visiting student from Princeton University studying English at Worcester College, described Princeton reading as broad but scattered. “Everything’s kind of distributed a lot more”, she said. Princeton’s Humanities Sequence (HUM), which assigns enormous quantities of reading across a single semester. A sample reading list for a twelve-week term contains roughly 30 books. Natasha described being expected to read multiple books a week, including Plato’s Republic, in a day. “The expectation”, she said, “was that it just wasn’t really possible”.

That impossibility changes how students read. When confronted with several books a week alongside work for four or five other classes, the goal becomes coverage rather than immersion. Students cannot afford to remain inside every text equally. Skimming becomes less a failure than a structural necessity. Describing how she dislikes skimming because it forces students into constant calculations about what can be abandoned, Natasha said: “I hate the point at which you’re reading, and then you have to decide that it’s time to skim.”

Horowitch’s article occasionally blurred two related but separate phenomena: students reading less deeply and universities assigning reading in ways that all but guarantee superficial engagement. 

This is where Oxford becomes interesting.

Unlike most American universities, Oxford does not primarily organise learning around lectures, seminars, and continuous classroom participation. The tutorial system places extraordinary weight on solitary reading and independent interpretation. Students are expected to encounter texts alone first, formulate arguments independently, and then defend those ideas in the unnervingly personal setting of a tutorial. In contrast to large seminars at American universities, there is little room to disappear into anonymity.

As Clara Shapiro, a third-year visiting student from Harvard University, also studying English at Worcester, put it: “Since it’s a one-on-one system, if you haven’t read [the text] closely, your tutor will definitely notice that.” At Harvard, she explained, there are reading checks and classroom discussion, but also a tacit recognition that enormous quantities of reading will inevitably “slip through the cracks”. Oxford, by contrast, still largely assumes that students will at least thoroughly read the primary text, even if certain secondary criticism is strategically abandoned. Oxford, therefore, occupies an unusual position on the spectrum between close reading and strategic extraction. Tutorials demand immersion and detailed engagement with core texts; at the same time, the sheer scale of many reading lists makes selective reading unavoidable. Students are often expected to read deeply and strategically at once.

Oxford’s workload can also be brutal, but its brutality operates differently. As opposed to taking five or six classes, students often study only one or two papers at a time. The reading remains immense. One undergraduate syllabus requires students to read Anne Brontë’s Tenant of Wildfell Hall and Wilkie Collins’s The Woman in White (plus a chapter from John Stuart Mill) in a week. But, the structure more plausibly permits immersion.

“There’s just a lot more time [at Oxford]”, Natasha observed. “The day is, for the most part, quite open, so you can kind of make it happen”. Oxford therefore preserves institutional conditions in which deep reading remains possible more successfully than many universities do. But possibility is not the same thing as guarantee.

The mythology surrounding Oxford reading culture can obscure how tactical students become. Undergraduates quickly learn that no human being can read every item on every reading list with equal care. The result is not necessarily a rejection of close reading but a division of labour within reading itself: some texts receive sustained attention because tutorials require it, while others are approached strategically for arguments, context, or scholarly positioning.

Thomas Bainbridge, an English student and JCR President at Somerville College, described the difficulty of sustaining uninterrupted concentration alongside administrative responsibilities. As JCR President, he balances committee meetings, conversations with college staff, and student welfare responsibilities alongside degree work. Reflecting on his ability to sit with a book, he said: “You just don’t have a lot of time to sit for hours without being disturbed. You will get something that you need to do, like responding to an email or attending a meeting.” He continued: “You don’t have time to get immersed in something, which I do think matters quite a lot.”

Nor are these pressures uniquely American anymore. Oxford humanities students increasingly face the same imperative to convert a non-vocational degree into employability through internships, networking, committee positions, and extracurricular distinction. Thomas highlights how the amount of work required to pivot into other industries can be enormous. Increased time spent outside the library is therefore more a natural response to economic pressure and career anxiety, rather than evidence of intellectual decline. 

Strategic reading, then, is not unique to Oxford, nor is it necessarily evidence of cultural collapse. In many ways, it represents a rational adaptation to reading lists that are designed to be impossible to complete. One can simultaneously believe that deep reading matters and acknowledge that no student consistently reads every assigned text in full. Oxford reading culture often depends precisely on holding two positions simultaneously: that certain texts demand close, immersive reading, and that no student can realistically approach every assigned work that way.

More interesting is the extent to which Oxford still pressures students towards close engagement despite these evasions. Tutorials have a peculiar way of exposing intellectual shortcuts. An undergraduate can survive a lecture or seminar having skimmed the novel. Defending an interpretation in front of a tutor who has taught the text for 20 years is different.

Clara described finding herself annotating far more at Oxford than at Harvard because the tutorial system demands not merely comprehension but independent thought. “You need to really hone in on what you find interesting personally”, she explained. “Sometimes that requires talking to the text”.

That phrase – talking to the text – captures something central about Oxford’s conception of reading. The Faculty itself increasingly seems aware that reading now exists within altered conditions of attention. Alongside traditional forms of literary study, recent initiatives have experimented with shorter, curated encounters with texts. Projects such as LitHits and The Ten Minute Book Club present expertly selected but unabridged excerpts intended to encourage engagement with literature through more concentrated forms of reading. Similarly, Professor Marion Turner’s project “Why We Read Fiction” forms part of a broader conversation within the Faculty about what reading means under contemporary conditions. These projects do not abandon deep reading so much as ask how it might be sustained. Further, undergraduates are repeatedly told to “put themselves in conversation with the text”, while mark schemes place heavy emphasis on independence of thought. The institution imagines reading not as passive absorption but as dialogue: a sustained argument between reader and author brought to life in tutorials. The ideal Oxford student generates new ideas, rather than simply regurgitating old ones.

This expectation can feel simultaneously liberating and disorienting. First years, in particular, often struggle to know exactly what they should read or what intellectual direction they ought to pursue. Clara described the unusual freedom one tutor gave her to construct an entire syllabus herself for a paper on Celtic myth and folklore. “Nobody’s ever asked me that before”, she recalled thinking. Rather than receiving a rigid programme, she found herself building one through curiosity, association, and “hyperlink hopping”, tracing connections between Seamus Heaney, ley lines, Irish folklore, and ethnographic collections of myths.

Thomas similarly described how reading lists at Somerville are often extremely expansive. Tutors, he explained, “value giving you the opportunity to read what you’re interested in and develop academic interests or niches”. This freedom allows students to pursue highly individual intellectual paths, but it also demands initiative. 

American humanities education, by contrast, was repeatedly described by both Natasha and Clara as more collectively interpretive and more explicitly guided. At Harvard, Clara explained, students spend considerable time discussing texts together before writing essays. Lectures often provide strong interpretive frameworks and can occasionally resemble “performance art”. She recalled one Harvard lecture on Bartleby, the Scrivener delivered almost entirely in silence because Bartleby himself refuses to speak for much of the text.

Oxford tutorials can therefore feel comparatively austere. Students arrive having prepared essays alone and are then forced to defend or revise their thinking in real time. Tutors frequently withhold definitive readings. “It’s still a mystery to me what exactly my [tutor] thinks of a book”, Clara admitted. The effect can be disorienting but also intellectually productive. “Oxford really prepares you to generate thoughts about a book on your own”.

Yet, this raises a more complicated question. Oxford clearly preserves the conditions for deep reading more successfully than many universities do. But does it actually teach students how to read closely, or does it simply assume they will acquire those skills through immersion?

Thomas suggested many skills develop through immersion rather than explicit instruction. That assumption itself reflects a distinctly Oxford conception of literary study – that sustained exposure to difficult texts will organically produce better readers.

Historically, other institutions approached the problem more directly. Modern English as an academic discipline was shaped significantly by the tradition of practical criticism associated with I. A. Richards at the University of Cambridge. Cambridge’s English course developed forms of close textual analysis explicitly designed to train students how to extract meaning from dense passages of writing. First-year Cambridge students still sit papers intended specifically to cultivate those interpretive skills. Oxford’s closest equivalents – Old English and Chaucer set texts – often approach literature more through linguistic or sociological lenses, rather than through formal critical method itself.

This distinction matters because immersion alone does not necessarily safeguard against bad reading. Recent warnings from Oxford itself complicate any optimistic account of tutorials as a defence against intellectual shortcuts. Katherine Rundell recently argued that AI enables a “vast counterfeiting of knowledge”, warning that students can now plausibly produce sophisticated humanities essays without having meaningfully encountered the texts themselves. Yet Rundell’s diagnosis risks overstating technological novelty. Students have always improvised, strategically avoided reading, and performed understanding they did not possess. What’s more, her claim that students “could soon get degrees without reading a book” is still completely unfounded in Oxford, where students sit exams that are designed to test recall and understanding when faced with completely new questions. 

Oxford’s tutorial system may cultivate deep reading less through direct instruction than through pressure, repetition, and institutional expectation. Its strength is the freedom it grants students. That freedom, however, becomes its weakness as students aren’t guided on how to read. The system can struggle to distinguish between genuinely attentive reading and sophisticated forms of academic improvisation.

That ambiguity complicates any attempt to cast Oxford straightforwardly as a holdout against cultural decline. The University benefits enormously from selection effects. Students admitted to Oxford humanities courses are already disproportionately likely to possess unusually strong reading habits. English applicants, for example, must take A-Level English Literature or an equivalent qualification, which still generally requires engagement with complete texts rather than excerpts alone.

Even here, however, things are changing. Thomas noted that longer poetic works, such as The Canterbury Tales and Paradise Lost, are increasingly taught through selected sections rather than in full. The broader educational culture surrounding universities has shifted long before students arrive at Oxford itself. This echoes Horowitch’s findings about prep schools in the U.S. She notes that educators have shifted emphasis toward shorter informational texts and exam skills in recent decades, citing data that only 17% of teachers primarily teach whole texts in middle and high school.

And some behaviours now treated as symptoms of decline may simply reflect changing academic incentives. Discussing the emphasis on secondary criticism and “scholarly conversation”, Natasha described a culture in which students increasingly engage with criticism strategically, mining arguments for useful frameworks rather than lingering over prose itself. “You go in, pull out what’s useful to you, and then just kind of leave”, she said. This does not necessarily eliminate appreciation for literature. It reflects the structure of contemporary academic work. Still, she worried something might be lost. Deep reading is not merely the ability to finish books. It involves a willingness to remain inside uncertainty long enough for meaning to emerge.

That may be the real issue underlying Horowitch’s article. The question is not whether elite students can still technically read books. It is whether universities still defend forms of attention incompatible with acceleration culture.

Oxford remains unusual not because students there never skim or optimise – they do – but because its pedagogical structure still allocates time for and comes to expect sustained interpretation. Tutorials force students into direct confrontation with texts in ways many university systems no longer do. Yet Oxford also reveals the limits of immersion as a pedagogical philosophy. 

Perhaps the University’s real achievement is more modest. Oxford does not entirely resist the pressures transforming reading elsewhere. Its students optimise, skim, network, and strategically abandon material just like students at Princeton or Harvard. But the institution still creates spaces in which slow reading remains imaginable – where spending hours inside a difficult poem or novel continues to appear serious rather than inefficient.

Deep reading is becoming rare, but that’s not the real issue. The real problem isn’t that reading is disappearing altogether. It’s that our institutions are abandoning the idea that deep attention is a skill worth protecting in the first place.

Siskin

Near the riverside, a girl with walnut hair sat with her back to the crowd. Her legs were pulled up to her chest, and she wore a white skirt that flowed over her bare feet and dipped into the water, a pallid sludge of brown bleeding up into the fabric. She stared at the water, at its currents, its ripples, its transient surges. Her freckled face was completely blank.

       I watched her from afar. A few of the others had approached her, but she didn’t say a word. She didn’t move, either. I wondered if she even knew we were there.

We’d arrived a few hours back, dumping our bikes on the grass and whooping into the open fields. The day was spent drinking and bathing in the late June sun. No one saw the girl arrive. She was just suddenly there, alone by the river. There was a whole group of us, and she looked around our age, but something about her felt faraway, as if we existed on different planes of reality. She didn’t speak to us, didn’t look at us. After a while some of the guys started jeering at her. I wondered if she was cold.

       ‘Anyone got a beer?’ Matt shouted.

       ‘Take this,’ said Lily. She glanced over at the girl. ‘Should we offer her one, too?’

       ‘Nah,’ said Matt, opening the can with a crisp hiss. ‘Already offered. Is she, like, ok?’

       No one answered.

       ‘Pass me that lighter, Lils,’ said Matt, ‘I want to see how long it takes for the grass to burn.’

       Lily rolled her eyes, then handed over the lighter. He winked at her, then got to work on burning the soft, green blades. He plucked them individually from the ground, raised the lighter to the tip; waited with greedy, wide eyes as it started to singe. It took a moment for the grass to ignite, then abruptly, the green would flash up in an amber glow, and singe down to a dark, hairy string.

       Matt and Lily laughed at the small flames. I stared at the girl. I must have been drunker than I realised, because I swear I saw her shiver every time a blade set alight.

       The sun was beginning to set, and the sky melted into a warm, honey cider hue. Someone started a bonfire in a dry pit of dirt. We gathered round, warming our hands and holding our wine-filled plastic cups to the flames in a languid attempt at making mulled wine.

       I stared again at the girl, wondering again if she was cold.

       The others started to sing, swaying, arms flopped over each other’s shoulders. I got up and walked over to the riverbank.

       Something about her reminded me of a nymph. A part of me wouldn’t be surprised if when I reached her, she vanished into thin air. As I got closer, I noticed how much she was shivering, like a small bird in winter. The river water had inched all the way up her skirt, making it more brown than white. Her arms clasped around her legs and she rested her chin on her knees, staring downwards.

She didn’t move as I sat next to her. The drunken songs of the people behind us and the soft ballads of evening birds merged in a strange, evanescent harmony. A siskin darted metres away from our faces, and I smiled, feeling strangely bonded to this girl.

‘Would you rather be a person, or a bird?’ she asked. I looked up, startled. She was staring ahead, her eyes as green as the hazel tree swaying on the other side of the bank.

‘Um, a person, I think?’ I answered. She nodded, as if considering my answer with great sincerity.

‘I think I’d rather be a bird,’ she said. Her eyes flicked up to the sky, where a murmur of starlings swooped in mercurial patterns.

I stared at her. I wanted to rest my head on her shoulder, hug her like how I hugged my sister. ‘But you would miss out on so much if you were a bird.’ I looked behind us, at the people laughing and singing in the summer breeze. A couple leaned over to kiss one another, and behind the fire, Lily and Matt danced in each other’s arms. ‘All this.’

She smiled at the water. ‘That’s ok,’ she said. Her fingers dug down into the dirt, so deep that her palms became wet with mud. She stared at the river as if it was an old friend, then looked up to the sky, her eyes so wide she looked like a child. ‘I’d have all this.’

I suddenly felt that this girl was close to some drastic, life altering change, and that there was nothing I could do to save her from it. Without breathing, I reached out, touching her muddy hand. She held her palm up and pressed it gently into mine. A wet press of mud showed on my hand. She let go and I stared at the print, my hand so close to my face a flick of earth touched my nose.

I drew my hand down and she was gone.

I looked around, having not heard her leave. In the distance I could see her walking along the riverside, her stained skirt flowing gently in the breeze. Her arms were raised out to her sides, floating up and down, up and down. A sparrow cawed overhead, and faraway, I heard her call back.

Transgender rights protest in central Oxford following updated EHRC guidance

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A march took place this afternoon in central Oxford in support of transgender rights, after a new Code of Practice was introduced by the UK’s Equalities and Human Rights Commission (EHRC). 

The march, organised by Oxford for Trans Rights, began in Bonn Square around 3pm with a series of speeches, before heading around the city centre at 4pm and ending outside Oxford Magistrates Court at 5pm for closing addresses. Over 200 people took part, with representatives from the Oxford Green Party, the Oxford Liberal Democrats and the Socialist Worker Party present, and members of the Unison and Unite trade unions also in attendance. 

The march came after the EHRC updated its guidance on the 21st May in light of last year’s Supreme Court ruling in For Women Scotland vs The Scottish Ministers, which ruled that the terms “sex”, “woman” and “man” in the Equalities Act referred to “biological sex”. The new draft guidance now states that transgender men, including those with a Gender Recognition Certificate (GRC), are legally women, and trans women with a GRC are legally men. 

Chants at the demonstration and on the march included “Trans rights, women’s rights, one struggle, one fight”; “pack it up, pack it in, throw the guidance in the bin”; and “no LGB without the T”. They also called out former Health Secretary Wes Streeting, Prime Minister Keir Starmer and Labour MP for Oxford East, Anneliese Dodds. 

The updated Code has forced universities to review how facilities, including accommodation, toilets and changing rooms can be used once the guidance is formally approved. In a previous statement, a University spokesperson told Cherwell that “the University is reviewing the updated Code carefully to ensure we conduct our activities within the parameters of the law, and in accordance with our values…. Oxford remains committed to being an inclusive university where everyone belongs and is supported to succeed”. The Oxford Student Union also published a statement on Instagram affirming their commitment to “protecting the rights, safety, dignity and wellbeing” of transgender, nonbinary, and intersex students across the University.

At around 3.45pm, violence broke out after a man started shouting and disrupting the demonstrators during a group photo. He returned to pick up a dropped mobile phone and punched multiple transgender rights demonstrators. Another individual shouted, “there’s no such thing as transgenderism”, and followed the march to its finish point.

Three police officers and a police van were also present at the end of the protest outside the courthouse, which is opposite the police station.

The protest was followed by a post-march picnic in “solidarity with trans rowers” on the last day of Summer XIIIs, after changes last month to Oxford University Rowing Clubs’ (OURCs) Rules of Racing, which now mean only athletes assigned female at birth may row in a Women’s boat, at both inter-collegiate and university-level competitions, including this year’s Summer XIIs. The change came after OURCs had to align their inclusion policy with British Rowing, which has advised since September 2023 that only people assigned female at birth will be eligible to compete in the Women’s category. 

The changes to OURCs’ Rules of Racing provoked condemnation from college rowing clubs, with 49 college rowing club captains voting against the rule change at an informal vote in a Captain’s meeting, with only 1 voting in favour. In a statement on Instagram, Wadham College Boat Club described the changes as “disproportionate, discriminatory, and impossible to enforce”, whilst Somerville College Boat Club wrote that they were “deeply saddened by the recent rule change…which threatens our long-standing values of inclusivity and friendship”. The Oxford LGBTQ+ Soc President previously told Cherwell they did not see the EHRC guidance changes and the updated Code of Practice for OURCs as “unrelated events”. 

Additional reporting by Siyeon Lee, Ned Remington, and Hattie Simpson

Oxford launches initiative to measure national cohesion and belonging

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The University of Oxford has launched ‘The National Conversation’, a new initiative to understand the public attitudes towards community, division, and Britain at large. 

The project, led by researchers from Oxford Population Health’s Leverhulme Centre for Demographic Science and Nuffield College, will collect data through a ten-minute survey, interactive mapping, postcode-based questions, and voice notes in what is expected to become one of the largest ongoing efforts to map the public’s shared vision for the future of Britain.

The survey will ask contributors questions such as “What unites us?”, “What divides us?”, and “What does it mean to be British (and English, Irish, Scottish, or Welsh)?”, with the findings directly informing the work of the national Independent Commission on Community Cohesion (ICCC). The National Conversation project also includes facilitating ‘Group Conversations’, in which groups of up to ten people “ready for a conversation” participate in guided discussions on the themes of the survey. Oxford researchers and members of the commission have all pointed to recent riots, attacks against migrant communities, and increased political polarisation as evidence of the current “critical moment for Britain’s social fabric”, necessitating the initiative.

The National Conversation has been backed by a wide variety of groups across the UK, including the NHS, TikTok, the UK Muslim Network, and the Church Urban Fund. The ICCC is also comprised of a diverse coalition of stakeholders. Led by former Cabinet Minister Sir Sajid Javid and honorary Nuffield fellow and former Labour MP Jon Cruddas, the commission also includes Oxford Theology Regius Professor Luke Bretherton; Dame Sara Khan (former counter-extremism commissioner); Dr Chaand Nagpaul (former Chair of the British Medical Association); and Tim Montgomerie (conservative political commentator and defector to Reform UK).

After the survey concludes in August, the results will be used to establish a new long-term “social barometer” to track feelings of cohesion and division over time, with particular attention to trust in institutions, the impact of media narratives, and changing perceptions of local and national identity.

The women who turned the tide

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Summer 2024

Annie Anezakis has just been elected OUBC Women’s President, Lilli Freischem is celebrating Osiris’ Boat Race win, and Esther Briz Zamorano is racing in the Paris Olympics.

Two years later, a dream comes true for all three women as they turn the tide for the first time in a decade.

Spring 2026

When I spoke with Annie last year, she’d admitted that I was the first person she had opened up to about the women’s loss. It had been a hard race to lose, her third loss, the women’s eighth in a row. She wouldn’t return the following year; it was time to take a break and focus on her degree.

Having rowed myself (very casually for my college boat club), I was not at all surprised to hear that Annie had not only trialled, but made the Blue Boat once again. There’s something intoxicating about rowing that, once you’ve had a taste, never lets you go.

What made you change your mind about doing another Boat Race this year?

Anezakis: For one, having a few months out of the sport and away from the team made me miss it so much, especially my teammates, who are like my family in Oxford. The other reason was our post-race debrief, discussing what went well and what didn’t in the previous season. During that chat, we were throwing around ideas of what we could do differently this year. Alan (the head coach) threw out a couple names, and I just got the sense that this was the year they were going to win it, and I want to be there for that. That was the moment that I knew I was going to be doing it again.

Annie has been rowing for most of her life, having started in high school in Melbourne. Though she was “really bad” at the sport, and didn’t quite enjoy it until her last year. As a former swimmer, she loved being part of a team – she must have been doing something right, as she got recruited to Princeton in her last year of high school.

What was the rowing culture/community like at Princeton?

Anezakis: It’s different [compared to Oxford] because you have so many opponents, and you have many more races leading up to the National Championships. I never felt the same pressure there. I never felt like I was only ever a winner or a loser: there was always a second place.

After her overseas adventure was interrupted by Covid, Annie wasn’t ready to go home just yet. Coming to Oxford for a Master’s, she had hopeful visions of rowing with Osiris. A year later, she would exceed any expectations and race her first Boat Race in the stern pair of the Blue Boat. Returning to Oxford for her graduation ceremony, Annie realised she wasn’t quite ready to let go of the Dark Blues and her dream of winning the Boat Race.

To what extent did you follow rowing around the world, and to what extent did it follow you?

Anezakis: It opened the doors and made me realise what’s possible. I’ve always been quite academic and always wanted to do medicine, but if it hadn’t been for rowing, I wouldn’t have made the steps to leave home and go to such big academic institutions. It put the idea in my head, when it otherwise wouldn’t have been. It was more of a pipe dream that came true. I haven’t really sought out opportunities in rowing; they’ve been more incidental to the other things I’ve aimed for. Honestly, I’ve pursued the academic options more, and rowing has been a very nice thing to complement that.

Despite sharing many similarities with Annie’s journey to the Boat Race, Esther has very much followed rowing, wherever it may take her.

Esther learned how to row in Zaragoza, Spain, at just ten years old. It wasn’t a major sport, it wasn’t offered at her school, and it was mainly targeted toward boys. Though it was relatively cheap and therefore accessible, the conditions were basic, and the equipment left a lot to be desired. And yet, similarly to Annie, it was a community that she loved being a part of, and so she stuck with it.

After the Junior World Champs, she was scouted by an Ivy League in the States and left home on a full ride to Stanford. She describes sport there as being a massive part of the community, not just because of the athletes, but because of the support the crews received. Surrounded by so many hardworking people, she found it easy to push herself. Even in high school, she had a goal to row in the Olympics. A long shot? Tough and tiring? Maybe. But certainly not impossible.

Have you always had this kind of drive in you?

Zamorano: I’ve always had a good schedule. In high school, I learned not to procrastinate, to do homework before meeting friends. If there’s a possibility of achieving a goal, I will do anything to get there.

And so, after four years of rowing at Stanford, Esther started training with the Spanish national team for two years. In the summer of 2024, she rowed in her first Olympic Games in a coxless pair. One goal crossed off the list and LA 2028 still four years away, this was the perfect time to chase down another dream of hers. From watching highlights of the Boat Race as a teenager, in awe of the intensity of the historic event, Ester decided to apply for an MBA at Oxford. She was one step closer to the Boat Race.

Lilli, originally from Cologne, didn’t learn to row until she joined the Edinburgh University Boat Club’s novice programme, initially learning to scull, then moving on to eights. She spent a year rowing with the seniors at Edinburgh before coming to Oxford and racing for Osiris in 2023, and again in 2024, where they were the only Oxford crew to win against the Light Blues. Lilli made the Blue Boat the next year, as her sister Mia, two years her junior, raced for the Cambridge reserve crew for the first time. Unlike Esther, Lilli never dreamed of winning the Boat Race. She merely hoped “they wouldn’t send [her] away”. 

Lilli and Mia played on the same football teams growing up, before, for the sake of killing time during the pandemic, stumbled across what would become a newfound passion: rowing. This was to be their first sporting clash other than ‘family friendlies’. As it was Lilli’s last year at Oxford, whoever won the race was also to win “ultimate bragging rights”.

This is how the two made headlines in 2026 as they became the first sisters in 22 years to race against each other. On the men’s side, however, sibling rivalries are less unusual: brothers racing each other has long been a recurring feature of the Boat Race. That is not entirely coincidental. In Oxford’s 2026 men’s Blue Boat, six of the nine athletes were privately educated, reflecting rowing’s longstanding association with Britain’s fee-paying schools. Rowing – like many elite sports – developed historically as an overwhelmingly male and upper-class pursuit. The men’s Boat Race predates the women’s by almost a century, first being raced in 1829, the women’s first in 1927. For decades, Oxbridge admissions were themselves heavily dominated by private-school alumni, while independent schools possessed the funding, facilities, and coaching structures needed to sustain rowing programmes that most state schools simply could not offer. Although those dynamics have not disappeared from the women’s side, the shorter and less entrenched history of women’s rowing at the elite level has arguably opened the door to a broader range of backgrounds and pathways into the sport, as seen in the diverse backgrounds of the women’s boat.

This diversity is something not only accepted, but actively praised by both Annie and Esther.

So many different backgrounds are represented in the women’s squad; how does this affect the team dynamic?

Zamorano: It’s such an eclectic mix of people who come to form a very tight-knit community. Everyone has a unique rowing history, not just in experience, but in age, too. It can be harder to row together here: no two people in the squad study the same thing at the same level, and ultimately, everyone is here to do their degree first and foremost. But having people with more experience means we can uplift people who haven’t rowed for that long, and they learn how to row better much faster. At the same time, I’ve developed so much over the past year, I’ve learned so much from the younger rowers. It’s easy to make a boat go fast with someone who’s faster than you – making a boat go fast with someone slower than you makes you a better rower immediately.

Anezakis: It’s one of the coolest things about the Boat Race. As much as it’s a massive opportunity, it comes with its own challenge. Trying to integrate so many different opinions and trying to blend everyone’s unique experiences isn’t always easy, but I think it’s one of Oxford’s greatest strengths. You’ve got to think about how we can keep pushing those with more experience without losing those who have come up through the development squad. Our assistant coach, James, has been pushing an insane summer development squad – the gap between people who have learned to row at college, and those who learned to row at school becomes smaller and smaller each year.

How do you think the college rowing community fits into the bigger picture of rowing at Oxford?

Anezakis: It’s such a special thing that is so rare to find. Without college rowing, we wouldn’t have the foundation of OUBC that we do now. The college rowers form the bulk of OUBC; people who learn to row at college, come up through “dev squad”, and stay on for a few years really push the top end of the squad up. There is a sense that the whole rowing community at Oxford wants to see OUBC do well, whether that’s people doing dev squad, trialling and just missing out on a seat in the boat, or college rowers. We felt all of the support really strongly this year.

How have you experienced the Boat Race and Oxford as an Olympian?

Zamorano: There is such a special spirit to the Boat Race. The rivers are crowded and everyone cheers for you. For a day, you’re kind of like a superstar. I’m so honoured and blessed to be a part of the Blues alumni now, and I really hope to be involved in the future – and to make it easier for everyone who comes after me.

It’s so easy to believe that the squad is a place of joy and connection, full of hardworking and passionate athletes. Annie, who radiates sunshine whenever I talk to her, glows with pride as she describes the squad as her family. Esther, who meets my slightly nervous questions with effortless kindness, is consistently bursting with praise for her teammates and coaches.

The warmth within the squad seems inseparable from the diversity of experiences that shape it. Women who learned to row in Spanish clubs, Australian schools, or university novice programs all pull together in the same boat. Whether the Boat Race was a dream, a goal, or something that was discovered along the way, it’s a life-changing experience that is opening up to people who once had no chance of being there.

It was about time the tide turned, and I couldn’t imagine a better crew to lift the trophy.

Physics teaching to relocate amid asbestos concerns

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The University of Oxford is relocating its undergraduate physics practical teaching from the Denys Wilkinson Building amid concerns about the presence of asbestos at the ageing site.

From Michaelmas this year, some practical teaching labs will move to the former Biochemistry and Biological Sciences Teaching Centre, with the remainder moving by Michaelmas 2027. The Biochemistry and Biological Sciences Teaching Centre will be adapted for physics practical teaching. Around 600 undergraduates currently take part in compulsory practical coursework in the Denys Wilkinson Building across the first three years of Oxford’s physics degrees. 

A University spokesperson told Cherwell that the decision to relocate had been taken proactively “to avoid the risk of a sudden building failure causing disruption later”. The spokesperson added that the Denys Wilkinson Building, built in 1967,  “is being carefully managed through the later years of its usable life”, adding that the building “has some legacy issues, including asbestos”.  

‘Asbestos’ refers to several naturally occurring fibrous minerals that are resistant to heat, water, and chemicals and have been widely used in construction in the past. Asbestos is classified as carcinogenic by the World Health Organisation and has been banned in the UK since 1999.

A 2025 investigation by Confront Powers revealed that the University of Oxford breached asbestos management regulations, failing to audit buildings or complete asbestos management plans. The investigation found that the University identified 4,609 asbestos-containing materials across its buildings, with 21 buildings classified as “high risk”. 

The University spokesperson told Cherwell that the asbestos “is being managed safely, in line with regulations, and we are confident this means no building users have been put at any risk”, with regular air monitoring providing “an ongoing assurance” to the University. The spokesperson added that the relocation from the Denys Wilkinson Building “will allow teaching to continue without disruption while we address the building’s longer-term issues”. 

Oxford and Ohio Universities receive £9.24 million in funding for research into rare blood cancers

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The Oxford-Harrington Rare Disease Centre has received a share of a £9.24 million investment for their research into chronic lymphocytic leukaemia (CLL). The donation, split with the University of Ohio’s Seidman Cancer Centre, was given by philanthropists Susan ‘Dee’ Haslam, who was diagnosed with CLL in 2021, and her husband, Jimmy Haslam. 

The Oxford-Harrington Rare Disease Centre functions as a transatlantic collaboration between the University of Oxford and the Harrington Disease Institute, one of the University of Ohio’s teaching and research hospitals. The centre focuses on formulating treatments and cures for rare diseases, and has devised 214 medicines since 2012. 

In a statement, Ms Haslam said, “We hope to increase knowledge of CLL, generate new treatments and give others the confidence and information they need to navigate the disease”. 

David Cameron, former British Prime Minister and Chair of the Oxford-Harrington Rare Disease Centre Advisory Council, said in a statement: “I am delighted to see this generous support, which can help unlock meaningful advances in areas long overlooked and urgently in need of attention. This investment highlights the importance of international collaboration in accelerating progress for people affected by rare conditions.” 

A rare type of blood cancer, CLL is a slow-moving disease that typically impacts blood and bone marrow. Abnormal white blood cells develop within the marrow, impacting its ability to make healthy blood cells. Often these abnormal cells move into the blood stream, and build up in the lymph nodes and spleen. 

There are around 10 cases of CLL diagnosed in the UK every day, and around 60 a day in the US. 

Scientists are uncertain as to the cause of the cancer, but many have theorised that there is some hereditary element. Whilst there is currently no cure, symptoms can be managed through treatments such as chemotherapy, targeted medicines, radiotherapy, and sometimes surgery.  The donation will provide the funding to push new therapeutics into clinical trials.